Here's the most up-to-date information on the intricate choices involved and skills needed to confidently make choices about a career in counseling. Real-world advice on the time, education, money and effort needed. Includes a chapter on Online Counseling, a newly emerging area of expertise -- from cover.
Afrocentric Theatre updates the Molettes' groundbreaking book, Black Theatre: Premise and Presentation, that has been required reading in many Black theatre courses for over twenty-five years. Afrocentric theatre is a culturally-based art form, not a race-based one. Culture and values shape perceptions of such phenomena as time, space, heroism, reality, truth, and beauty. These culturally variable social constructions determine standards for evaluating and analyzing art and govern the way people perceive theatrical presentations as well as film and video drama. A play is not Afrocentric simply because it is by a Black playwright, or has Black characters, or addresses a Black theme or issue. Afrocentric Theatre describes the nature of an art form that embraces and disseminates African American culture and values. Further, it suggests a framework for interpreting andevaluating that art form and assesses the endeavors of dramatists who work from an Afrocentric perspective.
Taken from the interviews conducted by the Works Progress Administration (WPA) in Arizona during the Great Depression,this regional history offers more than facts, figures, and stilted portraits of “important history.” This glimpse into the lives of regional lifestyles—particularly in the relatively young state of Arizona—portrays history from the perspective of those who lived it. Gathered into chapters on outlaws and lawmen, miners and prospectors, cowboys, shepherds, and those who came to the state for its mineral wealth, the descriptions offered by the Arizona pioneers in these interviews become a powerful tapestry of adventure and men’s dreams.
NOW AVAILABLE IN PAPERBACK Set in the tumultuous era when Egypt is on the brink of becoming the dominant world power, The Serpent and the Staff tells the powerful story of a Canaanite family's struggle for survival in a climate of violent change, when cherished beliefs and traditions are threatened. Ugarit, Syria, 1450 B.C.E. Eighteen-year-old Leah, the eldest daughter of a wealthy winemaker, is past the traditional age of betrothal. Vowed to wed the wealthy but cruel shipbuilder Jotham, Leah declines his offer of marriage after discovering that he and his family suffer from “the falling sickness.” Enraged by her refusal and his ruined reputation, he blackmails Leah’s father, a punishment forgiven only by offering Leah’s hand in marriage. With no more options for another suitor and no male heir for her family, Leah must seek out the cure for Jotham’s sickness or her family will face permanent ruin. During her quest Leah begins to burn with desire for Daveed, the handsome household scribe whose culture forbids their union. Daveed has been called by the gods to restore the Brotherhood, an elite fraternity of guardians at the great Library of Ugarit, rumored to contain the secret symbol of immortality within its ancient archives. If his plan succeeds, it may also save Leah’s family from disaster. But even Daveed and Leah cannot fathom the extent of Jotham’s sinister schemes to make Leah his bride once and for all. With rich historical detail, The Serpent and the Staff is a sweeping tale of love, betrayal, and how one family's faith can overcome the obstacles that life has in store for them.
Primary source documents and detailed entries reveal what ancient Egypt was like, using the objects and artifacts of daily life from the period covering the Predynastic era through the Græco-Roman period (5000 BCE to 300 CE). Historians have found that valuable knowledge about long-ago civilizations can be derived from examining the simple routines of daily life. This fascinating study presents a collection of everyday objects and artifacts from ancient Egypt, shedding light on the social life and culture of ancient Egyptians. The work starts with a popular notion of ancient Egyptian beauty and gradually moves on to address various aspects of life, including home, work, communication, and transition and afterlife. Organized by topics, the work contains the following sections: beauty, adornment, and clothing; household items, furniture, and games; food and drink; tools and weapons; literacy and writing; death and funerary equipment; and religion, ritual, and magic. Each object holds equal importance and dates from the Predynastic era to the Græco-Roman period of ancient Egypt (5000 BCE to 300 CE). A special section provides guidance on evaluating objects and artifacts by asking questions—Who created it? Who used it? What did it do/what was its purpose? When and where was it made? Why was it made?—to help assess the historical context of the object.
For more than four decades, biblical experts have tried to place the story of Exodus into historical context--without success. What could explain the Nile turning to blood, insects swarming the land, and the sky falling to darkness? Integrating biblical accounts with substantive archaeological evidence, The Parting of the Sea looks at how natural phenomena shaped the stories of Exodus, the Sojourn in the Wilderness, and the Israelite conquest of Canaan. Barbara Sivertsen demonstrates that the Exodus was in fact two separate exoduses both triggered by volcanic eruptions--and provides scientific explanations for the ten plagues and the parting of the Red Sea. Over time, Israelite oral tradition combined these events into the Exodus narrative known today. Skillfully unifying textual and archaeological records with details of ancient geological events, Sivertsen shows how the first exodus followed a 1628 B.C.E Minoan eruption that produced all but one of the first nine plagues. The second exodus followed an eruption of a volcano off the Aegean island of Yali almost two centuries later, creating the tenth plague of darkness and a series of tsunamis that "parted the sea" and drowned the pursuing Egyptian army. Sivertsen's brilliant account explains inconsistencies in the biblical story, fits chronologically with the conquest of Jericho, and confirms that the Israelites were in Canaan before the end of the sixteenth century B.C.E. In examining oral traditions and how these practices absorb and process geological details through storytelling, The Parting of the Sea reveals how powerful historical narratives are transformed into myth.
A modern, comprehensive compilation of more than 7,000 entries covering themes, concepts, and discoveries in archaeology written in nontechnical language and tailored to meet the needs of professionals, students and general readers. The main subject areas include artifacts; branches of archaeology, chronology; culture; features; flora and fauna; geography; geology; language; people; related fields; sites; structures; techniques and methods; terms and theories; and tools.
Contrary to popular belief, the medieval religious imagination did not restrict itself to masculine images of God but envisaged the divine in multiple forms. In fact, the God of medieval Christendom was the Father of only one Son but many daughters—including Lady Philosophy, Lady Love, Dame Nature, and Eternal Wisdom. God and the Goddesses is a study in medieval imaginative theology, examining the numerous daughters of God who appear in allegorical poems, theological fictions, and the visions of holy women. We have tended to understand these deities as mere personifications and poetic figures, but that, Barbara Newman contends, is a mistake. These goddesses are neither pagan survivals nor versions of the Great Goddess constructed in archetypal psychology, but distinctive creations of the Christian imagination. As emanations of the Divine, mediators between God and the cosmos, embodied universals, and ravishing objects of identification and desire, medieval goddesses transformed and deepened Christendom's concept of God, introducing religious possibilities beyond the ambit of scholastic theology and bringing them to vibrant imaginative life. Building a bridge between secular and religious conceptions of allegorized female power, Newman advances such questions as whether medieval writers believed in their goddesses and, if so, in what manner. She investigates whether the personifications encountered in poetic fictions can be distinguished from those that appear in religious visions and questions how medieval writers reconcile their statements about the multiple daughters of God with orthodox devotion to the Son of God. Furthermore, she examines why forms of feminine God-talk that strike many Christians today as subversive or heretical did not threaten medieval churchmen. Weaving together such disparate texts as the writings of Latin and vernacular poets, medieval schoolmen, liturgists, and male and female mystics and visionaries, God and the Goddesses is a direct challenge to modern theologians to reconsider the role of goddesses in the Christian tradition.
Barbara Leaming's Marilyn Monroe is a complex, sympathetic portrait that will totally change the way we view the most enduring icon of American sexuality. To those who think they have heard all there is to hear about Marilyn Monroe, think again. Leaming's book tells a brand-new tale of sexual, psychological, and political intrigue of the highest order. Told for the first time in all its complexity, this is a compelling portrait of a woman at the center of a drama with immensely high stakes, a drama in which the other players are some of the most fascinating characters from the world's of movies, theater, and politics. It is a book that shines a bright light on one of the most tumultuous, frightening, and exciting periods in American culture. Basing her research on new interviews and on thousands of primary documents, including revealing letters by Arthur Miller, Elia Kazan, John Huston, Laurence Olivier, Tennessee Williams, Darryl Zanuck, Marilyn's psychiatrist Dr. Ralph Greenson, and many others, Leaming has reconstructed the tangles of betrayal in Marilyn's life. For the first time, a master storyteller has put together all of the pieces and told Marilyn's story with the intensity and drama it so richly deserves. At the heart of this book is a sexual triangle and a riveting story of betrayal that has never been told before. You will come away filled with new respect for Marilyn's incredible courage, dignity, and loyalty, and an overwhelming sense of tragedy after witnessing Marilyn, powerless to overcome her demons, move inexorably to her own final, terrible betrayal of herself. Marilyn Monroe is a book that will make you think--and will break your heart.
Countering impressions of Moses reinforced by Sigmund Freud in his epoch-making Moses and Monotheism, this concise, engaging work begins with the perception that the story of Moses is at once the most nationalist and the most multicultural of all foundation narratives. Weaving together various texts—biblical passages, philosophy, poems, novels, opera, and movies—Barbara Johnson explores how the story of Moses has been appropriated, reimagined, and transmitted across cultures and historical moments. But she finds that already in the Bible, the story of Moses is a multicultural story, the story of someone who functions well in a world to which he, unbeknownst to the casual observer, does not belong. Using the Moses story as a lens through which to view questions at the heart of contemporary literary, philosophical, and ethical debates, Johnson shows how, through a close analysis of this figure's recurrence through time, we might understand something of the paradoxes, if not the impasses of contemporary multiculturalism.
The book presents in depth histories of the cults of seven major goddesses and many excerpts from their literature--hymns, prayers, and magical spells as well as descriptions of ritual, temples and clergy.
Utterly compelling! Barbara Ann Kipfer has elevated the list to high art and bestselling pleasure. A foremost expert of classification, in The Order of Things, she does for life what her previous books do for happiness and wisdom—organize it in a way that is brilliantly conceived. The The Order of Things is practical, entertaining, eclectic, and impossible to put down. Beginning with Earth—Smog Alert States, Rain Forest Layers, Coal Sizes— and ending with General Knowledge and Philosophy (the I Ching's 64 "chapters," Ludwig Wittgenstein's four-step Method of Overcoming Puzzlement), it is a 14-chapter taxonomy of the world as we know it: • The Seven Hills of Rome, the Seven Deadly Sins, the Seven Wonders of the Ancient World, the Seven Dwarfs—check. • The belt degrees of karate and judo, weight classes of professional and amateur boxing, flower names of the golf holes at Augusta—check. • The hierarchy of the FBI, publication order of Shakespeare's plays, cuts of beef, Freud's divisions of the human psyche, order of rank in world armies and navies, Jupiter's satellites, ships' bells, traditional and modern wine measures, blood-pressure levels, fastest animals—check. A completely indispensable reference—check.
Illustrated in colour, this is an introduction for the general reader to Egyptian mythology and its mysteries. It includes a concise introduction to general aspects of Egyptian religion, followed by specific sections devoted to the most important of the gods. With sections on personal religion and temple ceremony, there are also accounts of mythological stories associated with the gods, and a map of the principle cult centres.
Extraordinary independent scholar of comparative religion and mythology Walker examines a time when the Goddess and her consort/son ruled supreme and forward into the era when the patriarchy usurped Her worship.
This is a collection of eleven essays, laced with humor and irony, on the Dawn of Man, Mesopotamia, Egypt, Hebrews, Minoans and Mycenaens, classical Greece, Alexander the Great, the Hellenistic world, Rome's Republic and Empire, and several church fathers (Irenaeus, Tertullian, Jerome, and Augustine) who influenced the Primitive Church. Tinsley highlights current research while showcasing themes of contemporary as well as ancient significance - misogyny, the manipulation of rhetoric to justify privilege, the contributions of the anonymous to the well-being of the famous, the paradox of progress, the distortion of prophecy, the use and misuse of myth and other media, the exploitation of spiritual, intellectual, physical, and sexual resources, the comforts and perils of provincialism versus the dangers and benefits of organization - spiritual, imperial, or both.
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