Grace's perfect life in Cape Town is undone when her childhood sweetheart unexpectedly reappears after disappearing during an anti-apartheid police riot a decade earlier.
They called him America's most eligible bachelor, but highpoweredexecutive Michael Fortune didn't want a wife. So heoffered his faithful secretary, Julia Chandler, a surprisingproposition: become his pretend bride—for a price. Then theworld would think he was married, and he could get back tobusiness. Michael never questioned why unassuming Julia agreedto his outlandish charade. Or what would happen once theirconvenient engagement became a passion-filled affair…producingan unexpected heir to the Fortune dynasty.
Fanny Murray was an incomparable Georgian beauty and the most desired courtesan of the 1750s. The daughter of an impoverished musician from Bath, she took London society by storm, not only as the most prized 'purchaseable beauty' of her day, but also as a fashion icon and muse to poets, writers and artists. She counted princes, aristocrats and politicians among her friends and lovers, but relished the company of rogues, fraudsters and ne'er-do-wells. Barbara White presents evidence to suggest that Fanny Murray participated spiritedly in the sexual antics of the notorious 'Monks of Medmenham', the most infamous of the Hell-fire Clubs. After she retired from prostitution, Fanny Murray reinvented herself, entering a pragmatic marriage with the Scottish actor David Ross. Surprisingly, her virtues as a devoted and faithful wife became almost proverbial. Even so, Murray could not escape her disreputable past. In 1763, a scurrilous poem dedicated to her caused a national scandal that ended in the infamous trial of the radical politician John Wilkes for obscene libel. Barbara White's portrait of Fanny Murray takes readers from the brothels of Covent Garden to sex romps at Medmenham Abbey, from refined drawing rooms in London to marital respectability in Edinburgh. This is an illuminating contribution to the scholarly understanding and popular appreciation of a complex and intriguing period of British history. Fanny Murray's triumph – against almost insuperable odds – is a remarkable story, as rich in the telling as it is enthralling.
As the first book to use fiction as theory, Shakespeare and Contemporary Fiction reads backward to demonstrate how recent novelists redeploy foundling and lyric plots to uncover a Shakespeare who similarly challenges the mythological homogeneity that scripts us.
Bold Palates is lovingly researched and extensively illustrated. Barbara Santich helps us to a deeper understanding of Australian identity by examining the way we eat. Not simply a gastronomic history, her book is also a history of Australia and Australians.
Frances Milton Trollope (1779-1863) was a prolific, provocative and hugely successful novelist. She greatly influenced the generation of Victorian novelists who came after her such as Charles Dickens, George Eliot and Elizabeth Gaskell. This book features Trollope's social problem novels.
Encompassing thirty-eight handwritten volumes, Virginia Woolf’s diary is her longest work, her longest sustained, and last work to reach the public. In the only full-length work to explore deeply this luminous and boundary-stretching masterpiece, Barbara Lounsberry traces Woolf’s development as a writer through her first twelve diaries—a fascinating experimental stage, where the earliest hints of Woolf’s pioneering modernist style can be seen. Starting with fourteen-year-old Woolf’s first palm-sized leather diary, Becoming Virginia Woolf illuminates how her private and public writing was shaped by the diaries of other writers including Samuel Pepys, James Boswell, the French Goncourt brothers, Mary Coleridge, Ralph Waldo Emerson, and Woolf’s “diary parents”—Sir Walter Scott and Fanny Burney. These key literary connections open a new and indispensable window onto the story of one of literature’s most renowned modernists.
From a bestselling social commentator and cultural historian comes a fascinating exploration of one of humanity's oldest traditions: the celebration of communal joy expressed in ecstatic revels of feasting, costuming, and dancing.
Frances Milton Trollope (1779-1863) was a prolific, provocative and hugely successful novelist. She greatly influenced the generation of Victorian novelists who came after her such as Charles Dickens, George Eliot and Elizabeth Gaskell. This book features Trollope's social problem novels.
With its dominance as a European power and the explosion of its prose and dramatic writing, Spain provided an irresistible literary source for English writers of the early modern period. But the deep and escalating political rivalry between the two nations led English writers to negotiate, disavow, or attempt to resolve their fascination with Spain and their debt to Spanish sources. Amid thorny issues of translation and appropriation, imperial competition, the rise of commercial authorship, and anxieties about authenticity, Barbara Fuchs traces how Spanish material was transmitted into English writing, entangling English literature in questions of national and religious identity, and how piracy came to be a central textual metaphor, with appropriations from Spain triumphantly reimagined as heroic looting. From the time of the attempted invasion by the Spanish Armada of the 1580s, through the rise of anti-Spanish rhetoric of the 1620s, The Poetics of Piracy charts this connection through works by Ben Jonson, William Shakespeare, Francis Beaumont, John Fletcher, and Thomas Middleton. Fuchs examines how their writing, particularly for the stage, recasts a reliance on Spanish material by constructing narratives of militaristic, forcible use. She considers how Jacobean dramatists complicated the texts of their Spanish contemporaries by putting them to anti-Spanish purposes, and she traces the place of Cervantes's Don Quixote in Beaumont's The Knight of the Burning Pestle and Shakespeare's late, lost play Cardenio. English literature was deeply transnational, even in the period most closely associated with the birth of a national literature. Recovering the profound influence of Spain on Renaissance English letters, The Poetics of Piracy paints a sophisticated picture of how nations can serve, at once, as rivals and resources.
My heart overflows with a good theme; my tongue is the pen of a ready writer. PSALM 45: l NASB Jesus has been my instructor with divine grace; this is a book about my life. This book back in 1968, without the knowledge of what God had laid out for me in the future. Later in my life, I would pray, almost every night, talking to Jesus. He is my best friend. I would get ready for bed and sleep for a while only to be awakened to a thought in my head that had to be written down. I would sleep for a few more hours, get up, and jot down more notes. I would gather up the notes every morning of the next day. God was trying to tell me something and Jesus was my instructor. God has given me a spirit of divine love all my life. I knew from the time my Mother and Father conceived me that God was in me. Just as a newborn baby, so is God's love. I know that God is in my life every minute, every hour and every day! I didn't realize it before my illness, but God knew exactly what was going to happen to me, when it was going to happen and where it was going to happen. He handled it with His divine spirit and his righteousness. He knew I would grow up in a small town and marry my high school sweetheart, have two beautiful children and give my life to Jesus. He knew I would have 6 precious grandchildren. But most of all he knew the difficult times I would go through, the sickness and pain that my body would endure. But through it all he was with me every step of the way. He was with me through brain biopsies, strokes, and surgeries. He was with my doctors and my family through the difficult times, when they were told I probably wouldn't survive. But he had a plan! That is what my book is about how from my very beginning as a little child to the present God has had a plan for me. This is what I want to share with others; that if we are willing to be His vessel He will be with us every step of the way. God planned my life this way; it was not my time to die. I am so thankful for God's help because I have a lot of things to say and do. Lord; remind me how brief my time is on this earth. Remind me that my days are numbered, and that my life is fleeting away. I am here on this earth for just a little while. Praises to the glory of God! It is because of Him that I have written this book. I want to share with others what God has done in my life and what He can do in yours. This is a powerful book about forgiveness, obedience, grace and healing. It is a beautiful depiction of how loving God and loving others can bring you to Christ. I am a miracle of the Lord Jesus Savior. Praise the Lord!
Looking at the complex relationship between the discipline of history and the writing of lives, this key textbook provides an original and insightful introduction to a growing and increasingly important area of historical scholarship and research. Examining key works that have changed the nature of biography, Barbara Caine also explores the way biographical narrative and life stories have become a central preoccupation for history. Outlining the main features of contemporary historical biography, this is an ideal companion for undergraduate and postgraduate students taking courses on historiography, theory and history, theory and methods, historical methodology, history and life/biographical/autobiographical writing, and life-writing courses on English or creative writing degrees. New to this Edition: - Thoroughly updated throughout - New concluding chapter on history and the individual life, and the place of biography in history
Critically examines influential novels in English by eminent black female writers Studying these writers' key engagements with nationalism, race and gender during apartheid and the transition to democracy, Barbara Boswell traces the ways in which black women's fiction criticality interrogates narrow ideas of nationalism. She examines who is included and excluded, while producing alternative visions for a more just South African society. This is an erudite analysis of ten well-known South African writers, spanning the apartheid and post-apartheid era: Miriam Tlali, Lauretta Ngcobo, Farida Karodia, Agnes Sam, Sindiwe Magona, Zoë Wicomb, Rayda Jacobs, Yvette Christiansë, Kagiso Lesego Molope, and Zukiswa Wanner. Boswell argues that black women's fiction could and should be read as a subversive site of knowledge production in a setting, which, for centuries, denied black women's voices and intellects. Reading their fiction as theory, for the first time these writers' works are placed in sustained conversation with each other, producing an arc of feminist criticism that speaks forcefully back to the abuse of a racist, white-dominated, patriarchal power.
Celebrated for bringing a personal touch to history in her Pulitzer Prize–winning epic The Guns of August and other classic books, Barbara W. Tuchman reflects on world events and the historian’s craft in these perceptive, essential essays. From thoughtful pieces on the historian’s role to striking insights into America’s past and present to trenchant observations on the international scene, Barbara W. Tuchman looks at history in a unique way and draws lessons from what she sees. Spanning more than four decades of writing in The New York Times Magazine, The Atlantic, Foreign Affairs, Harper’s, The Nation, and The Saturday Evening Post, Tuchman weighs in on a range of eclectic topics, from Israel and Mao Tse-tung to a Freudian reading of Woodrow Wilson. This is a splendid body of work, the story of a lifetime spent “practicing history.” Praise for Practicing History “Persuades and enthralls . . . I can think of no better primer for the nonexpert who wishes to learn history.”—Chicago Sun-Times “Provocative, consistent, and beautifully readable, an event not to be missed by history buffs.”—Baltimore Sun “A delight to read.”—The New York Times Book Review
There has been an increasing interest in the meaning and importance of friendship in recent years, particularly in the West. However, the history of friendship, and the ways in which it has changed over time, have rarely been examined. Friendship: A History traces the development of friendship in Europe from the Hellenistic period to today. The book brings together a range of essays that examine the language of friendship and its significance in terms of ethics, social institutions, religious organizations and political alliances. The essays study the works of classical and contemporary authors to explore the role of friendship in Western philosophy. Ranging from renaissance friendships to Christian and secular friendships and from women’s writing to the role of class and sex in friendships, Friendship: A History will be invaluable to students and scholars of social history.
Contrary to popular belief, the medieval religious imagination did not restrict itself to masculine images of God but envisaged the divine in multiple forms. In fact, the God of medieval Christendom was the Father of only one Son but many daughters—including Lady Philosophy, Lady Love, Dame Nature, and Eternal Wisdom. God and the Goddesses is a study in medieval imaginative theology, examining the numerous daughters of God who appear in allegorical poems, theological fictions, and the visions of holy women. We have tended to understand these deities as mere personifications and poetic figures, but that, Barbara Newman contends, is a mistake. These goddesses are neither pagan survivals nor versions of the Great Goddess constructed in archetypal psychology, but distinctive creations of the Christian imagination. As emanations of the Divine, mediators between God and the cosmos, embodied universals, and ravishing objects of identification and desire, medieval goddesses transformed and deepened Christendom's concept of God, introducing religious possibilities beyond the ambit of scholastic theology and bringing them to vibrant imaginative life. Building a bridge between secular and religious conceptions of allegorized female power, Newman advances such questions as whether medieval writers believed in their goddesses and, if so, in what manner. She investigates whether the personifications encountered in poetic fictions can be distinguished from those that appear in religious visions and questions how medieval writers reconcile their statements about the multiple daughters of God with orthodox devotion to the Son of God. Furthermore, she examines why forms of feminine God-talk that strike many Christians today as subversive or heretical did not threaten medieval churchmen. Weaving together such disparate texts as the writings of Latin and vernacular poets, medieval schoolmen, liturgists, and male and female mystics and visionaries, God and the Goddesses is a direct challenge to modern theologians to reconsider the role of goddesses in the Christian tradition.
This book explores the impact of artistic experiments in inspiring people to turn away from current food consumerism and take an active role in preserving, sustaining, and protecting the environment. As artists are expanding their practice into social justice and community concerns, erasing traditional forms of expression and integrating others, the culture around food and its production has been added to a new vocabulary of experiential art. The authors measure the impact of such experiments on local food consumption and production, focusing on education and youth, both in the surrounding community and culture at large. They suggest how these projects can be up-scaled to further encourage sustainable solutions for our environment and communities. The book explores the reflections and motivations of case study practitioners in urban and rural areas and, through interviews, engages with artists who are pioneering a new trend to create hubs of activity away from traditional art spaces in cities to follow a non-hierarchal practice that is de-centralized and communally based. This book will be of great interest to academic readers concerned with issues related to environmental aesthetics, eco-design, eco-criticism, culture, heritage, memory, and identity, and those interested in the current debates on the place of aesthetics and culture in sustainability.
This fourth edition of the indispensable guide to the laws that bear on the conduct of higher education provides a revised and up-to-date reference, research source, and guide for administrators, attorneys, and researchers. The book is also widely used as a text for graduate courses on higher education law in programs preparing higher education administrators for leadership roles. This new edition includes new and expanded sections on laws related to: * religious issues * alternative dispute resolution * the college and its employees * collective bargaining at religious and private colleges * whistleblower and other employee protections * personal liability of employees * nondiscrimination and affirmative action in employment * campus technology and computer networks * disabilities * student academic freedom * freedom of speech and hate speech * student organizations' rights, responsibilities, and activities fees * athletes' rights * USA patriot act and immigration status * public institutions and zoning regulations * regulation of research * coverage of retaliatory and extraterritorial acts * federal civil rights statues
What does multiculturalism mean in Mauritius? This question was the starting point of an ethnographic study on an island state in the Indian Ocean that had always been part of a global project and always been (post)colonial. The introduction of citizenship education at school in this Republic with its ethnically, religiously and linguistically diverse population serves as an example for the analysis of how different approaches to multicultural policy-making collide. The negotiations on the school subject illustrate the organisation of cultural difference by the state mainly through Indo-Mauritian and Creole nationalism.
Choice Outstanding Academic Title In this second volume of her acclaimed study of Virginia Woolf 's diaries, Barbara Lounsberry traces the English writer's life through the thirteen diaries she kept from 1918 to 1929--what is often considered Woolf’s modernist "golden age." During these interwar years, Woolf penned many of her most famous works, including Mrs. Dalloway, To the Lighthouse, Orlando, and A Room of One's Own. Lounsberry shows how Woolf's writing at this time was influenced by other diarists--Anton Chekhov, Katherine Mansfield, Jonathan Swift, and Stendhal among them--and how she continued to use her diaries as a way to experiment with form and as a practice ground for her evolving modernist style. Through close readings of Woolf 's journaling style and an examination of the diaries she read, Lounsberry tracks Woolf 's development as a writer and unearths new connections between her professional writing, personal writing, and the diaries she was reading at the time. Virginia Woolf's Modernist Path offers a new approach to Woolf 's biography: her life as she marked it in her diary from ages 36 to 46.
Although there are encyclopedias and biographical dictionaries of contemporary British film and theatre actors, most lack the intimacy of face-to-face interviews. Typically drawn from secondary sources, collections of interviews often repeat tired anecdotes about an actor’s film or stage roles, with very little nuance or fresh insights. Great Britons of Stage and Screen: In Conversation features interviews with some of the leading actors of the last fifty years and more. In this collection, Barbara Roisman Cooper presents interviews she personally conducted with more than twenty stars of film, television, and theatre. Held in intimate surroundings—including the actors’ private homes and theatre dressing rooms between performances—these interviews provide readers with a rounded understanding of the creative process and the dedication required to develop a performance. Including many well-known Oscar, Tony, Olivier, and BAFTA winners, each interview is preceded by a short introduction and followed by the performer’s most significant credits, both on the stage and screen. The actors and actresses who shared their stories in this volume include Dame Eileen Atkins Isla Blair Simon Callow Dame Joan Collins Peggy Cummins Sinéad Cusack Samantha Eggar Stephen Fry Julian Glover Stephen Greif Jeremy Irons Sir Derek Jacobi Felicity Kendal Sir Ben Kingsley Dame Angela Lansbury Sir John Mills Alfred Molina Lynn Redgrave Jean Simmons David Suchet Richard Todd Michael York Designed to serve as a resource for those studying or writing about the worlds of theatre and film in general—and the art and craft of acting, specifically—Great Britons of Stage and Screen will also appealto the many fans of the artists who have entertained audiences for decades.
We have two cuisines in France, that of the north and that of the south', boldly stated the first cookbook directly concerned with southern French cuisine in 1830. This book investigates the reasons for and background to these differences, specifically in Provence. In the absence of cookbooks for the region in the 18th century, it uses innovative methodologies relying on a range of hitherto unexplored primary resources, ranging from household accounts and manuscript recipes to local newspapers and gardening manuals that focus on the actuality of the 18th century Provençal table. The sources emphasise the essentially seasonal and local nature of eating in Provence at this time. In many ways eating habits echoed generalised French patterns, according to class, but at the same time the use of particular foods and culinary practices testified to a distinctive Provençal food culture, partly related to geographic and climatic differences but also to cultural influences. This food culture represented the foundation for the Provençal cuisine which was recognised and codified in the early 19th century. From a diverse archive of documents has emerged new evidence for the cultivation and consumption of potatoes and tomatoes in Provence and for the origins and evolution of emblematic dishes such as bourride, bouillabaisse and brandade. In linking the coming-of-age of Provençal cuisine to post-Revolutionary culture, in particular the success of restaurants and the flourishing of gastronomic discourse, this book offers a new understanding of the development and evolution of regional cuisines.
Pulitzer Prize–winning historian Barbara W. Tuchman, author of the World War I masterpiece The Guns of August, grapples with her boldest subject: the pervasive presence, through the ages, of failure, mismanagement, and delusion in government. Drawing on a comprehensive array of examples, from Montezuma’s senseless surrender of his empire in 1520 to Japan’s attack on Pearl Harbor, Barbara W. Tuchman defines folly as the pursuit by government of policies contrary to their own interests, despite the availability of feasible alternatives. In brilliant detail, Tuchman illuminates four decisive turning points in history that illustrate the very heights of folly: the Trojan War, the breakup of the Holy See provoked by the Renaissance popes, the loss of the American colonies by Britain’s George III, and the United States’ own persistent mistakes in Vietnam. Throughout The March of Folly, Tuchman’s incomparable talent for animating the people, places, and events of history is on spectacular display. Praise for The March of Folly “A glittering narrative . . . a moral [book] on the crimes and follies of governments and the misfortunes the governed suffer in consequence.”—The New York Times Book Review “An admirable survey . . . I haven’t read a more relevant book in years.”—John Kenneth Galbraith, The Boston Sunday Globe “A superb chronicle . . . a masterly examination.”—Chicago Sun-Times
This book explores the course and causes of the worldwide diffusion of democracy through an assessment of the political and economic development of individual countries from the year 1800 to 2005. Using this extended range of data and examining multiple variables, Barbara Wejnert creates a conceptual model for the diffusion of democracy and to measure national democratization. The author characterizes each nation's political system, its networking with other countries, level of development, and media advancement, in order to pinpoint what leads to national and regional progress to, or regress from, democratization. Her innovative findings challenge established thinking and reveal that the growth of literacy does not lead to democratization but is instead an outcome of democracy. She also finds that networks between non-democratic and democratic states are more important to a nation's democratization than financial aid given to non-democratic regimes or the level of national development.
Canadians are very polite — but they also commit murder. And those who think that mass homicides and wanton killings are recent phenomena in Canada should treat themselves to Fatal Intentions. Using contemporary accounts, Barbara Smith vividly recreates a number of murder cases from 1920s Nova Scotia to 1980s British Columbia. Some, like the Boyd Gang adventures, are still remembered often inaccurately or romantically; others, like the murder of Flora Gray in Yarmouth, or the murder of twenty-three innocents in Quebec in 1949, can now be recalled by only a few. In some cases, the “truth” may exist only in dusty archives; in others, the truth may have gone to the graves of the victims — or the accused. Robert Cook’s killing spree — all seven in his family — in Stettler, Alberta, will probably be recounted, locally, for generations. But, did he do it? Toronto’s Boyd Gang boasted about hot cars and beautiful women — the stuff of folklore. And newspaper writers of that time were only too willing to add to the romantic tales. The last woman to be hanged in Canada, her disabled brother, and his employer all went to the gallows — two for greed, one for lust. These and other stories are part of our history — and often part of our folklore. They also can remind us that human nature doesn’t change easily, over decades or distances. Greed, lust, and other deadly sins can lead to fatal intentions, anytime, anywhere.
A great source for kinesthetic learning activities. I′ve used the book for designing my course for multiple learning styles." —Megan Thiele, University of California, Irvine This student workbook is designed to allow you to easily integrate multiple active learning exercises into your Introduction to Sociology courses. Many teachers want to use "active learning" in their class, but don′t have the materials commensurate with that pedagogy. These 51 active learning exercises have been carefully selected from a nationwide search of the best class-tested active learning material available in sociology. Affordably priced, this workbook provides the best that sociology has to offer! Key and New Features Offers many fresh exercises—about 40% of the assignments are new to this edition Features tear-out worksheets for ease of submission and grading Presents a wide variety of exercises in terms of content, time required, usefulness for individual or group completion, and relevance for in-class or out-of-class practice Accompanied by High-Quality Ancillaries! Instructor Resources on CD provide detailed information on using, grading, and adapting the exercises. In addition the CD also includes commentary from the contributing authors explaining their experiences with the exercises, including how they promote specific learning goals and how current instructions to students facilitate the assignment. This CD-ROM features new components to the summary chart for instructors that indicate which assignments have web components, which have global aspects, and other criteria to help professors select the most useful exercises for their teaching needs. Qualified instructors may receive a copy by contacting SAGE at 1-800-818-SAGE (7243) between 6 am – 5 pm, PST. Intended Audience The book is designed as the ideal active learning companion to virtually all Introduction to Sociology texts, making it an ideal supplemental text for any undergraduate Introduction to Sociology or Principles of Sociology course. Contributor to THE ASA/SAGE Teaching Innovations & Professional Development Awards Fund
This comprehensive listing and discussion of poetic works supports the standards of all areas of the curriculum, helping librarians and teachers working with kindergarten through middle school students. This second edition of Using Poetry Across the Curriculum: Learning to Love Language offers a comprehensive list of poetry anthologies, poetic picture books, and poetic prose works in a wide variety of subject areas. While it maintains the original edition's focus on ideas and resource lists for integration of poetry into all areas of the curriculum, it is thoroughly revised to cover current issues in education and the wealth of new poetry books available. The book is organized by subject areas commonly taught in elementary and middle schools, and, within these, by the national standards in each area. Numerous examples of poetry and poetic prose that can be used to help students understand and appreciate aspects of the standard are listed. A sampling of units that arise from groups of works, writing and performance ideas, and links across the curriculum is also included. While many teaching ideas and topics provide references to the standards they meet, this title is unique in starting with those standards and making links across them.
Choice Outstanding Academic Title In her third and final volume on Virginia Woolf’s diaries, Barbara Lounsberry reveals new insights about the courageous last years of the modernist writer’s life, from 1929 until Woolf’s suicide in 1941. Woolf turned more to her diary—and to the diaries of others—for support in these years as she engaged in inner artistic wars, including the struggle with her most difficult work, The Waves, and as the threat of fascism in the world outside culminated in World War II. During this period, the war began to bleed into Woolf’s diary entries. Woolf writes about Hitler, Mussolini, and Stalin; copies down the headlines of the day; and captures how war changed her daily life. Alongside Woolf’s own entries, Lounsberry explores the diaries of 18 other writers as Woolf read them, including the diaries of Leo Tolstoy, Dorothy Wordsworth, Guy de Maupassant, Alice James, and André Gide. Lounsberry shows how reading diaries was both respite from Woolf’s public writing and also an inspiration for it. Tellingly, shortly before her suicide Woolf had stopped reading them completely. The outer war and Woolf’s inner life collide in this dramatic conclusion to the trilogy that resoundingly demonstrates why Virginia Woolf has been called “the Shakespeare of the diary.” Lounsberry’s masterful study is essential reading for a complete understanding of this extraordinary writer and thinker and the development of modernist literature.
Why did hagiographers of the late Middle Ages praise mothers for abandoning small children? How did a group of female mystics come to define themselves as "apostles to the dead" and end by challenging God's right to damn? Why did certain heretics around 1300 venerate a woman as the Holy Spirit incarnate and another as the Angelic Pope? In From Virile Woman to WomanChrist, Barbara Newman asks these and other questions to trace a gradual and ambiguous transition in the gender strategies of medieval religious women. An egalitarian strain in early Christianity affirmed that once she asserted her commitment to Christ through a vow of chastity, monastic profession, or renunciation of family ties, a woman could become "virile," or equal to a man. While the ideal of the "virile woman" never disappeared, another ideal slowly evolved in medieval Christianity. By virtue of some gender-related trait—spotless virginity, erotic passion, the capacity for intense suffering, the ability to imagine a feminine aspect of the Godhead—a devout woman could be not only equal, but superior to men; without becoming male, she could become a "womanChrist," imitating and representing Christ in uniquely feminine ways. Rooted in women's concrete aspirations and sufferings, Newman's "womanChrist" model straddles the bounds of orthodoxy and heresy to illuminate the farther reaches of female religious behavior in the Middle Ages. From Virile Woman to WomanChrist will generate compelling discussion in the fields of medieval literature and history, history of religion, theology, and women's studies.
Australia's Most Notorious Convicts; From thieves and bushrangers to murderers and cannibals by Barbara Malpass Edwards Thousands of convicts were transported to Australia. This Little Red Book shows what became of the most dangerous and desperate of those incarcerated in Australia, and records their deeds both foul and fascinating. Some arrived here with serious criminal records; many more escaped and became hardened criminals...This is the story of the worst of them and those that ran the system. Multiple murderers, bushrangers, cannibals, conmen and the desperately criminal fought lifetime battles with a prison system that was often no better, managed by the incompetent, the sadistic, the ignorant and the fool hardy. This story of the worst of Australian convicts and the system that created them is a meticulously researched insight into the tragedy, treachery, drama and characters that founded our nation.
Over multiple successful editions, this distinctive text puts day-to-day life under the microscope of sociological analysis, providing an engaging treatment of situations and interactions that are resonant with readers’ daily experiences. Clearly written and well-researched, it reveals the underlying patterns and order of everyday life, employing both seminal classical works and contemporary analyses that define and embrace the theories and methods of symbolic interactionism. The latest edition provides fresh insights into patterns of behavior across a wide range of settings and circumstances, connecting our individual “selves” to such issues as the effects of power differentials on social situations, changing definitions of intimacy, varied experiences of aging and the life course, and the ongoing search for meaning. Boxed inserts highlight topics of related interest, while thought-provoking discussion questions encourage readers to apply chapter content to their daily experiences.
Welcome to Serendipity Springs and the first five books in the Mah Jongg Mystery series! Mah jongg can generate killer competition. But murder? The answer is yes when it comes to four retired Central Florida friends, who find themselves solving baffling homicides in between the games they love. Whether you know how to mah jongg or not, join these intrepid seniors as they take turns leading their own private investigations. It turns out the mental agility they use to strategize each play is the perfect tool for tracking down murderers.
Never, never, did I imagine that dueling could be so enthralling, outrageous, gruesome, tragic, and, yes, ridiculous...Lively humor and sparkling prose." -Wall Street Journal The medieval justice of trial by combat evolved into the private duel by sword and pistol, with thousands of honorable men-and not-so-honorable women-giving lives and limbs to wipe out an insult or prove a point. The duel was essential to private, public, and political life, and those who followed the elaborate codes of procedure were seldom prosecuted and rarely convicted-for, in fact, they were obeying a grand old tradition. Based on her fascinating 1997 Smithsonian article, Barbara Holland's Gentlemen's Blood is the first trade book to trace the remarkable, often gruesome, sometimes comical history of the Western tradition of defending one's honor.
How could a thirty-something man fall to his death from a fourth-floor balcony he knows is defective? That’s the question freelance writer Micki Demetrius is asked to answer by the man’s grieving mother, Clarissa White, who refuses to believe his death was an unfortunate accident. But when the authorities determine it was homicide, Micki is shut out of her investigative efforts. Giving up is easier said than done for Micki. She can’t resist a mystery, and suspicious characters won’t leave Clarissa alone, from the woman claiming a stake in the victim’s life to a cagey character who wants his business. As the threat to Clarissa grows, Micki feels compelled to help her in spite of the danger. Micki’s three mah jongg pals—Sydney, Marianne and Kat—are drawn into the mystery, but the retirees have their own challenges. Syd and husband Trip do grandparent duty while their daughter deals with marital issues. Marianne “finds herself” by writing a one-act play. And Kat must decide how public to go with her growing friendship with the sheriff. Together, they must connect the dots in a nefarious web of greed, neglect, secrecy and murder.
This rare collection of wanted posters from the American West is a historical treasure. The book's nearly 150 original wanted posters, fugitive notices, and Pinkerton Agency circulars are supplemented by fascinated details about the technology of identification, the history of wanted posters, and the stories behind the crimes, which ranged from horse theft, safe blowing, train robbery, seduction, ''white slavery,'' and murder. Posters for notorious bandits such as Jesse James, Butch Cassidy, and the Sundance Kid are also featured.
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