This book is a compilation of the histories of the establishment and growth of the churches that comprise the South Mississippi Annual Conference (SMC) of the African Methodist Episcopal (AME) Zion Church from 1891 to 2013. Due to the vigorous evangelistic activity of missionary preachers Grandison (Granderson) Sims, I. J. Murphy, and others, you will discover several of the churches were founded before the SMC was organized in 1891. Even though each church history is unique, we find that the struggles are the same. God has been good. He brought us through. Churches were organized under old oak trees, some in brush harbors, and others in members homes. All churches lost their identity during the civil war; and later, some burned, some were blown away by hurricanes, and others collapsed. But God has been good. He brought us through the storm, the wind, and the rain and allowed us to rebuild bigger and better each time. Now we can worship in comfort. The SMC is a loving and caring family of churches that have struggled and survived together for over two hundred. We have grown, but there is still much room to grow. Still more territory to conquer for the kingdom of God and Jesus Christ.
She who would be queen must win the love of a king—and a country. Whitehall is a royal tale full of true history and sensual intrigue, from Serial Box Publishing. Set in the 17th century court of King Charles II and his queen, Portuguese princess Catherine of Braganza. Her journey to find her place as the foreign wife in a court riddled with political and religious intrigue -- not to mention the many mistresses of Charles the “Merry Monarch” -- is a tale of perseverance only a true queen could endure. Love mingles with betrayal before a sensual renaissance of art, culture, and sex in this lush historical serial. Whitehall is written by Liz Duffy Adams, Delia Sherman, Barbara Samuel, Mary Robinette Kowal, Madeleine Robins, and Sarah Smith. Originally presented serially in 13 episodes, this omnibus collects installments 1 through 7 of Whitehall Season One into one edition.
This book offers a fresh perspective in the debate on settler perceptions of Indigenous Australians. It draws together a suite of little known colonial women (apart from Eliza Fraser) and investigates their writings for what they reveal about their attitudes to, views on and beliefs about Aboriginal people, as presented in their published works. The way that reader expectations and publishers’ requirements slanted their representations forms part of this analysis. All six women write of their first-hand experiences on Australian frontiers of settlement. The division into ‘adventurers’ (Eliza Fraser, Eliza Davies and Emily Cowl) and longer-term ‘settlers’ (Katherine Kirkland, Mary McConnel and Rose Scott Cowen) allows interrogation into the differing representations between those with a transitory knowledge of Indigenous people and those who had a close and more permanent relationship with Indigenous women, even encompassing individual friendship. More pertinently, the book strives to reveal the aspects, largely overlooked in colonial narratives, of Indigenous agency, authority and individuality.
Penny A Corner A Novel by Barbara Millar was first published in 2008. The story is set in London. It concerns the murder of a London doctor who lived in Brownlow Street near Holborn London. The story is based on the Trial of Master Henry Harrison. Penny A Corner contains the Old Bailey Transcript of Henry Harrison's Trial at the Old Bailey London concerning the murder of the Doctor, the subject of this novel, which appears as an Appendix at the back of the book. Permission to publish the court Transcript was given to Barbara Millar author, by the University of Texas USA in 2008. Barbara Millar worked as a Legal Secretary in the city of London for 26 years and lives in England.
A New York Times Best Art Book of 2019 “A riveting book . . . few stones are left unturned.”—Roberta Smith’s “Top Art Books of 2019,” The New York Times This fascinating and enlightening study of the tie-on pocket combines materiality and gender to provide new insight into the social history of women’s everyday lives—from duchesses and country gentry to prostitutes and washerwomen—and to explore their consumption practices, sociability, mobility, privacy, and identity. A wealth of evidence reveals unexpected facets of the past, bringing women’s stories into intimate focus. “What particularly interests Burman and Fennetaux is the way in which women of all classes have historically used these tie-on pockets as a supplementary body part to help them negotiate their way through a world that was not built to suit them.”—Kathryn Hughes, The Guardian “A brilliant book.”—Ulinka Rublack, Times Literary Supplement
Here is the most comprehensive and up-to-date treatment of one of the hottest areas of chemical research. The treatment of fundamental kinetics and photochemistry will be highly useful to chemistry students and their instructors at the graduate level, as well as postdoctoral fellows entering this new, exciting, and well-funded field with a Ph.D. in a related discipline (e.g., analytical, organic, or physical chemistry, chemical physics, etc.). Chemistry of the Upper and Lower Atmosphere provides postgraduate researchers and teachers with a uniquely detailed, comprehensive, and authoritative resource. The text bridges the "gap" between the fundamental chemistry of the earth's atmosphere and "real world" examples of its application to the development of sound scientific risk assessments and associated risk management control strategies for both tropospheric and stratospheric pollutants. - Serves as a graduate textbook and "must have" reference for all atmospheric scientists - Provides more than 5000 references to the literature through the end of 1998 - Presents tables of new actinic flux data for the troposphere and stratospher (0-40km) - Summarizes kinetic and photochemical date for the troposphere and stratosphere - Features problems at the end of most chapters to enhance the book's use in teaching - Includes applications of the OZIPR box model with comprehensive chemistry for student use
A queen makes another kind of debut in the sixth installment of Whitehall, an episodic royal tale full of true history and sensual intrigue, new from Serial Box Publishing. When it comes to the theater, sometimes the audience holds more drama than the stage. Jenny the servant girl gets a taste for life’s pleasures, while Catherine seeks to find her footing in a court still ruled by the tempestuous Barbara. This episode is brought to you by Mary Robinette Kowal, who asks that you please be seated and turn your attention to the stage.
When was feminism born - in the 1960s, or in the 1660s? For England, one might answer: the early decades of the seventeenth century. James I was King of England, and women were expected to be chaste, obedient, subordinate, and silent. Some, however, were not, and these are the women who interest Barbara Lewalski - those who, as queens and petitioners, patrons and historians and poets, took up the pen to challenge and subvert the repressive patriarchal ideology of Jacobean England. Setting out to show how these women wrote themselves into their culture, Lewalski rewrites Renaissance history to include some of its most compelling - and neglected - voices. As a culture dominated by a powerful Queen gave way to the rule of a patriarchal ideologue, a woman's subjection to father and husband came to symbolize the subjection of all English people to their monarch, and all Christians to God. Remarkably enough, it is in this repressive Jacobean milieu that we first hear Englishwomen's own voices in some number. Elizabeth Cary, Aemilia Lanyer, Rachel Speght, and Mary Wroth published original poems, dramas, and prose of considerable scope and merit; others inscribed their thoughts and experiences in letters and memoirs. Queen Anne used the court masque to assert her place in palace politics, while Princess Elizabeth herself stood as a symbol of resistance to Jacobean patriarchy. By looking at these women through their works, Lewalski documents the flourishing of a sense of feminine identity and expression in spite of - or perhaps because of - the constraints of the time. The result is a fascinating sampling of Jacobean women's lives and works, restored to their rightful place in literary historyand cultural politics. In these women's voices and perspectives, Lewalski identifies an early challenge to the dominant culture - and an ongoing challenge to our understanding of the Renaissance world.
Focuses attention on communication studies as applied to Event Management, through the whole event mamangment process. It pays particular attention to the latest technological innovations with the event industry including virtual events and digital technologies.
The Exile of George Grosz examines the life and work of George Grosz after he fled Nazi Germany in 1933 and sought to re-establish his artistic career under changed circumstances in New York. It situates GroszÕs American production specifically within the cultural politics of German exile in the United States during World War II and the Cold War. Basing her study on extensive archival research and using theories of exile, migrancy, and cosmopolitanism, McCloskey explores how GroszÕs art illuminates the changing cultural politics of exile. She also foregrounds the terms on which German exile helped to define both the limits and possibilities of American visions of a one world order under U.S. leadership that emerged during this period. This book presents GroszÕs work in relation to that of other prominent figures of the German emigration, including Thomas Mann and Bertolt Brecht, as the exile community agonized over its measure of responsibility for the Nazi atrocity German culture had become and debated what GermanyÕs postwar future should be. Important too at this time were GroszÕs interactions with the American art world. His historical allegories, self-portraits, and other works are analyzed as confrontational responses to the New York art worldÕs consolidating consensus around Surrealism and Abstract Expressionism during and after World War II. This nuanced study recounts the controversial repatriation of GroszÕs work, and the exile culture of which it was a part, to a German nation perilously divided between East and West in the Cold War.
When Viscount Castlereagh, leader of the House of Commons and architect of the Grand Alliance, committed suicide in 1822, the coroner's inquest could consider only two legal verdicts: insanity or self-murder. Public outrage greeted his burial in Westminster Abbey; the tradition lingered that a suicide's burial place be at a crossroads, with a stake through the heart to keep the lost soul from wandering. Probing a remarkable variety of sources and individual cases, Barbara Gates shows how attitudes toward suicide changed between Castlereagh's death and the end of the century. By 1900 the Victorians' moral censure of suicide and the accompanying denial that it was a widespread problem had been replaced by a more compassionate response--and also by an unfounded belief in a "suicide epidemic," which Thomas Hardy described as a "coming universal wish not to live.". Exposing a rich area of interaction between history and literature, and utilizing the methodology of the new historicism, Gates discusses topics ranging from the plot for Wuthering Heights to Victorian shilling shockers. Among other findings she includes evidence that Victorian middle-class men, particularly, tended to make suicide the province of other selves--of men belonging to other times or places, of "monsters," or of women. Originally published in 1988. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
Barbara Leckie's Open Houses addresses nineteenth-century documentary and print culture dedicated to convincing the reader of the wretchedness of housing of the poor and its urgent need for reform. It illustrates the ways in which "looking into" these houses animated new models for social critique in tandem with new forms for the novel.
Picture-packed and crammed with facts, these mini-encyclopedias are great for study companions and ideal for quick reference. Record Breakers is bursting with facts, comparisons, tables, and charts on the highest, tallest, fastest, and strongest in the arts, science and technology, sport, and nature. Full color.
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