Set at the end of the Trojan war, "Euripides' Trojan Women" depicts the women of Troy as they wait to be taken into slavery. While choral songs recall the death-throes of the great city, the scenes between the old queen, Hekabe, and the women of her family explore the consequences of the defeat, from the rape of Cassandra, through the triumphant self-exculpation of Helen, to the pitiful death of the child Astyanax, who is thrown from the walls of his ravaged city. Barbara Goff sets the play in its historical, dramatic and literary contexts, and provides a scene-by-scene analysis which brings out the pace and intellectual vigour of the play. The main themes are fully discussed, and the book also introduces readers to the issues that have divided critics, such as the extent to which the play responds to the historical events of the Peloponnesian War. The final chapter, which deals with the reception of the play, offers new insights into several modern works.
A study of African rewritings of Greek tragedy, this title asks why the plays of Sophocles' Theban Cycle are so often adapted by dramatists of African descent, and how plays that dilate on the power of the past can articulate the postcolonial moment.
Crossroads in the Black Aegean is a compendious, timely, and fascinating study of African rewritings of Greek tragedy. It consists of detailed readings of six dramas and one epic poem, from different locations across the African diaspora. Barbara Goff and Michael Simpson ask why the plays of Sophocles' Theban Cycle figure so prominently among the tragedies adapted by dramatists of African descent, and how plays that dilate on the power of the past, in the inexorable curse of Oedipus and the regressive obsession of Antigone, can articulate the postcolonial moment. Capitalizing on classical reception studies, postcolonial studies, and comparative literature, Crossroads in the Black Aegean co-ordinates theory and theatre. It crucially investigates how the plays engage with the 'Western canon', and shows how they use their self-consciously literary status to assert, ironize, and challenge their own place, and that of the Greek originals, in relation to that tradition. Beyond these oedipal reflexes, the adaptations offer alternative African models of cultural transmission.
A study of African rewritings of Greek tragedy, this title asks why the plays of Sophocles' Theban Cycle are so often adapted by dramatists of African descent, and how plays that dilate on the power of the past can articulate the postcolonial moment.
This 1990 book is a reading of Euripides' Hippolytos, a central play for the study of Euripides and of Greek tragedy. Dr Goff approaches the play through the techniques of modern literary criticism, including deconstruction and feminism, and is able to shed light on this influential text through her close examination of the language of the play. She divides her discussion into five important critical issues: gender, desire, violence, language and the status of poetry and drama. Throughout she is concerned to site the play in the historical and cultural context of fifth-century Athens, and her analysis of the position of women is particularly illuminating for the role of Phaedra, and for female characters throughout Greek tragedy. This is a provocative book which brings critical insights to one of the most extensively discussed of all Greek tragedies. It will be accessible both to classicists and students of drama and literary theory.
This book is a new reading of Euripides' Hippolytos, a central play for the study of both Euripides and Greek tragedy. Professor Goff approaches the play through the techniques of modern literary criticism, including deconstruction and feminism, bringing new light to this influential text through her analysis of the play's language. She organizes her study around five critical issues: gender, desire, violence, language, and the status of poetry and drama. Throughout she takes care to situate the play within the historical and cultural context of fifth-century Athens. This provocative book will interest classicists and students of drama and literary theory; transliteration of Greek words and a glossary of key terms make it accessible to all.
These writings have evolved properly over living many years on the planet and enjoying observations of my fellow man. It's about learning how to flow within the rhythm of all “LIFE FORMS” and laughing about silly things incredulous human beings do. It’s about loving the human race, and living everywhere on the planet at one time; it’s about you! Note: There is no intention on my part to be cogent as these writings have come about from a knowing heart! Upon using the words man and he, I am referring to the Homo Sapien species which include both male/female gender as we know it at the time of these writings.
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