My name is Li Yan, a student of the Rui Zhong City University. A single accident made me realize my strange background, as the last disciple of Taoist Jingyuan, the Second Young Master of the Hall of Healing, I was tasked with the task of revitalizing my clan. My body cultivation technique, weapon forging, chasing beauties, protecting the country, practicing medicine, and so on are all outstanding youths.
A year ago, when the jade pendant fused with my body, I was married into it, and suffered all sorts of contempt, ridicule, and humiliation ... One year later, his cultivation technique would be at the initial stage, and his medical skills unparalleled. What kind of scene would it be then ... What hidden forces of great power were hidden in the mundane world? How cruel and bloody had a jade pendant been? Who am I?
On the next mission, she was attacked by zombies and saved by a Taoist who claimed to be her previous life's husband. Her life has undergone a tremendous change since then ...
In order to repay the debt of gratitude he owed, the Thousand Year Fox Demon possessed the body of the Prime Minister's concubine, Jiang Qisha, who had died in injustice, to avenge her death. Fighting with his stepmother and bullying his direct sister, he could easily become the Crown Prince's concubine. The path to revenge was just around the corner. But what was going on with this man called Meng Hehui? Despite knowing her identity, she was still able to maintain a straight face and go against her at every turn!
One hundred million betrothal gifts, she was forced to marry a tyrant who was said to have been disfigured. He was being chased by his enemies, and when the two of them had landed on the island, she had abandoned him and fled ... "I let you into my world, but I didn't give you the guts to walk around in it!" Su Nian An gritted his teeth. "Let go of me!" He laughed wildly, "Release?" It doesn't exist.
In Fusion of East and West, Limin Bai presents a major work in the English language that focuses on Chinese textbooks and the education of children for a new China in a critical transitional period, 1902–1915. This study examines the life and work of Wang Hengtong (1868–1928), a Chinese Christian educator, and other Christian and secular writings through a historical and comparative lens and against the backdrop of the socio-political, ideological, and intellectual frameworks of the time. By doing so, it offers a fresh perspective on the significant connection between Christian education, Chinese Christian educators and the birth of a modern educational system. It unravels a cross-cultural process whereby missionary education and the Chinese education system were mutually re-shaped.
Three years later, her soul had always lingered at the place where she died. In these three years, she had saved many of the people who were about to die, and under the mistake of being killed, she lost her soul to a car accident, causing her soul to be sucked into the body of this person, Mu Yeye, who should not have died, but died here.
At that time, if any family in the village gave birth to a girl, when their daughter's first cry was heard, no matter how poor their family was, they would brew three jars of their daughter's red wine in the Wutu Valley until their daughter got married at the age of eighteen. However, if the daughter died before she got married, the wine would be carved into the flower. A flower carving was the same as a flower bud.
For 1,300 years, Chinese calligraphy was based on the elegant art of Wang Xizhi (A.D. 303–361). But the seventeenth-century emergence of a style modeled on the rough, broken epigraphs of ancient bronzes and stone artifacts brought a revolution in calligraphic taste. By the eighteenth century, this led to the formation of the stele school of calligraphy, which continues to shape Chinese calligraphy today. A dominant force in this school was the eminent calligrapher and art theorist Fu Shan (1607–1685). Because his work spans the late Ming–early Qing divide, it is an ideal prism through which to view the transformation in calligraphy. Rather than seek a single explanation for the change in calligraphic taste, the author demonstrates and analyzes the heterogeneity of the cultural, social, and political processes behind it. Among other subjects, the book covers the late Ming interaction between high and low culture; the role of publishing; the Ming loyalist response to the Qing; and early Qing changes in intellectual discourse. In addition to the usual approach of art historians, it adopts the theoretical perspectives of such fields as material culture, print culture, and social and intellectual history.
How a hybrid Confucian-engendered form of governance might solve today’s political problems What might a viable political alternative to liberal democracy look like? In Against Political Equality, Tongdong Bai offers a possibility inspired by Confucian ideas. Bai argues that domestic governance influenced by Confucianism can embrace the liberal aspects of democracy along with the democratic ideas of equal opportunities and governmental accountability to the people. But Confucianism would give more political decision-making power to those with the moral, practical, and intellectual capabilities of caring for the people. While most democratic thinkers still focus on strengthening equality to cure the ills of democracy, the proposed hybrid regime—made up of Confucian-inspired meritocratic characteristics combined with democratic elements and a quasi-liberal system of laws and rights—recognizes that egalitarian qualities sometimes conflict with good governance and the protection of liberties, and defends liberal aspects by restricting democratic ones. Bai applies his views to the international realm by supporting a hierarchical order based on how humane each state is toward its own and other peoples, and on the principle of international interventions whereby humane responsibilities override sovereignty. Exploring the deficiencies posed by many liberal democracies, Against Political Equality presents a novel Confucian-engendered alternative for solving today’s political problems.
Rainbow is presented in the form of novel to show the social reality, national changes, and political situations in China over the last century. The novel basically encompasses all political movements in the second half of the twentieth century, describes more than two hundred named characters and a considerable number of nameless but vivid characters, and lets readers enjoy reading the folk customs, chess cards traditions, medical development, culture, and education as well as erotic sensuality. It is a huge project.
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