Two literary romantic novels from the New York Times–bestselling author of Excellent Women. Less Than Angels: In a story that explores the mating habits of humans, magazine writer Catherine Oliphant lives comfortably with anthropologist Tom Mallow—until he announces he’s leaving her for a nineteen-year-old student. Though stunned by the betrayal, Catherine becomes fascinated by another anthropologist: a reclusive eccentric recently returned from Africa. Now Catherine must weigh her options and decide who she is and what she really wants. No Fond Return of Love: The course of true love does not run smoothly in this delightful comedy of manners set in 1960s London. Jilted by her fiancé, Dulcie Mainwaring gives up on ever finding true love. Of course, that doesn’t stop her from meddling in the romantic lives of others. Her friend Viola is enamored with a handsome editor, who in turn has eyes for Dulcie’s young niece. Dulcie, meanwhile, for all her struggles may be falling back into love again.
Three comedies of manners set in postwar England by the New York Times–bestselling author of Excellent Women and “the rarest of treasures” (Anne Tyler). Often characterized as the twentieth-century literary heiress to Jane Austen, and heralded by Phillip Larkin as “the most underrated novelist of the century,” Barbara Pym explored female friendship and the quiet yearnings of British middle-class life—not the least of which, unrequited love—with sharp wit and deep compassion for her characters. No wonder Eudora Welty called her work “sheer delight” and the New York Times raved, “her entire canon is a treat.” A Glass of Blessings: Wilmet Forsyth is bored with her everyday routine: teatimes, local gossip, even with her husband, Rodney, a civil servant who dotes on her. But Wilmet’s conventional life takes a turn when she runs into the enigmatic brother of a close friend. Piers Longridge is a mystery Wilmet is determined to solve. Driven by a fantasy of romance, the sheltered, naïve Englishwoman sets out to seduce Piers—only to discover that he isn’t the man she thinks he is. Some Tame Gazelle: Pym’s debut novel invites readers to “step into the Jane Austen–like lives of Harriet and Belinda Bede,” sisters who live together in a small English village (The Christian Science Monitor). Shy, sensible Belinda has been secretly in love with the married archdeacon of their church for thirty years. Meanwhile Belinda’s more confident younger sister, Harriet, is herself pursued by an Italian count whose proposals of marriage are always graciously declined. But it’s a new arrival in their midst who has everyone talking. For now, in this poignant novel of unrequited love, that is enough. Jane and Prudence: Jane Cleveland and Prudence Bates were friends at Oxford, but now lead very different lives. Jane is married to a vicar in a proper English parish with a daughter she adores. Prudence lives in London, career-minded and fiercely independent—until Jane decides she should be married. Jane has the perfect husband in mind. What follows is a delightfully trenchant story of manners, morals, family, and female bonding that redefines the social novel for a new generation.
The author of Excellent Women explores female friendship and the quiet yearnings of British middle-class life—a literary delight for fans of Jane Austen. Jane Cleveland and Prudence Bates were close friends at Oxford University, but now live very different lives. Forty-one-year-old Jane lives in the country, is married to a vicar, has a daughter she adores, and lives a very proper life in a very proper English parish. Prudence, a year shy of thirty, lives in London, has an office job, and is self-sufficient and fiercely independent—until Jane decides her friend should be married. Jane has the perfect husband in mind for her former pupil: a widower named Fabian Driver. But there are other women vying for Fabian’s attention. And Pru is nursing her own highly inappropriate desire for her older, married, and seemingly oblivious employer, Dr. Grampian. What follows is a witty, delightful, trenchant story of manners, morals, family, and female bonding that redefines the social novel for a new generation.
Excellent Women is probably the most famous of Barbara Pym's novels. The acclaim a few years ago for this early comic novel, which was hailed by Lord David Cecil as one of 'the finest examples of high comedy to have appeared in England during the past seventy-five years,' helped launch the rediscovery of the author's entire work. Mildred Lathbury is a clergyman's daughter and a spinster in the England of the 1950s, one of those 'excellent women' who tend to get involved in other people's lives - such as those of her new neighbor, Rockingham, and the vicar next door. This is Barbara Pym's world at its funniest.
Three lonely people come together in this poignant, witty novel of star-crossed romance from the New York Times–bestselling author of Jane and Prudence. After being jilted by her fiancé, Dulcie Mainwaring despairs of ever finding true love. For a distraction, she goes to a publishing conference, where she meets Viola Dace, a dramatic woman who refuses to live without romance, as well as Aylwin Forbes, an editor whom Viola adores. The fact that Aylwin is married doesn’t stop Viola. When her amorous pursuit prompts Aylwin’s wife to leave him, the academic heartthrob is wide open to Viola’s romantic attentions. That is, until Dulcie’s eighteen-year-old niece moves in with Viola, and the young girl soon catches Aylwin’s roving eye. Set in London in the early 1960s, No Fond Return of Love is a delightful comedy of manners that comes full circle as Dulcie discovers a love as unexpected as it is liberating.
With an introduction by Alexander McCall Smith, author of The No. 1 Ladies' Detective Agency series. One did not drink sherry before the evening, just as one did not read a novel in the morning. In 1970s London, Edwin, Norman, Letty and Marcia work in the same office and suffer the same problem – loneliness. Lovingly and with delightful humour, Barbara Pym conducts us through their day-to-day existence: their preoccupations, their irritations, their judgements, and – perhaps most keenly felt – their worries about having somehow missed out on life as post-war Britain shifted around them. Deliciously, blackly funny and full of obstinate optimism, Quartet in Autumn shows Barbara Pym's sensitive artistry at its most sparkling. Its world is both extraordinary and familiar, revealing the eccentricities of everyday life.
DIVDIVDIVBarbara Pym’s early novel takes us into 1950s England, as seen through the funny, engaging, yearning eyes of a restless housewife/divDIV Wilmet Forsyth is bored. Bored with the everyday routine of her life. Bored with teatimes filled with local gossip. Bored with her husband, Rodney, a civil servant who dotes on her. But on her thirty-third birthday, Wilmet’s conventional life takes a turn when she runs into the handsome brother of her close friend./divDIV /divDIVAttractive and enigmatic, Piers Longridge is a mystery Wilmet is determined to solve. Rather than settling down, he lived in Portugal, then returned to England for a series of odd jobs. Driven by a fantasy of romance, the sheltered, naïve Englishwoman sets out to seduce Piers—only to discover that he isn’t the man she thinks he is./divDIV /divDIVAs cozy as sharing a cup of tea with an old friend, A Glass of Blessings explores timeless themes of sex, marriage, religion, and friendship while exposing our flaws and foibles with wit, compassion, and a generous helping of love. /div/divDIV/div/div
When Pym died in 1980, she left behind unpublished manuscripts in various stages of completion. This volume brings us the last complete novel, portions of three others, four short stories, and an autobiographical essay.
‘Barbara Pym is one of my most favourite novelists. Few other writers have given me more laughter and more pleasure.' Jilly Cooper ‘Could one write a book based on one’s diaries over thirty years? I certainly have enough material,’ wrote Barbara Pym. This book, selected from the diaries, notebooks and letters of this much loved novelist to form a continuous narrative, is indeed a unique autobiography, providing a privileged insight into a writer’s mind. Philip Larkin wrote that Barbara Pym had ‘a unique eye and ear for the small poignancies of everyday life’. Her autobiography amply demonstrates this, as it traces her life from exuberant times at Oxford in the thirties, through the war when, scarred by an unhappy love affair, she joined the WRNS, to the published novelist of the fifties. It also deals with the long period when her novels were out of fashion and no one would publish them, her rediscovering in 1977, and the triumphant success of her last few years. It is now possible to describe a place, situation or person as ‘very Barbara Pym’. A Very Private Eye, at once funny and moving, shows the variety and depth of her own story.
‘Barbara Pym is one of my most favourite novelists. Few other writers have given me more laughter and more pleasure’ - Jilly Cooper, author of The Rutshire Chronicles series ‘I'm a huge fan of Barbara Pym’ - Richard Osman, author of The Thrusday Murder Club Barbara Pym was an incomparable chronicler of ordinary, quiet lives. With warmth, humour, precision and great vividness, she gave her best characters an independent life we recognize as totally familiar. In A Few Green Leaves, her last novel, her heroine is Emma Howick, anthropologist. Through her eyes Barbara Pym examines in her own ironic and individual style the quiet revolution in English village life, combining the rural settings of her earliest novels with the themes and characters of her later works. The result is a compelling portrait of a town that seems to be forgotten by time, but which is unmistakably affected by it. Romance shares the pages with death in this engaging novel that is the culmination of Barbara Pym’s acclaimed writing career. 'I'd sooner read a new Barbara Pym than a new Jane Austen' - Philip Larkin, author of A Girl in Winter 'Barbara Pym is the rarest of treasures; she reminds us of the heart-breaking silliness of everyday life' - Anne Tyler, author of The Accidental Tourist 'A modern Jane Austen' - Alexander McCall Smith, author of The No. 1 Ladies Detective Agency series
A tale of a woman’s romantic entanglements with two anthropologists—and the odd mating habits of humans—from the author of Jane and Prudence. Catherine Oliphant writes for women’s magazines and lives comfortably with anthropologist Tom Mallow—although she’s starting to wonder if they’ll ever get married. Then Tom drops his bombshell: He’s leaving her for a nineteen-year-old student. Though stunned by Tom’s betrayal, Catherine quickly becomes fascinated by another anthropologist, Alaric Lydgate, a reclusive eccentric recently returned from Africa. As Catherine starts to weigh her options, she must figure out who she is and what she really wants. With a lively cast of characters and a witty look at the insular world of academia, this novel from the much-loved author of Excellent Women and other modern classics is filled with poignant, playful observations about the traits that separate us from our anthropological forebears—far fewer than we may imagine.
Well dressed and looked after, Wilmet, the novel's heroine, is married to Rodney, a handsome army major, who works nine thirty to six at the Ministry. Wilmet's interest wanders to the nearby Anglo-Catholic church, where at last she can neglect her comfortable household in the company of a cast of characters, including three priests. She fancies herself in love with Piers, the brother of a close friend, and imagines he is her secret admirer (the admirer is in fact her friend's husband). Wilmet fails to realise that Piers is gay until she becomes aware of his relationship with Keith, a young man she regards as rather common. Set in 1950s London, this witty novel is told through the narration of the shallow and self-absorbed protagonist who, despite her flaws, begins to learn something about love and about herself.
‘Barbara Pym is one of my most favourite novelists. Few other writers have given me more laughter and more pleasure.' Jilly Cooper Between the amorous antique dealer Humphrey and his good-looking nephew James glides the magnificent Leonora, delicate as porcelain, cool as ice. Can she keep James in her thrall? Or will he be taken from her by a lover, like Phoebe . . . or Ned, the wicked American? 'A highly distinctive and - ultimately - charitable novel' Financial Times 'Faultless' Guardian 'Her Characters are all meticulously impaled on the delicate pins of a wit that is as scrupulous as it is deadly' Observer 'A coldly funny book' Sunday Telegraph 'Highly distinctive . . . the critics who have recently insisted on Miss Pym's too long neglected gifts have not been wrong' Financial Times
It is surely appropriate that anthropologists, who spend their time studying life and behavior in various societies, should be studied in their turn, says Barbara Pym. In a wonderful twist on her subjects, she has written a book inspecting the behavior o
‘Barbara Pym is one of my most favourite novelists. Few other writers have given me more laughter and more pleasure’ - Jilly Cooper ‘I'm a huge fan of Barbara Pym’ - Richard Osman ‘Could one write a book based on one’s diaries over thirty years? I certainly have enough material,’ wrote Barbara Pym. This book, selected from the diaries, notebooks and letters of this much-loved novelist to form a continuous narrative, is indeed a unique autobiography, providing a privileged insight into a writer’s mind. It includes a forward from bestselling author – and Barbara Pym fan – Jilly Cooper. Philip Larkin wrote that Barbara Pym had ‘a unique eye and ear for the small poignancies of everyday life’. Her autobiography amply demonstrates this, as it traces her life from exuberant times at Oxford in the thirties, through the war when, scarred by an unhappy love affair, she joined the WRNS, to the published novelist of the fifties. It also deals with the long period when her novels were out of fashion and no one would publish them, her rediscovery in 1977, and the triumphant success of her last few years. It is now possible to describe a place, situation or person as ‘very Barbara Pym’. A Very Private Eye, at once funny and moving, shows the variety and depth of her own story. Praise for A Very Private Eye: ‘It increases the understanding and enjoyment of her novels enormously’ - Auberon Waugh, Daily Mail ‘The perfect complement to the fiction’ - Paul Bailey, The Observer ‘Her sharp and very private eye never failed her’ Victoria Glendinning, The New York Times
A wonderfully accomplished farce beginning with the . . .unsuitabe romantic entanglements of a curate and a pretty young girl, both of whom live in the same rooming house, and a starry-eyed university professor and his female student.
One of my favorites of Pym's novels, it turns a shrewd, mocking, but always affectionate eye on English country life 30 years ago. Pym's fans will feel completely at home when they step into the Jane Austen-like lives of Harriet and Belinda Bede."- Christian Science Monitor
One of my favorites of Pym's novels, it turns a shrewd, mocking, but always affectionate eye on English country life 30 years ago. Pym's fans will feel completely at home when they step into the Jane Austen-like lives of Harriet and Belinda Bede."- Christian Science Monitor
Sie arbeiten im selben Büro und stehen kurz vor der Rente: Marcia, Letty, Norman und Edwin. Alle vier leben allein, dennoch pflegen sie außerhalb des Büros kaum Kontakt – auch wenn sie täglich Kaffee und Teewasser teilen. Sie beobachten, beargwöhnen, beraten einander und versuchen, über ihre Einsamkeit hinwegzuspielen. Letty, die zur Untermiete wohnt, gerne liest und Wert auf ihre Kleidung legt, steht im Schatten ihrer Freundin, zu der sie im Alter aufs Land ziehen wollte. Plötzlich jedoch werden alle Pläne umgeworfen. Das einzige große Ereignis in Marcias Leben, eine Krebsoperation, bringt sie dazu, für ihren Arzt zu schwärmen. Wenn sie keinen Nachsorgetermin hat, widmet sie sich dem Ordnen ihrer Milchflaschen und Konserven. Edwin ist Witwer und verbringt seine Zeit mit der Suche nach einem Gottesdienst. Sein ewig nörgelnder Kollege Norman besucht lieber einen kranken Verwandten, den er eigentlich genauso wenig leiden kann wie den Rest der Menschheit. Als Marcia und Letty in Rente gehen, trennen sich die Wege der vier − aber das Leben bringt die Schicksalsgemeinschaft immer wieder zusammen. Ironisch, schwarzhumorig und doch mit leisem Optimismus zeigt Barbara Pym in ›Quartett im Herbst‹ ihr herausragendes Können.
Jane e Prudence: amiche di età e modi di essere differenti, una teneramente sciatta, l’altra impeccabilmente elegante. Jane, quarantenne, è un'accademica dal viso struccato e dall'abbigliamento dimesso, più adatto a un pollaio che a essere mostrato in pubblico. Casalinga incapace, non se la cava troppo bene neanche nelle sue funzioni di moglie di un ecclesiastico, preferendo agli incontri con i fedeli i romanzi o le ricerche su oscuri poeti. Prudence è al contrario un fiore di serra dedito a vezzeggiarsi. Bella, neanche trentenne, schizzinosa, vestita in modo squisito, ha un appartamento così elegante che un marito potrebbe sembrarvi fuori posto. Ha pure l'abitudine di preferire relazioni insoddisfacenti: l'ultima infatuazione è per il suo orribile capo, che neanche si accorge della sua presenza. L'amicizia tra le due donne risale a quando Jane era tornata per un paio di anni a Oxford a insegnare, e Prudence era sua allieva. Jane si sente in dovere di cercare un marito a Prudence e, nonostante numerosi episodi fallimentari, non demorde.
Thank you for visiting our website. Would you like to provide feedback on how we could improve your experience?
This site does not use any third party cookies with one exception — it uses cookies from Google to deliver its services and to analyze traffic.Learn More.