When he created the character Dave Robicheaux, author James Lee Burke lent the New Orleans homicide detective a few of his own characteristics: a daughter named Alafair, a lifetime struggle with alcohol, his Roman Catholic faith, and his love for fishing and the outdoors. On the other hand, Robicheaux is portrayed as a veteran of the Vietnam war, something Burke never experienced firsthand. Yet the demons Burke has known allow him to write convincingly about demons he never knew. Thus Burke has created a realistic, complex and compelling protagonist for his crime fiction series. That depth is one element that elevates Burke's writing above the status of genre fiction. This book explores how James Lee Burke, through the first person narrative of detective Dave Robicheaux, probes the world of law and order, crime and disorder, and one man's internal conflicts with modern moral issues. The first chapter reveals the similarities and differences between real life creator and fictional protagonist. Next, chapters arranged by theme explore the roles of women, Robicheaux's paternal side as revealed through his adopted daughter, the paternal influences in the detective's own life, and the contrasting personality of his half-brother, Jimmie. The next chapters probe the roots of the detective's moral dilemmas: his battle with alcohol, the Vietnam war's lingering trauma, and religion. Next the author explores Burke's use of the supernatural, sense of place, and music to deepen his stories. Final chapters delve into Robicheaux's moral quandaries as a law enforcement officer, the character's contrast to his reckless and funny partner, Clete, and how Burke reveals truths about life through Robicheaux. An interview with Burke is included.
This book focuses upon approximately 250 nonprofit, two-year colleges with a student body that is entirely female or at least 25 percent black, Hispanic, or Native American. These special-focus colleges include two-year colleges, historically black colleges (HBC's), Hispanic-serving institutions (HIS's) and tribal colleges, with some of these schools being church-affiliated. Many of these schools serve as shining examples of how a genuine commitment to access and achievement for female students of color can enhance these students' academic success.
An applied approach to teaching forensic microscopy in educational settings, featuring new experiments and an up-to-date overview of the field Practical Forensic Microscopy: A Laboratory Manual, 2nd Edition, is a unique resource that brings the microscopic procedures used by real-world forensic investigators to the college laboratory, providing hands-on knowledge of the microscopes and microscopic techniques used in the field. Presenting a balanced, skills-based approach to the subject, this student-friendly lab manual contains dozens of experiments designed to cover the various microscopic evidence disciplines, including examinations of fingerprints, firearm, toolmark, shoeprint and tire impressions, gunshots, fibers, soil, glass breakage, drugs, semen, and human hair. The second edition includes revised and updated experiments that reflect current technologies and techniques used in forensic science, including new experiments examining plastic film, food condiments, feathers, building materials, explosive residue, cigarette butts and more. Each chapter includes a list of simple objectives for the experiment, a general overview of the topic, further readings, and selected references. The manual contains worksheets and templates for students to use when compiling analytical results. The concluding chapter features an innovative case scenario that requires students to analyze items of evidence, complete a laboratory report, reach a conclusion, and present their findings. This popular lab manual: Teaches practical forensic microscopy skills through hands-on experiments and engaging practical activities Covers a wide range of microscopes and forensic tools, including stereomicroscopes, ocular micrometers, and fluorescence, polarized light, and phase contrast microscopes Explains simple stereomicroscopic techniques for analyzing various types of common forensic evidence Includes more complex procedures for examining biological, drug, and trace evidence Discusses laboratory safety, microscope maintenance, and the Micro Kit Written by an author with years of academic and professional experience, Practical Forensic Microscopy: A Laboratory Manual, 2nd Edition, is a must-have companion for any college-level forensic science course with a laboratory component, and is a useful supplement for related courses that cover microscopy and the principles of forensic lab procedures.
Originally published in 1988. This study examines women religious in the American community in the first half of the nineteenth century. The primary aim of this research was to determine who the women were who entered eight religious communities, and whether there was any clear relationship between who they were and their choice of community. This title will be of interest to students of history and religious studies.
Written for and about the special population of parents of children with cancer, this book explores the remarkable effectiveness of self-help groups and profiles their rapid rise as a resource complementing traditional health care. Mark A. Chesler and Barbara K. Chesney draw on their own experience as members of such groups and on a combined thirty years of research on self-help. They provide essential information for families of children with cancer (and other chronic life-threatening illnesses), for health-care professionals working with them, and for scholars of self-help and psychosocial processes in health care--including explanations of how self-help groups function, why they are effective, and how they can be created and maintained. The authors show that, through self-help groups, parents can learn coping skills, find personal affirmation and mutual support, and share the wisdom gained from their experiences. Chesler and Chesney find that group participation improves parents' coping capabilities in the face of terrible odds and fosters an increased sense of empowerment as they care and advocate for their children in an increasingly complex health care system. Cancer and Self-Help distills the experiences of more than fifty self-help groups and their members over twelve years. It also places cancer self-help groups in a larger context, comparing them to other social movement organizations and to other strategies for personal coping or change. The book includes the voices of individual parents and professionals recounting their experiences; detailed examples of group activities, programs, operating procedures, and organizational structures; fundamental, how-to information on forming a self-help group; comments on the roles and dilemmas of health care professionals in these groups and on the medical care system as a whole, and interpretations of these individual and organizational dynamics.
This historical record pays tribute to the 12th Bomb Group and the Association. A comprehensive history of the Earthquakers,"" veterans' biographies, numerous special bomb mission stories, hundreds of never-before-published photographs and index makes this a valuable record to hand down from generation to generation. features full color cover and endsheets.
Fowler's . . . own insights are apparent throughout, and they seem to distill the personal appreciation and understanding of a scholar who has devoted much of her career to both contemplating and enjoying Hellenistic poetry. . . . [This book] would make an excellent background text for courses in later Greek and Roman art, and it can be read with profit by anyone interested in exploring the character of Hellenistic culture."--J. J. Pollitt, American Journal of Archaeology "Outstanding is the range of examples discussed both in poetry and art. Theocritus, Callimachus, Appolonius, the epigrammatists, and others--that is, the major figures of the time--are considered at length and in several different contexts. Passages are quoted in the original Greek, translated, and analyzed. Fowler's sensitivity to poetic forms, evident in her other published writings, is again evident here. In addition, however, the philosophical context is not overlooked. . . . Also highly commendable are the liberal references to works of art. Sculpture in the round and in relief, portraits, terracotta figurines, original paintings (grave stelai) and Campanian murals, mosaics, gold and silver vessels, and jewelry are introduced at various points. Every work of art discussed is illustrated in astonishingly clear photographs, which are interspersed in the body of the text."--Christine Mitchell Havelock "The Hellenistic Aesthetic provides classicists with their first thorough discussion of the aesthetic unity found in Hellenistic art and literature. . . . Fowler examines parallels both in subject matter and in artistic approach among a diverse group of literary genres and artistic forms. In twelve chapters, The Hellenistic Aesthetic surveys Alexandrian epigrams, pastorals, epics, sculptural groups, mosaics, paintings, and jewelry to supply a convincing, and frequently unexpected, picture of a unified aesthetic vision."--Jeffrey Buller, Classical Outlook
One of the lesser-known stories of the Civil War is the role played by escaped slaves in the Union blockade along the Atlantic coast. From the beginning of the war, many African American refugees sought avenues of escape to the North. Due to their sheer numbers, those who reached Union forces presented a problem for the military. Fortunately, the First Confiscation Act of 1861 permitted the seizure of property used in support of the South's war effort, including slaves. Eventually regarded as contraband of war, the runaways became known as contrabands. In Bluejackets and Contrabands, Barbara Brooks Tomblin examines the relationship between the Union Navy and the contrabands. The navy established colonies for the former slaves, and, in return, some contrabands served as crewmen on navy ships and gunboats and as river pilots, spies, and guides. Tomblin presents a rare picture of the contrabands and casts light on the vital contributions of African Americans to the Union Navy and the Union cause.
Presents a powerful thesis on the nature and significance of violence and its mythos in Western culture, and offers an alternative interactive mythos that bridges the mind/body split inherent in most theories of violence. "The Violence Mythos presents us with a powerful thesis on the nature and significance of violence in human society. It develops its argument with passion and concern, combined with a lucid and sensitive intelligence. The book is sharp .and to the point, challenging any complacency with its idealism and its commitment to change. Whitmer is an author with attitude and with spirit. The violence mythos is a collection of beliefs, attitudes, behaviors, and social expectations about violence in Western culture. It includes the war hero myth, the victimizer/victim exploitative dynamic, the theory of innate violence, the mind/body dualism, the myth of male aggression and the subordination of women, the marginalization of trust, and the development of technology in a tradition of destructive instrumentalism. At the core of the violence mythos is the belief that humans are innately violent. The cultural system is then able to legitimate, rationalize, and use violence to control "violent humans", and thus becomes a self-reinforcing, self-perpetuating system of direct and indirect means of social control. This is the repetitive cycle of violence in trauma reenactment, transferred intergenerationally through the roles and rituals of the hero/perpetrator myth. The cycle ceases with the understanding of trauma in the trust triad of the interdependent mythos.
Film theory has for so long been concerned with sociological, empirical and psychoanalytic approaches that its place within our aesthetic sensibilities seems to have been forgotten.Deleuze and Cinema aims to bring back debates about film as an art form - as part of an aesthetic process which incorporates the 'bodies' of our material, technological and molecular worlds. While much film theory has looked at desire in terms of (visual and spectator) pleasure, Barbara Kennedy suggests, in this provocative new study, that these different perceptions of 'body' are responsible, as well as the brain/mind, for the ways in which visual elements of colour, movement, rhythm and sensation are acquired within, through and beyond our consciousness.Film is visceral, vital and dynamic, and wider frameworks of understanding are needed to explain these aesthetic resonances. Deleuze and Cinema asks: how can we begin to understand the cinematic experience as one of material capture, processuality and movement - as opposed to a spectator/text relationship - where desire and pleasure are part of a complex 'aesthetics of sensation'?Through discussions of Orlando, The English Patient, Romeo and Juliet, Strange Days and Leon the book offers a new and creative collusion between Deleuzian philosophy - specifically Deleuze's ideas about desire, pleasure, sensation, affect and 'becoming-woman' - and contemporary film studies.
For more than four decades, biblical experts have tried to place the story of Exodus into historical context--without success. What could explain the Nile turning to blood, insects swarming the land, and the sky falling to darkness? Integrating biblical accounts with substantive archaeological evidence, The Parting of the Sea looks at how natural phenomena shaped the stories of Exodus, the Sojourn in the Wilderness, and the Israelite conquest of Canaan. Barbara Sivertsen demonstrates that the Exodus was in fact two separate exoduses both triggered by volcanic eruptions--and provides scientific explanations for the ten plagues and the parting of the Red Sea. Over time, Israelite oral tradition combined these events into the Exodus narrative known today. Skillfully unifying textual and archaeological records with details of ancient geological events, Sivertsen shows how the first exodus followed a 1628 B.C.E Minoan eruption that produced all but one of the first nine plagues. The second exodus followed an eruption of a volcano off the Aegean island of Yali almost two centuries later, creating the tenth plague of darkness and a series of tsunamis that "parted the sea" and drowned the pursuing Egyptian army. Sivertsen's brilliant account explains inconsistencies in the biblical story, fits chronologically with the conquest of Jericho, and confirms that the Israelites were in Canaan before the end of the sixteenth century B.C.E. In examining oral traditions and how these practices absorb and process geological details through storytelling, The Parting of the Sea reveals how powerful historical narratives are transformed into myth.
A revelatory depiction of what animals can teach us about the human body and mind, exploring how animal and human commonality can be used to diagnose, treat, and heal patients of all species. "Full of fascinating stories.” —Atul Gawande, M.D. Do animals overeat? Get breast cancer? Have fainting spells? Inspired by an eye-opening consultation at the Los Angeles Zoo, which revealed that a monkey experienced the same symptoms of heart failure as human patients, cardiologist Barbara Natterson-Horowitz embarked upon a project that would reshape how she practiced medicine. Beginning with the above questions, she began informally researching every affliction that she encountered in humans to learn whether it happened with animals, too. And usually, it did: dinosaurs suffered from brain cancer, koalas can catch chlamydia, reindeer seek narcotic escape in hallucinogenic mushrooms, stallions self-mutilate, and gorillas experience clinical depression. Natterson-Horowitz and science writer Kathryn Bowers have dubbed this pan-species approach to medicine zoobiquity. New York Times Bestseller An O, The Oprah Magazine “Summer Reading” Pick A Discover Magazine Best Book
CCH's 1040 Preparation and Planning Guide is the premier professional guide to preparing individual income tax returns--plus you can use the Guide to get valuable CPE credits* while preparing for the coming tax return season. It is a product that includes both print and audio; a guide to both tax preparation and planning; and a source for both quick reference and CPE credits.
The Outer Banks National Scenic Byway received its designation in 2009, an act that stands as a testament to the historical and cultural importance of the communities linked along the North Carolina coast from Whalebone Junction across to Hatteras and Ocracoke Island and down to the small villages of the Core Sound region. This rich heritage guide introduces readers to the places and people that have made the route and the region a national treasure. Welcoming visitors on a journey across sounds and inlets into villages and through two national seashores, Barbara Garrity-Blake and Karen Willis Amspacher share the stories of people who have shaped their lives out of saltwater and sand. The book considers how the Outer Banks residents have stood their ground and maintained a vibrant way of life while adapting to constant change that is fundamental to life where water meets the land. Heavily illustrated with color and black-and-white photographs, Living at the Water's Edge will lead readers to the proverbial porch of the Outer Banks locals, extending a warm welcome to visitors while encouraging them to understand what many never see or hear: the stories, feelings, and meanings that offer a cultural dimension to the byway experience and deepen the visitor's understanding of life on the tideline.
This historical record pays tribute to the 12th Bomb Group and the Association. A comprehensive history of the Earthquakers,"" veterans' biographies, numerous special bomb mission stories, hundreds of never-before-published photographs and index makes this a valuable record to hand down from generation to generation. features full color cover and endsheets.
Throughout Appalachia corporations control local economies and absentee ownership of land makes it difficult for communities to protect their waterways, mountains, and forests. Yet among all this uncertainty are committed citizens who have organized themselves to confront both external power holders and often their own local, state, and federal agents. Determined to make their voice heard and to improve their living conditions, newfound partnerships between community activists and faculty and students at community colleges and universities have formed to challenge powerful bureaucratic infrastructures and to protect local ecosystems and communities. Confronting Ecological Crisis: University and Community Partnerships in Appalachia and the South addresses a wide range of cases that have presented challenges to local environments, public health, and social justice faced by the people of this region. Editors Stephanie McSpirit, Lynne Faltraco, and Conner Bailey, along with community leaders and their university partners, describe stories of unlikely unions between faculty, students, and Appalachian communities in which both sides learn from one another and, most importantly, form a unique alliance in the fight against corporate control. Confronting Ecological Crisis is a comprehensive look at the citizens and organizations that have emerged to fight the continued destruction of Appalachia.
Why did the Victorians collect with such a vengeance and exhibit in museums? Focusing on this key nineteenth-century enterprise, Barbara J. Black illuminates British culture of the period by examining the cultural power that this collecting and exhibiting possessed. Through its museums, she argues, Victorian London constructed itself as a world city. Using the tools of cultural criticism, social history, and literary analysis, Black roots Victorian museum culture in key political events and cultural forces: British imperialism, exploration, and tourism; advances in science and changing attitudes about knowledge; the commitment to improved public taste through mass education; the growth of middle-class dominance and the resulting bourgeois fetishism and commodity culture; and the democratization of luxury engendered by the French and industrial revolutions. She covers a wide range of genres--from poetry to museum guidebooks to the triple-decker novel--and treats three London museums as case studies: Sir John Soane's house-museum, the Natural History Museum, and the exemplary South Kensington. While On Exhibit provides a fascinating analysis of Victorian society, it also reminds us how modern the Victorians were--how, in crucial ways, our culture derives from the Victorian era. Forging connections among museums, urbanism, and modernity, Black provokes us to examine cultural imperialism and the costs and advantages of cultural consensus.
In this book, originally published in 1990, the author presents a general, critical overview of Robert E. Park and the Chicago school of American sociology. Lal concentrates on the contribution that Park and those working within the Chicago school tradition have made to the area of urban race and ethnicity, and suggests how the current thinking among sociologists, anthropologists, social historians, and social geographers might usefully be amalgamated with the ongoing tradition originating with Park at Chicago. This book should be of interest to students and teachers of sociology, urban studies and race relations.
Exploring the ideas of consensus, resistance and rupture, this book contributes an important and nuanced reflection to the current debate on modernism in music.
Costa Rica is a diverse Latin American country with flourishing wildlife and ecotourism opportunities. This book gives an in-depth study of the country, examining what makes the country unique. Sure to engage eager travelers, this book is a fantastic resource for anyone wanting to learn more about this incredible, beautiful part of the world.
A groundbreaking book exploring the discovery of sameness in otherness. Recuperating a topic once central to philosophy, theology, rhetoric, and aesthetics, this groundbreaking book explores the discovery of sameness in otherness. Analogy poses an intriguingly ancient and modern conundrum. How, in the face of cultural diversity, can a unique someone or something be perceived as like what it is not? This book is for anyone puzzled by why today, as Barbara Maria Stafford claims, "we possess no language for talking about resemblance, only an exaggerated awareness of difference." Well-designed images, Stafford argues, reveal the mind's intuitive leaps to connect known with unknown experience. The first of four wide-ranging chapters paints a challenging overview of several pressing contemporary issues. Cloning, legal controversies about social inequity, identity politics, electronic copying, and the mimicry of virtual reality expose the need for a nuanced theory of similitude. The second examines the historical tug-of-war between analogy and allegory, or disanalogy. Stafford provocatively suggests that, since the Romantic Era, we have been living in polarizingly allegorical times. The third roots this divisiveness within the momentous shift from a magical universe, modeled on sexual bonds, to an engineered world built of discrete automated units. Finally, recent developments in computational brain research notwithstanding, major phenomenological questions about memory, emotion, intelligence, and awareness beckon. In the fourth chapter, Stafford intervenes in the consciousness debates to propose a humanistic cognitive science with bridging/analogy at its artful core.
Charming, historic Lamar County, Alabama, lies just within hours of such metropolises as Birmingham, Montgomery, and Nashville. The county was established in the nineteenth century on lands once inhabited and hunted by Native American tribes. Known first as Jones and then as Sanford County, the county was named Lamar in 1877, in honor of L.Q.C. Lamar, a senator from Mississippi. Since its founding, Lamar County has enjoyed bountiful farming, hunting, and fishing; myriad recreational opportunities provided by area waterways; and steadfast family values and community pride. In this captivating collection of vintage photographs readers will be transported to the Lamar County of yesteryear, joining the pioneer settlers who came by covered wagon from Georgia, Tennessee, and the Carolinas. They came with little more than the dream of moving westward to a promising future, and settled a community that would always be defined by its hardworking, unyielding spirit. The early families who came to Lamar County-who built homes, toiled the land, and established local traditions-are the subject of this engaging retrospective. In their faces the story of the county unfolds, and in their legacy the spirit of the county lives on.
From the Calusa Indians to the travelers who used boats for transport in the early 1900s and up to the prosperous farms and cattle ranches of today, the Everglades has evolved into a mecca for fishing, birding, and hiking. The smell of orange blossoms entices the settler to an untamed land where bears, deer, and snakes still inhabit the wilderness and where alligator hunting and fishing are still popular sports. Lake Okeechobee is 110 miles around from Pahokee to Canal Point, Okeechobee, Lakeport, Moore Haven, Clewiston, South Bay, and Belle Glade. To cross Florida from the Atlantic to the Gulf, a boat starts in Stuart and ends at Port Mayaca, crossing Lake Okeechobee to the Moore Haven lock and out the Caloosahatchee River past Lake Hicpochee and west to Fort Myers. Around Lake Okeechobee presents images from the Clewiston Museum, Lawrence E. Will Museum, state archives, and private collections, painting a history of the boom and bust, the boaters and farmers, and the cattlemen and ranchers who have settled and raised their families here.
Meet Steve & Barbara Uhlmann. Steve’s life was defined by plastic. An engineer at heart, he started an injection molding company that grew to more than 9,000 employees, with manufacturing plants around the world and a private jet to complete the package. Though Steve and Barbara thought they had it all, the demands of a successful business took their toll. When they retired in 2005, they were ready to enjoy their golden years with an exemplary marriage. Then disaster struck. In the aftermath of a severe panic attack, Barbara was diagnosed with cancer. For nearly two years, she was incapacitated. The strain of caring for her, in spite of appearances, exposed how shallow the Uhlmann relationship was. Their crisis drove them to levels of intimacy they could never have predicted. In Called 2 Love: The Uhlmann Story, Steve and Barbara share the journey of self-discovery that helped turn their marriage into a joy-filled adventure of connection.
After dinner, Dr. Adam Cotton settled in a chair by the fireplace to read, while his guests made up two tables of bridge. Engrossed in their game, no one left the room. And the two servants who were sitting in the hallway all evening, deep in conversation, claim that no one entered the room. But someone inserted a small surgical scalpel into the parietal bone of Dr. Cotton's temple, killing him instantly.
In July 2009, the American Journal of Sociology (AJS) began publishing book reviews by an individual writing as Barbara Celarent, professor of particularity at the University of Atlantis. Mysterious in origin, Celarent’s essays taken together provide a broad introduction to social thinking. Through the close reading of important texts, Celarent’s short, informative, and analytic essays engaged with long traditions of social thought across the globe—from India, Brazil, and China to South Africa, Turkey, and Peru. . . and occasionally the United States and Europe. Sociologist and AJS editor Andrew Abbott edited the Celarent essays, and in Varieties of Social Imagination, he brings the work together for the first time. Previously available only in the journal, the thirty-six meditations found here allow readers not only to engage more deeply with a diversity of thinkers from the past, but to imagine more fully a sociology—and a broader social science—for the future.
Barbara Olschner believes in her party’s founding principles: lower taxes, less regulation, limited government, and individual accountability. But she also believes in governing through compromise, in respectfully listening to opponents’ viewpoints, and in the possibility that a Republican can be fiscally but not socially conservative. In hindsight, it isn’t surprising that when she ran for Congress at the height of the Tea Party’s influence she was branded an elitist and a RINO (Republican in Name Only)—and finished dead last. The Reluctant Republican traces her campaign and her realization that the current leadership of her party demands strict adherence to its ideology. Not only are different viewpoints not tolerated, but those who espouse them are vilified for their disloyalty.
The first half of Tapestry consists of a historical overview of African Americans in southeastern Connecticut from 1680 to 1865. The authors focus on the arrival of blacks in Connecticut, the African-American family, and the role played by African Americans in the Revolutionary and Civil wars. Much of the action takes place in the towns of Groton, East Haddam, New London, Chatham, and Hebron. In the second part of the volume, Dr. Rose and Mrs. Brown produce, as illustrations, genealogical sketches of the following African-American families: Beman, Boham, Bush, Freeman, Hallan, Hyde, Jacklin, Jackson, Lathrop, Magira, Mason, Moody, Peters, Quash, Rogers, and Wright. While readers will discover information in a number of these genealogies that is repeated in Brown and Rose's Black Roots in Southeastern Connecticut, 1650-1900, researchers should check the accounts in Tapestry for embellishments"--Publisher website (December 2008).
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