The late Albert Elsen was the first American scholar to study seriously the work of the French sculptor Auguste Rodin, and the person most responsible for a revival of interest in the artist as a modern innovator--after years during which the sculpture had been dismissed as so much Victorian bathos. After a fortuitous meeting with the financier, philanthropist, and art collector B. Gerald Cantor, Elsen helped Cantor build a major collection of Rodin's work. A large part of this collection, consisting of more than two hundred works, was donated to the Stanford University's museum by Mr. Cantor, who died in 1996. In size Stanford's collection is surpassed only by the Musée Rodin in Paris and rivaled only by the collection in Philadelphia. In scope the collection is unique in having been carefully selected to present a balanced view of Rodin's work throughout his life. Rodin's Art encompasses a lifetime's thoughts on Rodin's career, surveying the artist's accomplishments through the detailed discussion of each object in the collection. Its essays on the formation of the collection, the reception of Rodin's work, and his casting techniques are invaluable. The other entries, arranged topically, include extensive discussions of Rodin's major projects.
Reproduction of the original. The publishing house Megali specialises in reproducing historical works in large print to make reading easier for people with impaired vision.
The late Albert Elsen was the first American scholar to study seriously the work of the French sculptor Auguste Rodin, and the person most responsible for a revival of interest in the artist as a modern innovator--after years during which the sculpture had been dismissed as so much Victorian bathos. After a fortuitous meeting with the financier, philanthropist, and art collector B. Gerald Cantor, Elsen helped Cantor to build up a major collection of Rodin's work. A large part of this collection, consisting of more than 200 pieces, was donated to the Stanford Museum by Mr. Cantor, who died recently. In size it is surpassed only the by the Musee Rodin in Paris and rivaled only by the collection in Philadelphia. In scope the collection is unique in having been carefully selected to present a balanced view of Rodin's work throughout his life.Rodin's Art encompasses a lifetime's thoughts on Rodin's career, surveying the artist's accomplishments through the detailed discussion of each object in the collection. It will begin with essays on the formation of the collection, the reception of Rodin's work, and his casting techniques. The entries that follow are arranged topically and include extensive discussions of Rodin's major projects.
This is the definitive translation of the most important travel account of California before the American conquest. Duhaut-Cilly's observations are those of the outsider with the most insider access of any visitor. It is a lively read, endlessly fascinating for all those interested in the early history of the Golden State, and a natural supplement to all courses on its past."--James Sandos, author of "Rebellion in the Borderlands" "The best contemporary account of the California missions prior to their secularization. Excellent writing as well as sensitive translation and good editing by two leading scholars make this historical study both informative and a very good read."--Norman Thrower, author of "Sir Francis Drake and the Famous Voyage" "Thanks to this superb new translation, we can again feel Duhaut-Cilly's wonder and realism as he encountered a remote Mexican province whose destiny was at once obscure and exhilarating."--Kevin Starr, State Librarian of California "A wonderful new English-language translation of Auguste Duhaut-Cilly's 1826 "Voyage to California" that gives us a very detailed set of observations on Indian-white relations in Alta and Baja California on the eve of the secularization of the missions."--Ramon A. Gutierrez, coeditor of "Contested Eden: California before the Gold Rush
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