The news in 2008 was that women had taken huge strides forward. Feminists' decades-long struggle finally seemed to be paying off, not only in boardrooms, classrooms, and kitchens but also at the very top-in presidential politics. But what is the truth behind the headlines? In Sexism in America: Alive, Well, and Ruining Our Future, renowned feminist author Barbara J. Berg debunks the many myths about how far women have come and the pervasive belief that ours is a post-feminist society. Combining authoritative research and compelling storytelling, Berg traces the assault on women's status from the 1950s-when Newsweek declared "for the American girl, books and babies don't mix"-to the present, exploring the deception about women's progress and contextualizing our current situation. All women are hurt by a society lauding their attributes in speeches while scorning them in public policy and popular culture, and the legacy of the women's movement is being short-circuited in every aspect of their lives. Passionate, extensively documented, humorous, and persuasive, Sexism in America is simultaneously enlightening, frightening, and revitalizing. Berg, an ardent optimist, helps women understand where they are and why and how they can move beyond the marginalizing strategies. It is exactly the right book at exactly the right time"--Provided by publisher.
Psychotherapist Berg helps readers gain the insight to detect impending double binds--and stay one step ahead them. This invaluable book reveals the three types of double binds: situational, interpersonal, and circuit overload; when to keep trying, and when to alter one's course, or let go altogether.
From the Blurb: In this groundbreaking chronicle of the beginning of woman's emancipation Barbara Berg refutes the traditional interpretation that the women's movement emerged from the experiences of female abolitionists. Instead, she place the inception of feminism in the earliest years of the nineteenth century. Dr. Berg finds its roots in the complex responses to intricate social change that accompanied the urbanization of America, maintaining that the rise of the industrial city precipitated the subordination of women. Quietly tucked inside, the woman was expected to preserve the home as a haven of peacefulness and order-an artificial environment to compensate for the jarring world outside. Thus women fell victim to the "woman-belle ideal"--The monolithic creed that held women inferior, denying them access to the provinces of knowledge, responsibility, and dignity. Berg shows how women perceived and responded to this situation through an analysis of female invalidism, diaries, and works of fiction. In time, resigned listlessness gave way to an anguished search for identity, as women threw themselves into voluntary benevolent associations, activities that set the stage for a compelling feminist ideology. These activities took women outside the home, creating a context for the recognition of their oppression and helping them muster the spirit to elevate their self-image and, ultimately, their place in society. The effects of urban growth on the transformation of women's consciousness became evident through a study of the extant records of more than 150 female voluntary societies that flourished between 1800 and 1860. Newspaper accounts, municipal records, city guidebooks, and even popular songs reveal the gradual transformation of the ideas of women and men about themselves, each other, and their society. This book is the latest volume in The Urban Life in America series, edited by Richard C. Wade.
Focusing on the U.S. 2008 general elections, this study shows the links between inaccurate political ad claims and negativity, sound and visual distortions that influence voter cognition, and voter knowledge and behavior. Knowing less and voting more appears to be the troubling news in an age of post-factual democracies.
This book examines the relationship of three very different men who are usually seen as the most important composers of the so-called Second Viennese School – Arnold Schönberg, Alban Berg and Anton Webern – in the years 1906 to 1921 through a close reading of their correspondence with each other. To date only one of these correspondences, that of Schönberg and Berg, has been published, so the other two sets of letters are not yet widely known. The largely differing personalities of these three men come out clearly in their letters to each other: Schönberg, the master who demands a great many things from his two pupils (long after they have ceased to be that); Berg, from whom he demands the most; and Webern, his most pious devotee. The book covers the period linking the first correspondence between master and pupils in 1906 and the dissolution of the Verein für musikalische Privataufführungen in 1921, the period when these men were most closely bound together.
In The Slow Professor, Maggie Berg and Barbara K. Seeber discuss how adopting the principles of the Slow movement in academic life can counter the erosion of humanistic education.
Zeer overtuigende en indrukwekkende contemporaine variant op de autobiografische roman van Charles Dickens. Ja, die Pulitzer Prize for Fiction was terecht.' de Volkskrant Barbara Kingsolver ontving de Pulitzer Prize en de Women’s Prize for Fiction 2023 voor Demon Copperhead, een beeldend en episch verhaal over een jongen die opgroeit te midden van armoede en drugsverslaving Damon Fields, het zoontje van een alleenstaande tienermoeder, woont in een trailer in de bergen van de zuidelijke Appalachen. Hij heeft hetzelfde koperkleurige haar als zijn overleden vader, aan wie hij ook de bijnaam ‘Demon Copperhead’ te danken heeft. Afgezien van goede looks, bijtende humor en overlevingsdrift zit hem weinig mee in het leven. Zijn moeder worstelt met haar verslaving aan pijnstillers. Nadat ze in het ziekenhuis terechtkomt met een overdosis, belandt Demon in het ene na het andere pleeggezin. Hij krijgt te maken met kinderarbeid, verwaarlozing en mishandeling, en met de gevolgen van de opiatencrisis die grote delen van de VS treft. Toch is er ook hoop als blijkt dat hij talent heeft voor American football. Zijn geluk is echter van korte duur. Wanneer hij geblesseerd raakt en zware pijnstillers krijgt, dreigt de cyclus van verslaving in zijn familie zich te herhalen. Maar zelfs op het dieptepunt overheerst zijn wil om te overleven. In de pers ‘Wat een cadeau om al in maart een van de boeken van het jaar gepresenteerd te krijgen.’***** De Standaard ‘Kingsolver maakt maatschappelijke kwesties knap aanschouwelijk en voelbaar, in een plot vol (mis)avonturen die onweerstaanbaar voortdendert. Heel begrijpelijk dat zij juist voor deze roman haar eerste Pulitzer Prize ontving.’ Het Parool ‘De roman, over een kansarme jongen in de Amerikaanse Appalachen, is een felle aanklacht tegen de farmaceutische industrie en Kingsolver kreeg er zeer terecht de Pulitzerprijs voor.’ de Volkskrant ‘Demon Copperhead laat met humor en compassie het gebrek aan keuzes van onderklasse zien.’ Trouw ‘Een verbluffende en verslavende roman.’ VPRO Gids ‘Winnaar van de Pulitzer Prize, de Women’s Prize for Fiction en uitgeroepen tot een van de tien beste romans van het jaar... De hoge verwachtingen maakt Barbara Kingsolver helemaal waar. Ze schetst een ontluisterend en pijnlijk realistisch beeld van de onderkant van de Amerikaanse samenleving. [...] Dat maakt deze grootse roman zowel hilarisch als hartverscheurend.' Zin Magazine 'In 2024 gaat u niets ontroerenders lezen.' De Tijd 'Een Amerikaanse David Copperfield. In Demon Copperhead wordt het verhaal van Dickens verplaatst naar een hedendaags landelijk Amerika dat kampt met armoede en opiatenverslaving. Kingsolvers roman is even krachtig en meeslepend als het origineel.’ The New York Times ‘Krachtige plotwendingen en kleurrijke personages: dit is echt verhalen vertellen. En wat voor verhaal: scherpzinnig, bezield en hartverscheurend levensecht.’ The Guardian ‘Een buitengewone nieuwe roman. Net als in Douglas Stuarts Shuggie Bain of Charles Dickens’ David Copperfield is er in Kingsolvers epische verhaal een zelfverklaarde mislukkeling met een hart van goud aan het woord.’ San Francisco Chronicle
In London 1985 Sydna Svensson, the Swedish Songbird, impulsively marries American Dr. Tyler Robson on the rebound after he declares, "I have fallen in love with you from the front row seat of every Opera House in Europe." Her life changes dramatically when she is confronted by his hostile Mississippi black family and Wanda Jackson, the woman he jilted, who refuses to give him up, saying "No white b**** is gonna get my man!" Soon the marriage evolves into a menage a trois situation and the two women become friends when Sydna, in a moment of weakness, has a tryst with her first love, the dashing symphony conductor Peter Hollander and she becomes pregnant... Barbara Maines Berg is a former photo-journalist for a Baton Rouge newspaper, and is featured in the book Who Is Who in American Literature. She currently resides in Mississippi.
When multi-millionaire George Houston dies in a compromising position in a Memphis motel under a prostitute, his young wife, two former mistresses and the prostitute show up at his funeral conducted by Bennett, the prissy undertaker, Henry his companion, and their gossipy pony-tailed secretary accompanied by their dog Winston. Hillary, the young wife, is prepared to deal with the two mistresses: one a kissing cousin who has a son fathered by old George: the other, his secretary who struggles to hide the fact she also has an illegitimate son by George. After the funeral Hillary invites the prostitute to lunch and they form a most unique friendship. Then one of the George's illegitimate sons arrives on the scene and carries on the Houston tradition by seducing and impregnating his father's young widow before returning to New York to his former fiance. When the man returns again to Memphis, Hillary must choose, but everyone involved wants George to be dead and gone. Forever.
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