Returning home from France Robina Melville finds surprises awaiting her, not all of them pleasant. Almost immediately it becomes clear that the familiar surroundings of Trentham House are not the sanctuary that she hoped for, and she soon feels unwanted and alone.Still in mourning for her beloved mama and shocked by the changes in her father, Robina struggles to come to terms with all that she has lost. Alongside this her stepmother, the new Lady Melville, seems intent on marrying off her to the wealthiest suitor, regardless of Robina's wishes.A chance encounter with a childhood friend, the handsome new Earl of Hampton, provides Robina with employment as his secretary and a temporary escape from her stepmother's clutches.But when Robina is forced to flee in order to avoid the unwanted attentions of Lord Drury, she finds herself at the mercy of the Earl's dissolute brother, Ellis. With a stepmother who will stop at nothing to marry her off, can Robina discover her true heart's desire as well as regain the love of her father? Or will she be married off to the highest bidder and lose her freedom as well as her home?
Set in the untamed landscape of mid-nineteenth century Australia, The Dreaming is a rich and potent tale of hidden passion and broken taboo. Australia, 1871—Following her mother’s sudden death, Joanna Drury sets sail from India and arrives in Melbourne to claim the property left to her by her mother—and to trace the mysteries of her family’s past. From her first steps on shore, Joanna becomes entangled with a lost boy who leads her to the fascinating Hugh Westbrook. She agrees to look after the child in exchange for Hugh’s help in finding her inheritance. But she falls deeply in love with Hugh and with life at his sheep station, Merinda. When strange nightmares begin to plague her—the same that tormented her mother—Joanna starts to notice the Aborigines’ strange reaction to her. Delving into Australia’s past, she discovers the tragic events that have marked her family’s destiny and her own life, events that happened long ago in the time the Aborigines call “the Dreaming.” Full of intriguing historical detail, Wood’s compelling story brings the clash of immigrant and Aboriginal cultures to stunning life, capturing the danger, mystery, and romance of an emerging country.
Frozen Moon is a psychological mystery involving two families over three decades. Beautiful Beth Anderson and her handsome husband, Mitch, a former college football star, are awakened in the middle of a freezing night by Mitchs boss. He orders Mitch to take the Red Eye to New York to meet with an important client. They race down the icy freeway just in time for Mitch to catch his flight. Inside the airport, Beth decides to take a shortcut home and is advised that Jefferson Road, an old truck route through the forest, will save her miles of driving. Unaware of the strange, eerie legend of the road, she is cast into a hypnotic spell that ignites the most incomprehensible love story of all time. As the Anderson family falls apart, their best friends, the Marshalls, try to help Mitch extrapolate the mystery as crisis after crisis occurs.
In his occasional poetry, and especially in his two elegaic Anniversary poems, Donne created a special symbolic mode in seventeenth-century poetry of praise and compliment. Barbara Kiefer Lewalski's reading of the Anniversary poems recognizes them as complex mixed-genre works which weld together formal, thematic, and structural elements from the occasional poem of praise, the funeral elegy, the funeral sermon, the hymn, the anatomy, and the Protestant meditation. Focusing especially on theme and structure, her reading demonstrates the coherent symbolic method and meaning of these poems and also their careful logical articulation, both as individual poems and as companion pieces. Essentially, the author discovers their thorough and precise exploration, through the poetic means of figure and symbol, of the nature of man and the conditions of human life. In order to discuss the significant contexts for and influences on the Anniversary poems, the author has studied sixteenth- and seventeenth-century epideictic theory and practice, Protestant meditation, Biblical hermencutics, and funeral sermons. She is also concerned with the effect of the poems, and of Donne's other writings of a similar kind, on contemporary and subsequent developments in the poetry of praise, especially that of Marvell and Dryden. This is a lucid and learned book that provides a major context for the Anniversary poems and gives new significance to the designation of Donne as a Metaphysical poet. Originally published in 1973. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
Ice hockey is considered the fastest sport on the planet, and the stars of the National Hockey League are the hottest ticket in major league sports today ... so it's easy to see why outstanding performances rule. The guys who take chances in these action-packed games are the ones who score big, both in points and stature. The first edition of The Coolest Guys capitalized on the popularity of hockey and sold over 18,000 copies.The Coolest Guys 2 delivers the most up-to-date information on the league's favorite hockey players as selected by the NHL -- great players like Eric Lindros, Roman Turek, Jaromir Jagr, and Milan Hejduk. Intimate profiles give readers an insider's look -- from regular season to the Stanley Cup Championships. The Coolest Guys 2 is filled with 150 fast-action photos that capture the speed, the vitality, and the passion of the NHL's best players. A special feature includes the league's 10 up-and-coming players to watch. Anyone who relishes the fast-paced athletics of the National Hockey League and its young stars will want The Coolest Guys 2.
Shapiro traces the genesis of the fact, a modern concept that originated not in natural science but in legal discourse. She follows the concept's evolution and diffusion across a variety of disciplines in early modern England.
Sanitary reform was one of the great debates of the nineteenth century. This reset edition makes available a modern, edited collection of rare documents specifically addressing sanitary reform. Each volume will begin with an introduction, and the documents presented have headnotes and endnotes provided. A full index appears in the final volume.
Inquiring into the formation of a literary canon during the Restoration and the eighteenth century, Barbara Benedict poses the question, "Do anthologies reflect or shape contemporary literary taste?" She finds that there was a cultural dialectic at work: miscellanies and anthologies transmitted particular tastes while in turn being influenced by the larger culture they helped to create. Benedict reveals how anthologies of the time often created a consensus of literary and aesthetic values by providing a bridge between the tastes of authors, editors, printers, booksellers, and readers. Making the Modern Reader, the first full treatment of the early modern anthology, is in part a history of the London printing trade as well as of the professionalization of criticism. Benedict thoroughly documents the historical redefinition of the reader: once a member of a communal literary culture, the reader became private and introspective, morally and culturally shaped by choices in reading. She argues that eighteenth-century collections promised the reader that culture could be acquired through the absorption of literary values. This process of cultural education appealed to a middle class seeking to become discriminating consumers of art. By addressing this neglected genre, Benedict contributes a new perspective on the tension between popular and high culture, between the common reader and the elite. This book will interest scholars working in cultural studies and those studying noncanonical texts as well as eighteenth-century literature in general. Originally published in 1996. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
For the first time, an accomplished scholar offers a painstakingly researched examination of the United States' involvement in deliberate disease spreading among native peoples in the military conquest of the West. The speculation that the United States did infect Indian populations has long been a source of both outrage and skepticism. Now there is an exhaustively researched exploration of an issue that continues to haunt U.S.-Native American relations. Barbara Alice Mann's The Tainted Gift: The Disease Method of Frontier Expansion offers riveting accounts of four specific incidents: The 1763 smallpox epidemic among native peoples in Ohio during the French and Indian War; the cholera epidemic during the 1832 Choctaw removal; the 1837 outbreak of smallpox among the high plains peoples; and the alleged 1847 poisonings of the Cayuses in Oregon. Drawing on previously unavailable sources, Mann's work is the first to give one of the most controversial questions in U.S. history the rigorous scrutiny it requires.
The lovely red-haired eighteen year old Lady Viola Francis is orphaned. She and her fortune are in the power of her stepfather, the sinister Sir Rudolph Vane. Viola’s late father, the Earl of Galhampton, was passionately interested in motor cars and from an early age Viola worked with him on his engines. Now she wants to fulfil his ambition to build one that can be sold to the growing numbers of people keen to acquire this new and expensive form of transport. Sir Rudolph, however, has other plans for her and her fortune and wants her to marry the ineffectual Lord Carncross. Viola can only see one way of releasing herself from his tyrannical hold and achieving her aims, she must leave The Castle, hide herself away and develop her engine, hoping that it will make her independent of Sir Rudolph. She finds refuge with her old Nanny and driving there she encounters Maximillian Fitzwilliam, another motor car enthusiast, who invites her to see his workshop at Hurcott Hall. There she discovers that he is the Marquis of Hurcott and meets the beautiful Lady Fairfax. Later Viola is introduced to her father’s heir, the new Earl of Galhampton, who has just returned to England from America to find that he has inherited a title without an estate or income. Lady Fairfax appears to have both men in her clutches and treats Viola as a little ‘ragamuffin’ girl of no account. Without knowing who she is, the dashing current Earl is attracted to Viola, who is herself falling in love with the Marquis. What happens when the Earl discovers her identity, Viola wins a thrilling motor car race and then finds her world turned upside down when Sir Rudolph discovers her whereabouts is told in this exciting romance by BARBARA CARTLAND
Etherege & Wycherley is the first book-length study devoted solely to these two leading comic dramatists of the early Restoration period. B.A. Kachur explores the major plays by George Etherege and William Wycherley within the context of the cultural, social and political changes that marked the reign of Charles II, and addresses issues such as marriage, manners, heroism, sovereignty and anxieties over class hierarchies which preoccupied late seventeenth-century England. The book provides studies of the following plays: - She Would If She Could - The Man of Mode - The Country Wife - The Plain Dealer In addition to examining the plays as cultural and historical texts, Kachur offers: - Biographical sketches detailing the dramaturgical styles of the two playwrights - An overview of Charles II's reign, including its effects on the dramatic literature of the era - A survey of Carolean theatre and drama outlining innovations in staging, and major dramatic genres - Performance histories which illuminate the ways in which twentieth-century directors have interpreted the comedies to make them accessible to modern audiences
Children’s Services: Working Together brings together contributions from a number of authors in the field. The book covers policy, theory, research and practice relevant to students and professionals working with children in a wide range of roles. The emphasis on working collaboratively with other professionals, where appropriate, and the holistic approach to children make this a valuable resource to anyone working with children today.
In Legendary locals of Marana, Oro Valley, and Catalina, readers will discover the historical riches, courage, and determination of the western spirit that shaped the state and the country.
Economic sanctions continue to play an important role in the response to terrorism, nuclear proliferation, military conflicts, and other foreign policy crises. But poor design and implementation of sanctions policies often mean that they fall short of their desired effects. This landmark study, first published in 1985, delves into the rich experience of sanctions in the 20th century to harvest lessons on how to use sanctions more effectively. This volume is the updated third edition of this widely cited study. It chronicles and examines 170 cases of economic sanctions imposed since World War I. Fifty of these cases were launched in the 1990s and are new to this edition. Special attention is paid to new developments arising from the end of the Cold War and increasing globalization of the world economy. Analyzing a range of economic and political factors that can influence the success of a sanctions episode, the authors distill a set of commandments to guide policymakers in the effective use of sanctions.
Annalise Avery would rather run away than marry the despicable man her stepfather has chosen for her. All he wants is her fortune anyway. Escaping with two servants, Annalise takes employment at Lord Gardiner's town house, disguised as a housekeeper. No one suspects that the new housekeeper for his wild lordship's London pied-à-tierre is a diamond of the first water and a famous horsewoman. But as Annalise becomes familiar with Gardiner's tomcatting, she vows to thwart the despicable man and his lascivious ways. Sleeping powders in the wine and fleas in the bed do just the trick!In the meanwhile, his lordship has grown quite preoccupied by the very mysterious Lady in Green who rides through the park atop a magnificent steed, spurring hearts young and old--including his own!
This radical new interpretation reveals many connections between Luke and Johannine traditions. Comparision of pericopae shared by Luke and John suggests that the usual assumptions of Lukan priority may be mistaken; instead his may be chronologically the fourth gospel. Luke neverthless treats his sources in different ways, his response being both critical and creative. He aims to give security to Christians by including as much as possible and reconciling conflicting traditions, while firmly excluding heretical misinterpretation. Shellard also includes a consideration of Luke's use of possible sources, both canonical and extra-canonical, and places Luke-Acts in its literary context, noting among other things the presentation of Rome as a facilitatator of evangelization and a promoter of co-existence. This is volume 215 in the Journal for the Study of the New Testament Supplement series.
The definitive biography of a trailblazing actress who entertained—and shocked—the nation and the world Marilyn Monroe might never have become the legend she did without America’s original tragic starlet: actress and poet Adah Isaacs Menken (1835–68). In a century remembered for Victorian restraint, Menken’s modern flair for action, scandal, and unpopular causes—especially that of the Jewish people—revolutionized show business. On stage, she was the first actress to bare all. Off stage, she originated the front-page scandal and became the world’s most highly paid actress—celebrated on Broadway, as well as in San Francisco, London, and Paris. At thirty-three, she mysteriously died. A Dangerous Woman is the first book to tell Menken’s fascinating story. Born in New Orleans to a “kept woman of color” and to a father whose identity is debated, Menken eventually moved to the Midwest, where she became an outspoken protégé of the rabbi who founded Reform Judaism. In New York City, she became Walt Whitman’s disciple. During the Civil War she was arrested as a Confederate agent—and became America’s first pin-up superstar. Menken married and left five husbands. Ultimately, she paid dearly for success. A major biography of a remarkable woman, A Dangerous Woman is must reading for those interested in women’s history, the roots of modern-day American Judaism, and African-American history. Praise for a previous book by Barbara and Michael Foster, Forbidden Journey: The Life of Alexandra David-Neel “Hers was a great human life, very well written up in Forbidden Journey. . . . Surely this biography will provoke even more interest.” —New York Times Book Review
When was feminism born - in the 1960s, or in the 1660s? For England, one might answer: the early decades of the seventeenth century. James I was King of England, and women were expected to be chaste, obedient, subordinate, and silent. Some, however, were not, and these are the women who interest Barbara Lewalski - those who, as queens and petitioners, patrons and historians and poets, took up the pen to challenge and subvert the repressive patriarchal ideology of Jacobean England. Setting out to show how these women wrote themselves into their culture, Lewalski rewrites Renaissance history to include some of its most compelling - and neglected - voices. As a culture dominated by a powerful Queen gave way to the rule of a patriarchal ideologue, a woman's subjection to father and husband came to symbolize the subjection of all English people to their monarch, and all Christians to God. Remarkably enough, it is in this repressive Jacobean milieu that we first hear Englishwomen's own voices in some number. Elizabeth Cary, Aemilia Lanyer, Rachel Speght, and Mary Wroth published original poems, dramas, and prose of considerable scope and merit; others inscribed their thoughts and experiences in letters and memoirs. Queen Anne used the court masque to assert her place in palace politics, while Princess Elizabeth herself stood as a symbol of resistance to Jacobean patriarchy. By looking at these women through their works, Lewalski documents the flourishing of a sense of feminine identity and expression in spite of - or perhaps because of - the constraints of the time. The result is a fascinating sampling of Jacobean women's lives and works, restored to their rightful place in literary historyand cultural politics. In these women's voices and perspectives, Lewalski identifies an early challenge to the dominant culture - and an ongoing challenge to our understanding of the Renaissance world.
The year is 1934 and Albert, a singer, meets Dorothy, a pianist, because another pianist has broken his thumb. As children they had grown up during the First World War and had known the Depression, but they were young and life was full of music. They married in 1936 and their daughter, Barbara, was born in 1937. Life looked good but Albert was an Army reservist and was called up at the outbreak of the Second World War. His letters to Dorothy from France form the basis of this book. Fortunately, he survived Dunkirk and was posted to Stars in Battledress, entertaining the troops for the duration of the war. The book shows the privations on the Home Front and the morale of the British people despite the dangers and hardships of war. Life was no easier after the war, but with the wedding of Princess Elizabeth and the New Look, colour came back into everyone's life. The Festival of Britain in 1951 was the icing on the cake. And with the National Health Service being created and new homes being built, the dark days were past and life could only get better.
1765. Filipo di Vecellio of Florence, portrait painter, is the toast of London: rich, successful, and married to Angelica, known as the most beautiful woman in the city. Their Pall Mall home is the hub of the art world; their impressive social gatherings run so smoothly by Filipo's silent sister, Francesca. But beneath the surface, the house conceals a swarm of dangerous secrets. Where does Francesca di Vecellio go as the sun sets over Covent Garden? And why are there always candles lit in her attic, while no candles burn for her brother's exquisite wife? Within the bustling artistic lives of the di Vecellios hides corruption and lies; love and tragedy. And wild ambition unbalances the capital's art world as, finally, a wonderful portrait battles for the right to paint the truth . . .
For most people, "Grand Canyon" signifies that place of scenic wonder identified with Grand Canyon National Park. Beyond the boundaries of the park, however, extends the greater Grand Canyon, a region that includes five Indian reservations, numerous human settlements, and lands managed by three federal agencies and by the states of Arizona and Utah. Many people have sought to etch their values, economic practices, and physical presence on this vast expanse. Ultimately, all have had to come to terms with the limits imposed by the physical environment and the constraints posed by others seeking to carve out a place for themselves. A Place Called Grand Canyon is an unprecedented survey of how the lands and resources of the greater Grand Canyon have come to be divided in many different ways and for many different reasons. It chronicles the ebb and flow of power --changes in who controls the land and gives it meaning. The book begins with an exploration of the geographies of the native peoples, then examines how the westward expansion of the United States affected their lives and lands. It traces the century of contest and negotiation over the land and its resources that began in the 1880s and concludes with an assessment of contemporary efforts to redefine the region. Along the way, it explores how the spaces of the greater Grand Canyon area came to be defined and used, and how those spaces in turn influenced later contests among the ranchers, loggers, miners, recreationists, preservationists, Native Americans, and others claiming a piece--or all--of the area for their own ends. The story exposes how dynamic the geographical boundaries of the region really are, regardless of the indelibility of the ink with which they were drawn. With visitation to Grand Canyon National Park approaching five million people per year, pressures on resources are intensifying. When the greater Grand Canyon area is considered, environmental management is further complicated by the often-conflicting demands of business, recreation, ecological preservation, and human settlement. Morehouse invites us to look beyond boundaries drawn on maps to discover what Grand Canyon means to different people, and to think more deeply about what living in harmony with the land really entails. Her insights will be of interest to geographers and other social scientists--including anthropologists and environmental historians--and to all who seek a counterpoint to conventional natural histories of the region.
This work, based on archival research, combines a collective portrait of aristocratic women with an analysis of the particular, class-specific form of patriarchy and gender relations that flourished among the upper classes in Yorkist and early Tudor England.
The Victorian gossipmongers called them The Petticoat Men. But to young Mattie Stacey they are Freddie and Ernest, her gentlemen lodgers. She doesn't care that they dress up in sparkling gowns to attend society balls as 'Fanny and Stella'. She only cares that they are kind to her, make her laugh, and pay their rent on time. Then one fateful night, Fanny and Stella are arrested, and Mattie – outraged but staunch – is dragged into a shocking court trial, hailed in newspapers all over England as 'The Scandal of the Century'.
The Marquis of Milverton strides into White's Club in a high state of irritation as he is being pestered by his family to take a 'suitable' girl for his wife. He is not surprised to find that his aristocratic friends are suffering the same pressure and they gather together to complain about their plight. They are all having affaires-de-coeur with seductive married ladies and the Marquis himself is very much involved with a glamorous Countess. However they all recognise that they will have to marry eventually to carry on their ancestral title sand family legacy. Listening to their grumbling is the Duke of Sandelford and he challenges them to go out into the countryside in disguise and find a beautiful girl to be their dream wife. If after three months, they failed they were to admit failure and accept their family's suggestions. He also offers a one thousand pounds prize to those who succeed. He left them feeling it was at least a sporting chance and the Marquis was the first to accept the Duke's challenge. Disguising himself as John Milton he sets out alone on his horse and has a number of unlikely adventures with people he would normally have never encountered. He helps some of them to happiness, then becomes bored and decides to return home, but will give one more village a last chance. How the Marquis becomes involved with a ruthless gang of horse thieves and then unexpectedly finds all he is seeking and can claim the Duke's prize is told in this exciting and different tale by BARBARA CARTLAND.
A new examination of one of the greatest romantic figures in history, tracing the legend and equally extraordinary reality: 'Age cannot wither her, nor custom stale her infinite variety' (Shakespeare).
Between 1660 and 1682 seventeen versions of Shakespeare's plays were made for the newly reopened public theatres in London, and in its three parts 'Restoration Shakespeare: Viewing the Voice' offers a new view of why and how such adaptation was undertaken. Part I considers the seventeenth-century debate about how dramaric poetry works on the mind. Part II offers an analysis of each play with regard to its visual and metaphorical effects. Part III concludes with a review of Shakespeare's reputation in these years, drawing a distinction between what readers and playgoers would have known of him.
Fanny Murray (1729-1778) was a famous Georgian beauty and courtesan, desired throughout England and often to be found pressed to a gentleman’s heart in the form of a printed disc secretly tucked into their pocket-watch. She rose from life in the ‘London stews’ to fame and fortune, through her career as a high-class courtesan. She was seduced and then abandoned, aged just 12, by Jack Spencer, grandson of Sarah, Duchess of Marlborough (and related to the Althorp-based Spencers). Her luck turned when she caught the eye of the infamous Beau Nash, ‘King of Bath’. But it was her time in London that promoted her to national fame and notoriety. After ten years at the top, she was heavily in debt, but managed to secure an arranged marriage to a respectable man. The scandals of her past caught up with her as she was named in the national scandal surrounding Wilke’s pornography case at the High Court.
Complexity theory is a collection of concepts ideas and perspectives developed largely in fields outside medicine. It allows us to study health care delivery using the metaphor of an ecosystem rather than a machine. This timely book explores the ways complexity theory may assist in the provision of clinical healthcare. It explains the foundations of the theory behind complexity its place in clinical medicine and in the wider scientific context using examples of its application in current and potential future medical scenarios. Drawing on insights from diverse areas including ecology evolutionary theory and computer science itit demonstrates the relevance of complexity to cardiology diabetes and mental health to consultation dynamics and decision support and to the delivery of other aspects of care through more informed use of health informatics. The increasingly complex arena of clinical medicine requires new models on which to manage uncertainty recognise and value diversity and process information. All clinicians and managers in primary and secondary care will find this book useful and engaging reading. 'The fashionable drive for a narrowly defined evidence-based practice is likely to accelerate trends which many of us fear: a retreat from clinical intuition to defensive documentation; from acumen to investigation; from values-based policy to techno-managerialism. The ideas addressed in this book written by those who are pioneering the application of complexity theory to clinical practice appear to provide a science-based and rigorous defence against the simplistic thinking which has impelled such dangerous trends. This is an important book it is timely and it is to be welcomed' Marshall Marinker in the Foreword
Now available in ePub format. The Rough Guide to Cape Town, the Winelands, and the Garden Route is the ultimate travel guide to South Africa's most captivating city and its surrounding region. Full-color photography illustrates the finest of Cape Town's colonial architecture, vibrant neighborhoods, and iconic setting. This guide will show you the best this cosmopolitan city has to offer-from fascinating museums, cutting edge fashion, and fine dining to whale watching, bungee jumping, and wine tasting. It's no wonder that Cape Town is an award-winning city, and The Rough Guide to Cape Town, the Winelands, and the Garden Route uncovers it all. Easy to use maps for each neighborhood make getting around easy. Andm detailed chapters feature all the best hotels, restaurants and bars, live music and clubs, shops, theater, kids' activities, and more. You'll be sure to make the most of your time with The Rough Guide to Cape Town, the Winelands, and the Garden Route.
The Duke of Laverdale is ambitious to be appointed Master of the Horse and the newQueen Adelaide is determined that behaviour at Court should be moral after the licentiousness of King George IV. The Duke therefore ends his affaire de coeur with the enchanting Lady Sybil Mersham and drops his ballet dancer mistress as well. Up to now he has been determined not to be married, but he now decides to become respectable and find a suitable bride as befits his standing. As he has always avoided debutantes, he asks the Marquis of Coleburn, whom he has known since he was a boy, to help him. The Marquis is delighted and tells the Duke that he has the perfect wife for him in his beautiful daughter Oleta, who would have been a debutante by now but for family mourning. The Duke arranges to visit the Marquis, who returns home to tell his daughter that she is a very lucky girl. Oleta, however, is horrified at the idea of marrying a man she has never seen and who obviously cannot be in love with her. She is very romantic and loves the country especially the woods, which have a magical influence on her and she talks to them when she rides through them on her beloved horse, Apollo. When the Marquis tells her that she cannot refuse the Duke, even if he has to drag her to the altar, Oleta runs away to her old Nanny in Norfolk, having no idea of the dangers she might face on the journey. When the Duke arrives to stay with the Marquis, he is appalled to learn that, because she is afraid of him, Oleta has ridden off on her own. He then follows her as he has a much faster horse than anyone else. How the Duke finds Oleta in a dangerous predicament and how he saves her. How, not knowing who he is, she is impressed by his intelligence, his kindness and his bravery. And how, when they finally escape from horse-thieves, he takes her to a place where they can be alone and how there they can both dream the same dream of love, is all told in this thrilling romance by BARBARA CARTLAND.
Barbara Lewalski argues that the Protestant emphasis on the Bible as requiring philological and literary analysis fostered a fully developed theory of biblical aesthetics defining both poetic art and spiritual truth. Originally published in 1979. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
Wester's environmental history of Yakama and Euro-American cultural interactions during the 19th and early 20th century explores the role of law in both curtailing and promoting rights to subsistence resources within a market economy. Her study, using original source files, case histories, and contemporary writings, particularly describes how the struggle to assert treaty rights both sprang from and impacted the daily lives of the Yakama people. The study is now widely available in this new digital edition (and in paperback), adding a 2014 foreword by Harry Scheiber, professor of law and history at Berkeley. This book, he writes, “is a masterful study of the complex, extended series of confrontations between the native Indian cultures of the Yakima region and the regime of the conquering white nation. Her analysis is based on a blending of materials from rich archival sources and from the literatures of legal history, administrative history, anthropology, ecology, and cultural theory. Most remarkably, the book makes important new contributions to all these fields of scholarship.” "In her remarkable book Land Divided by Law, Barbara Leibhardt Wester eloquently portrays the Yakama Indians of the Columbia River Basin as actors defending a threatened, living landscape from encroachments by settlers. Using federal officials and the courts to advocate for their rights, they reasserted a spiritual heritage of the earth as body, heart, life, and breath. Anyone interested in Native peoples and their interactions with Euro-Americans will want to read this lively, engaging account." —Carolyn Merchant Professor of Environmental History, University of California, Berkeley "This is a remarkable work that brims with insight about the inter-relatedness of nature, work, law, and culture. Wester blends expertise in several different academic disciplines with a superb gift for narrative into her analysis of the Yakama people's defense of their traditional way of life. The book is a testament not only to the skill and resilience of its subjects but also to the power of the author's empathy and respect for them." —Arthur F. McEvoy Associate Dean for Research, and Paul E. Treusch Professor of Law, Southwestern Law School
Innocent and lovely Shimona BardsleyÕs father, the celebrated actor Beau Bardsley, has fallen desperately ill and yet he insists on persevering with the eveningÕs performance as Hamlet at The Theatre Royal, Drury Lane. A concerned Shimona accompanies him to the theatre where she overhears the notoriously disreputable Duke of Ravenstone Ð known as ÔHis DisgraceÕ Ð offering her father the huge sum of five hundred guineas to find him an actress to play Ôa partÕ for just two nights. Desperate to raise enough money to take her father to a warmer clime and thereby save his life, Shimona accepts the DukeÕs offer and finds herself reluctantly embroiled in a deception that her conscience finds hard to bear. Unchaperoned in the grand Ravenstone House in London with the devilish Duke and an imperious Clan Chieftain, Shimona is afraid, alone and in trouble Ð But soon, to her bewilderment and ecstasy, she finds that she is also in love. Ê
The position Frances Burney (1752-1840) holds as a novelist, journalist, and letterwriter is now undisputed, thanks to reevaluations of the canon in recent years. Yet Burney was always intrigued by, and wrote for, the stage. Though only one of Burney's dramas was performed in her lifetime, Barbara Darby places the plays in the context of performance and feminist theory, challenging past assertions about Burney that were based entirely on her novels and journals. Darby maintains that in exposing the failure of such practices and institutions as courtship, marriage, family, government, and the church, Burney's dramas often exceed her novels in the depth of their social commentary. In her four comedies and four tragedies, Burney uses stage space, dialogue, blocking, and gesture to highlight the ways power is distributed among society's members. According to Darby, these plays show that the eighteenth-century female experience was dominated by physical, psychic, and emotional regulation that included bodily punishment and the limitation of personal choice. Placing Burney alongside other prominent female playwrights of the period, Darby brings to light a substantial body of work, revealing that Burney's drama was not a casual sideline to her novel writing. Frances Burney, Dramatist, expands our appreciation of the extent to which eighteenth-century women playwrights used the stage as a forum.
Kitchens have been transformed from a purely utilitarian workspace to a culinary-family-friends’ mecca where everyone congregates. While kitchens in condos and small houses may still be limited in square footage, even a tiny galley-style space is often now open to living and dining areas in loft-style arrangement for better camaraderie and conversation. Divided into two sections, this book will guide you through the process of designing the perfect kitchen. The first section takes you through a step-by-step approach to kitchen design and renovation, complete with questions to ask contractors, layout suggestions and checklists. This is followed by over 50 inspiring kitchens, highlighting different options and styles to help you create your ideal space.
For over a hundred years, the journal of the Irish poet Thomas Moore (1779-1852) was thought to have been destroyed. In 1967 the manuscript was found in the archives of the Longman Publishing House in London. This edition, to be published in six volumes, reveals the essential Moore and introduces the reader to the daily, personal record of Moore's life from 1818 to 1847. The journal begins as an accurate rendering of the author's daily life and ends as a tragic reflection of a failing memory and a deteriorating mind.
Will the Obama administration's decision to normalize relations with Cuba usher in a new era of economic cooperation, trade, and investment between the two countries? This prescient book, published only eight months before President Obama's historic announcement at the end of 2014, provides answers to that question and offers a roadmap for a sequenced lifting of the Cold War era economic sanctions against Cuba. The authors, Gary Clyde Hufbauer and Barbara Kotschwar, lay out the difficulties of achieving a dynamic economic relationship. They caution that a unilateral dismantling of US sanctions without insuring that proper institutions are in place in Cuba could squander this golden opportunity for US companies and hurt Cubans. They argue that US policies should encourage Cuba to liberalize its economy and adopt democratic institutions, so that it does not transition from a Communist dictatorship to a corrupt and authoritarian oligarchy. This farsighted book, produced in anticipation of an opening with Cuba that seemed impossible to some skeptics, is a must-read for anyone interested in the evolution of a historically contentious relationship that promises to evolve productively if the right policies are pursued.
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