Legitimacy is vital to unions. Without it, they lose political and ideological support, members, and access to funds. Gary Chaison and Barbara Bigelow use the concept of legitimacy as a lens through which to understand the steady decline in union size and influence and to suggest new strategies for union revitalization.Chaison and Bigelow relate legitimacy to five case studies: the UPS strike, the organization of clerical workers at Harvard, the AFL-CIO associate membership campaign, the fight against NAFTA, and the Massachusetts Nurses Association Campaign for Safe Care. The cases show the need for unions to move beyond pragmatic concerns and link their activities to the broader interests of their constituencies, demonstrating not only that they offer something tangible in return for support (pragmatic legitimacy) but also that they are doing the right thing (moral legitimacy).Chaison and Bigelow's work has practical implications for the management of unions' core activities—organizing, collective bargaining, and political action.
This volume, containing entries from marijuana to nitrous oxide, covers the drug's history, typical users, effects on the body, treatment options, consequences of use, legal issues, and more.
Lawrence Graham Bigelow was an American artist who achieved prominence in the mid 20th century, while at the same time working undercover for the CIA. His luminescent watercolors often framed landscapes from his travels around the world, as he sought to blend his public and private occupations. Bigelow was born in Paris in 1925 to Foreign Service parents, and was a decorated war hero in World War II before becoming an OSS agent in Italy and later joining the CIA. By the early 1960s, Bigelow's paintings began to sell well, and were shown at prominent galleries in New York, London and Dublin. His watercolors captured the expressive aura of shrouded landscapes, or explored the mystery of abstract form. Critics praised his work, comparing him to Turner and Whistler. While his paintings no longer command the audience they once did, his life and artistry remain a captivating tale of a double-life.
Celebrate the magic of the holiday season with a little Regency romance! Originally published in separate anthologies, and out-of-print for many years, these Christmas-themed novellas by legendary Regency romance author Barbara Metzger are in one volume for the first time ever! This collection includes the following stories: Greetings of the Season The Proof Is in the Pudding Three Good Deeds Christmas Wish List Little Miracles
Thomas Welles (ca. 1590-1660), son of Robert and Alice Welles, was born in Stourton, Whichford, Warwickshire, England, and died in Wethersfield, Connecticut. He married (1) Alice Tomes (b. before 1593), daughter of John Tomes and Ellen (Gunne) Phelps, 1615 in Long Marston, Gloucestershire. She was born in Long Marston, and died before 1646 in Hartford, Connecticut. They had eight children. He married (2) Elizabeth (Deming) Foote (ca. 1595-1683) ca. 1646. She was the widow of Nathaniel Foote and the sister of John Deming. She had seven children from her previous marriage.
A grisly quadruple slaying drags Marian Larch into a shadowy government cover-up Marian Larch is tired of murder. This NYPD veteran has seen the worst the city has to offer, and she’s not sure she can stand another day. Temporarily assigned to the chaotic Ninth Precinct, Larch is saddled with a callous lieutenant and a partner who can’t stand working with a woman. Just coming to work every day is becoming a trial—but it’s about to get a whole lot worse. In the concrete jungle of Alphabet City, East River Park is a rare strip of green. When four well-dressed men are found there, handcuffed together and shot through their eyes, it’s up to Larch to find their killer. They were employees of a top-flight tech firm with ties to the US government, and their deaths were meant as a warning. But who was the warning intended for? Answering that question will show Larch that as rotten as the Big Apple can be, it has nothing on Washington. You Have the Right to Remain Silent is the 4th book in the Marian Larch Mysteries, but you may enjoy reading the series in any order.
Katrina Faulkner hurts almost as much as the man in her life when he loses his bid to be reelected sheriff. But for the first time since she met Rick Formero, she’s not worried about him being in peril—until he’s drafted to help solve the fiery murder of the man who beat him at the polls. While the Serendipity Springs police department is in chaos, it’s up to Kat and her mah jongg pals to step in as Rick’s unofficial staff to unravel the crime. As the tips roll in and suspects multiply, it appears the late sheriff led a complicated life, with ties to the same sketchy gambling toughs he was supposed to be arresting. But no one’s taking bets on who’s to blame for his death. Syd is planning a mah jongg tournament, Marianne is writing a play and journalist Micki can’t wait to get her hands on the juicy story. But when the chips are down, they and the men in their lives are up to the task of helping Kat and Rick delve into the world of high-stakes gambling in pursuit of an elusive killer—even if they’re rolling the dice on danger.
Mathematics, Science, and Postclassical Theory is a unique collection of essays dealing with the intersections between science and mathematics and the radical reconceptions of knowledge, language, proof, truth, and reality currently emerging from poststructuralist literary theory, constructivist history and sociology of science, and related work in contemporary philosophy. Featuring a distinguished group of international contributors, this volume engages themes and issues central to current theoretical debates in virtually all disciplines: agency, causality, determinacy, representation, and the social dynamics of knowledge. In a substantive introductory essay, the editors explain the notion of "postclassical theory" and discuss the significance of ideas such as emergence and undecidability in current work in and on science and mathematics. Other essays include a witty examination of the relations among mathematical thinking, writing, and the technologies of virtual reality; an essay that reconstructs the conceptual practices that led to a crucial mathematical discovery—or construction—in the 19th century; a discussion of the implications of Bohr’s complementarity principle for classical ideas of reality; an examination of scientific laboratories as "hybrid" communities of humans and nonhumans; an analysis of metaphors of control, purpose, and necessity in contemporary biology; an exploration of truth and lies, and the play of words and numbers in Shakespeare, Frege, Wittgenstein, and Beckett; and a final chapter on recent engagements, or nonengagements, between rationalist/realist philosophy of science and contemporary science studies. Contributors. Malcolm Ashmore, Michel Callon, Owen Flanagan, John Law, Susan Oyama, Andrew Pickering, Arkady Plotnitsky, Brian Rotman, Barbara Herrnstein Smith, John Vignaux Smyth, E. Roy Weintraub
Thomas Welles (ca. 1590-1660), son of Robert and Alice Welles, was born in Stourton, Whichford, Warwickshire, England, and died in Wethersfield, Connecticut. He married (1) Alice Tomes (b. before 1593), daughter of John Tomes and Ellen (Gunne) Phelps, 1615 in Long Marston, Gloucestershire. She was born in Long Marston, and died before 1646 in Hartford, Connecticut. They had eight children. He married (2) Elizabeth (Deming) Foote (ca. 1595-1683) ca. 1646. She was the widow of Nathaniel Foote and the sister of John Deming. She had seven children from her previous marriage.
“A compelling blend of science, history and storytelling. Barbara Ravage has fashioned an enlightening, invaluable book.” —Stewart O'Nan, author of The Circus Fire: A True Story of an American TragedyThough each of us is just a spark away from being a burn victim, the public knows little and understands less about the world that patients inhabit. Pulling the curtains back on this private and sterile environment, Burn Unit is a riveting account of the frontline efforts—both modern-day and historical—to save lives devastated by fire. With unflinching urgency, Barbara Ravage follows an extraordinary team of healers at Massachusetts General Hospital, the cradle of modern burn treatment and the site of one of the best burn units in the world. From Boston's Cocoanut Grove fire of 1942 to the treatment of the victims of the Rhode Island nightclub fire in early 2003, we watch everyday heroes do their incredible but punishing work against the backdrop of history. Both a moving human drama and an engrossing scientific exploration of this little-known field of medicine, Burn Unit is an unforgettably powerful read.
Today, we are living in the New Space Age, where mass commercial space travel is almost within our grasp. This otherworldly possibility has opened up new cultural images of space, both real and fictional, and has caused fashion design and spacesuit engineering to intersect in new, exciting ways. Spacewear traverses this uncharted territory by exploring the changing imagination of space in fashion-and fashion in space-from the first Space Age to the 21st century. Exploring how space travel has stylistically and technologically framed fashion design on earth and how we need to revisit established design practices for the weightless environment, Spacewear connects the catwalk and the space station. This book draws together speculative fantasies in sci-fi films such as Star Trek and 2001: A Space Odyssey, with the engineered spacesuits Biosuit, and the NASA Z-2 and with catwalk interpretations by the likes of Alexander McQueen, Hussein Chalayan, André Courrèges, and Iris van Herpen. While the development of commercial space agencies has led to new concerns for style in garments for outer space that re-think fundamental design principles such as drape, high fashion has experimented with new possibilities for weightlessness that extend far beyond the 1960s vision of Space Age metallic fabrics and helmet-style headwear. Brownie takes the reader on a fascinating journey from fantasy to function and to form, deepening our understanding of this new category of fashion that is prompting new approaches to garment design and construction both on earth and in outer space.
SPOILED AND UNGOVERNED, FITZ WAS NOT SUITABLE COMPANION FOR A LADY OF FASHION.... And certainly no proper chaperon. Fitz begged to disagree--after all, a dog was a true Incomparable as far as friendship, loyalty, and protection--and soon lovely Miss Sonia was plucked by her rusticated roots and packed off, dog and all, to London. Perhaps there she would find a husband to tame her free-spirited ways--and keep her out of trouble. Sonia, however, always had a soft spot for the underdog, and Darius Conover was such a fellow. Scorned by society for a scandalous deed, Conover was not redeemed even by his heroics in battle. Until he met Sonia and Fitz, two passionate souls undaunted by even the most odious circumstances--and decidedly determined to undo the shackles binding his heart.
It is also an image that has resisted fundamental revision over the course of two centuries because of the force of Washington's character, the clarity of his political purposes, and the intensity of his charisma.
During her twelve years with Ballet Society and the New York City Ballet, Barbara Milberg worked under the direction of George Balanchine. She rose from corps de ballet to soloist, danced leading roles in Swan Lake and Illuminations, and performed in celebrated world premieres. In this observant and poignant memoir, she shares her recollections of Balanchine, his craft and his values, and lends insight into surprising aspects of his personality. Fisher gives readers a rare glimpse inside Balanchine’s artistry, including vivid accounts of the makings of such important ballets as Schoenberg’s Opus 34, AGON, and the world-famous Nutcracker. Told through the eyes of a young dancer in what seemed a truly magical place and time, In Balanchine’s Company is ideal for ballet fans young and old. Rich in anecdote, insight, and humor, it offers a unique perspective on one of the twentieth century’s cultural giants. Ebook Edition Note: All illustrations have been redacted.
Individual objects have potentials: paper has the potential to burn, an acorn has the potential to turn into a tree, some people have the potential to run a mile in less than four minutes. Barbara Vetter provides a systematic investigation into the metaphysics of such potentials, and an account of metaphysical modality based on them. In contemporary philosophy, potentials have been recognized mostly in the form of so-called dispositions: solubility, fragility, and so on. Vetter takes dispositions as her starting point, but argues for and develops a more comprehensive conception of potentiality. She shows how, with this more comprehensive conception, an account of metaphysical modality can be given that meets three crucial requirements: (1) Extensional correctness: providing the right truth-values for statements of possibility and necessity; (2) formal adequacy: providing the right logic for metaphysical modality; and (3) semantic utility: providing a semantics that links ordinary modal language to the metaphysics of modality. The resulting view of modality is a version of dispositionalism about modality: it takes modality to be a matter of the dispositions of individual objects (and, crucially, not of possible worlds). This approach has a long philosophical tradition going back to Aristotle, but has been largely neglected in contemporary philosophy. In recent years, it has become a live option again due to the rise of anti-Humean, powers-based metaphysics. The aim of Potentiality and Possibility is to develop the dispositionalist view in a way that takes account of contemporary developments in metaphysics, logic, and semantics.
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