Early in the 1980s AIDS epidemic, six gay activists created one of the most iconic and lasting images that would come to symbolize a movement: a protest poster of a pink triangle with the words “Silence = Death.” The graphic and the slogan still resonate today, often used—and misused—to brand the entire movement. Cofounder of the collective Silence = Death and member of the art collective Gran Fury, Avram Finkelstein tells the story of how his work and other protest artwork associated with the early years of the pandemic were created. In writing about art and AIDS activism, the formation of collectives, and the political process, Finkelstein reveals a different side of the traditional HIV/AIDS history, told twenty-five years later, and offers a creative toolbox for those who want to learn how to save lives through activism and making art.
WHAT YOU DON'T KNOW ABOUT AIDS COULD FILL A MUSEUMCuratorial ethics and the ongoing epidemic in the 21st CenturyWith over 40 contributors from around the world, this issue of On Curating wrestles with "forgetting", "seeing", "collecting" and "making" AIDS related culture in the 21st century, and the growing impulse to historize aspects of early responses to the crisis.Through academic essays, conversations, visual projects, reprints and personal reflections, a reader will be exposed to ideas, theories, images, and advice from artists, academics, activists, curators, writers and others around the ethics and practices of curating AIDS-related culture within the ongoing epidemic.Edited by writer, organizer and educator Theodore (ted) Kerr, WHAT YOU DON'T KNOW ABOUT AIDS COULD FILL A MUSEUM is an important contribution to the vital conversation about HIV/AIDS-related culture that both centers the role of museums as sites for community, knowledge sharing, inspiration and healing, while also exploring their limits and future possibilities.With contributions byAbdul-Aliy A Muhammad and Louie Ortiz-FonsecaAdam Barbu and John Paul RiccoAlper Turan Avram FinkelsteinCarlos Motta, John Arthur PeetzCatalina ImizcozCharan SinghCharles Stephens with Naina KhannaDr. Manon S. ParryDudu QuintanilhaEdward BellevilleEmily Bass and Yvette RapheaelEmily ColucciGreg ThorpeHeather HolmesJ. Ricky PriceJaime Shearn CoanJean Carlomusto, Hugh Ryan and Alexandra JuhaszJordan ArseneaultKairon Lui and Manuel SolanoKate HallsteadKelvin Atmadibrata and Benji de la PiedraL.N. HafeziLuiza Kempińska, Hubert Zięba, Szymon AdamczakLyndon K. GillMarika CiforMavi Veloso and Nicholas D'AvellaMichael CrumplerMichael McFaddenMichael MiiroNelson SantosRahne AlexanderRenaud Chantraine, Florent Molle, and Sandrine MussoSheldon RaymoreSian CookStamatina GregoryVladimir CajkovacWhat Would an HIV Doula Do?
Early in the 1980s AIDS epidemic, six gay activists created one of the most iconic and lasting images that would come to symbolize a movement: a protest poster of a pink triangle with the words “Silence = Death.” The graphic and the slogan still resonate today, often used—and misused—to brand the entire movement. Cofounder of the collective Silence = Death and member of the art collective Gran Fury, Avram Finkelstein tells the story of how his work and other protest artwork associated with the early years of the pandemic were created. In writing about art and AIDS activism, the formation of collectives, and the political process, Finkelstein reveals a different side of the traditional HIV/AIDS history, told twenty-five years later, and offers a creative toolbox for those who want to learn how to save lives through activism and making art.
Copasetic is the story of two families. The Stahlinkoviches are klezmorim (Jewish musicians) from Eastern Europe. The Carters are African American sharecroppers from the Mississippi Delta, home of the blues. Both families migrate to Chicago at the beginning of the twentieth century. Their lives intertwine like the notes to the score of the American experience.
Linguistic and semantic features in names—and surnames in particular—reveal evidence of historical phenomena, such as migrations, occupational structure, and acculturation. In this book, Alexander Avram assembles and analyzes a corpus of more than 28,000 surnames, including phonetic and graphic variants, used by Jews in Romanian-speaking lands from the sixteenth century until 1944, the end of World War II in Romania. Mining published and unpublished sources, including Holocaust-period material in the Yad Vashem Archives and the Pages of Testimony collection, Avram makes the case that through a careful analysis of the surnames used by Jews in the Old Kingdom of Romania, we can better understand and corroborate different sociohistorical trends and even help resolve disputed historical and historiographical issues. Using onomastic methodology to substantiate and complement historical research, Avram examines the historical development of these surnames, their geographic patterns, and the ways in which they reflect Romanian Jews’ interactions with their surroundings. The resulting surnames dictionary brings to light a lesser-known chapter of Jewish onomastics. It documents and preserves local naming patterns and specific surnames, many of which disappeared in the Holocaust along with their bearers. Historical Implications of Jewish Surnames in the Old Kingdom of Romania is the third volume in a series that includes Pleasant Are Their Names: Jewish Names in the Sephardi Diaspora and The Names of Yemenite Jewry: A Social and Cultural History, both of which are available from Penn State University Press. This installment will be especially welcomed by scholars working in Holocaust studies.
Crossing the Green Line Between the West Bank and Israel makes eloquent use of particular Palestinian experiences as the framework for a critique of the way borders work in the modern world.
Over the past decade, there has been rapid growth in bioengineering applications in the field of spine implants. Spine Technology Handbook explains the technical foundation for understanding and expanding the field of spine implants, reviews the major established technologies related to spine implants, and provides reference material for developing and commercializing new spine implants. The editors, who have a track record of collaboration and editing technical books, provide a unified approach to this topic in the most comprehensive and useful book to date. Related website provides the latest information on spine technology including articles and research papers on the latest technology and development Major technologies reviewed include devices used for fusion (screws, plates, rods, and cages), disc repair and augmentation, total disc replacement, and vertebral body repair and augmentation Technology landscape, review of published/public domain data currently available, and safety and efficacy of technology discussed in detail
Avram Davidson (1923-1993) was an American writer of fantasy fiction, science fiction, and crime fiction, as well as the author of many stories that do not fit into a genre niche. He won a Hugo Award and three World Fantasy Awards in the science fiction and fantasy genre, a World Fantasy Life Achievement award, plus an Ellery Queen's Mystery Magazine short story award and an Edgar Award in the mystery genre. This volume assembled 20 of his classic works. Included: WHAT STRANGE STARS AND SKIES THE UNKNOWN LAW THE TEETH OF DESPAIR THE SINGULAR EVENTS WHICH OCCURRED IN THE HOVEL ON THE ALLEY OFF OF EYE STREET THE LINEAMENTS OF GRATIFIED DESIRE THE GOLEM THE COST OF KENT CASTWELL THE BOUNTY HUNTER PRESENT FOR LONA NOW LET US SLEEP NOW LET US SLEEP MR. STILWELL'S STAGE MISS BUTTERMOUTH LOVE CALLED THIS THING JURY-RIG I DID NOT HEAR YOU, SIR FAIR TRADE FAED-OUT DEATH OF A DAMNED GOOD MAN WHERE DO YOU LIVE, QUEEN ESTHER? ADVENTURES IN UNHISTORY: WHO FIRED THE PHOENIX? If you enjoy this ebook, don't forget to search your favorite ebook store for "Wildside Press Megapack" to see more of the 290+ volumes in this series, covering adventure, historical fiction, mysteries, westerns, ghost stories, science fiction -- and much, much more!
Thank you for visiting our website. Would you like to provide feedback on how we could improve your experience?
This site does not use any third party cookies with one exception — it uses cookies from Google to deliver its services and to analyze traffic.Learn More.