Russia’s Great Reforms of 1861 were sweeping social and legal changes that aimed to modernize the country. In the following decades, rapid industrialization and urbanization profoundly transformed Russia’s social, economic, and cultural landscape. Barbara Alpern Engel explores the personal, cultural, and political consequences of these dramatic changes, focusing on their impact on intimate life and expectations and the resulting challenges to the traditional, patriarchal family order, the cornerstone of Russia’s authoritarian political and religious regime. The widely perceived "marriage crisis" had far-reaching legal, institutional, and political ramifications. In Breaking the Ties That Bound, Engel draws on exceptionally rich archival documentation—in particular, on petitions for marital separation and the materials generated by the ensuing investigations—to explore changing notions of marital relations, domesticity, childrearing, and intimate life among ordinary men and women in imperial Russia. Engel illustrates with unparalleled vividness the human consequences of the marriage crisis. Her research reveals in myriad ways that the new and more individualistic values of the capitalist marketplace and commercial culture challenged traditional definitions of gender roles and encouraged the self-creation of new social identities. Engel captures the intimate experiences of women and men of the lower and middling classes in their own words, documenting instances not only of physical, mental, and emotional abuse but also of resistance and independence. These changes challenged Russia’s rigid political order, forcing a range of state agents, up to and including those who spoke directly in the name of the tsar, to rethink traditional understandings of gender norms and family law. This remarkable social history is thus also a contribution to our understanding of the deepening political crisis of autocracy.
The stories of these eight Russian women offer an extremely rare perspective into personal life in the Soviet era. Some were from the poor peasantry and working class, groups in whose name the revolution was carried out and who sometimes gained unprecedented opportunities after the revolution. Others, born to "misfortune" as the daughters of nobles
The first psychosocial study of the female intelligentsia in Russia, Mothers and Daughters explains how and why women radicals of the nineteenth century diverged from their male counterparts, describes the forces that led women to rebel, and discusses their mixed legacy to future generations. Barbara Alpern Engel examines her subject on three levels: the traditional family system; early feminism and women's rebellion against the family; and the causes and consequences of women's revolutionary activity. She describes the impact this revolt had on the family and the lives of radical women and the movement's role in inspiring a new feminine mythology. Throughout, Engel brings nineteenth-century women to life, humanizing history as she presents a case study of how the personal became political in a time and place very different from our own." --Book Jacket.
Many commentators on the contemporary United States believe that current rates of litigation are a sign of decay in the nation’s social fabric. Law and Community in Three American Towns explores how ordinary people in three towns—located in New England, the Midwest, and the South—view the law, courts, litigants, and social order. Carol J. Greenhouse, Barbara Yngvesson, and David M. Engel analyze attitudes toward law and law users as a way of commentating on major American myths and ongoing changes in American society. They show that residents of "Riverside," "Sander County," and "Hopewell" interpret litigation as a sign of social decline, but they also value law as a symbol of their local way of life. The book focuses on this ambivalence and relates it to the deeply-felt tensions express between "community" and "rights" as rival bases of society. The authors, two anthropologists and a lawyer, each with an understanding of a particular region, were surprised to discover that such different locales produced parallel findings. They undertook a comparative project to find out why ambivalence toward the law and law use should be such a common refrain. The answer, they believe, turns out to be less a matter of local traditions than of the ways that people perceive the patterns of their lives as being vulnerable to external forces of change.
Barbara Alpern Engel's Marriage, Household and Home in Modern Russia is the first book to explore the intricacies of domestic life in Russia across the modern period. Surveying the period from 1700 right up to the present day, the book explores the marital and domestic arrangements of Russians at multiple levels of society and the impact of broader historical developments, including war and revolution, upon them. It also traces the evolution of marriage, household and home as institutions over three centuries, whilst also highlighting the inter-relationship between public policy and private life, in what is a wholly original historical assessment of domesticity in modern Russia. In the process, the author expertly synthesizes the key works, arguments and discussions in the field, mapping out the historiographical landscape of this compelling aspect of Russian social history. Marriage, Household and Home in Modern Russia is crucial reading for any student or scholar of modern Russian history.
Charts the personal dimensions of economic social change by examining the migration of Russian peasant women's from the village to the city in the years between 1861 and the outbreak of World War I.
A lively introduction to Russia's dramatic history from its origins to the present, this volume concisely describes how its peoples overcame constant challenges, including devastating foreign invasions, to become an ethnically and religiously diverse land empire, the first communist society, and a major world power.
The stories of these eight Russian women offer an extremely rare perspective into personal life in the Soviet era. Some were from the poor peasantry and working class, groups in whose name the revolution was carried out and who sometimes gained unprecedented opportunities after the revolution. Others, born to ?misfortune? as the daughters of nobles
Originally a concern primarily of social studies and economics, poverty has emerged as a significant thematic focus and analytical tool in literary and cultural studies in the last two decades. The "new poverty studies" are dedicated to analyzing representations of poverty and the poor in literature and the visual arts, in the news media and in social practices. They aim at exploring the frameworks of representation that impact the affective and ethical responses of audiences to disenfranchised groups such as the poor. The contributions to this volume focus on representations of poverty in the Anglophone postcolonial world, exploring, for example, contemporary discourses on poverty in the UK, filmic representations of Nairobi slums or the agency of the poor in literature from India.
The author traces the major developments in the history of women in Russia and their impact on the history of the nation. Sketching lived experiences across the centuries, she demonstrates the key roles that women played in shaping Russia's political, economic, social, and cultural development for over a millennium, starting in 900.
Josef von Sternberg's 1930 film The Blue Angel (Der blaue Engel) is among the best known films of the Weimar Republic (1919-1933). A significant landmark as one of Germany's first major sound films, it is known primarily for launching Marlene Dietrich into Hollywood stardom and for initiating the mythic pairing of the Austrian-born American director von Sternberg with the star performer Dietrich. This fascinating cultural history of The Blue Angel provides a new interpretive framework with which to approach this classic Weimar film and suggests that discourses on mass and high culture are integral to the film's thematic and narrative structure. These discourses surface above all in the relationship between the two main characters, the cabaret entertainer Lola Lola (Marlene Dietrich) and the high school teacher Immanuel Rath (one-time Oscar winner Emil Jannings). In addition to offering insight into some of the major debates that informed the Weimar Republic, this book demonstrates that similar issues continue to shape the contemporary cultural landscape of Germany. Barbara Kosta thus also looks at Dietrich as a contemporary cultural icon and at her symbolic value since German unification and at Lola Lola's various "incarnations.
To name your school's Catholic identity means to identify what it means to be Catholic and why this is so; it is crucial to recognize the theological, evangelical, and ecclesial foundation of your school. Once you've named your school's identity, you need to claim it, that is to recognize what your school has always done and currently is doing because it is a Catholic school. And once you've named and claimed your Catholic identity, you can proudly build on it by expanding and deepening its significance into every aspect of your school. The three terms in the book's subtitle, name it, claim it, and build on it, guide each chapter." --back cover
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