Genocide occurs when a government attempts to exterminate systematically a large percentage of its own citizens or subjects, simply because they fall into a particular group defined by religion, ethnicity, political affiliation, or (rarely) other group identification ranging from occupation to gender status. Genocide has been a major cause of death worldwide over the last 100 years or more, and is far from being eliminated. Through examining available cases, Warning Signs of Genocide: An Anthropological Perspective shows that genocide becomes a live danger when group hatreds--especially religious, ethnic, and political--are exploited by political regimes as major ways of seizing and maintaining power. Genocide is actually invoked, however, only when such regimes feel they are threatened, usually either because they are new and not consolidated in power or because they are challenged by local rebellions, civil war, or (less often) international war or major economic decline. Knowing these warning signs should make the international community take note that genocide is virtually certain to occur, and take action to stop it. This book joins others in noting that the international community has rarely intervened in time, and in the hope that these findings will encourage more prompt action.
A history of the early 1900s southern-born, white filmmaker and the silent films he created for black audiences. In the early 1900s, so-called race filmmakers set out to produce black-oriented pictures to counteract the racist caricatures that had dominated cinema from its inception. Richard E. Norman, a southern-born white filmmaker, was one such pioneer. From humble beginnings as a roving “home talent” filmmaker, recreating photoplays that starred local citizens, Norman would go on to produce high-quality feature-length race pictures. Together with his better-known contemporaries Oscar Micheaux and Noble and George Johnson, Richard E. Norman helped to define early race filmmaking. Making use of unique archival resources, including Norman’s personal and professional correspondence, detailed distribution records, and newly discovered original shooting scripts, this book offers a vibrant portrait of race in early cinema. “Grounded in impressive archival research, Barbara Lupack’s book offers a long overdue history of Richard E. Norman and the filmmaking company he established early in the twentieth century. Lupack’s ability to describe Norman’s films—and the work that went into their production—reanimates them for readers and stresses their role in shaping early African American cinematic representation.” —Paula Massood, author of Making a Promised Land: Harlem in 20th-Century Photography and Film “Thoroughly researched and crisply written . . . The first book-length work on Norman, Lupack’s monograph clearly delineates the Norman Company’s importance . . . [Richard E. Norman and Race Filmmaking’s] most profound contribution lies, perhaps, in how it illuminates the fraught economics of race filmmaking.” —Journal of American History “Lupack’s book provides a wealth of archival information about this vibrant moment in film history . . . [This] is a solid contribution to regional film studies and race film business practice, and will appeal to scholars, students, and film-buffs alike.” —Black Camera
Mrs. Bush offers a ... portrait of her life in and out of the White House, from her small-town schoolgirl days in Rye, New York, to her fateful union with George H.W. Bush, to her role as First Lady of the United States"--Back cover.
In this book of poetry, Barbara Hamby races through the circuitous regions of heaven and hell, desire and love, trailing words ahead of and behind her, giving shape and significance to the strange and the familiar. Not limited to the self-referential, Hamby playfully references historic and literary personae, taking stabs at Shakespeare, Jane Austen, the Bible, and Casanova.
Since its 1668 purchase by Captain William Sandford, a nine and three-quarter square mile piece of land between the Passaic and Hackensack Rivers, known since 1898 as the Township of Kearny, has been at the crossroads of history. Industry, great estates, Scottish culture, and world-famous soccer teams have peppered Kearny with a rich, but little-known history. For the first time, the vast holdings of the Kearny Museum, the AT&T Archives, and personal postcard and photograph collections are assembled in one place: Kearny. This book, developed in conjunction with the Kearny Museum, brings the little-known history of Kearny to life. More than 200 photographs and author Barbara Krasner's painstaking research beautifully and eloquently detail the story of the town, known at different times in its past as Mighgecticok, New Barbadoes Neck, Lodi, Harrison, and of course, Kearny. These pages offer a wonderful journey through the "City of Opportunity" and its storied past, full of kilts, bagpipes, copper mines, textile mills, war heroes, and World Cup Champions.
In The Othering of Women in Silent Film: Cultural, Historical, and Literary Contexts, Barbara Tepa Lupackexplores the rampant racial and gender stereotyping depicted in early cinema, demonstrating how those stereotypes helped shape American attitudes and practices. Using social, cultural, literary, and cinema history as a focus, this book offers insights into issues of Othering, including discrimination, exclusion, and sexism, that are as timely today as they were a century ago. Lupack not only examines the ways that dominant cinema of the era imprinted indelible and pejorative images of women—including African Americans, Native Americans, Asians, Hispanics, and New Women/Suffragists—but also reveals the ways in which a number of pioneering early filmmakers and performers attempted to counter those depictions by challenging the imagery, interrogating the stereotypes, and re-politicizing the familiar narratives. Scholars of film, gender, history, and race studies will find this book of particular interest.
People remembered the boardwalk, concessions, the Moonlight Inn, picnics, the carousel, the dancing pavilion, Daddy Trains, beach romances, Hot Lips ginger beer, bands, Morse code, ice boxes, honey pot toilets, red boards, the wye, fishflies, bittersweet vine, the Snowshoe Special, and a bygone era when passengers felt part of one big family.From the deep, dank bowels of a century-old railway station, a roll of unused tickets surfaced for Canadian National Railway´s Victoria Beach Subdivision line. Sixty years after train service to the east shores of Lake Winnipeg ceased, a writer embarked on a journey of discovery. Creepy crawls through cemeteries, walks on wooden trestles, and strolls through Manitoba´s cottage country revealed a transplanted station, a time capsule, and the design plans for the beloved Grand Beach carouse
The diversity of student populations in the United States presents educators with many challenges. To provide effective reading instruction for the individual student, teachers must understand the enormous variety of reading methods and materials that exist and make independent decisions based on their students' particular needs. Research indicates that educators are often influenced by reading instruction fads that quickly fade, making it more challenging to develop a repertoire of teaching strategies in which a teacher may have confidence. This book examines a variety of reading methods used in American schools from the 19th to the 21st century, and the literature promoting or critiquing them, to help teachers become informed decision makers and better meet the needs of students.
A history of policies and programmes for the education of three-to-five-year-olds in the USA. This book also traces efforts to make pre-school education a part of the American public school system and shows why these efforts have been rejected, despite evidence of pre-school benefit.
President by Massacre pulls back the curtain of "expansionism," revealing how Andrew Jackson, William Henry Harrison, and Zachary Taylor massacred Indians to "open" land to slavery and oligarchic fortunes. President by Massacre examines the way in which presidential hopefuls through the first half of the nineteenth century parlayed militarily mounted land grabs into "Indian-hating" political capital to attain the highest office in the United States. The text zeroes in on three eras of U.S. "expansionism" as it led to the massacre of Indians to "open" land to African slavery while luring lower European classes into racism's promise to raise "white" above "red" and "black." This book inquires deeply into the existence of the affected Muskogee ("Creek"), Shawnee, Sauk, Meskwaki ("Fox"), and Seminole, before and after invasion, showing what it meant to them to have been so displaced and to have lost a large percentage of their members in the process. It additionally addresses land seizures from these and the Tecumseh, Tenskwatawa, Black Hawk, and Osceola tribes. President by Massacre is written for undergraduate and graduate readers who are interested in the Native Americans of the Eastern Woodlands, U.S. slavery, and the settler politics of U.S. expansionism.
Stories of the primordial woman who married a bear, appear in matriarchal traditions across the global North from Indigenous North America and Scandinavia to Russia and Korea. In The Woman Who Married the Bear, authors Barbara Alice Mann, a scholar of Indigenous American culture, and Kaarina Kailo, who specializes in the cultures of Northern Europe, join forces to examine these Woman-Bear stories, their common elements, and their meanings in the context of matriarchal culture. The authors reach back 35,000 years to tease out different threads of Indigenous Woman-Bear traditions, using the lens of bear spirituality to uncover the ancient matriarchies found in rock art, caves, ceremonies, rituals, and traditions. Across cultures, in the earliest known traditions, women and bears are shown to collaborate through star configurations and winter cave-dwelling, symbolized by the spring awakening from hibernation followed by the birth of "cubs." By the Bronze Age, however, the story of the Woman-Bear marriage had changed: it had become a hunting tale, refocused on the male hunter. Throughout the book, Mann and Kailo offer interpretations of this earliest known Bear religion in both its original and its later forms. Together, they uncover the maternal cultural symbolism behind the bear marriage and the Original Instructions given by Bear to Woman on sustainable ecology and lifeways free of patriarchy and social stratification.
The year was 1896, the woman was Alice Guy-Blaché, and the film was The Cabbage Fairy. It was less than a minute long. Guy-Blaché, the first female director, made hundreds of movies during her career. Thousands of women with passion and commitment to storytelling followed in her footsteps. Working in all aspects of the movie industry, they collaborated with others to create memorable images on the screen. This book pays tribute to the spirit, ambition, grit and talent of these filmmakers and artists. With more than 1200 women featured in the book, you will find names that everyone knows and loves—the movie legends. But you will also discover hundreds and hundreds of women whose names are unknown to you: actresses, directors, stuntwomen, screenwriters, composers, animators, editors, producers, cinematographers and on and on. Stunning photographs capture and document the women who worked their magic in the movie business. Perfect for anyone who enjoys the movies, this photo-treasury of women and film is not to be missed.
Since the mid-1900s, southwestern Wyoming has been a thoroughfare for travelers--along the emigrant and overland trails of the 1840s and 1850s and the Transcontinental Railroad of the 1860s, then the Lincoln Highway in the 1910s and 1920s, and today's busy Interstate 80. Born when the tracks of the Union Pacific reached this corner of Wyoming Territory in 1868, Evanston has a rich history of railroading, ranching, and mineral extraction. Over the past 150 years, the community has been home to European coal miners and Chinese laborers, railroad workers and oil-field roughnecks, cattle and sheep ranchers, business owners and entrepreneurs, and families whose roots are five generations deep. Its residents have developed a lively social life and a strong sense of identity grounded in Evanston's historic downtown and the surrounding landscape of the Bear River and the Uinta Mountains. In the 21st century, Evanston has become a regional model for historic preservation, ensuring that its past will survive into the future.
The term Old Settlers refers to the group of mixed race people that came to MI in the late 1800's and settled in the newly opened land in the Mecosta, Isabella and Montcalm counties. The title is well known through out the area and most know it refers to that group and anyone who descended from them. Volume two covers the original Old Settlers that came whose last names begin with D-R and follows each one of their descendants through every generation down to the current living generations. It includes photographs, family stories, articles and obituaries. They were an amazing group who settled the land, cleared it, farmed it, built homes, schools, churches, roads, married each other and raised families. There are many historical sites and monuments still there that are overseen by their descendants. Our history is kept alive by thousands of descendants and hundreds who work on genealogy and share their knowledge.
William Huggins (1824–1910) was celebrated in his lifetime as the father of astrophysics. The letters and observatory notebooks contained in this edition allow Huggins’ important role in the development of astrophysics to fully emerge. Material comes from archives around the world and is previously unpublished.
For years, Marilyn Cross has enjoyed researching and writing about the area and residents of Lewis, New York, where she grew up. With some gentle prodding from a cousin, Marilyn pulled out her research materials to create this book. "Whispering Mountains" tells the story of the town of Lewis, New York. Lewis celebrated its bicentennial in 2005. Download the "Preview" to see if your family are included in the book's index. If you have more pictures, anecdotes or records that ought to be included in this book, or if you have better identifications for any of the pictures, or if you spot any errors, please contact Barb Matthews at barb@oncalldba.com. This book is an evergreen document that can be added to as additional material becomes available. Purchase a book here, or contact Marilyn directly at crossm@bluemoo.com.
Kearny has been and continues to be an icon of multiculturalism. Kearny's Immigrant Heritage traces the waves of immigrants who began to populate the town in 1875, when Clark Thread (now Coats & Clark) of Paisley, Scotland, opened two mills here and encouraged workers to immigrate. Swedes arrived in the Arlington section of Kearny as early as 1880, drawn by employment opportunities at the Celluloid Works and other nearby industries. Lithuanians came by 1895, resulting in Our Lady of Sorrows Church, the parish school, the Schuyler Savings Bank, and the Lithuanian Catholic Community Center. Italians from Calabria and Naples and Jewish families from Eastern Europe operated the local shops that lined Kearny and Midland Avenues and Elm Street. Japanese families settled in the Arlington neighborhood before 1917.
By the year 2000, as many as 125,000 children under the age of 18 in the U.S. will have been orphaned by AIDS. Social services in major urban centers such as New York, Miami, Los Angeles, and Washington will be further overwhelmed by these new clients and their unique problems. In this book, experts on AIDS, bereavement, and children draw together and analyze research and practice models that may be vital to individual and public policy solutions. The first chapter sets the stage by examining how Western culture approaches death. Issues of spirituality and children are discussed next, and the following chapters deal with childhood bereavement among latency-age children and adolescents. The role of culture and ethnicity are examined in the Latino and Black communities. Also, the conflicts and problems that new guardians face as they attempt to build new and secure relationships with grieving youngsters are addressed. The book ends with an examination of four projects that are reaching children and families and gives recommendations to practitioners. This book is an invaluable examination of a problem of growing social concern for social, medical, and mental health professionals, public policy analysts, and the general public.
Seniors of the pulp and paper town of Powell River, BC remember two major events in their lives, the Great Depression and WWII. Some have lived 80 + years in the community, others recall events from other Canadian provinces. The were children during the Great Depression and young adults during WWII. A collection of 70 stories.
This book explores how British culture is negotiating heroes and heroisms in the twenty-first century. It posits a nexus between the heroic and the state of the nation and explores this idea through British television drama. Drawing on case studies including programmes such as The Last Kingdom, Spooks, Luther and Merlin, the book explores the aesthetic strategies of heroisation in television drama and contextualises the programmes within British public discourses at the time of their production, original broadcasting and first reception. British television drama is a cultural forum in which contemporary Britain’s problems, wishes and cultural values are revealed and debated. By revealing the tensions in contemporary notions of heroes and heroisms, television drama employs the heroic as a lens through which to scrutinise contemporary British society and its responses to crisis and change. Looking back on the development of heroic representations in British television drama over the last twenty years, this book’s analyses show how heroisation in television drama reacts to, and reveals shifts in, British structures of feeling in a time marked by insecurity. The book is ideal for readers interested in British cultural studies, studies of the heroic and popular culture. Introduction of this book is freely available as a downloadable Open Access PDF at http://www.taylorfrancis.com under a Creative Commons [Attribution (CC-BY-)] 4.0 license.
Afrocentric Theatre updates the Molettes' groundbreaking book, Black Theatre: Premise and Presentation, that has been required reading in many Black theatre courses for over twenty-fi ve years. Afrocentric theatre is a culturally-based art form, not a race-based one. Culture and values shape perceptions of such phenomena as time, space, heroism, reality, truth, and beauty. These culturally variable social constructions determine standards for evaluating and analyzing art and govern the way people perceive theatrical presentations as well as fi lm and video drama. A play is not Afrocentric simply because it is by a Black playwright, or has Black characters, or addresses a Black theme or issue. Afrocentric Theatre describes the nature of an art form that embraces and disseminates African American culture and values. Further, it suggests a framework for interpreting andevaluating that art form and assesses the endeavors of dramatists who work from an Afrocentric perspective.
This volume documents the life and works of the acclaimed playwright, Edward Albee. His first four plays were all produced Off Broadway from 1960-1961, creating buzz that he was an up-and-coming avant-garde playwright. But his most notable accomplishment came a year later with his first full-length play, Who's Afraid of Virginia Woolf?. His plays were linked with the philosophies of the European absurdists, Beckett and Ionesco, and the American traditional social criticism of Arthur Miller, Tennessee Williams, and Eugene O'Neill. Intended to serve as a quick reference guide and an exhaustive resource, this collection includes play synopses and critical overviews, production histories and credits, and locator suggestions on unpublished archival material and lists of texts/anthologies that have published Albee's material. The two secondary bibliographies contained within are fully annotated chronologically and alphabetically with the year of publication, presenting a fuller sense of Albee's playwriting career.
The Revolutionary War is ordinarily presented as a conflict exclusively between colonists and the British, fought along the northern Atlantic seacoast. This important work recounts the tragic events on the forgotten Western front of the American Revolution—a war fought against and ultimately won by Native America. The Natives, primarily the Iroquois League and the Ohio Union, are erroneously presented in history texts as allies (or lackeys) of the British, but Native America was working from its own internally generated agenda: to prevent settlers from invading the Old Northwest. Native America won the war in the West, holding the land west and north of the Allegheny-Ohio River systems. While the British may have awarded these lands to the colonists in the Treaty of Paris, the Native Americans did not concur. Throughout the war, the unwavering goal of the Revolutionary Army, under George Washington, and their associated settler militias was to break the power of the Iroquois League, which had successfully held off invasion for the preceding two centuries, and the newly formed Ohio Union. To destroy the Natives in the way of land seizure, Washington authorized a series of rampages intended to destroy the League and the Union by starvation. Food, livestock, homes, and trees were destroyed, first in the New York breadbaskets, then in the Ohio granaries—spreading famine across Native lands. Uncounted thousands of Natives perished from New York to Pennsylvania to Ohio. This book tells how, in the wake of the massive assaults, the Natives held back the American onslaught.
Because there are more women in the Gospel of Luke than in any other gospel, feminists have given it much attention. In this commentary, Shelly Matthews and Barbara Reid show that feminist analysis demands much more than counting the number of female characters. Feminist biblical interpretation examines how the female characters function in the narrative and also scrutinizes the workings of power with respect to empire, to anti-Judaism, and to other forms of othering. Matthews and Reid draw attention to the ambiguities of the text-both the liberative possibilities and the ways that Luke upholds the patriarchal status quo-and guide readers to empowering reading strategies.
Over the last two decades, fatness has become the focus of ubiquitous negative rhetoric, in the USA and beyond, presented under the cover of the medicalized ''war against the obesity epidemic''. In Fat on Film, Barbara Plotz provides a critical analysis of the cinematic representation of fatness during this timeframe, specifically in contemporary Hollywood cinema, with an emphasis on the intersection of gender, race and fatness. The analysis is based on around 50 films released since 2000 and includes examples such as Transformers (2007), Precious (2009), Kung Fu Panda (2008), Paul Blart (2009) and Pitch Perfect (2012).Plotz maps the common cinematic tropes of fatness and also shows how commonplace notions of fatness that are part of the current ''obesity epidemic'' discourse are reflected in these tropes. In this original study, Plotz brings critical attention to the politics of fat representation, a topic that has so far received little attention within film and cinema studies.
A vivid account of a remarkable but little-known chapter in Melbourne’s history Sex workers in nineteenth-century Melbourne were judged morally corrupt by the respectable world around them. But theirs was a thriving trade, with links to the police and political leaders of the day, and the leading brothels were usually managed by women. While today a city lane is famously named after Madame Brussels, the identities of the other ‘flash madams’, the ‘dressed girls’ who worked for them and the hundreds of women who solicited on the streets of the Little Lon district of Melbourne are not remembered. Who were they? What did their daily lives look like? What became of them? Drawing on the findings of recent archaeological excavations, rare archival material and family records, historian Barbara Minchinton brings the fascinating world of Little Lon to life. Barbara Minchinton is a historian and independent researcher. For several years she collaborated with a team of archaeologists on the interpretation of artefacts from Melbourne’s Little Lon district. She is the co-editor of The Commonwealth Block, Melbourne, a historical archaeology of the city’s working-class and immigrant communities, and the author of The Women of Little Lon.
Because there are more women in the Gospel of Luke than in any other gospel, feminists have given it much attention. In this commentary, Shelly Matthews and Barbara Reid show that feminist analysis demands much more than counting the number of female characters. Feminist biblical interpretation examines how the female characters function in the narrative and also scrutinizes the workings of power with respect to empire, to anti-Judaism, and to other forms of othering. Matthews and Reid draw attention to the ambiguities of the text-both the liberative possibilities and the ways that Luke upholds the patriarchal status quo-and guide readers to empowering reading strategies.
OUR SCANDINAVIAN HERITAGE is a collection of true stories by members of The Norden Clubs, Jamestown, NY, stories of themselves and/or their ancestors their adventures, customs, and the sacrifices they made to come to America, a land where streets were paved in gold, as one young girl was told. Included is a history of the emigration from Scandinavia to America and to Jamestown, NY, in the late 1800s and early 1900s. The Norden Clubs are pleased to permanently record these memories as part of history, particularly the Scandinavian influence in America.
By contrast, in the works of black writers from Oscar Micheaux to Toni Morrison, the black experience has been more fully, more accurately, and usually more sympathetically realized; and from the early days of film, select filmmakers have looked to that literature as the basis for their productions.".
Washington D.C. is every American's home away from home. Since DC is a compact city with great public transportation, it's easy to explore both its high-profile side - its magnificent monuments, world-class museums, enthralling architecture, breathtaking vistas, and unique national parks - as well as its less famous persona - its cozy hideaways, ethnic eateries, bustling dance clubs, lively theaters, shopaholic hot spots, and more.Now it's a foodies' paradise enlivened with high-tech entrepreneurs and innovative buildings in entirely new and safer neighborhoods. Now, with Walking Washington D.C by local author Barbara J. Saffir, people can get to know the communities of D.C. Each walk tells the story of a neighborhood: a snapshot of some of its history and how it has transformed over the years. Readers will be pointed to distinctive architecture, landmark buildings, popular eateries, ethnic enclaves, art and performance spaces, and natural scenery. Maps and transportation directions make it easy to find your way. Whether you're looking for an afternoon stroll or a daylong outing, grab this book and start walking Washington D.C. After a few miles or a few days, you might fall in love.
Bellows has produced the first biography of this very private woman and emotionally complex writer, whose life story is also the history of a place and time - Charleston in the first half of the twentieth century.".
Glaser presents profiles and interviews with women across the country who have found success on their own terms and offers these empowered people as updated role models.
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