A masterclass of a sapphic romcom. Filled with hate-to-love perfection, swoony moments, and off-the-charts chemistry." -Rachael Lippincott, #1 New York Times bestselling author of Five Feet Apart and She Gets the Girl All's fair in love and Color War. Juliette doesn't hate Priya Pendley. At least, not in the way teen movies say she should hate the hot popular girl. They don't do cat fights, love triangles, or betrayal. To survive their intertwined small town lives, they’ve agreed to a truce. They complete group projects without fighting, never gossip to mutual friends, and stand on opposite sides of photos so it’s easy to crop each other out. Priya seems to have everything during the school year—social media stardom, the handsome track captain boyfriend, and millions of adoring fans—and Juliette is at peace with that. Because Juliette has the summer, and the one place she never feels like “too much”: Fogridge Sleepaway Camp. But her hopes for a few Priya-free weeks are shattered when her rival shows up at Fogridge on move-in day... as her cabinmate, no less. Juliette is determined to enjoy her final summer, even if it means (gag) tolerating her childhood rival, but everything that can go wrong, does. If Juliette can’t find something to like about her situation—and about Priya—she risks hating the only home she’s ever had, right before she says goodbye to it forever.
In Frontier Justice, Ged Baldwin brings the old Peace River he knew to life again. Baldwin, the feisty MP from Alberta, went to Peace River in 1929 as a young lawyer and was soon involved in a number of court cases, especially murder trials. He tells ten real-life tales in his own inimitable style, including the unique and colorful characters who found themselves in these northern lands during their frontier days.
A major work of American literature from a major American writer that powerfully portrays the anguish of being Black in a society that at times seems poised on the brink of total racial war. "Baldwin is one of the few genuinely indispensable American writers." —Saturday Review At the height of his theatrical career, the actor Leo Proudhammer is nearly felled by a heart attack. As he hovers between life and death, Baldwin shows the choices that have made him enviably famous and terrifyingly vulnerable. For between Leo's childhood on the streets of Harlem and his arrival into the intoxicating world of the theater lies a wilderness of desire and loss, shame and rage. An adored older brother vanishes into prison. There are love affairs with a white woman and a younger black man, each of whom will make irresistible claims on Leo's loyalty. Tell Me How Long the Train's Been Gone is overpowering in its vitality and extravagant in the intensity of its feeling.
Beautiful, brainy, and offbeat" (Entertainment Weekly), a perfect sophisticated summer read. By turns funny, charming, and tragic, Rosecrans Baldwin's debut novel introduces leading Alzheimer's researcher Dr. Victor Aaron, who spends his days alternating between long hours in the lab and running through memories of his late wife, Sara. He's preserved their marriage as a perfect, if tumultuous, duet between two opposite but compatible souls. Until the day he discovers a series of index cards in Sara's handwriting that chronicle the major "changes in direction of their marriage." Suddenly this eminent memory expert finds his faith in memory itself unraveling, and he must, along with his support network of strong women-from his lab assistant to Aunt Betsy, the doddering doyenne of the island where they all live-determine a way to move on. Watch a Video
In 1997, Britannia was cool, and things could only get better. So thought Liz as she found what she thought was safety on the Isle of Wight, leaving her stalker behind her. But the childhood memories she has of the island are suddenly all too vivid.. What she once thought were fairy-tales prove to be disturbing reflections on real life, and suddenly, everything she held to be true must be rethought. What happened in 1970, to shatter Liz's family? Who was the mysterious Nee? And who - or what - was the Seaweed Dragon? Only after uncovering an ancient mystery, does Liz find that the truth is always the best way to a Happily Ever After.
Lighthouses, crosswords puzzles, a cast of suspicious characters, and suspense follow Lou Searing and his new assistant, Jack Kelly, as they work to solve the murders of Frieda Bowman and Arthur S. Webberson. From Door County to Bloomfield Hills, with action in between (Squaw Island, Manistee, Ludington, Alma, Eastern Michigan University) Lou and Jack delve into family relationships only to find greed, jealousy, and revenge. In the end, justice prevails as is always the case with a Baldwin mystery.
Roger Fenton's photograph Pasha and Bayadére is a fascinating image in its own right and is an expression of a more general Orientalist craze that grew steadily stronger during the nineteenth century in Europe. In his rich and detailed study, Baldwin explains how this image of a seated man and a dancing woman embodies themes and motifs that can be found in the work of nineteenth-century artists from Eugéne Delacroix to John Frederick Lewis to Alfred Lord Tennyson. He has also brought to light significant new information about the life and career of Fenton, the important Victorian photographer best known for his photographs of the Crimean War.
Brian finds himself in the middle of the most rogorous flight training in the world. He left his home in the small college town of Ruston, Alabama and reports to flight training, a fascinating new world of challenges and adventure. Hes confronted with the anxiety of leaving Anne Merrill after only three weeks together before he left. There was an immediate chemistry between them, accentuated by the short time available to them. The separation from Anne and other influences on her life pull them apart. During a leave between basic and advanced training, while visiting Collinwood, Brian experiences the inexorable hold on Anne by Judge Mc Bride and his son. Fortunately, he shares a deep friendship with Lori Barnes which mitigates his despair. Brian and his mother have never been able to break down the barriers built over the years following the divorce and his fathers death. The relationship is strained with his asseptance into flight training. The intensity of pilot training produces a bond of four cadets to accomplish their common goal. Their friendship transcends the usual bond of fellowship as they become a close-knit fellowship known as The Group. They overcome the barriers to becoming a pilot -- washouts, accidents, fear, and death. They finally join the elite brotherhood of fighter pilots. A chance meeting between Anne and Brian, during his leave following graduation, immediately rekindles the old fires. They become engaged and Anne goes with Brian to San Francisco to spend the last fervid days together before he leaves for Korea and the war. Korean combat is disturbing to Brian as he and his radar observer come face-to-face with their own mortality and that of his friends. The rigors of an air war over a godforsaken country, coupled with the separation from Anne, causes some adjustment in Brians thinking. Aggressiveness and confidence in the air sets him apart as one of those that has the fighter pilot mentality. Anne, however, cannot adjust to the strains of the separation, the war, and writes Brian that shes breaking the engagement. He maintains contact with the ever-loyal Lori. On an R&R leave to Nagoya, Japan, Brian has a chance meeting with Maggie Compton, a nurse who is lonely and as vulnerable as Brian. The pressures and timing of the encounter place them in a night of passion. They try to see each other again, but the war keeps them apart. Shortly after beginning their second combat tour, Brian and his radar observer are shot down over North Korea. Injured, tired, and their strength waning, they evade capture until met by South Korean troops who get them back to the American sector and subsequently flown to a hospital in Japan. Brian sees Maggie one last time at the hospital in Japan where she is also assigned. As Brian recuperates in the hospital, he realizes his war is over, both physically and mentally. Its time to go home. Back in the States, his reunion with Lori helps him readjust to a tranquility he had not known for a long time. He finds the truth about his fathers death, and they reconcile some of the problems that drove a wedge in their relationship. Believing that Anne and Brian are still in love, and unknown to both, Lori arranges a chance meeting for them.
Roger Fenton (1819-1869) was England's most celebrated photographer during the 1850s, the young medium's most glorious moment. After studying law and painting, Fenton took up the camera in 1851 and immediately began to produce highly original images. During a decade of work he mastered every photographic genre he attempted: architectural photography, landscape, portraiture, still life, reportage, and tableau vivant." "This volume presents ninety of Fenton's finest photographs, exactingly reproduced. Six leading scholars have contributed nine illustrated essays that address every aspect of Fenton's career, as well as a comprehensive, documented chronology."--BOOK JACKET.
As early-twentieth-century Chicago swelled with an influx of at least 250,000 new black urban migrants, the city became a center of consumer capitalism, flourishing with professional sports, beauty shops, film production companies, recording studios, and other black cultural and communal institutions. Davarian Baldwin argues that this mass consumer marketplace generated a vibrant intellectual life and planted seeds of political dissent against the dehumanizing effects of white capitalism. Pushing the traditional boundaries of the Harlem Renaissance to new frontiers, Baldwin identifies a fresh model of urban culture rich with politics, ingenuity, and entrepreneurship. Baldwin explores an abundant archive of cultural formations where an array of white observers, black cultural producers, critics, activists, reformers, and black migrant consumers converged in what he terms a "marketplace intellectual life." Here the thoughts and lives of Madam C. J. Walker, Oscar Micheaux, Andrew "Rube" Foster, Elder Lucy Smith, Jack Johnson, and Thomas Dorsey emerge as individual expressions of a much wider spectrum of black political and intellectual possibilities. By placing consumer-based amusements alongside the more formal arenas of church and academe, Baldwin suggests important new directions for both the historical study and the constructive future of ideas and politics in American life.
Michael Baldwin's Just Add Water is dedicated to putting the focus—and the power—of every presentation back where it belongs: with the presenter. It is a rediscovery of how to transform dense, ineffective presentations into ones that can actually inspire: clarify thinking, improve the quality of decision-making, and close deals. Just Add Water uses a unique teaching method called cognitive short-cutting: leveraging known concepts to shorten the learning process. It is an "illustrated guide" designed to be so simple and direct that any reader can absorb the key concepts and put them into practice immediately.
Reevaluates the accomplishments of the British writer within the context of major literary movements and cross-currents. It considers all areas of his work including his stories of country life; war stories and novels; his best work, Love for Lydia; and his highly acclaimed nonfiction on environmental issues.
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