Refuting the assumption that art is a representational practice, this book engages with the work of Heidegger, Deleuze and Guattari, C.S. Pierce and Judith Butler. It argues for a performative relationship between art and artist. Drawing on themes as diverse as the work of Cezanne and Francis Bacon, the transubstantiation of the Catholic sacrament, and Wilde's novel "The Picture of Dorian Gray", she challenges the metaphor of light as entertainment. She suggests that too much "light" may in fact reveal nothing. Finally, she asks: how does an "embodied" practice fare within the culture of conceptual art?
Victoria University Press is enormously proud to publish a new edition of one of New Zealand?s favourite novels, published to critical acclaim here and in the UK and US, and winner of the Wattie Award in 1992. ?The promise that was evident in Girls High has been splendidly fulfilled, and now it seems only a matter of time before Wellington replaces New York as the literary capital of the world.? ?Nick Hornby, Sunday Times 'She really is world class ? her writing's like a richly detailed painting, she gets the details just right.' ?Sharon Crosbie Evening Post 'It is a testament to Anderson's style and skill as a writer that these places and decades are brought to the page with such energy, yet also with such a finely judged mix of humour and sympathy.' ?Caroline Wilder Sunday Star 'This is a moving, universal novel, a pleasure to read.' ?Sophy Kershaw Time Out 'Barbara Anderson's novel is a rarity; an unadulterated, unpretentious, enjoyable read.' ?Julie Morrice Glasgow Herald 'It is an enormously entertaining book with perceptions so true they leave you glowing in startled recognition.'?Patricia Thwaites Otago Daily Times ?A quite irresistible writer with a microscopic eye for telltale detail ? and a dazzlingly accurate ear for dialogue as it is really spoken.? ?Dirk Bogarde
This groundbreaking book provides the first detailed account of the materials and techniques of perhaps the most radical—and until now, least studied—major American Abstract Expressionist. Among the most radical of the great American Abstract Expressionist painters, Clyfford Still has also long been among the least studied. Still severed ties with the commercial art world in the early 1950s, and his estate at the time of his death in 1980 comprised some 3,125 artworks—including more than 800 paintings—that were all but unknown to the art world. Susan F. Lake and Barbara A. Ramsay were granted access to this collection by the estate and by the Clyfford Still Museum in Denver, which houses this immense corpus today. This volume, based on the authors’ materials research and enriched by their unprecedented access to Still’s artworks, paints, correspondence, studio records, and personal library, provides the first detailed account of his materials, working methods, and techniques. Initial chapters provide an engaging and erudite overview of the artist's life. Subsequent chapters trace the development of his visionary style, offer in-depth materials analysis of selected works from each decade of his career, and suggest new approaches to the care and conservation of his paintings. There is also a series of technical appendices as well as a full bibliography.
It is frequently commented that Heidegger writes impenetrable texts that are difficult to read and comprehend, but he also, as Barbara Bolt demonstrates in this clear, original guide to his oeuvre, provides an "artists' guide to the world". 'Heidegger Reframed' grounds Heidegger's writings in the critical questions confronting contemporary visual artists and students of art. Barbara Bolt takes the most relevant of his texts, including his most famous work, 'Being and Time', and sets out ways of thinking about art in a post-medium, digital, technocratic and post-human age. She does so through the frame of works by international artists, including Sophie Calle, Anish Kapoor and Anselm Keifer. A glossary of terms completes this full and clear companion to Heidegger.
Long Beach State grew up right along with the sprawling Southern California suburbs. Born in 1949, it swelled to accommodate the post-world war enthusiasm for education and land. The rapid expansion brought its share of growing pains. Students took classes in a cramped converted apartment with no books and playing ring-around-the-rosie for physical education. Money was scarce, and faculty at times feuded with the administration. But the new college's "let's put on a show" spirit produced a scrappiness that endures today. Read about the personalities that grew the college from Fred Bixby's bean fields into one of the largest universities in California.
Wonder Wood presents this timeless material as it is being used today and how it can be used in the future. It also documents a selection of current international projects and processes, making-ofs, and experiments by 120 internationally renowned designers, architects, and artists, whose creative and innovative approach to the material makes their work compelling. For selected projects, interviews with the designers provide an in-depth look at the creative process and its results. A second section, dedicated to materials and technologies examines innovative developments as well as wood, wood-based materials, finishing technologies, and wooden structure principles. With biographies of the designers represented in the book, an alphabetical index, a bibliography and sources, Wonder Wood will serve the reader as a classic book of reference.
A prolific poet as a child, Barbara Drake-Vera loved writing almost as much as she adored her father, a moody postal employee with an elaborate comb-over and a fondness for Mahler. But when her successes sparked his rage, Barbara silenced her voice for years, terrified even to see her name in print. By age forty-nine, she was a professional journalist living in Peru and collaborating with her husband, a Peruvian-born photographer, to report on melting glaciers in the Andes, far from the reach of her father. Melted Away recounts what happens after her father is diagnosed with advancing Alzheimer’s and Barbara takes him into her home in Lima, beginning a process of self-discovery that uncovers a path toward personal and family healing. A diverse group of allies support her on this quest: a trio of caregiving women from the provinces, who serve as home-health aides; a mischievous, Cervantes-quoting, nonagenarian suitor; and a stubborn alpaca herder who lives beneath a long-worshipped, life-sustaining Andean glacier now melting from rapid climate change. Candid, poignant, and deeply researched, Melted Away is the true story of how a writer at midlife reclaims her agency, and an ardent plea to care for the planet by embracing collectivism and mutual aid.
How does thinking affect doing? There is a widely held view--both in academia and in the popular press--that thinking about what you are doing, as you are doing it, hinders performance. Once you have acquired the ability to putt a golf ball, play an arpeggio on the piano, or parallel-park, reflecting on your actions leads to inaccuracies, blunders, and sometimes even utter paralysis--that's what is widely believed. Experts, according to this view, don't need to try to do it; they just do it. But is this true? After exploring some of the contemporary and historical manifestations of the idea that highly accomplished skills are automatic and effortless, Barbara Gail Montero develops a theory of expertise which emphasizes the role of the conscious mind in expert action. She aims to dispel various myths about experts who proceed without any understanding of what guides their action. (For example, that proverbial chicken sexer who can't explain why he makes his judgments? He simply doesn't exist.) Montero's critical task also involves analyzing research in both philosophy and psychology that is taken to show that conscious control and explicit monitoring of one's movements impedes well practiced skills. She explores a wide range of real-life examples of optimal performance-culled from sports, the performing arts, chess, nursing, medicine, the military and elsewhere-and draws from psychology, neuroscience, and literature to offer a refreshing and persuasive view of expertise, according to which expert action generally is and ought to be thoughtful, effortful, and reflective.
In this highly acclaimed and lyrical modern classic, bestselling author Barbara Brown Taylor reveals the countless ways we can discover divine depths in the small things we do and see every day. While people will often go to extraordinary lengths in search of a 'spiritual experience', she shows that the stuff of our everyday lives is a holy ground where we can encounter God at every turn. For her, as for Jacob in the Genesis story, even barren, empty deserts can become "the house of God and the gate of heaven", places where a ladder of angels connects heaven to earth and earth to heaven. An Altar in the World reveals concrete ways to discover the sacred in such ordinary occurrences as hanging out the washing, doing the supermarket shop, feeding an animal, or losing our way. It will transform our understanding of ourselves and the world we live in, and renew our sense of wonder at the extraordinary gift of life.
A passionate and celebrated pioneer in her own words New Black Feminist Criticism, 1985-2000 collects a selection of essays and reviews from Barbara Christian, one of the founding voices in black feminist literary criticism. Published between the release of her second landmark book Black Feminist Criticism and her death, these writings include eloquent reviews, evaluations of black feminist criticism as a discipline, reflections on black feminism in the academy, and essays on Toni Morrison, Alice Walker, Paule Marshall, and others.
A dynamic and inspiring exploration of the new science that is redrawing the future for people in their forties, fifties, and sixties for the better—and for good. There’s no such thing as an inevitable midlife crisis, Barbara Bradley Hagerty writes in this provocative, hopeful book. It’s a myth, an illusion. New scientific research explodes the fable that midlife is a time when things start to go downhill for everybody. In fact, midlife can be a great new adventure, when you can embrace fresh possibilities, purposes, and pleasures. In Life Reimagined, Hagerty explains that midlife is about renewal: It’s the time to renegotiate your purpose, refocus your relationships, and transform the way you think about the world and yourself. Drawing from emerging information in neurology, psychology, biology, genetics, and sociology—as well as her own story of midlife transformation—Hagerty redraws the map for people in midlife and plots a new course forward in understanding our health, our relationships, even our futures.
If believers are not careful, church can be reduced to a mere social club. Barbara and Gina demonstrate how to find a cherished friendship through the process of discipleship. They have often observed, when women come to a new church, they seem to be on an endless search to “find a friend” so they can “feel” a part or “feel” connected. Often this leaves them discontent in their search. A more biblical and satisfying way is by developing discipleship relationships in the body of Christ. Who Needs a Friend When You Can Make a Disciple? defines and highlights some practical “how-tos” to help women implement biblical ways to practice and sustain discipleship relationships. Barbara and Gina’s aim in sharing their personal story is to show women the impact discipleship can have on their spiritual growth as they find a cherished friend.
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