Wilson 1835-1909) is little known now, but was one of the most popular authors of the 19th century, with most of her nine novels becoming best sellers. Sexton (writing, Morehead State U.) selects and annotates letters to her friends, among them well known literary and political figures, that illuminate her life and times. With this volume, the series expands from the 19th to encompass the 20th as well. Annotation copyrighted by Book News, Inc., Portland, OR
First published in 1864, Macaria; or, Altars of Sacrifice was the third novel of Augusta Jane Evans, one of the leading women writers of nineteenth-century domestic fiction. A wartime best seller, with more than twenty thousand copies in circulation in the print-starved Confederacy before the war’s end, the novel was also extremely well received along the Union front, so much so that some northern officials thought it should be banned. Long out of print and largely unavailable until now, Macaria is a compelling narrative about women and war. In Macaria, Evans charts the journey of two southern women toward ultimate self-realization through their service in the war-torn Confederacy. Discarding the theme of romantic fulfillment, Evans skillfully crafts a novel about women compelled by the departure and death of so many southern men to find meaning in their own “single blessedness,” rather than in marriage. Drew Gilpin Faust, in her perceptive introduction to this edition, places the novel in the context of the concerns of Confederate nationalism and the contributions of women during the Civil War. She provides an ideological and historical framework within which to interpret the novel and introduce it to a new generation of readers. Largely overlooked in the current revival of women’s fiction, Augusta Jane Evans is less well known today than she should be. The reissue of this volume will do much to garner Evans a well-deserved place in the existing body of American literature, and especially southern and women’s literature.
A Speckled Bird" by Augusta J. Evans. Published by Good Press. Good Press publishes a wide range of titles that encompasses every genre. From well-known classics & literary fiction and non-fiction to forgotten−or yet undiscovered gems−of world literature, we issue the books that need to be read. Each Good Press edition has been meticulously edited and formatted to boost readability for all e-readers and devices. Our goal is to produce eBooks that are user-friendly and accessible to everyone in a high-quality digital format.
Augusta Jane Evans, one of the most popular domestic novelists of the latter half of the nineteenth century, was born in 1835 in Columbus, Georgia, but spent most of her life in Mobile, Alabama. She was the author of eight novels, of which Beulah, published in 1859, was the second. Like many previously overlooked nineteenth-century women writers, Evans is now the subject of renewed critical interest. For this new edition of Beulah, Elizabeth Fox-Genovese has written an introduction that traces the history of the novel and places it in the context of the religious, intellectual, and political climate of the 1850s.Beulah, which brought Evans both critical and commercial success, conforms in many ways to the familiar conventions of the nineteenth-century domestic novel. But if the external action of the novel focuses on the typically circumscribed life of a young southern woman, its internal action focuses on a woman's struggles with skepticism and faith.The plot of Beulah follows the uneven fortunes of the orphaned Beulah Benton from her early teens to young adulthood. Beulah's determined quest for independence leads her into the shifting sands of skepticism, doubt, and anxiety. Her struggles cause her to wrestle with many of the great theological, moral, and intellectual questions of the day before finally regaining her faith. Beulah's story, then, is not so much that of a woman who grapples with the difficulties of obedience to society's norms and eventually surrenders to convention -- as some modern-day readers of the novel have contended -- as that of an uncompromising, independent woman of wide-ranging intellect who ardently seeks answers to important questions, particularly those of religious faith.Beulah articulated two of the principal concerns of a generation of nineteenth-century American women -- the constraints of domestic life and the desire for freedom to engage in intellectual and philosophical pursuits. Moreover, though it did not overtly deal with slavery, the novel served as an expression of and an apology for southern values and customs.
Augusta Jane Evans, or Augusta Evans Wilson (May 8, 1835 - May 9, 1909), was an American author of Southern literature. She was the first woman to earn US$100,000 through her writing.Wilson was a native of Columbus, Georgia, and her first book, Inez, a Tale of the Alamo, was written when she was still young. It was published by Harpers, but met with indifferent success. Her second book, Beulah, was issued in 1859 and became at once popular, still selling well when the American Civil War broke out. Cut off from the world of publishers, and intensely concerned for the cause of secession, she wrote nothing more until several years later when she published her third story, Macaria, dedicated to the soldiers of the Southern Army. This book was burned by some protesters. After the war closed, Wilson travelled to New York with the copy of St. Elmo, which was speedily published and met with great success. Her later works, Vashti; Infelice; and At the Mercy of Tiberius had phenomenal success. In 1868, she married Lorenzo Madison Wilson, of Alabama, and they resided at Spring Hill.Early yearsShe was born Augusta Jane Evans on May 8, 1835, in Columbus, Georgia, the eldest child of the family. The area of her birth was then known as Wynnton (now MidTown). Her mother was Sarah S. Howard and her father was Matthew R. Evans. She was a descendant on her mother's side from the Howards, one of the most cultured families of Georgia. As a young girl in 19th-century America, she received little in the way of a formal education. However, she became a voracious reader at an early age.Her father suffered bankruptcy and lost the family's Sherwood Hall property in the 1840s. He moved his family of ten from Georgia for Alabama, and scarcely ten when they moved to San Antonio, Texas, in 1845. When the Mexican-American War had ended, and everything was in a disorganized condition, consequently there were no schools of any prominence. Had her mother not been cultivated and literary, Evans could never have obtained the education which fitted her for the work she later accomplished. During the Mexican war, San Antonio was the rendezvous for the United States troops sent to assist General Zachary Taylor, and the brilliant uniforms of the soldiery, the martial music, and the exciting events that accompany war, combined with the picturesque, enchanting scenery around San Antonio, furnished an excellent theme for Evans' first novel.In 1850, at the age of fifteen, she wrote Inez: A Tale of the Alamo, a sentimental, moralistic, anti-Catholic love story. It told the story of one orphan's spiritual journey from religious skepticism to devout faith. She presented the manuscript to her father as a Christmas gift in 1854. It was published anonymously in 1855.However, life in a frontier border town like San Antonio proved dangerous, especially with the Mexican-American War. By 1849, Evans' parents moved the family to Mobile, Alabama.She wrote her next novel, Beulah, at age 18; it was published in 1859. Beulah began the theme of female education in her novels. It sold well, selling over 22,000 copies during its first year of publication, a staggering accomplishment. It established her as Alabama's first professional author. Her family used the proceeds from her literary success to purchase Georgia Cottage on Springhill Avenue.
First published in 1864, Macaria; or, Altars of Sacrifice was the third novel of Augusta Jane Evans, one of the leading women writers of nineteenth-century domestic fiction. A wartime best seller, with more than twenty thousand copies in circulation in the print-starved Confederacy before the war's end, the novel was also extremely well received along the Union front, so much so that some northern officials thought it should be banned. Long out of print and largely unavailable until now, Macaria is a compelling narrative about women and war. In Macaria, Evans charts the journey of two southern women toward ultimate self-realization through their service in the war-torn Confederacy. Irene and Electra struggle to assert their independence and gain for themselves a place in southern society apart from their now-disrupted domestic roles. Discarding the traditional theme of romantic fulfillment, Evans skillfully crafts a novel about women compelled by the departure and death of so many southern men to find meaning in their own "single blessedness, " rather than in marriage. Thus Evans successfully subverts the characteristic form of women's fiction, that of the romance narrative, to create a "quest" narrative, more common in men's fiction. Macaria appealed directly and calculatedly to sentiments prevailing within its potential audience of southern women readers - acknowledging their fears of uselessness and of widowhood or spinsterhood, as well as their attraction to a new language of self-determination. In her perceptive introduction to this edition, Drew Gilpin Faust places the novel in the context of the concerns of Confederate nationalism and the contributions of women during the CivilWar. She shows that Evans, though a staunch supporter of the Confederacy and a wartime hospital volunteer, felt marginal to the war effort and, like many other women, bemoaned this fact in diaries and letters. It is from this aspect, the emergence of the literary woman, that Faust ...Augusta Jane Evans, or Augusta Evans Wilson (May 8, 1835 - May 9, 1909), was an American author of Southern literature. She was the first woman to earn US$100,000 through her writing.Wilson was a native of Columbus, Georgia, and her first book, Inez, a Tale of the Alamo, was written when she was still young. It was published by Harpers, but met with indifferent success. Her second book, Beulah, was issued in 1859 and became at once popular, still selling well when the American Civil War broke out. Cut off from the world of publishers, and intensely concerned for the cause of secession, she wrote nothing more until several years later when she published her third story, Macaria, dedicated to the soldiers of the Southern Army. This book was burned by some protesters. After the war closed, Wilson travelled to New York with the copy of St. Elmo, which was speedily published and met with great success. Her later works, Vashti; Infelice; and At the Mercy of Tiberius had phenomenal success. In 1868, she married Lorenzo Madison Wilson, of Alabama, and they resided at Spring Hill.
Augusta Jane Evans, Mrs. Wilson (1835- 1909) was an American novelist, born in Columbus, Georgia. From 1841 onwards, she lived in Mobile, Alabama. She opened a private hospital for Confederate wounded during the American Civil War. Her works include Inez: A Tale of the Alamo (1856), Beulah (1859), Macaria (1864), St. Elmo (1866), Vashti (1869), Infelice (1875), At the Mercy of Tiberius (1887), A Speckled Bird (1902) and Devota (1907).
St. Elmo is a novel by American author Augusta Jane Evans published in 1866. Featuring the sexual tension between the protagonist St. Elmo, a cynical man, and the heroine Edna Earl, a beautiful and devout girl, the novel became one of the most popular novels of the 19th century. The novel sold a million copies within four months of its publication.Augusta Jane Evans (May 8, 1835 - May 9, 1909) finished her celebrated novel at El Dorado, a historical home in Columbus, Georgia. In 1878, the home was purchased by Captain and Mrs. James J. Slade who changed its name to St. Elmo in honor of the novel which it had inspired.In popular cultureThe novel St. Elmo was frequently adapted for both the stage and screen. It inspired the naming of towns, hotels, steamboats, and a cigar brand. The book's heroine Edna Earl became the namesake of Eudora Welty's heroine (Edna Earle Ponder) in The Ponder Heart published in 1954.The novel also inspired a parody of itself called St. Twel'mo, or the Cuneiform Cyclopedist of Chattanooga (1867) by Charles Henry Webb...Augusta Jane Evans, or Augusta Evans Wilson (May 8, 1835 - May 9, 1909), was an American author of Southern literature. She was the first woman to earn US$100,000 through her writing.Wilson was a native of Columbus, Georgia, and her first book, Inez, a Tale of the Alamo, was written when she was still young. It was published by Harpers, but met with indifferent success. Her second book, Beulah, was issued in 1859 and became at once popular, still selling well when the American Civil War broke out. Cut off from the world of publishers, and intensely concerned for the cause of secession, she wrote nothing more until several years later when she published her third story, Macaria, dedicated to the soldiers of the Southern Army. This book was burned by some protesters. After the war closed, Wilson travelled to New York with the copy of St. Elmo, which was speedily published and met with great success. Her later works, Vashti; Infelice; and At the Mercy of Tiberius had phenomenal success. In 1868, she married Lorenzo Madison Wilson, of Alabama, and they resided at Spring Hill.Early yearsShe was born Augusta Jane Evans on May 8, 1835, in Columbus, Georgia, the eldest child of the family. The area of her birth was then known as Wynnton (now MidTown). Her mother was Sarah S. Howard and her father was Matthew R. Evans. She was a descendant on her mother's side from the Howards, one of the most cultured families of Georgia. As a young girl in 19th-century America, she received little in the way of a formal education. However, she became a voracious reader at an early age.Her father suffered bankruptcy and lost the family's Sherwood Hall property in the 1840s. He moved his family of ten from Georgia for Alabama, and scarcely ten when they moved to San Antonio, Texas, in 1845. When the Mexican-American War had ended, and everything was in a disorganized condition, consequently there were no schools of any prominence. Had her mother not been cultivated and literary, Evans could never have obtained the education which fitted her for the work she later accomplished. During the Mexican war, San Antonio was the rendezvous for the United States troops sent to assist General Zachary Taylor, and the brilliant uniforms of the soldiery, the martial music, and the exciting events that accompany war, combined with the picturesque, enchanting scenery around San Antonio, furnished an excellent theme for Evans' first novel.In 1850, at the age of fifteen, she wrote Inez: A Tale of the Alamo, a sentimental, moralistic, anti-Catholic love story. It told the story of one orphan's spiritual journey from religious skepticism to devout faith. She presented the manuscript to her father as a Christmas gift in 1854. It was published anonymously in 1855..
First published in 1869. The author of nine novels, Augusta Evans Wilson was a pillar of Southern literature and the first American woman author to earn over $100,000.
Wilson 1835-1909) is little known now, but was one of the most popular authors of the 19th century, with most of her nine novels becoming best sellers. Sexton (writing, Morehead State U.) selects and annotates letters to her friends, among them well known literary and political figures, that illuminate her life and times. With this volume, the series expands from the 19th to encompass the 20th as well. Annotation copyrighted by Book News, Inc., Portland, OR
The top-selling novel by prolific Southern writer Augusta J. Evans, St. Elmo was more widely read in its day than Uncle Tom's Cabin. The novel traces the relationship between a charming and charismatic lothario, St. Elmo, and the beautiful and chaste Edna Earl.
First published in 1864, Macaria; or, Altars of Sacrifice was the third novel of Augusta Jane Evans, one of the leading women writers of nineteenth-century domestic fiction. A wartime best seller, with more than twenty thousand copies in circulation in the print-starved Confederacy before the war’s end, the novel was also extremely well received along the Union front, so much so that some northern officials thought it should be banned. Long out of print and largely unavailable until now, Macaria is a compelling narrative about women and war. In Macaria, Evans charts the journey of two southern women toward ultimate self-realization through their service in the war-torn Confederacy. Discarding the theme of romantic fulfillment, Evans skillfully crafts a novel about women compelled by the departure and death of so many southern men to find meaning in their own “single blessedness,” rather than in marriage. Drew Gilpin Faust, in her perceptive introduction to this edition, places the novel in the context of the concerns of Confederate nationalism and the contributions of women during the Civil War. She provides an ideological and historical framework within which to interpret the novel and introduce it to a new generation of readers. Largely overlooked in the current revival of women’s fiction, Augusta Jane Evans is less well known today than she should be. The reissue of this volume will do much to garner Evans a well-deserved place in the existing body of American literature, and especially southern and women’s literature.
Reproduction of the original. The publishing house Megali specialises in reproducing historical works in large print to make reading easier for people with impaired vision.
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