Black women filmmakers not only deserve an audience, Gwendolyn Audrey Foster asserts, but it is also imperative that their voices be heard as they struggle against Hollywood’s constructions of spectatorship, ownership, and the creative and distribution aspects of filmmaking. Foster provides a voice for Black and Asian women in the first detailed examination of the works of six contemporary Black and Asian women filmmakers. She also includes a detailed introduction and a chapter entitled "Other Voices," documenting the work of other Black and Asian filmmakers. Foster analyzes the key films of Zeinabu irene Davis, "one of a growing number of independent Black women filmmakers who are actively constructing [in the words of bell hooks] ‘an oppositional gaze’"; British filmmaker Ngozi Onwurah and Julie Dash, two filmmakers working with time and space; Pratibha Parmar, a Kenyan/Indian-born British Black filmmaker concerned with issues of representation, identity; cultural displacement, lesbianism, and racial identity; Trinh T. Minh-ha, a Vietnamese-born artist who revolutionized documentary filmmaking by displacing the "voyeuristic gaze of the ethnographic documentary filmmaker"; and Mira Nair, a Black Indian woman who concentrates on interracial identity.
The overall objective of the audit was to assess and report to Parliament on how effectively the Department of Family and Community Services administers the CSHA and to identify any areas where improvements could be made.
The Survey of Fraud Control Arrangements in APS agencies was conducted to identify improvements made by agencies since the 1999 survey, and in response to the revised Commonwealth Fraud Control Guidelines released in May 2002. Its objective was to assess the key aspects of fraud control arrangements in place across the APS against the Commonwealth Fraud Control Guidelines 2002.
First published in 1984, The Assamese is an anthropological exploration of Assam. The many tribes living in the hill tracts of Assam early engaged the attention of anthropologists but no significant studies have been made of the people living in the Assam valley who call themselves Assamese, the distinctive features of whose culture are inseparably connected with their religious institutions. The purpose of this book is to give an account of the way of life which the Assamese people are seeking to preserve, and its chief claim to attention is that it is the very first field-study of the village foundations of social life in Assam, containing a plenitude of detailed information on local aggregates, caste divisions, modes of livelihood, devotional practices, marriage patterns, and much else. This book will be of interest to students of anthropology, ethnic studies, history and cultural studies.
To date, there has been little sustained attention given to the historical cinema relations between Australia and Asia. This is a significant omission given Australia’s geo-political position and the place Asia has held in the national imaginary, oscillating between threat and opportunity. Many accounts of Australian cinema begin with the 1970s film revival, placing “Asian Australian cinema” within a post-revival schema of multicultural or diasporic cinema and ignoring Asian Australian connections prior to the revival. Transnational Australian Cinema charts a history of Asian Australian cinema, encompassing the work of diasporic Asian filmmakers, films featuring images of Asia and Asians, films produced by Australians working in Asia’s film industries or addressed at Asian audiences, and Asian films that use Australian resources, including locations and personnel. Utilizing an interdisciplinary approach, the book considers diasporic Asian histories, the impact of government immigration and film policies on representation, and the new aesthetic styles and production regimes created by filmmakers who have forged links, both through roots and routes, with Asia. This expanded history of Asian Australian cinema allows for a renewed discussion of so called dormant periods in the nation’s film history. In this respect, the mapping of an expanded history of cinema practices contributes to our broader aim to rethink the transnationalism of Australian cinema.
Principles of Pediatric Neuropsychiatry through Complex Clinical Cases provides basic diagnosis and treatment tactics, along with the tools that clinicians need to perform both a psychiatric and neurological “consultation, including differential diagnoses and questions to ask. Readers are then offered the neuropsychiatric details of the particular illness that has afflicted sample patients, along with treatment guidelines offered to said patient and their parents. Cases presented include the following topics: Absence Seizures, ESES, Myotonic Dystrophy, Adrenal Leukodystrophy, ADHD with Comorbidities, Wilson’s Disease, ASD, Schizophrenia, Astrocytoma with Hypoactive Delirium, Systemic Lupus Erythematous, Traumatic Brain Injury, OCD, Tourette’s, Klein Levin Syndrome, and more. Presents the most complexes cases in pediatric neuropsychiatry Reviews the neuroimaging and neuropsychological tests for each case Highlights the difficulties in conveying the complexity of the diagnosis to patients and families and provides strategies for clinicians Provides reviews of pertinent literature from both neurological and psychiatric perspectives to discussed cases Includes questions at the end of each chapter on the illness and closely related conditions
Every reader will find a point of contact in "After the Storm". This book is for everyone who is trying to cope with the death of a loved one or who is placed in the role of comforter. Dr Pottinger facilitates an understanding of the process of grieving, examines the varying causes of grief and attempts to guide the reader through what is often a painful process. The subject of death is still considered somewhat taboo. However, understanding the process of grieving, both pathological and normal, and the varying causes of grief with its accompanying reactions should help us to be better educators, counsellors, role models and friends. Dr Pottinger combines theory, clinical and research knowledge along with her personal experiences and those of others to present her findings in a simple and gentle manner. Although this book is for anyone coping with the death of a loved one, it also offers practical suggestions on coping with and responding to the grief of others.
Domestic violence is encountered by disabled women more frequently than non-disabled women, yet disabled women are less likely to receive appropriate services, and there has been little research on their experiences and how this problem can be addressed. This book, drawing on the first UK national study of disabled women who have suffered domestic violence, highlights the experiences of these women, the nature of the violence perpetrated against them, and the seriousness and range of its impacts. The book draws attention to the gaps in services for disabled women and discusses how professional responses should be developed and improved, pointing to current examples of good practice. It includes first-hand accounts from disabled women and includes contributions from leading disabled women activists. This book will be important reading for students, practitioners, policymakers and academics in the fields of disability and domestic violence.
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