President by Massacre pulls back the curtain of "expansionism," revealing how Andrew Jackson, William Henry Harrison, and Zachary Taylor massacred Indians to "open" land to slavery and oligarchic fortunes. President by Massacre examines the way in which presidential hopefuls through the first half of the nineteenth century parlayed militarily mounted land grabs into "Indian-hating" political capital to attain the highest office in the United States. The text zeroes in on three eras of U.S. "expansionism" as it led to the massacre of Indians to "open" land to African slavery while luring lower European classes into racism's promise to raise "white" above "red" and "black." This book inquires deeply into the existence of the affected Muskogee ("Creek"), Shawnee, Sauk, Meskwaki ("Fox"), and Seminole, before and after invasion, showing what it meant to them to have been so displaced and to have lost a large percentage of their members in the process. It additionally addresses land seizures from these and the Tecumseh, Tenskwatawa, Black Hawk, and Osceola tribes. President by Massacre is written for undergraduate and graduate readers who are interested in the Native Americans of the Eastern Woodlands, U.S. slavery, and the settler politics of U.S. expansionism.
Tracing the intersecting lives of a Confederate plantation owner and a free black Union soldier, Barbara L. Bellows’ Two Charlestonians at War offers a poignant allegory of the fraught, interdependent relationship between wartime enemies in the Civil War South. Through the eyes of these very different soldiers, Bellows brings a remarkable, new perspective to the oft-told saga of the Civil War. Recounted in alternating chapters, the lives of Charleston natives born a mile a part, Captain Thomas Pinckney and Sergeant Joseph Humphries Barquet, illuminate one another’s motives for joining the war as well as the experiences that shaped their worldviews. Pinckney, a rice planter and scion of one of America’s founding families, joined the Confederacy in hope of reclaiming an idealized agrarian past; and Barquet, a free man of color and brick mason, fought with the Union to claim his rights as an American citizen. Their circumstances set the two men on seemingly divergent paths that nonetheless crossed on the embattled coast of South Carolina. Born free in 1823, Barquet grew up among Charleston’s tight-knit community of the “colored elite.” During his twenties, he joined the northward exodus of free blacks leaving the city and began his nomadic career as a tireless campaigner for black rights and abolition. In 1863, at age forty, he enlisted in the 54th Massachusetts Volunteer Infantry—the renowned “Glory” regiment of northern black men. His varied challenges and struggles, including his later frustrated attempts to play a role in postwar Republican politics in Illinois, provide a panoramic view of the free black experience in nineteenth-century America. In contrast to the questing Barquet, Thomas Pinckney remained deeply connected to the rice fields and maritime forests of South Carolina. He greeted the arrival of war by establishing a home guard to protect his family’s Santee River plantations that would later integrate into the 4th South Carolina Cavalry. After the war, Pinckney distanced himself from the racist violence of Reconstruction politics and focused on the daunting task of restoring his ruined plantations with newly freed laborers. The two Charlestonians’ chance encounter on Morris Island, where in 1864 Sergeant Barquet stood guard over the captured Captain Pinckney, inspired Bellows’ compelling narrative. Her extensive research adds rich detail to our knowledge of the dynamics between whites and free blacks during this tumultuous era. Two Charlestonians at War gives readers an intimate depiction of the ideological distance that might separate American citizens even as their shared history unites them.
Originally published in 1979, this book explains why so many people suffer behavioural changes in later life; how this affects those around them; the services that exist to assist older people and those who work with them and how such services can be profitably used. A recurring theme is the interaction of the different varieties of mental illness with one another and with physical, emotional, social and personality factors. The book provides detailed guidance for social workers caring for the elderly on such topics as how an assessment of a mentally disturbed older person can be made; procedure for removal from home under a court order and compulsory admission to hospital; ways of communicating with elderly people and gauging the needs of relatives and carers.
Faith Confronts Evil tells the stories of African American women before the Civil War who countered the rampant evil of slavery with the strength of their Christian faith. They claimed the words of the gospel, that Jesus comes to set the captives free. They embraced Christianity as the source of liberty, humanity, and justice in which God was on their side, Jesus was their friend, and the Holy Spirit was their guide to all truth. Their stories are essential for understanding the central role Christian faith played in realizing, however imperfectly, the promises the US Constitution made to all its citizens. As we listen to Phillis Wheatley, Jarena Lee, Betsy Crissman, Mary Reynolds, Harriet Tubman, Sojourner Truth, and many others, we discover that their shared stories turn strangers into acquaintances, acquaintances into friends. These stories of antebellum African American Christian women are our story, an “our” that embraces anyone who identifies as a Christian or anyone who is merely interested in the early formation of the United States of America.
Three comedies of manners set in postwar England by the New York Times–bestselling author of Excellent Women and “the rarest of treasures” (Anne Tyler). Often characterized as the twentieth-century literary heiress to Jane Austen, and heralded by Phillip Larkin as “the most underrated novelist of the century,” Barbara Pym explored female friendship and the quiet yearnings of British middle-class life—not the least of which, unrequited love—with sharp wit and deep compassion for her characters. No wonder Eudora Welty called her work “sheer delight” and the New York Times raved, “her entire canon is a treat.” A Glass of Blessings: Wilmet Forsyth is bored with her everyday routine: teatimes, local gossip, even with her husband, Rodney, a civil servant who dotes on her. But Wilmet’s conventional life takes a turn when she runs into the enigmatic brother of a close friend. Piers Longridge is a mystery Wilmet is determined to solve. Driven by a fantasy of romance, the sheltered, naïve Englishwoman sets out to seduce Piers—only to discover that he isn’t the man she thinks he is. Some Tame Gazelle: Pym’s debut novel invites readers to “step into the Jane Austen–like lives of Harriet and Belinda Bede,” sisters who live together in a small English village (The Christian Science Monitor). Shy, sensible Belinda has been secretly in love with the married archdeacon of their church for thirty years. Meanwhile Belinda’s more confident younger sister, Harriet, is herself pursued by an Italian count whose proposals of marriage are always graciously declined. But it’s a new arrival in their midst who has everyone talking. For now, in this poignant novel of unrequited love, that is enough. Jane and Prudence: Jane Cleveland and Prudence Bates were friends at Oxford, but now lead very different lives. Jane is married to a vicar in a proper English parish with a daughter she adores. Prudence lives in London, career-minded and fiercely independent—until Jane decides she should be married. Jane has the perfect husband in mind. What follows is a delightfully trenchant story of manners, morals, family, and female bonding that redefines the social novel for a new generation.
A “rich, varied, sensitive” biography of three nineteenth-century women: an educator, an early feminist, and the author of Uncle Tom’s Cabin (Publishers Weekly). Daughters of the famous evangelist Lyman Beecher, Catherine, Harriet, and Isabella could not follow their father and seven brothers into the ministry. Nonetheless, they carved out path-breaking careers for themselves. Catharine Beecher founded the Hartford Female Seminary and devoted her life to improving women’s education. Harriet Beecher Stowe became world famous as the author of Uncle Tom’s Cabin. And Isabella Beecher Hooker was an outspoken advocate for women’s rights. This engrossing book is a joint biography of the sisters, whose lives spanned the full course of the nineteenth century. The life of Isabella Beecher—who has never been the subject of a biography—is examined in particular detail here, as Barbara White draws on little used sources to explore Isabella’s political development and her interactions with her sisters and with prominent people of the time—from Susan B. Anthony and Elizabeth Cady Stanton to Mark Twain.
The distance between medical and public priorities is exposed in four case studies that reveal the human choices governing scientific innnovation and explore the political, economic and social factors influencing those choices.
Winner of the 2017 Homer D. Babbidge Jr. Award presented by the Association for the Study of Connecticut History Based on a treasure trove of more than two hundred personal letters written in the 1860s, Hopes and Expectations tells the story of three young African Americans in the North. Living on Maryland's eastern shore, schoolteacher Rebecca Primus sent "home weeklies" to her parents in Hartford and also corresponded with friend Addie Brown, a domestic worker back home. Addie wrote voluminously to Rebecca, lamenting their separation and describing her struggle to achieve a semblance of security and stability. Around the same time, Rebecca's brother, Nelson, began writing home about his new life in Boston, as he set out to make a name and a career for himself as an artist. The letters describe their daily lives and touch on race, class, gender, religion, and politics, offering rare entry into individual black lives at that time. Through extensive archival research, Barbara J. Beeching also shows how the story of the Primus family intersects with changes over time in Hartford's black community and the country. Newspapers and census tracts, as well as probate, land, court, and vital records help her trace an arc of local black fortunes between 1830 and 1880. Seeking full equality, blacks sought refinement and respectability through home ownership, literacy, and social gains. One of the many paradoxes Beeching uncovers is that just as the Civil War was tearing the nation apart, a recognizable black middle class was emerging in Hartford. It is a story of individuals, family, and community, of expectation and disappointment, loss and endurance, change and continuity.
An in-depth analysis of the composition of Invisible Man and Ralph Ellisons move away from the radical left during his writing of the novel between 1945 and 1952.
Josephine Pinckney (1895--1957) was an award-winning, best-selling author whose work critics frequently compared to that of Jane Austen, Edith Wharton, and Isak Dinesen. Her flair for storytelling and trenchant social commentary found expression in poetry, five novels -- Three O'Clock Dinner was the most successful -- stories, essays, and reviews. Pinckney belonged to a distinguished South Carolina family and often used Charleston as her setting, writing in the tradition of Ellen Glasgow by blending social realism with irony, tragedy, and humor in chronicling the foibles of the South's declining upper class. Barbara L. Bellows has produced the first biography of this very private woman and emotionally complex writer, whose life story is also the history of a place and time -- Charleston in the first half of the twentieth century. In A Talent for Living, Pinckney's life unfolds like a novel as she struggles to escape aristocratic codes and the ensnaring bonds of southern ladyhood and to embrace modern freedoms. In 1920, with DuBose Heyward and Hervey Allen, she founded the Poetry Society of South Carolina, which helped spark the southern literary renaissance. Her home became a center of intellectual activity with visitors such as the poet Amy Lowell, the charismatic presidential candidate Wendell Willkie, and the founding editor of theSaturday Review of Literature Henry Seidel Canby. Sophisticated and cosmopolitan, she absorbed popular contemporary influences, particularly that of Freudian psychology, even as she retained an almost Gothic imagination shaped in her youth by the haunting, tragic beauty of the Low Country and its mystical Gullah culture. A skilled stylist, Pinckney excelled in creating memorable characters, but she never scripted an individual as engaging or intriguing as herself. Bellows offers a fascinating, exhaustively researched portrait of this onetime cultural icon and her well-concealed personal life.
In A Free Man of Color, Fever Season, and Graveyard Dust, Benjamin January penetrated the murkiest corners of glittering old New Orleans to bring murderers to justice. Now, in bestselling author Barbara Hambly's haunting new novel, he explores a vivid and violent plantation world darker than anything in the city.... Sold Down the River. The crisp autumn air of 1834 awakens the French Town to a new season of balls and operas. But this November there will be no waltzes played by Benjamin January, no piano lessons for Creole children. For a shadow has emerged from his past-Simon Fourchet, the savage man to whom he was bound in slavery until the age of seven. When someone he cannot refuse asks the favor, Benjamin reluctantly agrees to reenter the realm of his childhood on Fourchet's upriver sugar plantation. Abandoning his Parisian French for the African patois of a field hand, Benjamin sets out to uncover who and what lies behind the sinister happenings there. On All Souls' night, at the dark of the moon, a fire was started in the mill. A field gang's food has been poisoned and the butler murdered. And voodoo curse marks appear everywhere. If the villain cannot be discovered, every slave on Mon Triomphe will be condemned to what passes for justice. Cutting cane from dawn to nightfall, until his bones ache and his musician's hands bleed, Benjamin strives to unlock the riddle. Are these the omens of a slave revolt, or something more personal? As acts of sabotage mount and voodoo signs multiply, he ponders the family in the big house: Fourchet's pale and pious new wife, his two grown sons, and his shrewish daughter-in-law. Then the inhabitants of the slave quarters: a proud and secretive cook, young lovers torn apart by a brutal overseer, men and women who long for loved ones sold away. And what of the neighboring planter, feuding with Fourchet over a piece of land... or the elusive river trader who knows so many of the servants' secrets? Somewhere in the warp and weft of these people's lives lurks Benjamin's quarry-whose scheming could destroy not just Fourchet but all his kin and every human being he owns. And Benjamin January must use all his intelligence and cunning to find the killer, before he finds himself... Sold Down the River.
Towering over the Kanto Plain, the sacred mountain Ōyama (literally, “Big Mountain”) has loomed large over the religious landscape of early modern Japan. By the Edo period (1600–1868), the revered peak had undergone a transformation from secluded spiritual retreat to popular pilgrimage destination. Its status as a regional landmark among its devotees was boosted by its proximity to the shogunal capital and the wide appeal of its amalgamation of Buddhism, Shinto, mountain asceticism, and folk beliefs. The influence of the Ōyama cult—the intersecting beliefs, practices, and infrastructure associated with the sacred site—was not lost on the ruling Tokugawa shogunate, which saw in the pilgrimage an opportunity to reinforce the communal ideals and social structures that the authorities espoused. Barbara Ambros provides a detailed narrative history of the mountain and its place in contemporary society and popular religion by focusing on the development of the Ōyama cult and its religious, political, and socioeconomic contexts. Richly illustrated and carefully researched, this study emphasizes the importance of “site” or “region” in considering the multifaceted nature and complex history of religious practice in Tokugawa Japan.
William Huggins (1824–1910) was celebrated in his lifetime as the father of astrophysics. The letters and observatory notebooks contained in this edition allow Huggins’ important role in the development of astrophysics to fully emerge. Material comes from archives around the world and is previously unpublished.
Musician, sleuth and free man of color Benjamin January gets mixed in politics, with murderous results. "The historical backdrop is vivid, and the writing is exquisite. One of the best in a not-to-be-missed series" - Booklist Starred Review September, 1840. A giant rally is being planned in New Orleans to stir up support for presidential candidate William Henry Harrison: the Indian-killing, hard-cider-drinking, wannabe "people's president". Trained surgeon turned piano-player Benjamin January has little use for politicians. But the run-up to the rally is packed with balls and dinner parties, and the meagre pay is sorely needed. Soon, however, January has more to worry about than keeping his beloved family fed and safe. During an elegant reception thrown by New Orleans' local Whig notables, the son of a prominent politician gets into a fist-fight with a rival over beautiful young flirt Marie-Joyeuse Maginot - and, the day after the rally is over, Marie-Joyeuse turns up dead. The only black person amongst the initial suspects is arrested immediately: January's dear friend, Catherine Clisson. With Catherine's life on the line, January is determined to uncover the truth and prove her innocence. But his adversaries are powerful politicians, and the clock is ticking . . .
In such stunning novels of crime and character as Die Upon a Kiss, Sold Down the River, and A Free Man of Color, Benjamin January tracked down killers through the sensuous, atmospheric, dangerously beautiful world of Old New Orleans. Now, in this new novel by bestselling author Barbara Hambly, he follows a trail of murder from illicit back alleys to glittering mansions to a dark place where the oldest and deadliest secrets lie buried . . . Wet Grave It’s 1835 and the relentless glare of the late July sun has slowed New Orleans to a standstill. When Hesione LeGros--once a corsair’s jeweled mistress, now a raddled hag--is found slashed to death in a shanty on the fringe of New Orleans’s most lawless quarter, there are few to care. But one of them is Benjamin January, musician and teacher. He well recalls her blazing ebony beauty when she appeared, exquisitely gowned and handy with a stiletto, at a demimonde banquet years ago. Who would want to kill this woman now--Hessy, they said, would turn a trick for a bottle of rum--had some quarrelsome “customer” decided to do away with her? Or could it be one of the sexual predators who roamed the dark and seedy streets? Or--as Benjamin comes to suspect--was her killer someone she knew, someone whose careful search of her shack suggests a cold-blooded crime? Someone whose boot left a chillingly distinctive print . . . His inquiries at taverns, markets, and slave dances reveal little about “Hellfire Hessy” since her glory days in Barataria Bay, once the lair of gentlemen pirates. Then the murder is swept from his mind by the delivery of a crate filled with contraband rifles--and yet another telltale boot print left by its claimant. When a murder swiftly follows, Ben and Rose Vitrac, the woman he loves, fear the workings of a serpentine mind and a treacherous plot: one only they can hope to thwart in time. All too soon they are fugitives of color in the stormy bayous and marshes of slave-stealer country, headed for smugglers’ haunts and sinister plantations, where one false step could be their last toward a...Wet Grave.
Tocqueville, Covenant, and the Democratic Revolution examines the intellectual and institutional context in which Alexis de Tocqueville developed his understanding of American political culture, with its profound influence on his democratic theory. This book also examines Tocqueville's claim that religious beliefs are among the most important determinants of a people's social structure and political institutions.
Concise yet comprehensive, Cytology: Diagnostic Principles and Clinical Correlates is a practical guide to the diagnostic interpretation of virtually any cytological specimen you may encounter. This highly useful bench manual covers all organ systems and situations in which cytology is used, including gynecologic, non-gynecologic, and FNA samples, with an in-depth differential diagnosis discussion for all major entities. As with previous editions, the revised 5th Edition focuses on practical issues in diagnosis and the use of cytology in clinical care, making it ideal for both trainee and practicing pathologists. - Uses easy-to-read, bulleted text to provide a quick review of key differential diagnoses, indications and methods, cytomorphologic features, clinical pearls, and tissue acquisition protocols for specific entities. - Includes coverage of patient management in discussions of pertinent clinical features and emphasizes clinical correlation throughout. - Examines the role of immunohistochemistry, flow cytometry, and molecular biology in resolving difficulties in interpretation and diagnosis. - Features more than 550 full-color illustrations that provide a real-life perspective of a full range of cytologic findings. - Discusses hot topics such as new diagnostic biomarkers and their utility in differential diagnosis, the latest Bethesda System classifications/terminology, new techniques, and new adjunct tests. - Provides an in-depth analysis of common diagnostic pitfalls to assist with daily sign-out and reporting. - Includes a video on how to perform fine needle aspiration biopsy, from the patient interview and precautions to demonstration of techniques. - Enhanced eBook version included with purchase. Your enhanced eBook allows you to access all of the text, figures, and references from the book on a variety of devices.
When was feminism born - in the 1960s, or in the 1660s? For England, one might answer: the early decades of the seventeenth century. James I was King of England, and women were expected to be chaste, obedient, subordinate, and silent. Some, however, were not, and these are the women who interest Barbara Lewalski - those who, as queens and petitioners, patrons and historians and poets, took up the pen to challenge and subvert the repressive patriarchal ideology of Jacobean England. Setting out to show how these women wrote themselves into their culture, Lewalski rewrites Renaissance history to include some of its most compelling - and neglected - voices. As a culture dominated by a powerful Queen gave way to the rule of a patriarchal ideologue, a woman's subjection to father and husband came to symbolize the subjection of all English people to their monarch, and all Christians to God. Remarkably enough, it is in this repressive Jacobean milieu that we first hear Englishwomen's own voices in some number. Elizabeth Cary, Aemilia Lanyer, Rachel Speght, and Mary Wroth published original poems, dramas, and prose of considerable scope and merit; others inscribed their thoughts and experiences in letters and memoirs. Queen Anne used the court masque to assert her place in palace politics, while Princess Elizabeth herself stood as a symbol of resistance to Jacobean patriarchy. By looking at these women through their works, Lewalski documents the flourishing of a sense of feminine identity and expression in spite of - or perhaps because of - the constraints of the time. The result is a fascinating sampling of Jacobean women's lives and works, restored to their rightful place in literary historyand cultural politics. In these women's voices and perspectives, Lewalski identifies an early challenge to the dominant culture - and an ongoing challenge to our understanding of the Renaissance world.
Before the Civil War, a large part of the U.S. economy was built on slave labor. Readers learn that goods could be produced and sold cheaply because the slaves were unpaid for their labor. Millions of black men, women, and children were treated as property. Although slavery has been abolished, the racism that sprang from this period still haunts America today. Accessible text, primary sources, and informative sidebars provide readers with an unvarnished look at a tragic period in America’s past.
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