campie noun 1 a sober, celibate, bankrupt vegetarian who mops floors, cleans toilets, burns garbage, does laundry, makes beds and picks up after rig workers. 2 nickname for the camp attendant in an oil-rig camp. 3 the loneliest person in the oil fields. When it all goes south, you can always go north Bankrupt, homeless and with only an old Toyota Tercel to her name, Barbara Stewart has taken a job as a camp attendant at Trinidad 11, an oil-rig camp in the wilderness of northwestern Alberta. She was told it's a "dry" camp—good news for a person hoping to stay sober—but she soon finds out this isn't true. During the day, she mops floors, scrubs bathrooms, changes smelly beds and picks up empties. At night, as she burns garbage in the incinerator, she finds solace alone under the stars and tries to reconcile her past with an uncertain future. When she discovers that a campie who "doesn't play doesn't stay," Barbara is forced to make a decision. Campie is an entertaining, compelling account of how an ordinary person survives when things fall apart and there's no "eat pray love" holiday to put them back together.
Lord Milton should have been a happy man, with an ancient title and a magnificent estate. But he was deep in debt and haunted by memories of the Crimea, where he had once been a soldier and taken part of the Charge of the Light Brigade. To take his mind off the past, he eagerly accepted the suggestion of a friend to become the manager of a hotel in Brighton, called the Paradise Hotel. He was seeking new discoveries, but he could not have guessed how startling his discoveries were going to be. First he decided to abandon his title and pass simply as John Milton. Then there was the mysterious young lady, who arrived suddenly and begged him to hide her from a man who was hunting her. Finally there was the aggressive Sir Stewart Paxton who was seeking her, full of fury and threats. To Cecilia the Paradise Hotel was a paradise indeed once she had met John Milton. She had no idea where the rocky road was taking her. She only knew that she must escape her evil guardian, Sir Stewart, who was ruthlessly intent on marrying her for her fortune. And John was the only man who could help her. Lord Milton came to understand how wonderfully attractive she was, how gentle and sympathetic to the nightmares that still troubled him. He would give his life to protect her and make her his own. But then he made a terrible discovery about her, and it seemed as if a life together was impossible. What happened when Sir Stewart pursued them, and how Cecilia found a man who loved her for herself instead of for her money, is all told in this romantic and unusual story by Barbara Cartland.
A haunting and triumphant story of a difficult and keenly felt life, Change Me into Zeus's Daughter is a remarkable literary memoir of resilience, redemption, and growing up in the South. Barbara Robinette Moss was the fourth in a family of eight children raised in the red-clay hills of Alabama. Their wild-eyed, alcoholic father was a charismatic and irrationally proud man who, when sober, captured his children's timid awe, but when (more often) drunk, roused them from bed for severe punishment or bizarre all-night poker games. Their mother was their angel: erudite and stalwart -- her only sin her inability to leave her husband for the sake of the children. Unlike the rest of her family, Barbara bore the scars of this abuse and neglect on the outside as well as the inside. As a result of childhood malnutrition and a complete lack of medical and dental care, the bones in her face grew abnormally ("like a thin pine tree"), and she ended up with what she calls "a twisted, mummy face." Barbara's memoir brings us deep into not only the world of Southern poverty and alcoholic child abuse but also the consciousness of one who is physically frail and awkward, relating how one girl's debilitating sense of her own physical appearance is ultimately saved by her faith in the transformative powers of artistic beauty: painting and writing. From early on and with little encouragement from the world, Barbara embodied the fiery determination to change her fate and achieve a life defined by beauty. At age seven, she announced to the world that she would become an artist -- and so she did. Nightly, she prayed to become attractive, to be changed into "Zeus's daughter," the goddess of beauty, and when her prayers weren't answered, she did it herself, raising the money for years of braces followed by facial surgery. Growing up "so ugly," she felt the family's disgrace all the more acutely, but the result has been a keenly developed appreciation for beauty -- physical and artistic -- the evidence of which can be seen in her writing. Despite the deprivation, the lingering image from this memoir is not of self-pity but of the incredible bond between these eight siblings: the raucous, childish fun they had together, the making-do, and the total devotion to their desperate mother, who absorbed most of the father's blows for them and who plied them with art and poetry in place of balanced meals. Gracefully and intelligently woven in layers of flashback, the persistent strength of Barbara Moss's memoir is itself a testament to the nearly lifesaving appreciation for literature that was her mother's greatest gift to her children.
How states are making their legal systems more equitable, seen through the story of a Black man falsely imprisoned for thirty years for murder. In 1987, Ben Spencer, a twenty-two-year-old Black man from Dallas, was convicted of murdering white businessman Jeffrey Young—a crime he didn’t commit. From the day of his arrest, Spencer insisted that it was “an awful mistake.” The Texas legal system didn’t see it that way. It allowed shoddy police work, paid witnesses, and prosecutorial misconduct to convict Spencer of murder, and it ignored later efforts to correct this error. The state’s bureaucratic intransigence caused Spencer to spend more than half his life in prison. Eventually independent investigators, new witness testimony, the foreman of the jury that convicted him, and a new Dallas DA convinced a Texas judge that Spencer had nothing to do with the killing, and in 2021 he was released from prison. As Spencer’s fight to clear himself demonstrates, our legal systems are broken: expedience is more important than the truth. That is starting to change as states across the country implement new efforts to reduce wrongful convictions, and one of the states leading the way is Texas. Award-winning journalist Barbara Bradley Hagerty has spent years digging into this issue, and she has immersed herself in Spencer’s case. She has combed police files and court records, interviewed dozens of witnesses, and had extensive conversations with Spencer, and in Bringing Ben Home she threads together two narratives: how an innocent Black man got caught up in and couldn’t escape a legal system that refused to admit its mistakes; and what Texas and other states are doing to address wrongful convictions to make the legal process more equitable for everyone. By turns fascinating and enraging, personal and provocative, Bringing Ben Home is the powerful story of one innocent man who refused to admit that he was guilty of murder, and how his plight became part of a paradigm shift in how the legal system thinks about innocence as it institutes new methods to overturn wrongful convictions to better protect people like Ben Spencer.
Hubbard traces its heritage to the historic Connecticut Western Reserve and is the living legacy of Nehemiah Hubbard Jr., a member of the Connecticut Land Company who purchased 15,274 acres and hired Samuel Tylee, Hubbards first settler, as his land agent to measure and sell lots. Hubbard remained a quiet farming community until the coal-mining boom of the early 1860s changed its future forever. Immigrants from Europe flocked here to work in the mines, and the industrialization of this small town began in earnest. Prosperity continued until the decline of the regions steel industry in the 1970s and, later, the loss of several major businesses. Along with the new millennium, however, came the formation of the Joint Economic Development District between Hubbard City and Township, which brought much-needed development to the Interstate 80, State Route 7/U.S. 62 corridor.
The long-awaited follow-up to the groundbreaking Massacre at Mountain Meadows Published in 2008, Massacre at Mountain Meadows was a bombshell of a book, revealing the story of one of the grimmest episodes in Latter-day Saint history, when settlers in southwestern Utah slaughtered more than 100 members of a California-bound wagon train in 1857. In this much-anticipated sequel, Richard E. Turley Jr. and Barbara Jones Brown examine the aftermath of this atrocity. Vengeance Is Mine documents southern Utah leaders' attempts to cover up their crime by silencing witnesses and spreading lies. Investigations by both governmental and church bodies were stymied by stonewalling and political wrangling. While nine men were eventually indicted, five were captured and only one, John D. Lee, was executed. The book examines the maneuvering of the defense and prosecution in Lee's two trials, the second ending in Lee's conviction. Turley and Brown explore the fraught relationship between Lee and church president Brigham Young, and assess what role, if any, Young played in the cover-up. And they trace the fates of the other perpetrators, including the harrowing end of Nephi Johnson, who screamed "Blood! Blood! Blood!" in his delirium as he was dying, more than sixty years after the massacre. Turley and Brown also tell the story of the massacre's few survivors: seventeen children who witnessed the slaughter and eventually returned to Arkansas, where the ill-fated wagon train originated. Vengeance Is Mine brings the hitherto untold story of this shameful episode in Mormon and Utah history to its dramatic conclusion.
This book explores the response to a new scientific advance in medicine three hundred years ago to understand how this discourse revealed religious, racial, anti-intellectual, and other ideologies the first time documented vaccinations were introduced in America. This text serves as a case study that examines the historic discourses surrounding the implementation of a new prevention technique, smallpox inoculation, to prevent the devastating epidemics of smallpox that had visited the new colonies since their start on the American continent. Using this detailed analysis of the arguments surrounding the project in early America, the author examines the various arguments that circulated in the 1720s regarding the project. When compared to today’s pandemic, this study argues that Americans over-react and complicate scientific applications not with logical scientific perspectives or even with ethical views, but instead bring exaggerated claims founded on uniquely American historical, religious, racial, territorial, and political ideologies. America’s First Vaccination will be of interest to anyone interested in American history, the history of medicine, cultural studies, and a comparison to current pandemic events.
From the award-winning author of Change Me into Zeus's Daughter comes this compelling memoir about a single mother determined to break the patterns that she has been taught. Barbara Robinette Moss grew up in the red clay hills of Alabama, the fourth of eight children, in a childhood defined by close sibling alliances, staggering poverty, and uncommon abuse at the hands of her wild-eyed, charismatic, alcoholic father. In Fierce, Moss looks at what happens when a child of such a family grows up. At once poetic and plainspoken, Moss, a "powerful writer" (Chicago Tribune), paints a vivid, moving portrait of her persistent quest to reinvent her life and rebel against the rural indigence, addiction, and broken dreams she inherited from her parents. With warmth, insight, and candor, Moss tells the poignant story of finally leaving everything she knew in Alabama to fulfill her ambition to become an artist. It is an odyssey filled with gritty improvisation (bringing her son, Jason, to her night job to sleep on the floor), bittersweet pragmatism (filling her purse on a dinner date with shrimp, rolls, and even a doily, to bring home to a waiting eight-year-old), and staunch conviction and pride (chasing a mail carrier down the street to defend her use of food stamps). As with many other children of alcoholics, the legacy of her father's alcoholism catches up with Moss, and an abusive relationship -- an inheritance and addiction of its own sort -- threatens to destroy all that she has accomplished. But as Moss learns to cope with her anger and pain, parenthood helps her discover true strength. Ultimately, Fierce is a warm, honest, and triumphant story, from a writer celebrated for her Southern lyricism, about a woman determined to make it on her own -- to shrug off the handicaps of her childhood and raise her son responsibly and well.
A history of the American Civil War as experienced by the people of Boston. Boston’s black and white abolitionists forged a second American revolution dedicated to ending slavery and honoring the promise of liberty made in the Declaration of Independence. Before the war, Bostonians were bitterly divided between those who supported the Union and those opposed to its endorsement of slavery. The Fugitive Slave Act brought the horrors of slavery close to home and led many to join the abolitionists. March to war with Boston’s brave soldiers, including the grandson of Patriot Paul Revere and the Fighting Irish. The all-black Fifty-fourth Massachusetts Regiment battled against both slavery and discrimination, while Boston’s women fought tirelessly against slavery and for their own right to be full citizens of the Union. Join local historian and author Barbara F. Berenson on a thrilling and memorable journey through Civil War Boston.
TORMENT is a mystery novel set in the small fictional town of Marcville, Ontario, a model bedroom town. Westland High is its model school. But both are susceptible to cracks in the harmony of the social milieu, and silent tears in the misery of individual lives. When Kyra Whitehead, a vivacious cheerleader, is raped at a celebratory team party, no one anticipates what follows this single, horrific act. Amongst hundreds of staff and students, finding witnesses is not a problem, but defining motives and eliminating inconsequential evidence becomes a nightmare for Detective Michael Stewart and his crew of fellow police officers. Identifying suspects can only be achieved by realizing who the intended victims were, and then, who would want to harm them. The words and actions of a string of proposed suspects are interpreted in unexpected and startling ways. The story leads us through the trauma of lives brutalized by bullying, and into worlds where drug and gambling addictions redefine the bully and the victim.
In this delightfully wicked collection, four bestselling authors--Brenda Joyce, Rexanne Becnel, Jill Jones, and Barbara Dawson Smith--depict weddings at their most scandalous--and tying the knot has never been so outrageous. Steamy, sensuous, and more delicious than a piece of wedding cake, "Scandalous Weddings" is the romantic event of the season.
While much has been written on asymmetric aspects of sentence structure, symmetric aspects have been largely ignored, or claimed to be non-existent. Does symmetry in syntax exist, and if it does, how do we account for it? In this book, Barbara Citko sets out to tackle these questions and offers a unified approach to a number of phenomena that have so far been studied only in isolation. Focusing on three core minimalist mechanisms: merge, move and labeling, she advances a new theory of these mechanisms, by showing that under certain well-defined circumstances merge can create symmetric structures, move can target either of two potentially moveable objects, and labels can be constructed symmetrically from the features of two objects. This book is aimed at researchers and graduate students interested in minimalist syntax, the structure of questions, relative clauses, coordination, double object constructions and copular sentences.
The Pirate Queen begins in Ireland with the infamous Grace O’Malley, a ruthless pirate and scourge to the most powerful fleets of sixteenth-century Europe. This Irish clan chieftain, sea captain, and pirate queen was a contemporary of Elizabeth I, a figure whose life is the stuff of myth. Regularly raiding English ships caught off Ireland’s west coast, O’Malley was purported to have fought the Spanish armada just hours after giving birth to her son. She had several husbands in her lifetime, and acquired lands and castles that still dot the Irish coastline today. But Grace O’Malley was not alone. Since ancient times, women have rowed and sailed, commanded and fished, built boats and owned fleets. As pirate, captain’s wives, lighthouse keepers and sailors in disguise they’ve explored coastlines and set off alone across unknown seas. Yet their incredible contributions have been nearly erased from the history books. In The Pirate Queen, Barbara Sjoholm brings some of these extraordinary women back to life, taking the reader on an unforgettable journey from the wild Irish coast to the haunting Scandinavian fjords in this meticulously researched, colorfully written, and truly original work
The history and philosophy of science provide a deep well of lessons and analogies for educators. Historically, geniuses are produced by certain recurring historical patterns which, once understood, can be synthesized into practical curricular and professional development guides for teachers and administrators. Drawing on history, philosophy, theoretical physics, neuroscience, and the best scholarship on teacher practice, Teaching Genius: Redefining Education with Lessons from Science and Philosophy presents a new vision for educational reform, one which is shaped by teachers and framed by history. Written by a classroom teacher, Teaching Genius is philosophical and practical, deeply rooted, and immediately applicable. Teachers and administrators looking to invigorate their classroom practices or their staffs will find this book to be indispensable. To learn more about Teaching Genius, and other works by Chris Edwards, check out his website here.
The Glengarry Collection contains 164 Slow Airs, Marches, Strathspeys, Reels, Jigs and Hornpipes with Stories, History and Photographs. It focuses on the coreof Aonghas' music: Highland fiddling, with its links to pipe tunes andGaelic songs. Some of these tunes have never been published before, while others are available only in out-of-print books or in pipe settings, and the collection also includes a number of tunes composed by Aonghas himself, andtunes composed in honor of Aonghas. The tunes are fully chorded in a style appropriate to Aonghas' band experience. All these are richly illustrated by transcriptions of Aonghas' bowings, grace-notes, stories, and photos of scenes and people from Aonghas' varied life careers, including old family photos. Finally, there is an accompanying online videos of Aonghas' impromptu and passionateperformances of 61 of the tunes in the collection. Inlcudes access to online video
The historical shift from Vedic traditions to post-Vedic bhakti (devotional) traditions is accompanied by a shift from abstract, translocal notions of divinity to particularized, localized notions of divinity and a corresponding shift from aniconic to iconic traditions and from temporary sacrificial arenas to established temple sites. In Bhakti and Embodiment Barbara Holdrege argues that the various transformations that characterize this historical shift are a direct consequence of newly emerging discourses of the body in bhakti traditions in which constructions of divine embodiment proliferate, celebrating the notion that a deity, while remaining translocal, can appear in manifold corporeal forms in different times and different localities on different planes of existence. Holdrege suggests that an exploration of the connections between bhakti and embodiment is critical not only to illuminating the distinctive transformations that characterize the emergence of bhakti traditions but also to understanding the myriad forms that bhakti has historically assumed up to the present time. This study is concerned more specifically with the multileveled models of embodiment and systems of bodily practices through which divine bodies and devotional bodies are fashioned in Krsna bhakti traditions and focuses in particular on two case studies: the Bhagavata Purana, the consummate textual monument to Vaisnava bhakti, which expresses a distinctive form of passionate and ecstatic bhakti that is distinguished by its embodied nature; and the Gaudiya Vaisnava tradition, an important bhakti tradition inspired by the Bengali leader Caitanya in the sixteenth century, which articulates a robust discourse of embodiment pertaining to the divine bodies of Krsna and the devotional bodies of Krsna bhaktas that is grounded in the canonical authority of the Bhagavata Purana.
Born on the lower east side of Manhattan during the depression era. I was molested as a child and suffered severe near-sightedness, which caused me to become extremely shy and introverted. At the same time I was transformed into another person when telling stories to my siblings and people in the neighborhood. Presently I reside in West Hollywood, California and attend classes at the Emeritus College. My interests are Drama, writing short stories and poetry, art and Tai Chi. I taught Drama and Tai Chi at the Van Nuys Senior Center. I have been involved in Stage, Screen, Television and Radio. I am a member of Screen Actors Guild and American Federation of Radio and T.V. Artists. My life story has recently been published, "Escape/Pearls of Travail" which will soon appear on the Internet and book stores.
Much has been written about the housing policies of the Depression and the Postwar period. Much less has been written of the houses built as a result of these policies, or the lives of the families who lived in them. Using the houses of Levittown, Long Island, as cultural artifacts, this book examines the relationship between the government-sponsored, mass-produced housing built after World War II, the families who lived in it, and the society that fostered it. Beginning with the basic four-room, slab-based Cape Cods and Ranches, Levittown homeowners invested time and effort, barter and money in the expansion and redesign of their houses. The author shows how this gradual process has altered the socioeconomic nature of the community as well, bringing Levittown fully into the mainstream of middle-class America. This book works on several levels. For planners, it offers a reassessment of the housing policies of the 1940s and '50s, suggesting that important lessons remain to be learned from the Levittown experience. For historians, it offers new insights into the nature of the suburbanization process that followed World War II. And for those who wish to understand the subtle workings of their own domestic space within their lives, it offers food for speculation.
Canadians are very polite — but they also commit murder. And those who think that mass homicides and wanton killings are recent phenomena in Canada should treat themselves to Fatal Intentions. Using contemporary accounts, Barbara Smith vividly recreates a number of murder cases from 1920s Nova Scotia to 1980s British Columbia. Some, like the Boyd Gang adventures, are still remembered often inaccurately or romantically; others, like the murder of Flora Gray in Yarmouth, or the murder of twenty-three innocents in Quebec in 1949, can now be recalled by only a few. In some cases, the “truth” may exist only in dusty archives; in others, the truth may have gone to the graves of the victims — or the accused. Robert Cook’s killing spree — all seven in his family — in Stettler, Alberta, will probably be recounted, locally, for generations. But, did he do it? Toronto’s Boyd Gang boasted about hot cars and beautiful women — the stuff of folklore. And newspaper writers of that time were only too willing to add to the romantic tales. The last woman to be hanged in Canada, her disabled brother, and his employer all went to the gallows — two for greed, one for lust. These and other stories are part of our history — and often part of our folklore. They also can remind us that human nature doesn’t change easily, over decades or distances. Greed, lust, and other deadly sins can lead to fatal intentions, anytime, anywhere.
Today’s Las Vegas welcomes 35 million visitors a year and reigns as the world’s premier gaming mecca. But it is much more than a gambling paradise. In A Short History of Las Vegas, Barbara and Myrick Land reveal a fascinating history beyond the mobsters, casinos, and showgirls. The authors present a complete story, beginning with southern Nevada’s indigenous peoples and the earliest explorers to the first pioneers to settle in the area; from the importance of the railroad and the construction of Hoover Dam to the arrival of the Mob after World War II; from the first isolated resorts to appear in the dusty desert to the upscale, extravagant theme resorts of today. Las Vegas—and its history—is full of surprises. The second edition of this lively history includes details of the latest developments and describes the growing anticipation surrounding the Las Vegas centennial celebration in 2005. New chapters focus on the recent implosions of famous old structures and the construction of glamorous new developments, headline-making mergers and multibillion-dollar deals involving famous Strip properties, and a concluding look at what life is like for the nearly two million residents who call Las Vegas home.
This text presents primary care information for the nurse-midwifery scope of practice, including management of primary care problems in essentially healthy women, and the management/coordination of primary care for pregnant women with significant, established medical conditions. The text covers prevention, including lifestyle changes and immunizations; screening; management of common health problems appropriate to nurse-midwifery practice; and the presentation and management of common health problems in pregnancy.
I look for zebras because other doctors have ruled out all the horses."--Dr. Gregory House Medical students are taught that when they hear hoofbeats, they should think horses, not zebras, but Dr. House's unique talent of diagnosing unusual illnesses has made House, M.D. one of the most popular and fascinating series on television. In "Chasing Zebras: The Unofficial Guide to House," M.D., Barbara Barnett, widely considered a leading House expert, takes fans deep into the heart of the show's central character and his world, examining the way this medical Sherlock Holmes's
With the home the sacred center of social life in the nineteenth-century United States, few social tensions carried more weight than "the servant problem." As slavery tore at the nation, tension about domestic dependency became a heated topic to which publishers responded by producing a steady stream of literature instructing homemakers how to hire, treat, and discipline staff. In Love, Wages, Slavery, Barbara Ryan surveys an expansive collection of these published materials to chart shifts in thinking about what made a servant "good" and how servitors felt about attending non-kin, as well as changing ideas about gender, waged and chattel labor, status, race, and family life." "Love, Wages, Slavery examines the nature of "free" servitude before and after Emancipation through an in-depth comparison of negotiations of attendance and household management. Paying particular attention to women servants, Ryan traces a complex discussion as it developed in such magazines as the Atlantic Monthly, Godey's Lady's Book, and Harper's Bazar."--BOOK JACKET.
For centuries, the Arthurian legends have fascinated and inspired countless writers, artists, and readers, many of whom first became acquainted with the story as youngsters. From the numerous retellings of Malory and versions of Tennyson for young people to the host of illustrated volumes to which the Arthurian Revival gave rise. From the Arthurian youth groups for boys (and eventually for girls) run by schools and churches to the school operas, theater pieces, and other entertainment for younger audiences; and from the Arthurian juvenile fiction sequences and series to the films and television shows featuring Arthurian characters, children have learned about the world of King Arthur and his Knights of the Round Table.
Tracing the intersecting lives of a Confederate plantation owner and a free black Union soldier, Barbara L. Bellows’ Two Charlestonians at War offers a poignant allegory of the fraught, interdependent relationship between wartime enemies in the Civil War South. Through the eyes of these very different soldiers, Bellows brings a remarkable, new perspective to the oft-told saga of the Civil War. Recounted in alternating chapters, the lives of Charleston natives born a mile a part, Captain Thomas Pinckney and Sergeant Joseph Humphries Barquet, illuminate one another’s motives for joining the war as well as the experiences that shaped their worldviews. Pinckney, a rice planter and scion of one of America’s founding families, joined the Confederacy in hope of reclaiming an idealized agrarian past; and Barquet, a free man of color and brick mason, fought with the Union to claim his rights as an American citizen. Their circumstances set the two men on seemingly divergent paths that nonetheless crossed on the embattled coast of South Carolina. Born free in 1823, Barquet grew up among Charleston’s tight-knit community of the “colored elite.” During his twenties, he joined the northward exodus of free blacks leaving the city and began his nomadic career as a tireless campaigner for black rights and abolition. In 1863, at age forty, he enlisted in the 54th Massachusetts Volunteer Infantry—the renowned “Glory” regiment of northern black men. His varied challenges and struggles, including his later frustrated attempts to play a role in postwar Republican politics in Illinois, provide a panoramic view of the free black experience in nineteenth-century America. In contrast to the questing Barquet, Thomas Pinckney remained deeply connected to the rice fields and maritime forests of South Carolina. He greeted the arrival of war by establishing a home guard to protect his family’s Santee River plantations that would later integrate into the 4th South Carolina Cavalry. After the war, Pinckney distanced himself from the racist violence of Reconstruction politics and focused on the daunting task of restoring his ruined plantations with newly freed laborers. The two Charlestonians’ chance encounter on Morris Island, where in 1864 Sergeant Barquet stood guard over the captured Captain Pinckney, inspired Bellows’ compelling narrative. Her extensive research adds rich detail to our knowledge of the dynamics between whites and free blacks during this tumultuous era. Two Charlestonians at War gives readers an intimate depiction of the ideological distance that might separate American citizens even as their shared history unites them.
Mrs. Bush offers a ... portrait of her life in and out of the White House, from her small-town schoolgirl days in Rye, New York, to her fateful union with George H.W. Bush, to her role as First Lady of the United States"--Back cover.
This comprehensive work provides a lucid examination of the difficult problems that arise with the implementation of effective primary care. The book has four purposes: to help practitioners of primary care understand what they do and why; to provide a basis for the training of primary care practitioners; to stimulate research that will provide a more substantive basis for improvements in primary care; and to help policy makers understand the difficulties and challenges of primary care and its importance. In addition to discussing systems of primary care and alternative ways of evaluating them, the author addresses important issues such as practitioner-patient communication, information systems and medical records, referral processes, personnel, managed care, financing, quality assessment and community orientation. This unique volume provides a clear and valuable assessment of the basic concepts, issues and challenges in this increasingly important field.
Dinah and her sister Lisa are growing up in 1950s South Africa, where racial laws are tightening. They are two little girls from a dissenting liberal family. Big sister Lisa is strong and sensible, while Dinah is weedy and arty. At school, the sadistic Mrs Vaughan-Jones is providing instruction in mental arithmetic and racial prejudice. And then there's the puzzle of lunch break. 'Would you rather have a native girl or a koelie to make your sandwiches?' a first-year classmate asks. But Dinah doesn't know the answer, because it's her dad who makes her sandwiches. As the apparatus of repression rolls on, Dinah finds her own way. As we follow her journey through childhood and adolescence, we enter into one of the darker passages of twentieth-century history.
In a paranormal romance story, Stacy Winters falls from a ladder at work, hits her head and dies. The store manager gives her CPR and brings her back where she wakes no longer as Stacy Winters, but in a strange parallel world, with the new name of Ellen Moore and to her horror, no memory of ever having a life in this new world. Ezekiel is a soul gatherer being punished for the terrible sin of throwing away his precious gift of life by committing suicide. His assignment as soul gatherer was to help Stacy’s soul out of her dead body, and escort her to heaven. However when she was brought back to life, her life’s clock was reset. Ezekiel now waits for her new life’s clock to run down. However, something has happened. While Ezekiel watched Stacy from afar, he fell in love with her.Ellen notices an incredibly handsome man watching her who is always dressed in black. She has a suspicion of who he is and was sure, when she saw Ezekiel on the street helping a soul his dead body. She later confronted him with the knowledge. He admitted, yes he is a soul gatherer, and works for heaven hoping to gain absolution for his sin. Ellen and Ezekiel continue to meet and become friends even though Ezekiel knows contact between a spirit from his world, and a mortal in this world is forbidden. Their relationship grows and they begin to wish for the impossible, a life together
A history of the early 1900s southern-born, white filmmaker and the silent films he created for black audiences. In the early 1900s, so-called race filmmakers set out to produce black-oriented pictures to counteract the racist caricatures that had dominated cinema from its inception. Richard E. Norman, a southern-born white filmmaker, was one such pioneer. From humble beginnings as a roving “home talent” filmmaker, recreating photoplays that starred local citizens, Norman would go on to produce high-quality feature-length race pictures. Together with his better-known contemporaries Oscar Micheaux and Noble and George Johnson, Richard E. Norman helped to define early race filmmaking. Making use of unique archival resources, including Norman’s personal and professional correspondence, detailed distribution records, and newly discovered original shooting scripts, this book offers a vibrant portrait of race in early cinema. “Grounded in impressive archival research, Barbara Lupack’s book offers a long overdue history of Richard E. Norman and the filmmaking company he established early in the twentieth century. Lupack’s ability to describe Norman’s films—and the work that went into their production—reanimates them for readers and stresses their role in shaping early African American cinematic representation.” —Paula Massood, author of Making a Promised Land: Harlem in 20th-Century Photography and Film “Thoroughly researched and crisply written . . . The first book-length work on Norman, Lupack’s monograph clearly delineates the Norman Company’s importance . . . [Richard E. Norman and Race Filmmaking’s] most profound contribution lies, perhaps, in how it illuminates the fraught economics of race filmmaking.” —Journal of American History “Lupack’s book provides a wealth of archival information about this vibrant moment in film history . . . [This] is a solid contribution to regional film studies and race film business practice, and will appeal to scholars, students, and film-buffs alike.” —Black Camera
A controversial self-taught shepherd who violated the rules of literary decorum to reveal the dark side of the Scottish margins. Through a strategic use of nineteenth-century stereotypes of femininity and masculinity he lays bare the intersection with class and ethnicity in Scotland.
He was tall, dark…and naked! Samantha Wilde had never seen a man who could make her swoon—until she saw her pilot out of uniform. One look at the guy and she didn't see the storm clouds brewing; by then they'd crash-landed into a romantic, lush field—and she was in his arms. Only after she knew every inch of his body did she learn he was Duncan Stewart, the man she'd sought to save her family business. Too bad Duncan was the sexiest man she'd ever seen; she vowed she'd never see him again…. But then, three months and three minutes later, she looked at her home pregnancy test and saw that undeniable, unmistakable blue dot….
America’s Japan and Japan’s Performing Arts studies the images and myths that have shaped the reception of Japan-related theater, music, and dance in the United States since the 1950s. Soon after World War II, visits by Japanese performing artists to the United States emerged as a significant category of American cultural-exchange initiatives aimed at helping establish and build friendly ties with Japan. Barbara E. Thornbury explores how “Japan” and “Japanese culture” have been constructed, reconstructed, and transformed in response to the hundreds of productions that have taken place over the past sixty years in New York, the main entry point and defining cultural nexus in the United States for the global touring market in the performing arts. The author’s transdisciplinary approach makes the book appealing to those in the performing arts studies, Japanese studies, and cultural studies.
Anne Langton (1804-1893) arrived in Upper Canada in 1837 to join her brother John on his settler farm near Fenelon Falls, Ontario. An accomplished miniaturist, landscape artist, and writer, Langton documented ten years of family and community hardship and growth in her journals, letters, and art, and traced her own physical and psychological transformation from cultivated Englishwoman to hard-working pioneer settler. She became an exceptionally influential member of the community, developing the first school and library in the area, ministering to the sick, undertaking charitable work, and hosting community events, all the while continuing to record her reactions to her new world in her writing and artwork. First published in 1950, A Gentlewoman in Upper Canada is a classic work of early pioneering literature. This new, significantly expanded edition includes many of Langton's original illustrations and reveals Langton's views on writing, art, and women's social and familial roles in nineteenth-century Europe and Canada. In her extensive introduction, Barbara Williams contextualizes Langton's life and work and reflects on them in light of current scholarship in life writing, art history, and early emigrant, cultural, and social history. This is the definitive edition of Anne Langton's important text.
In the 14 years since the first edition of Addictions was published, a wealth of substantive and crucial new findings have been added to our knowledge of alcohol and other substance use disorders. This primary reference has now been updated and expanded to include 38 chapters, all completely rewritten to reflect new knowledge gained about the science of alcohol and other drugs, as well as new treatment approaches and research trends. Addictions: A Comprehensive Guidebook, Second Edition, features a roster of senior scientists covering the latest findings in the study of alcohol and other drug use, abuse, and dependence. Skillfully edited by Drs. Barbara S. McCrady and Elizabeth E. Epstein, the chapters primarily review the literature published in the last 14 years since the first edition. The volume covers seven different content areas: Section I addresses broad conceptual issues as well as information on the etiology, neuroscience, epidemiology and course of alcohol and other drug use, abuse, and dependence. Section II provides detailed pharmacological and clinical information on the major drugs of abuse, including alcohol. Sections III, IV, and V focus on knowledge of importance to clinical practice, including a section on assessment and treatment planning, information on a range of empirically supported treatments, and issues related to clinical practice. Section VI provides information about specific population groups, and Section VII addresses policy, prevention, and economic issues in the field. The book is appropriate for a wide variety of readers who are either treating, learning to treat, doing research on, or teaching about addictions. Comprehensive and succinct, it is written in a manner that is accessible and useful to practitioners, students, clinician trainees, and researchers. It is also an ideal textbook for graduate courses and training programs in psychology, psychiatry, social work, and addictions certifications, and for advanced undergraduate courses on alcohol and other substance use disorders
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