Amber Byrnes is a lonely single lady whose only male companion is her beloved cat. She loves to escape into her fantasy novels and dream of another life for herself. Luckily for her she has someone very powerful watching over her who can make her dreams come true. Well, some aspects of them anyway. Suddenly Amber finds herself with a lot more excitement in her life. Asleep and awake, slow, boring and lonely is no longer an option as Amber discovers some things about herself and her family heritage that are strange and wonderful and a little bit dangerous.
Amber Byrnes is a lonely single lady whose only male companion is her beloved cat. She loves to escape into her fantasy novels and dream of another life for herself. Luckily for her she has someone very powerful watching over her who can make her dreams come true. Well, some aspects of them anyway. Suddenly Amber finds herself with a lot more excitement in her life. Asleep and awake, slow, boring and lonely is no longer an option as Amber discovers some things about herself and her family heritage that are strange and wonderful and a little bit dangerous.
Eyler shows how West describes the evolution of the human soul - with its antipodal capacities for destruction and creation - and charts its stages of development. Maturation of the soul is integrated with that of the body, and together they paradigmatically suggest for West the development of the culture and of the human race. Materialism, no intrinsically destructive thing to West, nevertheless dominates and impedes modern thought and action, feeds the insatiable Ego, promotes violence, and threatens true, healthy Egoity, essential human community, and even the planet. Eyler traces West's sources to demonstrate the syncretism and integrity of his approach. The four novels West published during his lifetime (The Native Moment, Rebel to Judgment, The Ferret Fancier, and As Towns With Fire) appeared independently of each other and stand firmly as separate works.
Eyler shows how West describes the evolution of the human soul - with its antipodal capacities for destruction and creation - and charts its stages of development. Maturation of the soul is integrated with that of the body, and together they paradigmatically suggest for West the development of the culture and of the human race. Materialism, no intrinsically destructive thing to West, nevertheless dominates and impedes modern thought and action, feeds the insatiable Ego, promotes violence, and threatens true, healthy Egoity, essential human community, and even the planet. Eyler traces West's sources to demonstrate the syncretism and integrity of his approach. The four novels West published during his lifetime (The Native Moment, Rebel to Judgment, The Ferret Fancier, and As Towns With Fire) appeared independently of each other and stand firmly as separate works.
Never have so many possessed the means to be so lethal. The diffusion of modern technology (robotics, cyber weapons, 3-D printing, autonomous systems, and artificial intelligence) to ordinary people has given them access to weapons of mass violence previously monopolized by the state. In recent years, states have attempted to stem the flow of such weapons to individuals and non-state groups, but their efforts are failing. As Audrey Kurth Cronin explains in Power to the People, what we are seeing now is an exacerbation of an age-old trend. Over the centuries, the most surprising developments in warfare have occurred because of advances in technologies combined with changes in who can use them. Indeed, accessible innovations in destructive force have long driven new patterns of political violence. When Nobel invented dynamite and Kalashnikov designed the AK-47, each inadvertently spurred terrorist and insurgent movements that killed millions and upended the international system. That history illuminates our own situation, in which emerging technologies are altering society and redistributing power. The twenty-first century "sharing economy" has already disrupted every institution, including the armed forces. New "open" technologies are transforming access to the means of violence. Just as importantly, higher-order functions that previously had been exclusively under state military control - mass mobilization, force projection, and systems integration - are being harnessed by non-state actors. Cronin closes by focusing on how to respond so that we both preserve the benefits of emerging technologies yet reduce the risks. Power, in the form of lethal technology, is flowing to the people, but the same technologies that empower can imperil global security - unless we act strategically.
The history of international cinema is now available in a concise, conveniently sized, and affordable volume. Succinct yet comprehensive, A Short History of Film provides an accessible overview of the major movements, directors, studios, and genres from the 1880s to the present. More than 250 rare stills and illustrations accompany the text, bringing readers face to face with many of the key players and films that have marked the industry. Beginning with precursors of what we call moving pictures, Wheeler Winston Dixon and Gwendolyn Audrey Foster lead a fast-paced tour through the invention of the kinetoscope, the introduction of sound and color between the two world wars, and ultimately the computer generated imagery of the present day. They detail significant periods in world cinema, including the early major industries in Europe, the dominance of the Hollywood studio system in the 1930s and 1940s, and the French New Wave of the 1960s. Special attention is also given to small independent efforts in developing nations and the corresponding more personal independent film movement that briefly flourished in the United States, the significant filmmakers of all nations, censorship and regulation and how they have affected production everywhere, and a wide range of studios and genres. Along the way, the authors take great care to incorporate the stories of women and other minority filmmakers who have often been overlooked in other texts. Compact and easily readable, this is the best one-stop source for the history of world film available to students, teachers, and general audiences alike.
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