In the midst of Occupy, Barbara Andersen begins spamming people indiscriminately with ukulele covers of sentimental songs. A series of inappropriate intimacies ensued, including an erotically charged correspondence and then collaboration with an extraordinarily gifted and troubled musician living in Germany.
* The Believer Book Award Finalist * One of the Best Books of 2012 —BuzzFeed “I was in Zagreb the day that Michael Jackson died. When I heard the news, the first thing I thought was, That’s it. That’s the first line of my novel. ‘I was in Zagreb the day that Michael Jackson died.’” First Michael Jackson, then Pina Bausch. Next is Merce Cunningham. Gray Adams, a former dancer with the Royal Swiss Ballet at work on his dissertation at NYU, has a theory spurred by countless hours of YouTube-based procrastination: Someone is killing these famous dancers! (And he may bear an uncanny resemblance to Jimmy Stewart, circa Vertigo.) I’m Trying to Reach You is a moving and candid contemporary look at how we process grief, as well as how we love and communicate with one another. "A provocative novel... that blurs the boundaries between life and performance, dance, art, and viral video. The novel is also framed in the world of performance art and is itself its own kind of performance... and feels rightly reflective of a moment when dance is pushing the boundaries of what constitutes a performance space." —Slate
This revision guide has been written to match the specification of the subject and is designed to reinforce exactly what the students need to know. It includes practice questions and tests to familiarise students with the exam style and build confidence.
Samuel Barber (1910-1981) is one of the most admired and honored American composers of the twentieth century. An unabashed Romantic, largely independent of worldwide trends and the avant-garde, he infused his works with poetic lyricism and gave tonal language and forms new vitality. His rich legacy includes every genre, including the famous Adagio for Strings, Knoxville: Summer of 1915, three concertos, a plethora of songs, and two operas, the Pulitzer prize-winning Vanessa, and Antony and Cleopatra, the commissioned work that opened the new Metropolitan Opera House at Lincoln Center in 1966. Generously documented by letter, sketches, autograph manuscripts, and interviews with friends, colleagues, and performers with whom he worked, this ASCAP-Award winning book is still unquestionably the most authoritative biography on Barber, covering his entire career and interweaving the events of his life with his compositional process. This second edition benefits from many new discoveries, including a Violin Sonata recovered from an artist's estate, a diary Barber kept his seventeenth year, a trove of letters and manuscripts that were recovered from a suitcase found in a dumpster, documentation that dispels earlier myths about the composition of Barber's Violin Concerto, and research of scholars that was stimulated by Heyman's work. Barber's intimate relations are discussed when they bear on his creativity. A testament to the lasting significance of Romanticism, Samuel Barber stands as a model biography of an important musical figure.
Historically affirming certain post-WWII constructive theologians and social theorists, After Christendom unpacks theological anomalies negatively denying the science underlying global warming, wedge issues supporting systemic racism, and certain erroneous decisions made by mainline churches and the evangelical movement. Anomalies occur when something taken for granted no longer fits current situations. The so-called mainline church and the evangelical movement have not addressed or reconstructed their theological anomalies. Caught inside cultural accommodation, the more liberal mainline church often does not recognize its historical tie to a pre-modern God, a transactional definition of the crucifixion, and Jesus’ consignment to the cross. A companion argument suggests that the evangelical movement’s inability to respond to the pre-modern depiction of God as an omnipotent, theocratic King helped provide sufficient votes for Trump’s successful presidential run. Both groups inability to face such theological anomalies rests within a belief in conservative originalism, an unwillingness to move beyond European Christendom’s earliest theological constructions. After Christendom will be of particular interest to seminary, divinity school, university, and college libraries, as well as seminary students and professors, members of college and university departments of religion, history, and political science, and ministers and church leaders.
Barrow’s timely book is the first to examine the link between Victorian poetry, the study of language, and political reform. Focusing on a range of literary, scientific, and political texts, Barrow demonstrates that nineteenth-century debates about language played a key role in shaping emergent ideas about popular sovereignty. While Victorian scientists studied the origins of speech, the history of dialects, and the barrier between human and animal language, poets such as Elizabeth Barrett Browning, Alfred Tennyson, and Thomas Hardy drew on this research to explore social unrest, the expansion of the electorate, and the ever-widening boundaries of empire. Science, Language, and Reform in Victorian Poetry recovers unacknowledged links between poetry, philology, and political culture, and contributes to recent movements in literary studies that combine historicist and formalist approaches.
When Viscount Castlereagh, leader of the House of Commons and architect of the Grand Alliance, committed suicide in 1822, the coroner's inquest could consider only two legal verdicts: insanity or self-murder. Public outrage greeted his burial in Westminster Abbey; the tradition lingered that a suicide's burial place be at a crossroads, with a stake through the heart to keep the lost soul from wandering. Probing a remarkable variety of sources and individual cases, Barbara Gates shows how attitudes toward suicide changed between Castlereagh's death and the end of the century. By 1900 the Victorians' moral censure of suicide and the accompanying denial that it was a widespread problem had been replaced by a more compassionate response--and also by an unfounded belief in a "suicide epidemic," which Thomas Hardy described as a "coming universal wish not to live.". Exposing a rich area of interaction between history and literature, and utilizing the methodology of the new historicism, Gates discusses topics ranging from the plot for Wuthering Heights to Victorian shilling shockers. Among other findings she includes evidence that Victorian middle-class men, particularly, tended to make suicide the province of other selves--of men belonging to other times or places, of "monsters," or of women. Originally published in 1988. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
Analyzes how the technology and commercial practices of cultivation affect the nutritive value of certain fish, molluscs, crustacea, and freshwater plants. Organized to reflect the sequence from growth, harvest, and capture, through transportation, storage, and processing, to packaging and distribut
Despite astute critiques and available resources for alternative modes of thinking and practicing, individualism continues to be a dominating and constraining ideology in the field of pastoral psychotherapy and counseling. Philip Rieff was one of the first to highlight the negative implications of individualism in psychotherapeutic theories and practices. As heirs and often enthusiasts of the Freudian tradition of which Rieff and others are critical, pastoral theologians have felt the sting of his charge, and yet the empirical research that McClure presents shows that pastoral-counseling practitioners resist change. Their attempts to overcome an individualistic perspective have been limited and ineffective because individualism is embeddedin the field's dominant theological and theoretical resources, practices, and organizational arrangements. Only a radical reappraisal of these will make possible pastoral counseling practices in a post-individualistic mode. McClure proposes several critical transformations: broadening and deepening the operative theologies used to guide the healing practice, expanding the role of the pastoral counselor, reimagining the operative anthropology, reclaiming sin and judgment, nuancing the particularagainst the individual, rethinking the ideal outcome of the practices, and reimagining the organizational structures that support the practices. Only this level of revisioning will enable this ministry of the church to move beyond its individualistic limitations and offer healing in more complex, effective, and socially adequate ways.
Choice Outstanding Academic Title In her third and final volume on Virginia Woolf’s diaries, Barbara Lounsberry reveals new insights about the courageous last years of the modernist writer’s life, from 1929 until Woolf’s suicide in 1941. Woolf turned more to her diary—and to the diaries of others—for support in these years as she engaged in inner artistic wars, including the struggle with her most difficult work, The Waves, and as the threat of fascism in the world outside culminated in World War II. During this period, the war began to bleed into Woolf’s diary entries. Woolf writes about Hitler, Mussolini, and Stalin; copies down the headlines of the day; and captures how war changed her daily life. Alongside Woolf’s own entries, Lounsberry explores the diaries of 18 other writers as Woolf read them, including the diaries of Leo Tolstoy, Dorothy Wordsworth, Guy de Maupassant, Alice James, and André Gide. Lounsberry shows how reading diaries was both respite from Woolf’s public writing and also an inspiration for it. Tellingly, shortly before her suicide Woolf had stopped reading them completely. The outer war and Woolf’s inner life collide in this dramatic conclusion to the trilogy that resoundingly demonstrates why Virginia Woolf has been called “the Shakespeare of the diary.” Lounsberry’s masterful study is essential reading for a complete understanding of this extraordinary writer and thinker and the development of modernist literature.
For almost three decades, renowned baby-seller Georgia Tann ran a children's home in Memphis, Tennessee -- selling her charges to wealthy clients nationwide, Joan Crawford among them. Part social history, part detective story, part expose, The Baby Thief is a riveting investigative narrative that explores themes that continue to reverberate today.
“No Turning Back” is the first tale in this book which contains a variety of human interest stories, some humorous, some to stir your imagination - even a children’s story written to be read to small people. Some tales are personal, drawn from my own experiences. Human beings and how they cope with adversity has always inspired me to write. I will leave my readers to decide which are true, and which are fi ctitious. Enjoy what you will.
Now in its fourth edition, this book is one of the leading texts on the evolution of electronic mass communication in the last century, giving students a clear understanding of how the media of yesterday shaped the media world of today. Now Media, Fourth Edition (formerly Electronic Media: Then, Now, Later) provides a comprehensive view of the beginnings of electronic media in broadcasting and the subsequent advancements into ‘now’ digital media. Each chapter is organized chronologically, starting with the electronic media of the past, then moving to the media of today, and finally, exploring the possibilities for the media of the future. Topics include the rise of social media, uses of personal communication devices, the film industry, and digital advertising, focusing along the way on innovations that laid the groundwork for ‘now’ television and radio and the Internet and social media. New to the fourth edition is a chapter on the amazing world of virtual reality technology, which has spawned a ‘now’ way of communicating with the world and becoming a part of video content, as well as a discussion of the impacts of the COVID-19 pandemic on media consumption habits. This book remains a key text and trusted resource for students and scholars of digital mass communication and communication history alike. The new ‘now’ edition also features updated online instructor materials, including PowerPoint slides and test banks. Please visit www.routledge.com/cw/medoff to access these support materials.
Tracing the hundred-year history of aviation in Texas, aviator and historian Barbara Ganson brings to life the colorful personalities that shaped the phenomenally successful development of this industry in the state. Weaving stories and profiles of aviators, designers, manufacturers, and those in related services, Texas Takes Wing covers the major trends that propelled Texas to the forefront of the field. Covering institutions from San Antonio’s Randolph Air Force Base (the West Point of this branch of service) to Brownsville’s airport with its Pan American Airlines instrument flight school (which served as an international gateway to Latin America as early as the 1920s) to Houston’s Johnson Space Center, home of Mission Control for the U.S. space program, the book provides an exhilarating timeline and engaging history of dozens of unsung pioneers as well as their more widely celebrated peers. Drawn from personal interviews as well as major archives and the collections of several commercial airlines, including American, Southwest, Braniff, Pan American Airways, and Continental, this sweeping history captures the story of powered flight in Texas since 1910. With its generally favorable flying weather, flat terrain, and wide open spaces, Texas has more airports than any other state and is often considered one of America’s most aviation-friendly places. Texas Takes Wing also explores the men and women who made the region pivotal in military training, aircraft manufacturing during wartime, general aviation, and air servicing of the agricultural industry. The result is a soaring history that will delight aviators and passengers alike.
Electronic Media: Then, Now, and Later provides a synopsis of the beginnings of electronic media in broadcasting and the subsequent advancements into digital media. The Then, Now, and Later approach focuses on how past innovations laid the groundwork for changing trends in technology, providing the opportunity and demand for evolution in both broadcasting and digital media. An updated companion website provides links to additional resources, chapter summaries, study guides and practice quizzes, instructor materials, and more. This new edition features two new chapters: one on social media, and one on choosing your entertainment and information experience. The then/now/later thematic structure of the book helps instructors draw parallels (and contracts) between media history and current events, which helps get students more engaged with the material. The book is known for its clear, concise, readable, and engaging writing style, which students and instructors alike appreciate. The companion website is updated and offers materials for instructors (an IM, PowerPoint slides, and test bank)
Just in time for the holidays, fans of Leslie Meier and Vicki Delany are going to want to pick up the charming third installment in Barbara Early’s Vintage Toy Shop mysteries. It’s all fun and games with toyshop owner Liz McCall until deadly secrets are unwrapped upon the eve of the holidays. Who knew? Liz McCall is not thrilled when her boyfriend Police Chief Ken Young introduces her to his estranged wife Marya. The model-quality Russian immigrant, back in East Aurora to rekindle their romance, will be working as a hairstylist at the barber shop next door to Well Played, the toyshop Liz manages for her dad. When Marya offers to help with the shop’s doll rehab project, Liz can’t help but offer up only a weak smile, but her secret hesitations are for naught when Marya’s body is discovered in the barber shop with a hair dryer cord wrapped around her neck. Liz’s dad, retired from the police force, is asked to investigate since Ken is the prime suspect.The whole town is abuzz with the scandal and Liz has a few questions of her own, wanting nothing more than to forget the loud argument she overheard between Marya and Ken the night before. There could have been other motives...Was Marya going to cut into a competing hairstylist business? Who is the bumbling private investigator hanging around and why won’t he explain himself? All eyes are on Liz, including those of an odd matryoshka doll in the shop which seems to move of its own accord, to unravel this entertaining riddle, wrapped in a mystery, inside an enigma that is Death of a Russian Doll, the third jolly Vintage Toy Shop mystery from Barbara Early.
This is the second volume of the Life and Work of Pauline Viardot Garcia: The Years of Grace, 1863–1910. Viardot was an international opera singer, composer and teacher who was seminal in the world of music in the 19th century. She came from a famous family of musicians, her father being the Spanish tenor, composer and teacher, Manuel del Popolo Vicente Rodriguez Garcia. Her mother, Joaquina Sitchès, was also a singer and taught Pauline; her brother Manuel was an eminent singing teacher and inventor of the laryngoscope and her sister was the legendary singer, Maria Malibran. Her friends and colleagues are household names, including the writer George Sand and her lover Frederick Chopin, Clara and Robert Schumann, Johannes Brahms, Richard Wagner, Gabriel Fauré, Jules Massent and Franz Liszt who taught Pauline piano and on whom she had a girlish crush. Though considered ugly, she had a unique fascination and many men fell in love with her, including her husband, Louis Viardot, historian and man of letters; the Russian writer, Ivan Turgenev; Maurice Sand, artist son of George Sand; the composers Charles Gounod and Hector Berlioz, as well as her mentor, the painter Ary Scheffer. Although famous in her day, after her death in 1910 she fell into obscurity but her songs are appearing again and her influence as a teacher has spread worldwide. The first volume largely covers Viardot’s international singing career from 1836 to 1863 and the second volume, although also featuring her performances, concentrates more fully on her work as a composer and teacher as well as a famous musical hostess. Although ostensibly the life, professional and personal, of an amazing individual, the book is also a portrait of an age, culturally, socially and politically. As the author’s first volume about Viardot, the Life and Work of Pauline Viardot Garcia: The Years of Fame, 1836–1863, was only the second biography in English of the singer, her work has been seminal and has attracted interest worldwide. The second volume, The Years of Grace, published by Cambridge Scholars Publishing, has been enthusiastically anticipated and includes a CD of three Viardot songs, performed by Giles Davies.
Joseph Osborn, a felon with a decades-old grudge against law enforcement, enlists the aid of five ex-cons to do his dirty work in recovering an $11-million-dollar nest egg the SCSD has been holding in Evidence. The resulting quagmire takes an unexpected and deadly downward spiral, and the scheme slowly degenerates into a life-or-death mission requiring the assistance of South County’s finest SWAT team. Officers Dan Temple and Andy Thomson are on the beat again, despite Andy’s on-going run-ins with the fairer sex. The question, though, remains: Will they live long enough to complete the mission.
Samuel Barber: A Thematic Catalogue of the Complete Works is the first publication to list the entire musical output of Samuel Barber, one of the most beloved and frequently performed American composers. In this exhaustive study, renowned Barber biographer Barbara Heyman chronologically lists and details hundreds of core repertory and the most recently published works, as well as numerous works previously unknown and unpublished. Each entry includes information about first performances, commissions, and the circumstances and inspiration of the composition; the texts of songs; a musical extract containing the opening measures of each work, movement, or major aria; duration, revisions, editions, arrangements, and a select discography of historical and contemporary performances. The descriptions of manuscript sources provide details about the hundreds of holograph manuscripts, sketches, drafts, and significant publisher's proofs with Barber's corrections. Entries are enhanced by Heyman's extensive commentary, which draws from Barber's correspondence, interviews, and diaries. Useful appendices to the catalogue comprise a register of works by genre; an alphabetical directory of works; an index of first lines of vocal works; a listing by nationality of authors and translators of texts set by Barber; and a comprehensive discography. This thematic catalogue is an invaluable guide for musicians, scholars, and students, providing an essential foundation for any serious study of Barber and his music.
Follows the structure of the GCSE Design & Technology for Edexcel specification and provides practice exam questions at Foundation and Higher level to help build confidence. This title contains practical activities and tips, so students can practise what they have learned.
Featuring an easy-to-use lay-flat binding, this Healthy Exchanges« cookbook offers a wide range of delicious and nutritious recipes that can be prepared in a slow cooker. Original.
The Sotweed Smuggler, the 2010 historical fiction winner of the Houston Writers Guild, tells a story of suspense. Will Sherewell, the son of a prosperous merchant marine captain, learns when his fathers will is read, that he has inherited his ship. Living with his pious mother, he has little knowledge of sailing and anticipates a majestic vessel. Instead, he finds The Emperors Dictum aka The Kings Dick, notorious for smuggling sotweed and whiskey between Devonshire and Scotland. Will yearns to be like his father and sails the Dick, enduring ridicule, fierce storms, pirate attacks, and curses of legendary fairies and ghosts, while finding companionship with his runaway brother and discovering the woman he wishes to marry. In spite of his fathers spying, treachery, murder, and Scottish border intrigue, Will learns he served Scotland with honor defeating the outlaw MacGregor Clan. With the new knowledge, he believes his father is their captive. He receives a Scottish certificate with a handwritten notation dead. Did he at last find the truth? Will must choose to accept the veracity of the document, or launch a futile one-man attack on a MacGregor stronghold. Reluctantly accepting his fathers death, he sails home to his new wife at Mothercombe Bay.
In the title essay, Professor Hardy argues for the special advantage of lyric over other other literary genres in conveying intense private feelings publicly. She then gives detailed consideraton to the lyric poetry of John Donne, Arthur Hugh Clough, and a group of poets central to the modernist canon: Hopkins, Yeats, Aden, Dylan Thomas, and Sylvia Plath. Those interested in W.H. Auden will find the book of particular value, since Auden occupies a central place in it. W.H. Auden has frequently been held up as the modern example par excellence of a 'public poet' whose works betray relatively little in the way of personal emotion. In the cahpters entitled 'The Reticence of W.H. Auden, Thirties to Sixties: A Face and a Map' barbara Hardy shows the inadequacy of that characterization and opens the way for a fresh appreciation of Auden's achievement as a poet. Readers interested in modern poetry genearlly and all readers acquainted with Barara Hardy's previous books will the book of importance.
the author's Atlantic Monthly article "Dan Quayle Was Right" ignited a media debate on the effects of divorce that rages still. In this book she expands her argument, making it clear Americans need to strengthen their resolve with regard to divorce prevention, new ways of thinking about marriage, and a new consciousness about the meaning of committment. 240 pp. Author tour. Radio satellite tour. 60,000 print.
The Outer Banks National Scenic Byway received its designation in 2009, an act that stands as a testament to the historical and cultural importance of the communities linked along the North Carolina coast from Whalebone Junction across to Hatteras and Ocracoke Island and down to the small villages of the Core Sound region. This rich heritage guide introduces readers to the places and people that have made the route and the region a national treasure. Welcoming visitors on a journey across sounds and inlets into villages and through two national seashores, Barbara Garrity-Blake and Karen Willis Amspacher share the stories of people who have shaped their lives out of saltwater and sand. The book considers how the Outer Banks residents have stood their ground and maintained a vibrant way of life while adapting to constant change that is fundamental to life where water meets the land. Heavily illustrated with color and black-and-white photographs, Living at the Water's Edge will lead readers to the proverbial porch of the Outer Banks locals, extending a warm welcome to visitors while encouraging them to understand what many never see or hear: the stories, feelings, and meanings that offer a cultural dimension to the byway experience and deepen the visitor's understanding of life on the tideline.
Intimate partner violence is a complex, ugly, fear-inducing reality for large numbers of women around the world. When violence exists in a relationship, safety is compromised, shame abounds, and peace evaporates. Violence is learned behavior and it flourishes most when it is ignored, minimized, or misunderstood. When it strikes the homes of deeply religious women, they are: more vulnerable; more likely to believe that their abusive partners can, and will, change; less likely to leave a violent home, temporarily or forever; often reluctant to seek outside sources of assistance; and frequently disappointed by the response of the religious leader to their call for help. These women often believe they are called by God to endure the suffering, to forgive (and to keep on forgiving) their abuser, and to fulfill their marital vows until death do us part. Concurrently, many batterers employ explicitly religious language to justify the violence towards their partners, and sometime they manipulate spiritual leaders who try to offer them help. Religion and Intimate Partner Violence seeks to navigate the relatively unchartered waters of intimate partner violence in families of deep faith. The program of research on which it is based spans over twenty-five years, and includes a wide variety of specific studies involving religious leaders, congregations, battered women, men in batterer intervention programs, and the army of workers who assist families impacted by abuse, including criminal justice workers, therapeutic staff, advocacy workers, and religious leaders. The authors provide a rich and colorful portrayal of the intersection of intimate partner violence and religious beliefs and practices that inform and interweave throughout daily life. Such a focus on lived religion enables readers to isolate, examine, and evaluate ways in which religion both augments and thwarts the journey towards justice, accountability, healing and wholeness for women and men caught in the web of intimate partner violence.
Why did the Victorians collect with such a vengeance and exhibit in museums? Focusing on this key nineteenth-century enterprise, Barbara J. Black illuminates British culture of the period by examining the cultural power that this collecting and exhibiting possessed. Through its museums, she argues, Victorian London constructed itself as a world city. Using the tools of cultural criticism, social history, and literary analysis, Black roots Victorian museum culture in key political events and cultural forces: British imperialism, exploration, and tourism; advances in science and changing attitudes about knowledge; the commitment to improved public taste through mass education; the growth of middle-class dominance and the resulting bourgeois fetishism and commodity culture; and the democratization of luxury engendered by the French and industrial revolutions. She covers a wide range of genres--from poetry to museum guidebooks to the triple-decker novel--and treats three London museums as case studies: Sir John Soane's house-museum, the Natural History Museum, and the exemplary South Kensington. While On Exhibit provides a fascinating analysis of Victorian society, it also reminds us how modern the Victorians were--how, in crucial ways, our culture derives from the Victorian era. Forging connections among museums, urbanism, and modernity, Black provokes us to examine cultural imperialism and the costs and advantages of cultural consensus.
Given a second chance, the vibrant musical memories stir the cold heart of a man trying to do the "right thing". But his self sufficiency proves his undoing and the love of a boy for a girl becomes a man's love for a women.
This poignant, funny novel explores the intricate influences of memory and experience, invention and deception. 'Delia's body lay flat as a piece of paper, blank, as if everything on it had scurried off over the side.' Delia Whittborne finds herself in a hospital bed but can't recall how she got there, or even who she is. As her memory slowly returns, she realises it's not just her recent past and love-life she needs to make sense of but also her early childhood on her grandparents' farm and the barn with the peacocks strutting around outside. As the fiesty but vulnerable Delia regains physical and psychological strength, Eating Peacocks becomes an assured and subtle exploration of male-female relationships and family life.
Despite the fact that the sea covers 70 per cent of the Earth’s surface, and is integral to the workings of the world, it has been largely neglected or perceived as marginal in modern consciousness. This edited collection disrupts notions of the sea as ’other’, as foreign and featureless, through specific, situated accounts which highlight the centrality of the sea for the individuals concerned. Bringing together academics who combine scholarly expertise with lived experiences on, in and with the sea, it examines humans’ relationships with the sea. Through the use of auto-ethnographic accounting, the contributors reflect on how the sea has shaped their sense of identity, belonging and connection. They examine what it is to be engaged with the sea, and narrate their lived, sentient, corporeal experiences. The sea is a cultural seascape just as it is physical reality. The sea shapes us and we, in turn, attempt to ’shape it’ as we construct various versions of it that reflect our on-going and mutable relationship with it. The use of embodied accounts, as a way of conveying lived-experiences, and the integration of relevant theoretical frames for understanding the broader cultural implications provide new opportunities to understand seascapes.
Provides instructions for seven hundred and fifty recipes that utilize vegetables, including tabbouleh with red and hot peppers, chard gratin, creamy carrot soup, and morels with rhubarb and asparagus.
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