A collection of interviews of the top fiddlers in the Irish tradition, Handy with the Stick brings together previously published magazine pieces with new work to present a broad view of Irish fiddling. Interviewees include Tommy Peoples, Siobhan Peoples, Paddy Glackin, Matt Cranitch, John Carty, Brendan McGlinchey, Caoimhin O Raghallaigh and Sarah Blair. Historical pieces include Junior Crehan, Patrick Kelly and Sean Ryan. By looking at players from multiple eras and regional styles, Handy with the Stick deepens our understanding of the people involved in Irish traditional music. Each chapter is accompanied by transcriptions of representative fiddle tunes, some of which are previously unpublished originals.•
A collection of interviews of the top fiddlers in the Irish tradition, Handy with the Stick brings together previously published magazine pieces with new work to present a broad view of Irish fiddling. Interviewees include Tommy Peoples, Siobhan Peoples, Paddy Glackin, Matt Cranitch, John Carty, Brendan McGlinchey, Caoimhin O Raghallaigh and Sarah Blair. Historical pieces include Junior Crehan, Patrick Kelly and Sean Ryan. By looking at players from multiple eras and regional styles, Handy with the Stick deepens our understanding of the people involved in Irish traditional music. Each chapter is accompanied by transcriptions of representative fiddle tunes, some of which are previously unpublished originals.•
External challenges, strategic threats, and war have shaped the course of modern British history. This volume examines how Britain mobilized to meet these challenges and how developments in the constitution, state, public sphere, and economy were a response to foreign policy issues from the Restoration to the rise of New Labour.
Theatrical Milton brings coherence to the presence of theatre in John Milton through the concept of theatricality. In this book, 'theatricality' identifies a discursive field entailing the rhetorical strategies and effects of framing a given human action, including speech and writing, as an act of theatre. Political and theological cultures in seventeenth-century England developed a treasury of representational resources in order to stage-to satirize and, above all, to de-legitimate-rhetors of politics, religion, and print. At the core of Milton's works is a contradictory relation to theatre that has neither been explained nor properly explored. This book changes the terms of scholarly discussion and discovers how the social structures of theatre afforded Milton resources for poetic and polemical representation and uncovers the precise contours of Milton's interest in theatre and drama.
As well as being a practical guide it's an exhilarating read... It is a delightful thing: anybody contemplaing crossing to Ireland for pleasure shouldn't think of going without consulting it. OBSERVER
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