Barbara Williamson proved the validity of one aspect of Sandstone that women in their 30's, 40's and 50's can be as alluring and sexually attractive as a twenty-year-old Bunny or Pet. -Robert Rimmer Author Barbara Williamson shares her story for the first time ever as cofounder of the highly successful and controversial Sandstone Retreat in the late 1960s and early 1970s. SANDSTONE Retreat quickly became outrageously popular with membership reaching five hundred, and numerous newspapers, magazines, books, movies, and television shows clamoring for interviews. SANDSTONE Retreat became known as the hub of the sexual revolution. John was branded as +The Messiah of Sex+ and I as the most liberated woman in America. Based on mutual trust and friendship, the bond between John and me grew so strong that we were inseparable for forty-seven years until his death. University professors nationwide rushed to visit this new kind of unstructured free love community to view and study members joyously living an alternate lifestyle. The dress code was optional but most everyone preferred nudity. Our goal at Sandstone was understanding society and setting it free. We believe in the sexual self as being at the core of organized social behavior. When sexuality is distorted, it leads to a distortion of the basic self. Upon my retirement we settled in Fallon, Nevada, and responded to an urgent call to save the lives of lions and tigers facing homelessness and euthanasia. Within thirty days, a permanent home was built for them. Now, we must learn how to feed and care for them. This book offers insight into their personalities. It may shock you to know how much alike we are with these magical creatures on the brink of extinction.
When was feminism born - in the 1960s, or in the 1660s? For England, one might answer: the early decades of the seventeenth century. James I was King of England, and women were expected to be chaste, obedient, subordinate, and silent. Some, however, were not, and these are the women who interest Barbara Lewalski - those who, as queens and petitioners, patrons and historians and poets, took up the pen to challenge and subvert the repressive patriarchal ideology of Jacobean England. Setting out to show how these women wrote themselves into their culture, Lewalski rewrites Renaissance history to include some of its most compelling - and neglected - voices. As a culture dominated by a powerful Queen gave way to the rule of a patriarchal ideologue, a woman's subjection to father and husband came to symbolize the subjection of all English people to their monarch, and all Christians to God. Remarkably enough, it is in this repressive Jacobean milieu that we first hear Englishwomen's own voices in some number. Elizabeth Cary, Aemilia Lanyer, Rachel Speght, and Mary Wroth published original poems, dramas, and prose of considerable scope and merit; others inscribed their thoughts and experiences in letters and memoirs. Queen Anne used the court masque to assert her place in palace politics, while Princess Elizabeth herself stood as a symbol of resistance to Jacobean patriarchy. By looking at these women through their works, Lewalski documents the flourishing of a sense of feminine identity and expression in spite of - or perhaps because of - the constraints of the time. The result is a fascinating sampling of Jacobean women's lives and works, restored to their rightful place in literary historyand cultural politics. In these women's voices and perspectives, Lewalski identifies an early challenge to the dominant culture - and an ongoing challenge to our understanding of the Renaissance world.
All children must have an opportunity to share the joy of choral music participation - whether in school, church, or community choirs. What happens before the singing begins, is critical to supporting, sustaining, and nurturing choirs to give every child the opportunity to experience the wonder of choral singing. Based on years of experience conducting and teaching, Barbara Tagg brings a wealth of practical information about ways of organizing choirs. From classroom choirs, to mission statements, boards of directors, commissioning, auditioning, and repertoire, Before the Singing will inspire new ways of thinking about how choirs organize their daily tasks. The collaborative community that surrounds a choir includes conductors, music educators, church choir directors, board members, volunteers, staff, administrators, and university students in music education and nonprofit arts management degree programs. For all these, Tagg offers a wealth of knowledge about creating a positive environment to support artistry, creativity, dedication, and a commitment to striving for excellence.
Once called "America's greatest actress," renowned for the passion and power of her performances, Clara Morris (1847-1925) has been largely forgotten. A Spectacle of Suffering: Clara Morris on the American Stage is the first full-length study of the actress's importance as a feminist in the late nineteenth and early twentieth centuries. Detailing her daunting health problems and the changing tastes in entertainment that led to her retirement from the stage, Barbara Wallace Grossman explores Morris's dramatic reinvention as an author. During a second robust career, she published hundreds of newspaper and magazine articles and nine books—six works of fiction and three memoirs. Grossman draws on the fifty-four-volume diary that Morris kept from 1868 until 1924, as well as on the manuscript fragments and notes of journalist George T. MacAdam, who died in 1929 before completing the actress's biography. Grossman provides a dramatic account of Morris's life and work from her troubled early years, through an unhappy marriage, morphine addiction, and invalidism, to the challenges of touring, the decline of her artistic reputation, and the demands of the writing career she pursued so tenaciously. A Spectacle of Suffering reveals how Morris, even after experiencing blindness and the loss of her home, livelihood, and family, did not succumb to despair and found comfort in the small pleasures of her circumscribed life. A Spectacle of Suffering recovers an important figure in American theatre and ensures that Morris will be remembered not simply as an actress but as a respected writer and beloved public figure, admired for her courage in dealing with adversity. The book, which is enhanced by twenty-four illustrations, is the only published biography of Clara Morris. It is as much a tribute to the power of the human spirit as it is an effective means of exploring American theatre and society in the Gilded Age.
This book "Inner Eye" is a collection of beautiful and deep-meaning poems from poets around the world. It is a mix of both short and long poems. All those people who love to dive into the world of poetic description with an imaginative approach will love this book for sure. Test your hidden imagination powers and procreate a hypothetical world of your poet's description. A deep-meaning, strongly imaginative, and a must once in a life reading book for poem lovers. Also, an essential book to showcase and flaunt your book collection among your family, relatives, friends, or followers.
This will help us customize your experience to showcase the most relevant content to your age group
Please select from below
Login
Not registered?
Sign up
Already registered?
Success – Your message will goes here
We'd love to hear from you!
Thank you for visiting our website. Would you like to provide feedback on how we could improve your experience?
This site does not use any third party cookies with one exception — it uses cookies from Google to deliver its services and to analyze traffic.Learn More.