Poetry. In her first collection, Barbara Claire Freeman links lyric subjectivity to an exploration of crucial moments in U.S. history. There are meditations on the Declaration of Independence, institution of slavery, Gold Rush, Lewis and Clark Expedition, Civil War, Great Depression, terrorist attacks of 9/11, as well as on our contemporary economic and cultural lives. These formally inventive poems braid the personal and the political. They offer no compromise, no synthesis, but they do offer hope as they invite critical reflection of "authorized history" and trace the efforts of historical subjects to make and remake their lives. INCIVILITIES is committed to the past and to the present, envisioning a poetry that might function both as a ritualistic act of imagining and as a talisman against forgetting.
The Feminine Sublime provides a new and startling insight into the modes and devices employed in the creation of women's fiction since the eighteenth century. Barbara Claire Freeman argues that traditional theorizations of the sublime depend upon unexamined assumptions about femininity and sexual difference, and that the sublime could not exist without misogynistic constructions of "the feminine." Taking this as her starting point, Freeman suggests that the "other sublime" that comes into view from this new perspective not only offers a crucial way to approach representations of excess in women's fiction, but allows us to envision other modes of writing the sublime. Freeman reconsiders Longinus, Burke, Kant, Weiskel, Hertz, and Derrida while also engaging a wide range of women's fiction, including novels by Chopin, Morrison, Rhys, Shelley, and Wharton. Addressing the coincident rise of the novel and concept of the sublime in eighteenth-century European culture, Freeman allies the articulation of sublime experience with questions of agency and passion in modern and contemporary women's fiction. Arguments that have seemed merely to explain the sublime also functioned to evaluate, domesticate, and ultimately exclude an otherness that is almost always gendered as feminine. Freeman explores the ways in which fiction by American and British women, mainly of the twentieth century, responds to and redefines what the tradition has called "the sublime." This title is part of UC Press's Voices Revived program, which commemorates University of California Press's mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1996. The Feminine Sublime provides a new and startling insight into the modes and devices employed in the creation of women's fiction since the eighteenth century. Barbara Claire Freeman argues that traditional theorizations of the sublime depend upon u
The Feminine Sublime provides a new and startling insight into the modes and devices employed in the creation of women's fiction since the eighteenth century. Barbara Claire Freeman argues that traditional theorizations of the sublime depend upon unexamined assumptions about femininity and sexual difference, and that the sublime could not exist without misogynistic constructions of "the feminine." Taking this as her starting point, Freeman suggests that the "other sublime" that comes into view from this new perspective not only offers a crucial way to approach representations of excess in women's fiction, but allows us to envision other modes of writing the sublime. Freeman reconsiders Longinus, Burke, Kant, Weiskel, Hertz, and Derrida while also engaging a wide range of women's fiction, including novels by Chopin, Morrison, Rhys, Shelley, and Wharton. Addressing the coincident rise of the novel and concept of the sublime in eighteenth-century European culture, Freeman allies the articulation of sublime experience with questions of agency and passion in modern and contemporary women's fiction. Arguments that have seemed merely to explain the sublime also functioned to evaluate, domesticate, and ultimately exclude an otherness that is almost always gendered as feminine. Freeman explores the ways in which fiction by American and British women, mainly of the twentieth century, responds to and redefines what the tradition has called "the sublime." This title is part of UC Press's Voices Revived program, which commemorates University of California Press's mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1996. The Feminine Sublime provides a new and startling insight into the modes and devices employed in the creation of women's fiction since the eighteenth century. Barbara Claire Freeman argues that traditional theorizations of the sublime depend upon u
Poetry. In her first collection, Barbara Claire Freeman links lyric subjectivity to an exploration of crucial moments in U.S. history. There are meditations on the Declaration of Independence, institution of slavery, Gold Rush, Lewis and Clark Expedition, Civil War, Great Depression, terrorist attacks of 9/11, as well as on our contemporary economic and cultural lives. These formally inventive poems braid the personal and the political. They offer no compromise, no synthesis, but they do offer hope as they invite critical reflection of "authorized history" and trace the efforts of historical subjects to make and remake their lives. INCIVILITIES is committed to the past and to the present, envisioning a poetry that might function both as a ritualistic act of imagining and as a talisman against forgetting.
In a major reinterpretation, Resisting History reveals that women, as subjects of writing and as writing subjects themselves, played a far more important role in shaping the landscape of modernism than has been previously acknowledged. Here Barbara Ladd offers powerful new readings of three southern writers who reimagined authorship between World War I and the mid-1950s. Ladd argues that the idea of a "new woman" -- released from some of the traditional constraints of family and community, more mobile, and participating in new contractual forms of relationality -- precipitated a highly productive authorial crisis of gender in William Faulkner. As "new women" themselves, Zora Neale Hurston and Eudora Welty explored the territory of the authorial sublime and claimed, for themselves and other women, new forms of cultural agency. Together, these writers expose a territory of female suffering and aspiration that has been largely ignored in literary histories. In opposition to the belief that women's lives, and dreams, are bound up in ideas of community and pre-contractual forms of relationality, Ladd demonstrates that all three writers -- Faulkner in As I Lay Dying, Welty in selected short stories and in The Golden Apples, and Hurston in Tell My Horse -- place women in territories where community is threatened or nonexistent and new opportunities for self-definition can be seized. And in A Fable, Faulkner undertakes a related project in his exploration of gender and history in an era of world war, focusing on men, mourning, and resistance and on the insurgences of the "masses" -- the feminized "others" of history -- in order to rethink authorship and resistance for a totalitarian age. Filled with insights and written with obvious passion for the subject, Resisting History challenges received ideas about history as a coherent narrative and about the development of U.S. modernism and points the way to new histories of literary and cultural modernisms in which the work of women shares center stage with the work of men.
----STUDENT EDITION---- The first mainstream book to truly integrate coverage of race, class, gender, ethnicity, and age continues to win high praise. One user writes, "" Miller's text offers clarity and an attention to diversity and inequality in human experience that the students really appreciate." " Emphasizing social inequality, this contemporary introductory textbook explains how inequalities affect economy, kinship, politics, religion, and language while still covering the core concepts of cultural anthropology. Special Features: Integrates coverage of contemporary issues suCh. as health systems, migration, and development throughout the text to highlight the practical applications and relevance of cultural anthropological studies. More focus on theory in cultural anthropology with a new section on the history of theory (Ch. 1) and more explicit links to theory in the Critical Thinking boxes in every chapter. Development Anthropology includes new discussions and the latest researCh. on the relationship between development on indigenous peoples, social inequality, and new examples of human resistance in the face of large-scale exogenous development (Ch. 16). Back by popular demand, Miller's migration chapter, " People on the Move" -- unique in this market-- returns as Chapter 15. New layout, larger pages, and attractive design combine to make this Third Edition even more accessible to students! Boxed Features show the interconnection of Anthropology to other disciplines and to career opportunities: Lessons Applied illustrates how anthropological knowledge impacts the" real world" through vital contributions to social projects and policy. Unity and Diversity boxed features present cultural examples from the perspectives of both difference and similarity. While most writings of cultural anthropologists document variation and diversity, it is important to remember that humans everywhere share certain features of life in common. Critical Thinking boxes present a topic, often from two different angles, and then ask questions that provide critical thinking reviews and possible assignments for students. ----EXAM COPY EDITION---- The first mainstream book to truly integrate coverage of race, class, gender, ethnicity, and age continues to win high praise. One user writes, "" Miller's text offers clarity and an attention to diversity and inequality in human experience that the students really appreciate." " Emphasizing social inequality, this contemporary introductory textbook explains how inequalities affect economy, kinship, politics, religion, and language while still covering the core concepts of cultural anthropology. Special Features: Integrates coverage of contemporary issues suCh. as health systems, migration, and development throughout the text to highlight the practical applications and relevance of cultural anthropological studies. More focus on theory in cultural anthropology with a new section on the history of theory (Ch. 1) and more explicit links to theory in the Critical Thinking boxes in every chapter. Development Anthropology includes new discussions and the latest researCh. on the relationship between development on indigenous peoples, social inequality, and new examples of human resistance in the face of large-scale exogenous development (Ch. 16). Back by popular demand, Miller's migration chapter, " People on the Move" -- unique in this market-- returns as Chapter 15. New layout, larger pages, and attractive design combine to make this Third Edition even more accessible to students! Boxed Features show the interconnection of Anthropology to other disciplines and to career opportunities: Lessons Applied illustrates how anthropological knowledge impacts the " real world" through vital contributions to social projects and policy. Unity and Diversity boxed features present cultural examples from the perspectives of both difference and similarity. While most writings of cultural anthropologists document variation and diversity, it is important to remember that humans everywhere share certain features of life in common. Critical Thinking boxes present a topic, often from two different angles, and then ask questions that provide critical thinking reviews and possible assignments for students.
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