After fleeing the home of Professor Jacob Goldman for Rome following heartbreak at eighteen, Katherine returns to find the Goldman family ten years later.
Brilliant Australian Caroline can command everyone except her own ghoulish mother, which means that things aren't easy for Josh and Zoe, her husband with Stravinsky-glasses and twelve-year-old daughter. Zoe reads girls' ballet books and longs for lessons; a thing denied her until a chance encounter on a school French exchange. Meanwhile, on the east coast of Africa, Hattie, Josh's first love, now writes girls' ballet books when she can carve out time when she isn't caring for her husband and her crosspatch daughter. From far and wide, they are all drawn together: a masquerade in which things are not always what they seem. Elizabeth Gilbert on Barbara Trapido: "Why did it take me so long to discover the singular joys of Barbara Trapido's novels? Why, for so many years, had I missed these witty, soulful, heartbreaking, expansive, brilliant tales? I have become a literary evangelist on her behalf. On account of my badgering, all my friends now love her, too. I won't rest until everyone in America has read (and fallen in love with) this fabulous author." --Elizabeth Gilbert
Sparky Christina and her saintly adopted sister Pam couldn't be more different. Raised in New York, they are sent to boarding school in England where they meet the similarly mismatched friends Jago and Peter. The four embark on a dazzling series of pairings and partings, outrageous coincidences, and eleventh-hour entrances. Their camaraderie is interrupted one disastrous Halloween when schoolboy revelry turns horribly wrong. Three years on, as Christina analyzes the wit, cruelty, and crossed genders of Shakespearean comedy, the cast of her own life reunites and the curtain falls on some gloriously unexpected partnerships. "Why did it take me so long to discover the singular joys of Barbara Trapido's novels? Why, for so many years, had I missed these witty, soulful, heartbreaking, expansive, brilliant tales? I have become a literary evangelist on her behalf. On account of my badgering, all my friends now love her, too. I won't rest until everyone in America has read (and fallen in love with) this fabulous author." --Elizabeth Gilbert
Ali Bobrow is an otherworldly single parent with an overwrought nine-year-old daughter, a malevolent ex and his grabby new wife, and an underused artistic talent. A pushover when it comes to needy neighbors and uninvited children, she allows her house to be the local drop-in center, until she collides with Noah Glazer, who falls for her pale red hair. A solid man of science, Noah walks into her over-populated life bringing good sense, order, and security. But ten years later, Ali is drawn back into the complexities of her past; an old lover, two ex-spouses, a colleague from clown school, and a small smuggled cat all help to rock the boat. "Why did it take me so long to discover the singular joys of Barbara Trapido's novels? Why, for so many years, had I missed these witty, soulful, heartbreaking, expansive, brilliant tales? I have become a literary evangelist on her behalf." --Elizabeth Gilbert
Stunning and difficult, Stella Goldman is programmed for maximum nuisance capacity, but when she discovers both her father's affair and her boyfriend's infidelity on the same day, she flees into the arms of kindly Pen, who speaks as though he's stepped out of Brief Encounter. Meanwhile, her friend Ellen struggles to come to terms with the death of her sister, Lydia, whose ghost haunts not only her and her father Roland, but the beloved Goldmans (from Brother of the More Famous Jack), too. Along with eccentric professors, wicked monks, and the titular travelling hornplayer, their lives collide in a breathtaking finale.
Dinah and her sister Lisa are growing up in 1950s South Africa, where racial laws are tightening. They are two little girls from a dissenting liberal family. Big sister Lisa is strong and sensible, while Dinah is weedy and arty. At school, the sadistic Mrs Vaughan-Jones is providing instruction in mental arithmetic and racial prejudice. And then there's the puzzle of lunch break. "Would you rather have a native girl or a koelie to make your sandwiches?" a first-year classmate asks. But Dinah doesn't know the answer, because it's her dad who makes her sandwiches. As the apparatus of repression rolls on, Dinah finds her own way. As we follow her journey through childhood and adolescence, we enter into one of the darker passages of twentieth-century history.
Ali Bobrow is an other-worldly single parent with a fraught nine-year-old daughter, a malevolent 'ex' with a grabby new wife, and an underused artistic talent. A pushover when it comes to needy neighbours and uninvited children, she allows her house to be the local drop-in centre, until she collides with Noah Glazer, who falls for her pale red hair. A solid man of science, Noah walks into her over-populated life bringing good sense, order and security. But ten years on, Ali is drawn back into the complexities of her past- an old lover, two ex-spouses, a colleague from clown school and a small smuggled cat all help to rock the boat.
Stylish, suburban Katherine is eighteen when she is propelled into the centre of Professor Jacob Goldman's rambling home and his large eccentric family. As his enchanting yet sharp-tongued wife Jane gives birth to her sixth child, Katherine meets the volatile, stroppy Jonathan and his older, more beautiful brother Roger, who wins her heart. First love quickly leads to heartbreak and sends her fleeing to Rome but, ten years on, she returns to find the Goldmans again. A little wiser and a lot more grown-up, Katherine faces her future. Brother of the More Famous Jack is Barbara Trapido's highly acclaimed and much loved debut; a book that redefined the coming-of-age novel.
Lydia is killed in a car accident, but she returns to her bereft sister as a benign ghost who, nonetheless, comes to haunt the lives of those around her in unexpected ways- Jonathan Goldman, whose flat Lydia is running from when she is knocked down; his daughter Stella, who has discovered that her father has been having an affair with the gladiatorial Sonia; Stella's genius painter-boy lover Izzy, whom she leaves behind as she flees to the arms of kindly Peregrine. Along with good stepmothers, bad mothers, strange professors and wicked monks, their lives collide in a breathtaking finale.
Alisons to mislykkede ægteskaber har ladt hende alene tilbage med en køn elleveårig datter, et hus fuld af tilfældigt sammenskrabet indbo, og en flok naboer, som betragter hendes hus som et hotel. Så møder hun Noah Glazer, som redder hende fra at blive kørt ned. Han er en hæderlig amerikansk læge, tyve år ældre, og han bringer orden i hendes tilværelse – indtil han er borte til en konference, og Alison bliver konfronteret med sit tidligere liv. Noahs ark er Barbara Trapidos tredje bog på dansk – tidligere har hun udgivet "Jongløren" og "Den omrejsende hornblæser". Den britiske forfatter Barbara Trapido er født i 1941 i Sydafrika og har både tyske, danske og hollandske aner. Barbara Trapido emigrerede til London i 1963, hvor hun i en årrække arbejdede som lærer. I 1982 debuterede Barbara Trapido som forfatter med romanen "Brother of the More Famous Jack".
Metropolitan Phoenix explores the efforts to build a sustainable desert city in the face of environmental uncertainty, rapid growth, and increasing social diversity.
The time is 1995, but everyone has a past. Brilliant Australian Caroline can command everyone except her own ghoulish mother - things aren't easy for Josh and Zoe, her husband and twelve-year-old daughter. Josh has bizarre origins in South Africa, but now teaches mime in Bristol. Zoe reads girls' ballet books and longs for ballet lessons. Meanwhile, on the east coast of Africa, Hattie Thomas, Josh's first love, has taken to writing girls' ballet books from the turret of her fabulous house - that's when she can carve out a space between her alpha male husband Herman and her crosspatch daughter Cat. From far and wide, they are all drawn together; drawn to beautiful, mysterious Jack. Or is he Jacques? Or Giacome?
These writings have evolved properly over living many years on the planet and enjoying observations of my fellow man. It's about learning how to flow within the rhythm of all “LIFE FORMS” and laughing about silly things incredulous human beings do. It’s about loving the human race, and living everywhere on the planet at one time; it’s about you! Note: There is no intention on my part to be cogent as these writings have come about from a knowing heart! Upon using the words man and he, I am referring to the Homo Sapien species which include both male/female gender as we know it at the time of these writings.
Mining the same terrain as in their previous collection, Stories of the Modern South, Forkner and Samway turn their attention to an earlier era. Most of the stories in this collection were written in the 19th century.
________________________ A JOYFUL 40TH ANNIVERSARY EDITION OF A COMING-OF-AGE CLASSIC ________________________ 'There are few modern tales of first love and its disillusions that are as thoroughly realised, as brilliantly lewd, and as hilariously satisfying to men and women of all ages as this one' - Rachel Cusk Eighteen-year-old Katherine - bright, stylish, frustratedly suburban - doesn't know how her life will change when the brilliant Jacob Goldman first offers her a place at university. When she enters the Goldmans' rambling bohemian home, presided over by the beatific matriarch Jane, she realises that Jacob and his family are everything she has been waiting for. But when a romantic entanglement ends in tears, Katherine is forced into exile from the family she loves most. And her journey back into the fold, after more than a decade away, will yield all kinds of delightful surprises... ________________________ 'The perfect book' - Meg Mason 'The best possible company in this difficult world' - Ann Patchett 'A daisy bomb of joy' - Maria Semple 'Funny, charming, teeming with life, and real' - Nick Hornby 'I adored it ... Redolent of classics like The Constant Nymph with both its true voice and wonderfully sage and sanguine heroine' - Sophie Dahl 'One of those books that when people have read it, they just push it into your hands silently: "You have to read this book, you will love this book." There's no other book I love more' - Caroline O'Donoghue, Sentimental Garbage 'Reading it again is as comforting as eating toast and Marmite between clean, fresh sheets' - Rachel Cooke, Sunday Times 'Think Brideshead Revisited set in the 1970s, only sexier and much funnier. It kills me that I didn't read it at university, when I really needed it' - Meg Rosoff, New Statesman
Selected as a Radio 4 Good Read by Maggie O'Farrell ______________________ 'Sprinkled with magic' - Sunday Times 'Audacious, energetic and dazzing ... There aren't many novelists whose stories one doesn't want to end, but Barbara Trapido is one of them' - Philip Hensher, Mail on Sunday ______________________ Sisters Ellen and Lydia live out an idyllic girlhood in Oxford, their wayward adventures of no concern to their passive, donnish father and their chilly stepmother. Even when Lydia is killed in a car accident, death isn't enough to keep her from her sister, cheerfully returning to haunt her. But Ellen, unwittingly, is herself haunting the lives of those around her: there is Jonathan Goldman, whose flat Lydia is running from when she is knocked down; his daughter Stella, the 'nuisance chip'; and Stella's genius painter-boy lover Izzy. As Trapido's myriad pairings collide, part, and then reunite in breathtaking comedy of manners, The Travelling Hornplayer climaxes in a joyful and unexpected finale. ______________________ 'Reading Barbara Trapido is sheer pleasure' - Independent on Sunday Books of the Year 'This woman is brilliant. And she actually makes you laugh ... I enjoyed every page of this book, which is so shimmering with wit, hectic energy and crazy convolutions of plots that I ended up in a state of sublime, satiated exhaustion' - Daily Mail 'She has the mind-teasing skills of a crime-writer combined with a sense of humour as dry as a Martini' - Sunday Telegraph
Dinah and her sister Lisa are growing up in 1950s South Africa, where racial laws are tightening. They are two little girls from a dissenting liberal family. Big sister Lisa is strong and sensible, while Dinah is weedy and arty. At school, the sadistic Mrs Vaughan-Jones is providing instruction in mental arithmetic and racial prejudice. And then there's the puzzle of lunch break. 'Would you rather have a native girl or a koelie to make your sandwiches?' a first-year classmate asks. But Dinah doesn't know the answer, because it's her dad who makes her sandwiches. As the apparatus of repression rolls on, Dinah finds her own way. As we follow her journey through childhood and adolescence, we enter into one of the darker passages of twentieth-century history.
Imperialism, Race and Resistance marks an important new development in the study of British and imperial interwar history. Focusing on Britain, West Africa and South Africa, Imperialism, Race and Resistance charts the growth of anti-colonial resistance and opposition to racism in the prelude to the 'post-colonial' era. The complex nature of imperial power in explored, as well as its impact on the lives and struggles of black men and women in Africa and the African diaspora. Barbara Bush argues that tensions between white dreams of power and black dreams of freedom were seminal in transofrming Britain's relationship with Africa in an era bounded by global war and shaped by ideological conflict.
The animal trainer recounts her Dublin childhood, her travels, her marriage, and her experiences as a dog trainer, horse breaker, importer of polo ponies, author, and television personality
The animal trainer recounts her Dublin childhood, her travels, her marriage, and her experiences as a dog trainer, horse breaker, importer of polo ponies, author, and television personality
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