Adjacent to the small town called Redbarrow Woods, lies a forest that is said to be centuries old, guarded by White Ash Trees, Mahogany Trees, and Oak trees. Legends say there are eyes in those woods, and those pairs of eyes witness everything, even in the abyss of nothing at all. At the end of this forest is a river, which the town wears like a necklace, as it meanders around its contours. A sudden loud crash, a mysteriously ominous shriek, that had a peculiar sound that simply had no end to it, arrests the neighbourhood of Redbarrow Woods. Jeremy Mason (Jerry)—an ideal son, brother, and student goes missing from his very own house one night. An investigation that deflates with no leads. There is no ransom demand or death threat. The Masons are whipped by grief, confusion, and hallucinations. Their only support in these dire times is Mrs. Jane Davis the elderly neighbour, who loves the two children dearly. After six months of pining for her dear brother, Macy Mason finds a clue; words scribbled in his favourite novel—I Will Return – To Me. Just when she feels positive this could trace her brother, a body is found in the woods. Will Macy be able to find her brother Jerry Mason?
Children born and brought up in the late '90s have lived through two different times and centuries. They have seen and know what fun is before the high-end gadgets took over. Based on these experiences, the author presents the old times through short stories inspired by her very own childhood!!!
Research Methods for Educational Dialogue provides an overview of the range of possibilities for researching various forms of educational dialogue, underpinned by a coherent theoretical foundation. The authors, Kershner, Hennessy, Wegerif and Ahmed offer an integrated understanding of different methodological approaches in this fast-growing area of education. The book includes critical discussion of a variety of methods for investigating the characteristics and quality of dialogues for individuals and groups of participants in different educational contexts. These include student-student, teacher-student and wider professional dialogues, conducted face-to-face, online or mediated by classroom technologies. The authors argue for the integration of ethical and methodological principles, and consider the potential for innovative research methods that are dialogic in themselves. Including chapter commentaries from invited experts in the field, authentic research examples and a glossary of terms, this is essential reading for anyone looking to research in the area of educational dialogue.
THE BIRTH OF A MOTHER is all about understanding the sentiments of any woman who starts her journey as a mother. It is about empowerment of mothers, making children realize the true status of a mother. it is about a mother who tries to protect her daughter from the odds of the world in every way possible, and about the response she gets.Happy reading!!!
It's very hard to be a good daughter. Meet Sarah. She is a seventeen-year-old girl from a conservative urban family. Sarah has to do all the chores of the house, keep her family members happy and her reputation clean so that people don't gossip about her, and always look good so that she can be the ideal candidate for the rishtas that come her way. All this really upsets Sarah, but being the Pakistani obedient daughter, Sarah can only suppress her anger. However, this time Sarah's patience has run out and she cannot hold in her indignation any longer.
‘Engrossing.’ Monica Ali ‘Heartbreaking and really funny.’ Ross Gay ‘This book fell into my heart.’ Sabrina Mahfouz ‘The kind of authentic voice that is rarely heard.’ Saima Mir This is the story of a child raised in Canada by parents who embraced a puritanical version of Islam to shield them from racism. The author explores the joys and sorrows of growing up in a fundamentalist Muslim household, wedding grand historical narratives of colonialism and migration to the small intimate heartbreaks of modern life. In revisiting the beliefs and ideals she was raised with, Chaudhry invites us to reimagine our ideas of self and family, state and citizenship, love and loss.
Based on true events, a story of courage, forgiveness, love, and freedom in precolonial Ghana, told through the eyes of two women born to vastly different fates. Aminah lives an idyllic life until she is brutally separated from her home and forced on a journey that transforms her from a daydreamer into a resilient woman. Wurche, the willful daughter of a chief, is desperate to play an important role in her father's court. These two women's lives converge as infighting among Wurche's people threatens the region, during the height of the slave trade at the end of the nineteenth century. Through the experiences of Aminah and Wurche, The Hundred Wells of Salaga offers a remarkable view of slavery and how the scramble for Africa affected the lives of everyday people.
In The Muhammad Avatara, Ayesha Irani offers an examination of the Nabivamsa, the first epic work on the Prophet Muhammad written in Bangla. This little-studied seventeenth-century text, written by Saiyad Sultan, is a literary milestone in the multi-ethnic, multi-cultural history of Islam, and marks a significant contribution not only to Bangla's rich literary corpus, but also to our understanding of Islam's localization in Indic culture in the early modern period. That Sufis such as Saiyad Sultan played a central role in Islam's spread in Bengal has been demonstrated primarily through examination of medieval Persian literary, ethnographic, and historical sources, as well as colonial-era data. Islamic Bangla texts themselves, which emerged from the sixteenth century, remain scarcely studied outside the Bangladeshi academy, and almost entirely untranslated. Yet these premodern works, which articulate Islamic ideas in a regional language, represent a literary watershed and underscore the efforts of rebel writers across South Asia, many of whom were Sufis, to defy the linguistic cordon of the Muslim elite and the hegemony of Arabic and Persian as languages of Islamic discourse. Irani explores how an Arabian prophet and his religion came to inhabit the seventeenth-century Bengali landscape, and the role that pir-authors, such as Saiyad Sultan, played in the rooting of Islam in Bengal's easternmost regions. This text-critical study lays bare the sophisticated strategies of translation used by a prominent early modern Muslim Bengali intellectual to invite others to his faith.
A history of partition seen through the life and fiction of one of the subcontinent's most important modern writers Saadat Hasan Manto (1912-1955) was an established Urdu short story writer and a rising screenwriter in Bombay at the time of India's partition in 1947, and he is perhaps best known for the short stories he wrote following his migration to Lahore in newly formed Pakistan. Today Manto is an acknowledged master of twentieth-century Urdu literature, and his fiction serves as a lens through which the tragedy of partition is brought sharply into focus. In The Pity of Partition, Manto's life and work serve as a prism to capture the human dimension of sectarian conflict in the final decades and immediate aftermath of the British raj. Ayesha Jalal draws on Manto's stories, sketches, and essays, as well as a trove of his private letters, to present an intimate history of partition and its devastating toll. Probing the creative tension between literature and history, she charts a new way of reconnecting the histories of individuals, families, and communities in the throes of cataclysmic change. Jalal brings to life the people, locales, and events that inspired Manto's fiction, which is characterized by an eye for detail, a measure of wit and irreverence, and elements of suspense and surprise. In turn, she mines these writings for fresh insights into everyday cosmopolitanism in Bombay and Lahore, the experience and causes of partition, the postcolonial transition, and the advent of the Cold War in South Asia. The first in-depth look in English at this influential literary figure, The Pity of Partition demonstrates the revelatory power of art in times of great historical rupture.
A frank, personal investigation into the contentious issue of marital violence within Islamic law. Drawing heavily on the author's own experience, the book explores the attempt to reconcile a tradition of patriarchal authority with egalitarian values. The book presents an insightful and provocative contribution to the debate about women in Islam.
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