Funny yet down-to-earth, honest yet full of exaggeration, actor Walter Matthau (1920-2000) will always occupy a place in America's heart as one of the great comic talents of his generation. Born Walter Matuschanskayasky into Jewish tenements on New York's Lower East Side, he was a child actor in New York Yiddish theater, and later a World War II Air Force radioman-gunner. He paid dues for ten years on Broadway, in summer stock, and on television before landing his film debut The Kentuckian in 1955. By the time of his 1968 casting as cantankerous but lovable slob Oscar Madison in the film version of Neil Simon's The Odd Couple, Matthau had won major Hollywood stardom. Based on dozens of interviews and extensive research, this book covers the breadth of his often-complicated personal life and multi-faceted career, including his unforgettable performances in such films as The Fortune Cookie, A Guide for the Married Man, Plaza Suite, Charley Varrick, The Taking of Pelham One Two Three, The Sunshine Boys, The Bad News Bears, California Suite, and Grumpy Old Men.
NAMED A BEST BOOK OF 2021 BY THE NEW YORK POST AND BOOK RIOT NAMED A BEST TRUE CRIME BOOK OF 2021 BY CRIMEREADS For readers of The Immortal Life of Henrietta Lacks and The Phantom of Fifth Avenue, "a sensational story told with nuance and humanity" (Susannah Cahalan, #1 New York Times bestselling author) about the sordid court battle between Ann Cooper Hewitt and her socialite mother. At the turn of the twentieth century, emboldened American women began to seek passion and livelihood outside the home. This alarmed authorities, who feared "over-sexed" women could destroy civilization, either by crossing the color line or passing their evident defects on to their children. Set against this backdrop, The Unfit Heiress chronicles the fight for inheritance between Ann Cooper Hewitt and her socialite mother Maryon, who had her daughter sterilized without her knowledge. A sensational court case ensued, and powerful eugenicists saw an opportunity to restrict reproductive rights in America for decades to come. This riveting story unfolds through the brilliant research of Audrey Clare Farley, who captures the interior lives of these women on the pages and poses questions that remain relevant today: What does it mean to be "unfit" for motherhood? How do racial anxieties continue to influence who does and does not reproduce? In the battle for reproductive rights, can we forgive those who side against us? And can we forgive our mothers if they are the ones who inflict the deepest wounds?
One of ten children born to a coal-mining family in Harlan County, Kentucky ("Bloody Harlan") in the turbulent 'Twenties, Audrey Richards Lowery was a prime example of the old saying, "Saturday's child must work for a living." From the time she was 11 years old, she worked to help feed her brothers and sisters, then to support herself and her twin sons---and often her husband as well. She experienced unbelievable hardships, even violence, but met life's vicissitudes with hard work, honesty, and love. She describes an era in Kentucky's history and a way of life that few people today can even imagine. She witnessed some of the frightening troubles that attended the founding of the miners' union. She gives details of a notorious sex murder committed by her brother-in-law, who continued to live with the family after spending only two years in prison. She goes on to tell about her life in Indiana, Tennessee, and Ohio and specifies names and places in those areas that will evoke memories for many readers.. Now an 86-year-old widow, legally blind and confined to a wheelchair, Audrey lives near her sons in Celina, Ohio, but still maintains her indomitable spirit and her sense of humor. Her story is surprising...sometimes SHOCKING...yet ultimately inspiring, and will entertain you to the end. The book is written in her own words; you'll be amazed and amused by the way she tells it!
Winner of the Western Literature Association’s Thomas J. Lyon Award Whether as tourist's paradise, countercultural destination, or site of native resistance, the American Southwest has functioned as an Anglo cultural fantasy for more than a century. In Translating Southwestern Landscapes, Audrey Goodman excavates this fantasy to show how the Southwest emerged as a symbolic space from 1880 through the early decades of the twentieth century. Drawing on sources as diverse as regional magazines and modernist novels, Pueblo portraits and New York exhibits, Goodman has crafted a wide-ranging history that explores the invention, translation, and representation of the Southwest. Its principal players include amateur ethnographer Charles Lummis, who conflated the critical work of cultural translation; pulp novelist Zane Grey, whose bestselling novels defined the social meanings of the modern West; fashionable translator Mary Austin, whose "re-expressions" of Indian song are contrasted with recent examples of ethnopoetics; and modernist author Willa Cather, who demonstrated an immaterial feeling for landscape from the Nebraska Plains to Acoma Pueblo. Goodman shows how these writers—as well as photographers such as Paul Strand, Ansel Adams, and Alex Harris—exhibit different phases of the struggle between an Anglo calling to document Native and Hispanic difference and America's larger drive toward imperial mastery. In critiquing photographic representations of the Southwest, she argues that commercial interests and eastern prejudices boiled down the experimental images of the late nineteenth century to a few visual myths: the persistence of wilderness, the innocence of early portraiture, and the purity of empty space. An ambitious synthesis of criticism and anthropology, art history and geopolitical theory, Translating Southwestern Landscapes names the defining contradictions of America's most recently invented cultural space. It shows us that the Southwest of these early visitors is the only Southwest most of us have ever known.
Factory Records has become the stuff of legend. The histories of the label have been told from many perspectives, from visual catalogues and memoirs to exhibitions. Yet no in-depth history has ever been told from the perspectives of the women who were integral to Factory's cultural significance. The untold history of Factory Records is one of women's work at nearly every turn: recording music, playing live gigs, running the label behind the scenes, managing and promoting bands, designing record sleeves, making films and music videos, pioneering sound technology, DJing, and running one of the most chaotic clubs on the planet, The Haçienda. Told entirely in their voices and featuring contributions from Gillian Gilbert, Gina Birch, Cath Carroll, Penny Henry and over fifty more interviewees, I THOUGHT I HEARD YOU SPEAK is an oral history that reveals the true cultural reach of the label and its staying power in the twenty-first century.
Blackburn Village is a quintessentially beautiful Colonial enclave on the South Shore of Nova Scotia, "a place where psychiatric diagnoses are inconsequential and organizing a chapter of A.A. would be a terrible waste of time." In the summer months, the salt-of-the-earth townspeople are joined by the imperious moneyed regulars from Boston, Charleston and Toronto. The two species do their level best to coexist in this idyllic place where old money lives and new money plays, where reason often unravels. The days are long and the nights are longer. Noon means holding onto a tiller or a tennis racquet and night is simply time to hold on even harder to a cocktail glass and a lobster sandwich. The summer centrepiece is the large Carlisle family but few are aware of the unnerving energy that controls its members like a ringmaster. Broad smiles, perfect teeth, and impeccable manners prove to be not enough to provide the prescribed happiness they all expect. A desperate summer love and a stunning DNA revelation have the world of Blackburn Village spinning out of control.
Selected and introduced by the bestselling author of The Time Traveler’s Wife and Her Fearful Symmetry—including Audrey Niffenegger’s own stunning illustrations for each piece—this is a “spine-tingling” (Chicago Tribune) collection of some of the best ghost stories of all time. From Edgar Allen Poe to Kelly Link, MR James to Neil Gaiman, HH Munro to Audrey Niffenegger herself, Ghostly spans the whole history of the ghost story genre from gothic horror to the modern era. Each story is introduced by Audrey Niffenegger, with short original commentary and background on why she chose to include it. Also included is Niffenegger’s own story, “A Secret Life with Cats.” Perfect for the classic and contemporary ghost story aficionado, this haunting volume showcases the best of the best in the field—including Edgar Allan Poe, Kelly Link, Neil Gaiman, Edith Wharton, P.G. Wodehouse, Ray Bradbury, and so many more. “Audrey Niffenegger is a master of the supernatural…She knows a good horror story when she sees one. Ghostly is her collection of the best of the genre” (Bustle).
The horses that captured the moviegoers’ hearts are the common denominator in Hollywood Hoofbeats. As author Petrine Day Mitchum writes, “the movies as we know them would be vastly different without horses. There would be no Westerns—no cowboy named John Wayne—no Gone with the Wind, no Ben Hur, no Dances with Wolves…” no War Horse, no True Grit, no Avatar! Those last three 21st-century Hollywood creations are among the new films covered in this expanded second edition of Hollywood Hoofbeats written by the daughter of movie star Robert Mitchum, who himself appeared on the silver screen atop a handsome chestnut gelding. Having grown up around movie stars and horses, Petrine Day Mitchum is the ideal author to pay tribute to the thousands of equine actors that have entertained the world since the inception of the film medium. From the early days of D.W. Griffith’s The Great Train Robbery to Quentin Tarantino’s Django Unchained, this celebration of movies promises something for every Hollywood fan… the raucous comedy of Abbot and Costello (and “Teabiscuit”) in It Ain’t Hay, a classic sports films like National Velvet starring Elizabeth Taylor, a timeless epic with Errol Flynn, and films featuring guitar-strumming cowboys like Gene Autry and Roy Rogers. INSIDE HOLLYWOOD HOOFBEATS Movie trivia and fascinating anecdotes about the stars of yesterday and today An inside look at the stunts horses performed in motion pictures and the lingering controversies Hundreds of illustrations, including rare movie posters, movie stills, and film clips Updated, expanded text including coverage of new movies and photographs Chapters devoted to action films, Westerns, comedies, musicals, child stars, and more Famous TV programs and their horses including Mr. Ed and Silver (Lone Ranger)
Opening with the view of an idealistic, young doctor entering her first post-graduate job at the local county hospital, The House of Hope and Fear explores not only the personal journey of one doctor's life and career, but also examines the health care system as a whole. The county hospital setting provides the author with a second education. Wi...
This sweeping work traces the idea of race for more than three centuries to show that 'race' is not a product of science but a cultural invention that has been used variously and opportunistically since the eighteenth century. Updated throughout, the fourth edition of this renowned text includes a compelling new chapter on the health impacts of the racial worldview, as well as a thoroughly rewritten chapter that explores the election of Barack Obama and its implications for the meaning of race in America and the future of our racial ideology.
This is the future of horror! Editor Jonathan Oliver, fast becoming the most exciting new anthologist of the weird and horrific, here brings together three of his award-winning anthologies for Solaris. Here are House of Fear, Magic and End of the Road, showcasing forty-nine stories by the most important and ground-breaking names in genre fiction, including AUDREY NIFFENEGGER ? CHRISTOPHER PRIEST ? CHRISTOPHER FOWLER ? SARAH PINBOROUGH ? ZEN CHO ? ADAM NEVILL ? LISA TUTTLE ? LAVIE TIDHAR ? ROCHITA LOENEN-RUIZ ? GAIL Z. MARTIN ? DAN ABNETT ? SARAH LOTZ ? STEVE RASNIC AND MELANIE TEM and many more! House of Fear The tread on the landing outside the door, when you know you are the only one in the house. The wind whistling through the eves, carrying the voices of the dead. The figure glimpsed briefly through the cracked window of a derelict house. Bring horror home with a collection of haunted house stories by some of the finest writers working in the horror genre. Magic: An Anthology of the Esoteric and Arcane They gather in darkness, sharing ancient and arcane knowledge as they manipulate the very matter of reality itself. Spells and conjuration; legerdemain and prestidigitation ? these are the mistresses and masters of the esoteric arts. From otherworldly visions to diabolical political machinations, here you will find a spell for every occasion. End of the Road Each step leads you closer to your destination, but who, or what, can you expect to meet along the way? Here are stories of misfits, spectral hitch-hikers, nightmare travel tales and the rogues, freaks and monsters to be found on the road. Strap on your seatbelt, or shoulder your backpack, and wait for that next ride... into darkness.
Many single women feel that they are not complete because they have not yet been found by “Mr. Right” by the time they reach their thirties. Due to pressure from society, their families, and even from the church world, a lot of these young women are panicking and settling for counterfeits instead of waiting for their true soul mate. The author in this spiritual autobiography courageously and humorously shares her quest to fulfill God’s plan for her life. Struggling as a young woman with normal desires and her destiny in the kingdom of God, she reveals what it means to be “made in waiting.”
Williamsburg archaeology proves that careful excavation and study can produce an unsuspected wealth of data on garden fences and walls, steps and garden houses, flower pots and urns, tools and equipment, and sometimes about the plants and the planters of colonial times.
This title was first published in 2000. Patterns of racism and disadvantage vary throughout Britain, yet most British research continues to focus on data from England and Wales. This Scottish study allows distinctions to emerge which contribute to our understanding of the complex processes of discrimination and integration. Looking first at the history of Irish, Jewish and Italian migration to Scotland, attention is then focused on the Pakistani population. Whilst acknowledging the persistence of racism, the author uses original quantitative and qualitative data to examine the ways in which immigrants and their descendants assert their priorities. The book questions whether focusing on minority ethnic groups as victims of racism is the most effective strategy in undermining exclusionary practices.
Audrey Donnithorne was born in Sichuan province, China, of British missionary parents. She is an economist and writer who has held academic posts at University College London and at the Australian National University, working mainly on the economy of China. In her long life she has been a sharp-eyed observer of a changing Asian and Western world: of China in the era of the war lords, the Guomindang and the war against Japan; of Mao and the post-Maoist resurgence; of Britain at War and in the last days of Empire; of Singapore and Malaya soon after the War and Indonesia in the early days of independence; and of decolonisation. She observed the Cold War from several angles and has also been an active Catholic laywoman in the Culture Wars of the 20th century in Britain and Australia, and in helping the beleaguered Catholics in China. This is her memoir.
The history of international cinema is now available in a concise, conveniently sized, and affordable volume. Succinct yet comprehensive, A Short History of Film provides an accessible overview of the major movements, directors, studios, and genres from the 1880s to the present. More than 250 rare stills and illustrations accompany the text, bringing readers face to face with many of the key players and films that have marked the industry. Beginning with precursors of what we call moving pictures, Wheeler Winston Dixon and Gwendolyn Audrey Foster lead a fast-paced tour through the invention of the kinetoscope, the introduction of sound and color between the two world wars, and ultimately the computer generated imagery of the present day. They detail significant periods in world cinema, including the early major industries in Europe, the dominance of the Hollywood studio system in the 1930s and 1940s, and the French New Wave of the 1960s. Special attention is also given to small independent efforts in developing nations and the corresponding more personal independent film movement that briefly flourished in the United States, the significant filmmakers of all nations, censorship and regulation and how they have affected production everywhere, and a wide range of studios and genres. Along the way, the authors take great care to incorporate the stories of women and other minority filmmakers who have often been overlooked in other texts. Compact and easily readable, this is the best one-stop source for the history of world film available to students, teachers, and general audiences alike.
Essential reading on how technology empowers rogue actors and how society can adapt. Never have so many possessed the means to be so lethal. A dramatic shift from 20th century "closed" military innovation to "open" innovation driven by commercial processes is underway. The diffusion of modern technology--robotics, cyber weapons, 3-D printing, synthetic biology, autonomous systems, and artificial intelligence--to ordinary people has given them access to weapons of mass violence previously monopolized by the state. As Audrey Kurth Cronin explains in Power to the People, what we are seeing now is the continuation of an age-old trend. Over the centuries, from the invention of dynamite to the release of the AK-47, many of the most surprising developments in warfare have occurred because of technological advances combined with changes in who can use them. That shifting social context illuminates our current situation, in which new "open" technologies are reshaping the future of war. Cronin explains why certain lethal technologies spread, which ones to focus on, and how individuals and private groups will adapt lethal off-the-shelf technologies for malevolent ends. Now in paperback with a foreword by Lawrence Freedman and a new epilogue, Power to the People focuses on how to both preserve the promise of emerging technologies and reduce risks. Power is flowing to the people, but the same digital technologies that empower can imperil global security--unless we act strategically.
A Planetary Lens delves into the history of the photo-book, the materiality of the photographic image on the page, and the cultural significance of landscape to reassess the value of print, to locate the sites where stories resonate, and to listen to western women’s voices. From foundational California photographers Anne Brigman and Alma Lavenson to contemporary Native poets and writers Leslie Marmon Silko and Joy Harjo, women artists have used photographs to generate stories and to map routes across time and place. A Planetary Lens illuminates the richness and theoretical sophistication of such composite texts. Looking beyond the ideologies of wilderness, migration, and progress that have shaped settler and popular conceptions of the region, A Planetary Lens shows how many artists gather and assemble images and texts to reimagine landscape, identity, and history in the U.S. West. Based on extensive research into the production, publication, and circulation of women’s photo-texts, A Planetary Lens offers a fresh perspective on the entangled and gendered histories of western American photography and literature and new models for envisioning regional relations.
Intended for use with the authors’ forthcoming casebook, Race, Racism, and American Law, Seventh Edition (forthcoming 2023), Race, Racism, and American Law: Leading Cases and Materials includes significant historical and contemporary cases and materials edited with an aim to foreground the most relevant sections and passages to illustrate the crucial role of race in the formation of US law. This new edition of Derrick Bell’s groundbreaking textbook Race, Racism, and American Law, like prior versions, eschews a traditional casebook format. The locus of analysis in this text is the struggle for racial justice, and its underlying history and political context as reflected in the ongoing contestation over law, legal reform, and transformation. As such the supplement includes but is not limited to Supreme Court cases. We follow Bell’s model of locating all edited cases and materials in the supplement, reserving the book’s text to provide historical and political context for significant cases or legislative actions, along with hypothetical questions, comments, and other tools of analysis. Professors and students will benefit from: Both legal and non-legal primary source material.Leading Cases and Materials includes selected historical and contemporary cases, legislation, and other legal materials that foreground the crucial role of race and racism, and the struggle for racial justice, within and through US law. A carefully selected compilation of United States Supreme Court Cases. Each case is chosen to guide readers through elements of US jurisprudence which reflect both reform and retrenchment of societal inequity as it relates to the question of race. Cases range from significant 18th century cases such as Johnson v. McIntosh (1823) (indigenous people cannot transfer full title to land) to contemporary civil rights decisions such as Brnovich v. Democratic National Committee (2021) (further limiting the reach of the Voting Rights Act) and Comcast v. National Association of African American Owned Media (2020) (limiting protections against racial discrimination in contracting). Doctrinally and theoretically significant cases from lower federal courts and state courts. Cases from lower courts are selected to provide critical race insights into how judicial institutions outside the US Supreme Court shape doctrine and debates over race and racial inequality. Cases range from Acre v. Douglass (9th Cir. 2015) (ban on teaching of Mexican American studies found unconstitutional) to Lobato v. Taylor (Colo. 2003) (speculator attempts to divest Mexican American landowners with defective title derived from Mexico). Significant legislative and executive legal documents. This supplement includes materials going beyond traditional edited cases, reflecting the insight that a critical race analysis necessitates a grasp of law beyond the courts. Additional materials range from the United States Department of Justice Investigation of the Ferguson Police Department (2015) to the George Floyd Justice in Policing Act of 2020. Benefits for instructors and students: Provokes discussion on contemporary and historical legal controversies cases and materials edited to address issues the lens of critical race theory’s conceptual framework
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