Notizen für den Breitenau-Raum von The Workhouse - ein Projekt von Ines Schaber und Avery Gordon (dOCUMENTA (13): 100 Notes - 100 Thoughts, 100 Notizen - 100 Gedanken # 041)
Notizen für den Breitenau-Raum von The Workhouse - ein Projekt von Ines Schaber und Avery Gordon (dOCUMENTA (13): 100 Notes - 100 Thoughts, 100 Notizen - 100 Gedanken # 041)
In diesem Notizbuch beschäftigt sich Gordon mit Breitenau, einem Benediktinerkloster aus dem 12. Jahrhundert, 20 Kilometer südlich von Kassel gelegen, das für unterschiedlichste Zwecke genutzt wurde und seit dem 19. Jahrhundert als Ort der Gefangenschaft und »Umerziehung« diente. 1874 wurde es zu einem Arbeitshaus, während des Nationalsozialismus zu einem Konzentrationslager, bis in die 1970er Jahre war es eine Besserungsanstalt für Mädchen, und heute ist es eine offene psychiatrische Wohn- und Therapieeinrichtung sowie eine Gedenkstätte, ein Museum und ein Forschungszentrum. Während eines gemeinsamen Besuchs mit der Künstlerin taucht Gordon mit der Hilfe des Mitgründers und Direktors der Gedenkstätte, Gunnar Richter, in die Geschichte Breitenaus ein, erinnert sich an seine Funktion als Ort des Freiheitsentzugs für »ungehorsame soziale Subjekte« und deren Ideen und entwickelt »eine Art Enzyklopädie des Häftlings«. Avery F. Gordon ist Professorin für Soziologie an der University of California, Santa Barbara, und Visiting Faculty am Centre for Research Architecture, Goldsmiths College, an der University of London. Sprache: Deutsch/Englisch
The Hawthorn Archive, named after the richly fabled tree, has long welcomed the participants in the various Euro-American social struggles against slavery, racial capitalism, imperialism, and authoritarian forms of order. The Archive is not a library or a research collection in the conventional sense but rather a disorganized and fugitive space for the development of a political consciousness of being indifferent to the deadly forms of power that characterize our society. Housed by the Archive are autonomous radicals, runaways, abolitionists, commoners, and dreamers who no longer live as obedient or merely resistant subjects. In this innovative, genre- and format-bending publication, Avery F. Gordon, the “keeper” of the Archive, presents a selection of its documents—original and compelling essays, letters, cultural analyses, images, photographs, conversations, friendship exchanges, and collaborations with various artists. Gordon creatively uses the imaginary of the Archive to explore the utopian elements found in a variety of resistive and defiant activity in the past and in the present, zeroing in on Marxist critical theory and the black radical tradition. Fusing critical theory with creative writing in a historical context, The Hawthorn Archive represents voices from the utopian margins, where fact, fiction, theory, and image converge. Reminiscent of the later fictions of Italo Calvino or Walter Benjamin’s Arcades Project, The Hawthorn Archive is a groundbreaking work that defies strict disciplinary, methodological, and aesthetic boundaries. And like Ghostly Matters: Haunting and the Sociological Imagination, which established Gordon as one of the most influential interdisciplinary scholars of the humanities and social sciences in recent years, it provides a kaleidoscopic analysis of power and effect. The Hawthorn Archive’s experimental format and inventive synthesis of critical theory and creative writing make way for a powerful reconception of what counts as social change and political action, offering creative inspiration and critical tools to artists, activists, scholars across various disciplines, and general readers alike.
“Avery Gordon’s stunningly original and provocatively imaginative book explores the connections linking horror, history, and haunting. ” —George Lipsitz “The text is of great value to anyone working on issues pertaining to the fantastic and the uncanny.” —American Studies International “Ghostly Matters immediately establishes Avery Gordon as a leader among her generation of social and cultural theorists in all fields. The sheer beauty of her language enhances an intellectual brilliance so daunting that some readers will mark the day they first read this book. One must go back many more years than most of us can remember to find a more important book.” —Charles Lemert Drawing on a range of sources, including the fiction of Toni Morrison and Luisa Valenzuela (He Who Searches), Avery Gordon demonstrates that past or haunting social forces control present life in different and more complicated ways than most social analysts presume. Written with a power to match its subject, Ghostly Matters has advanced the way we look at the complex intersections of race, gender, and class as they traverse our lives in sharp relief and shadowy manifestations. Avery F. Gordon is professor of sociology at the University of California, Santa Barbara. Janice Radway is professor of literature at Duke University.
Avery Gordon's first book, Ghostly Matters, was widely acclaimed as a work of striking sociological imagination and social theory. Keeping Good Time, her much anticipated second book, brings together essays by Gordon that were "written to be read aloud." Her eloquent voice in this book further establishes her place among literary sociological writers of a new generation. Keeping Good Time will be of great interest to activists, feminists, sociologists, students and everyone concerned about how to beat the odds in influencing the shape of social and culture change. Readers will find their thinking changed by the author's perennial quest to "develop insights gained in confrontation with injustice.
The Metropolitan Museum began acquiring American drawings and watercolors in 1880, just ten years after its founding. Since then it has amassed more than 1,500 works executed by American artists during the eighteenth and nineteenth centuries in watercolor, pastel, chalk, ink, graphite, gouache, and charcoal. This volume documents the draftsmanship of more than 150 known artists before 1835 and that of about 60 unidentified artists of the period. It includes drawings and watercolors by such American masters as John Singleton Copley, John Trumbull, John Vanderlyn, Thomas Cole, Asher Brown Durand, George Inness, and James Abbott McNeill Whistler. Because the 504 works illustrate such a wide range of media, techniques, and styles, this publication is a veritable history of American drawing from the eighteenth through most of the nineteenth century."--Metropolitan Museum of Art website.
Thoroughly revised and updated, the New Edition of this definitive text explains how to care for neonates using the very latest methods. It maintains a clinical focus while providing state-of-the-art diagnosis and treatment techniques. Written by more than 55 specialists who are actively involved in the care of sick newborns, it serves as an authoritative reference for practitioners, a valuable preparation tool for neonatal board exams, and a useful resource for the entire neonatal care team. Focuses on diagnosis and management, describing pertinent developmental physiology and the pathogenesis of neonatal problems.Includes over 500 crisp illustrations that clarify important concepts and techniques. Features the contributions of new editor Christine Gleason, a well-known neonatologist specializing in fetal physiology and drug/alcohol effects on the brain.Discusses hot topics such as ethical decisions in the neonatal-perinatal period * maternal medical disorders of fetal significance, seizure disorders, isoimmunization, cancer and mental disorders * maternal and fetal anesthesia and analgesia * prenatal genetic diagnosis * overview of clinical evaluation of metabolic disease * neonatal pain in the 21st Century * immunology of the fetus and newborn * wonders of surfactant * long-term neurological outcomes in children with congenital heart disease * developmental biology of the hematologic system * and illustrative forms and normal values: blood, CSF, urine.Features extensive cross-referencing, making it quick and easy to navigate through the organ-related sections.Includes coverage of perinatology-providing a well-rounded, comprehensive approach to patient care.Presents case studies designed to help readers recognize and manage cases in the office setting and asses their understanding of the topic.
Avery Gordon's stunningly original and provocatively imaginative book explores the connections linking horror, history, and haunting. She shows how fiction writing can sometimes function as a social force, as a repository of memories that are too brutal, to debilitating, and too horrifying to register through direct historical or social science narratives...'--George Lipsitz, University of California, San Diego
“Avery Gordon’s stunningly original and provocatively imaginative book explores the connections linking horror, history, and haunting. ” —George Lipsitz “The text is of great value to anyone working on issues pertaining to the fantastic and the uncanny.” —American Studies International “Ghostly Matters immediately establishes Avery Gordon as a leader among her generation of social and cultural theorists in all fields. The sheer beauty of her language enhances an intellectual brilliance so daunting that some readers will mark the day they first read this book. One must go back many more years than most of us can remember to find a more important book.” —Charles Lemert Drawing on a range of sources, including the fiction of Toni Morrison and Luisa Valenzuela (He Who Searches), Avery Gordon demonstrates that past or haunting social forces control present life in different and more complicated ways than most social analysts presume. Written with a power to match its subject, Ghostly Matters has advanced the way we look at the complex intersections of race, gender, and class as they traverse our lives in sharp relief and shadowy manifestations. Avery F. Gordon is professor of sociology at the University of California, Santa Barbara. Janice Radway is professor of literature at Duke University.
Notizen für den Breitenau-Raum von The Workhouse - ein Projekt von Ines Schaber und Avery Gordon (dOCUMENTA (13): 100 Notes - 100 Thoughts, 100 Notizen - 100 Gedanken # 041)
Notizen für den Breitenau-Raum von The Workhouse - ein Projekt von Ines Schaber und Avery Gordon (dOCUMENTA (13): 100 Notes - 100 Thoughts, 100 Notizen - 100 Gedanken # 041)
In diesem Notizbuch beschäftigt sich Gordon mit Breitenau, einem Benediktinerkloster aus dem 12. Jahrhundert, 20 Kilometer südlich von Kassel gelegen, das für unterschiedlichste Zwecke genutzt wurde und seit dem 19. Jahrhundert als Ort der Gefangenschaft und » Umerziehung « diente. 1874 wurde es zu einem Arbeitshaus, während des Nationalsozialismus zu einem Konzentrationslager, bis in die 1970er Jahre war es eine Besserungsanstalt für Mädchen, und heute ist es eine offene psychiatrische Wohn- und Therapieeinrichtung sowie eine Gedenkstätte, ein Museum und ein Forschungszentrum. Während eines gemeinsamen Besuchs mit der Künstlerin taucht Gordon mit der Hilfe des Mitgründers und Direktors der Gedenkstätte, Gunnar Richter, in die Geschichte Breitenaus ein, erinnert sich an seine Funktion als Ort des Freiheitsentzugs für »ungehorsame soziale Subjekte« und deren Ideen und entwickelt »eine Art Enzyklopädie des Häftlings«. Avery F. Gordon ist Professorin für Soziologie an der University of California, Santa Barbara, und Visiting Faculty am Centre for Research Architecture, Goldsmiths College, an der University of London. Sprache: Deutsch/Englisch
Creatively explores the utopian elements found in a variety of resistive and defiant activity in the past and in the present, with a focus on the Black Radical Tradition.
The Hawthorn Archive, named after the richly fabled tree, has long welcomed the participants in the various Euro-American social struggles against slavery, racial capitalism, imperialism, and authoritarian forms of order. The Archive is not a library or a research collection in the conventional sense but rather a disorganized and fugitive space for the development of a political consciousness of being indifferent to the deadly forms of power that characterize our society. Housed by the Archive are autonomous radicals, runaways, abolitionists, commoners, and dreamers who no longer live as obedient or merely resistant subjects. In this innovative, genre- and format-bending publication, Avery F. Gordon, the “keeper” of the Archive, presents a selection of its documents—original and compelling essays, letters, cultural analyses, images, photographs, conversations, friendship exchanges, and collaborations with various artists. Gordon creatively uses the imaginary of the Archive to explore the utopian elements found in a variety of resistive and defiant activity in the past and in the present, zeroing in on Marxist critical theory and the black radical tradition. Fusing critical theory with creative writing in a historical context, The Hawthorn Archive represents voices from the utopian margins, where fact, fiction, theory, and image converge. Reminiscent of the later fictions of Italo Calvino or Walter Benjamin’s Arcades Project, The Hawthorn Archive is a groundbreaking work that defies strict disciplinary, methodological, and aesthetic boundaries. And like Ghostly Matters: Haunting and the Sociological Imagination, which established Gordon as one of the most influential interdisciplinary scholars of the humanities and social sciences in recent years, it provides a kaleidoscopic analysis of power and effect. The Hawthorn Archive’s experimental format and inventive synthesis of critical theory and creative writing make way for a powerful reconception of what counts as social change and political action, offering creative inspiration and critical tools to artists, activists, scholars across various disciplines, and general readers alike.
Notizen für den Breitenau-Raum von The Workhouse - ein Projekt von Ines Schaber und Avery Gordon (dOCUMENTA (13): 100 Notes - 100 Thoughts, 100 Notizen - 100 Gedanken # 041)
Notizen für den Breitenau-Raum von The Workhouse - ein Projekt von Ines Schaber und Avery Gordon (dOCUMENTA (13): 100 Notes - 100 Thoughts, 100 Notizen - 100 Gedanken # 041)
In diesem Notizbuch beschäftigt sich Gordon mit Breitenau, einem Benediktinerkloster aus dem 12. Jahrhundert, 20 Kilometer südlich von Kassel gelegen, das für unterschiedlichste Zwecke genutzt wurde und seit dem 19. Jahrhundert als Ort der Gefangenschaft und »Umerziehung« diente. 1874 wurde es zu einem Arbeitshaus, während des Nationalsozialismus zu einem Konzentrationslager, bis in die 1970er Jahre war es eine Besserungsanstalt für Mädchen, und heute ist es eine offene psychiatrische Wohn- und Therapieeinrichtung sowie eine Gedenkstätte, ein Museum und ein Forschungszentrum. Während eines gemeinsamen Besuchs mit der Künstlerin taucht Gordon mit der Hilfe des Mitgründers und Direktors der Gedenkstätte, Gunnar Richter, in die Geschichte Breitenaus ein, erinnert sich an seine Funktion als Ort des Freiheitsentzugs für »ungehorsame soziale Subjekte« und deren Ideen und entwickelt »eine Art Enzyklopädie des Häftlings«. Avery F. Gordon ist Professorin für Soziologie an der University of California, Santa Barbara, und Visiting Faculty am Centre for Research Architecture, Goldsmiths College, an der University of London. Sprache: Deutsch/Englisch
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