In this revised edition of their concise, readable, yet wide-ranging book, Greg Berman and Aubrey Fox tackle a question students and scholars of law, criminology, and political science constantly face: what mistakes have led to the problems that pervade the criminal justice system in the United States? The reluctance of criminal justice policymakers to talk openly about failure, the authors argue, has stunted the public conversation about crime in this country and stifled new ideas. It has also contributed to our inability to address such problems as chronic offending in low-income neighborhoods, an overreliance on incarceration, the misuse of pretrial detention, and the high rates of recidivism among parolees. Berman and Fox offer students and policymakers an escape from this fate by writing about failure in the criminal justice system. Their goal is to encourage a more forthright dialogue about criminal justice, one that acknowledges that many new initiatives fail and that no one knows for certain how to reduce crime. For the authors, this is not a source of pessimism, but a call to action. This revised edition is updated with a new foreword by Cyrus R. Vance, Jr., and afterword by Greg Berman.
In northern Alaska a female red fox is busy with her newborn litter, while her mate hunts for them both. As the first five pups grow, they are eager to venture farther outside the den. But for now the biggest challenge is to decide who's boss. So the siblings begin weeks of fighting that will determine their place in the order. Only then can the lively youngsters play, developing their survival and hunting skills as they prepare to leave home one day.
In this first paperback edition, Solomon, a screenwriter/story editor who co-authored The Films of Twentieth-Century Fox and produced the television show That's Hollywood, reruns his history of management in the boom and bust years of this major motion picture company. Includes a photo of founder/producer Darryl F. Zanuck; the introduction to the original edition; and data on the studio's hit movies, film rentals, and production costs. Annotation copyrighted by Book News, Inc., Portland, OR
On both the left and the right, calls for bold change have become a common feature of American politics. But is this correct? Is bold change the only way forward? Is the United States living in an era that demands the radical transformation of society? Gradual: The Case for Incremental Change in a Radical Age argues that an incremental approach to public policy is not only the best way to describe how government actually works, but a more effective way of making change happen. Unfortunately, gradualism has become unfashionable at the precise moment when it is needed the most. Gradual documents why it is so difficult to achieve systemic change in the United States and tells the stories of a range of government reformers who achieved success gradually. In the process, Gradual makes the case for a brand of incremental change rooted in the values of honesty, humility, nuance, and respect. Based on the authors' experience advancing criminal justice reform, Gradual argues that, given enough time, seemingly modest improvements can add up to significant change"--
In 1929, Hollywood mogul William Fox (1879-1952) came close to controlling the entire motion picture industry. His Fox Film Corporation had grown from a $1600 investment into a globe-spanning $300 million empire; he also held patents to the new sound-on-film process. Forced into a series of bitter power struggles, Fox was ultimately toppled from his throne, and the studio bearing his name would merge in 1935 with Darryl F. Zanuck's flourishing 20th Century Pictures. The 25-year lifespan of the Fox Film Corporation, home of such personalities as Theda Bara, Tom Mix, Janet Gaynor and John Ford, is chronicled in this thorough illustrated history. Included are never-before-published financial figures revealing costs and grosses of Fox's biggest successes and failures, and a detailed filmogaphy of the studio's 1100-plus releases, among them What Price Glory?, Seventh Heaven and the Oscar-winning Cavalcade.
In 1929, Hollywood mogul William Fox (1879-1952) came close to controlling the entire motion picture industry. His Fox Film Corporation had grown from a $1600 investment into a globe-spanning $300 million empire; he also held patents to the new sound-on-film process. Forced into a series of bitter power struggles, Fox was ultimately toppled from his throne, and the studio bearing his name would merge in 1935 with Darryl F. Zanuck's flourishing 20th Century Pictures. The 25-year lifespan of the Fox Film Corporation, home of such personalities as Theda Bara, Tom Mix, Janet Gaynor and John Ford, is chronicled in this thorough illustrated history. Included are never-before-published financial figures revealing costs and grosses of Fox's biggest successes and failures, and a detailed filmogaphy of the studio's 1100-plus releases, among them What Price Glory?, Seventh Heaven and the Oscar-winning Cavalcade.
In this first paperback edition, Solomon, a screenwriter/story editor who co-authored The Films of Twentieth-Century Fox and produced the television show That's Hollywood, reruns his history of management in the boom and bust years of this major motion picture company. Includes a photo of founder/producer Darryl F. Zanuck; the introduction to the original edition; and data on the studio's hit movies, film rentals, and production costs. Annotation copyrighted by Book News, Inc., Portland, OR
The Halfords' book is an achievement. For the first time ever, any Westerner who reads English can obtain a real insight into the plots and stories, the texts and characteristics of Kabuki dramas, and in terms which a Western-trained mind can readily understand. For this the entire Kabuki world must be grateful." -- From the Foreword by Faubion Bowers, author of Japanese Theatre and Theatre in the East Kabuki has been described as "in the main, the finest theatre art in the world," and its ever-growing popularity both in Japan and abroad bears witness to its tremendous dramatic effectiveness. The fact that many persons tend to regard it as mere spectacle, thus missing the greater part of its moving appeal, has been due to the lack of any key to the intricacies of its plots and its unfamiliar stage conventions. Here at last is a genuine key, one which opens wide vistas of understanding and appreciation. Included here are lucid synopses and crystal-clear explanations of the hundred odd plays which form the backbone of the classical Kabuki repertoire and constitute over twice that many individual program items. Equally as valuable as the synopses are the informative and entertaining Notes explaining the many points that have proved perplexing to the non-Japanese spectator. Both synopses and notes are provided with a careful system of cross references and an indispensable index, all making for ready use and saving the spectator from "dwelling so much on some minor, but incomprehensible, point that the thread of the drama is lost." Kabuki is drama -- drama par excellence -- and now, thanks to this invaluable handbook, may at last be enjoyed as such. The authors have well fulfilled their aim of allowing the playgoer to concentrate on the performance and appreciate both the Kabuki actor's amazing virtuosity and the unique art of the Kabuki theatre.
God only knows why Skaarsguard would send me, Verax down to earth to protect those girls from what, I don't know. Who could have guessed what strange things I would uncover in this small swamp town_ foxes, exorcists, dragons, time traveling demons, books of ancient power. . . One thing is for sure, I was not teaming up with Rasper to figure out what kind of mystery or dangers this mission throws at me. Find what's endangering the girls, get rid of it, and get back to the Blue, simple and straight, that's what I was going to do. Or at least, that's what I planned to do.
Lewis is battling with the truth. His father has disappeared without a trace, and his life feels hopeless. His friend encourages him to go away for the weekend to celebrate his birthday, but he is not prepared for what unfolds.After a chance meeting with a fortune teller, a homeless man and a rusty old penny, Lewis is experiencing a whole newexistence.An existence that brings forward some disturbing home truths, visions that he cannot explain and a whole heap of past karma. Karma caused by a curse.A curse that is in his blood.
This is the story of fifty years of legal battles in North Carolina, as experienced by one of the most successful lawyers in the state. It conveys a story of strong local attachment, unwavering political faith, and long and successful service at the bar. Originally published in 1950. A UNC Press Enduring Edition -- UNC Press Enduring Editions use the latest in digital technology to make available again books from our distinguished backlist that were previously out of print. These editions are published unaltered from the original, and are presented in affordable paperback formats, bringing readers both historical and cultural value.
John Aubrey Anderson artfully crafts the compelling story of the conflict between the natural and spirit worlds and Missy Parker and Mose Washington, caught between.
With over 1300 sites, 300 photographs, and detailed maps, Naming Edmonton gives life to the personal stories and the significant events that mark this city. Use this comprehensive local history as a guide to revisit Edmonton’s streets, parks, neighbourhoods, and bridges in an exploration of the signs of our origins and our times.
Father God the Creator was an entity without form in space. God became self-aware when He created His own likeness. After creating the Angles in His own likeness, God tasked the Angles to conjure up mankind for God's enjoyment. The Angels failed with 1st Earth due to the caveman. 2nd Earth failed because of the evil Nephilim. 3rd Earth, home of the Rapture.
10 new and original stories with painted illustrations by Nadia Ilchuk. Imaginative stories of day-to-day adventures with human and animal characters that teach a life lesson. The story-telling is in the style of classics like The Adventures of Peter Rabbit, The Wind in the Willows or Winnie the Pooh in which animal characters have normal yet imaginative adventures, providing a vehicle for learning about community, compassion and collaboration. The elements used to craft the stories are: • normal, every-day activities into which is woven a challenge or a difficult situation. • talking animal characters engaged with human characters, involved in adventures. • lessons relating to teamwork, safety, helping others and kindness. About 2000 words per story.
Following the defeat of Napoleon in 1814, an event that signalled an end to nearly fourteen years of French domination, Florence seemed to enter a new cultural 'golden age' and by 1824 was described as 'an Earthly Paradise' by the political and liberal writer, Pietro Giordano. Politically, economically and culturally, the city prospered in this new era. After 1814 it seemed as if the Enlightenment had found a new beginning in Florence. Aubrey Garlington, a scholar of long standing in the music of early nineteenth-century Florence, considers the roles played by John Fane, Lord Burghersh, an English aristocrat, diplomat and dilettante composer together with his wife, Priscilla, in the development of the richly homogeneous culture that blossomed in Florence at this time. Burghersh, known today for being instrumental in the founding of the English Royal Academy of Music, composed six operas that were performed privately on numerous occasions at the English Embassy, his best known work being "La Fedra". Lady Burghersh became known for her painting and dilettante theatrical performances. Garlington provides a thorough re-examination of the categories 'professional' and 'dilettante' which were so important in the concept of music at this time. The notions of boundaries between public and private activity are discussed, and the operas themselves are examined specifically. Through the contemplation of the Burghershs's sixteen year stay in Florence, the significance of dilettante orientations are demonstrated to have been essential components for the city's musical and social life. Garlington draws together an impressive compilation of documentation regarding the part music played in shaping society and culture. In this way, the book will appeal not only to opera historians, musicologists and critics working on the nineteenth century, but also to historians and scholars of cultural theory.
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