This is the story of fifty years of legal battles in North Carolina, as experienced by one of the most successful lawyers in the state. It conveys a story of strong local attachment, unwavering political faith, and long and successful service at the bar. Originally published in 1950. A UNC Press Enduring Edition -- UNC Press Enduring Editions use the latest in digital technology to make available again books from our distinguished backlist that were previously out of print. These editions are published unaltered from the original, and are presented in affordable paperback formats, bringing readers both historical and cultural value.
To mark his retirement in 1966 from the Professorship of Psychiatry at the University of London, and the directorship of the Institute of Psychiatry, the Maudsley Hospital, Professor Lewis’s students edited and prepared an edition of his collected papers, in two volumes. Originally published in 1967 this volume reports the outcome of research in a variety of fields. Of the numerous clinical investigations, those into depressive states are dealt with most fully. Social studies, which had been the main concern of the Medical Research Council Unit of which Professor Lewis was for seventeen years Honorary Director, deals with themes of unemployment, environmental adjustment, and ecology. Today it can be read and enjoyed in its historical context.
Punctilious to a fault, Sidney Lumet favored intense rehearsal, which enabled him to bring in most of his films under budget and under schedule. An energized director who captured the heart of New York like no other, he created a vast canon of work that stands as a testament to his passionate concern for justice and his great empathy for the hundreds of people with whom he collaborated during a career that spanned more than five decades. This is the first full-scale biography of a man who is generally regarded as one of the most affable directors of his time. Using the oral testimonies of those who worked with him both behind and in front of the camera, this book explores Lumet's personality and working methods.
Black Bart went to sea at a young age and took to pirate life well. After his ship was taken by pirates, and he was made to join their ranks, Roberts proved himself and was elected captain in 1719. Two years after Roberts was made captain he had accumulated over 51 million pounds worth of treasure and had taken close to 400 ships throughout the Americas, Africa and Europe. He was fearless in battle but good to his prisoners and fair to his crew. He drank a lot of tea instead of alcohol, was well-mannered and clean shaven, and discouraged drinking and gambling among his crew. He is believed to be the first pirate to fly the skull and crossbones. Despite his brief career, Roberts created a reputation that can never be surpassed. Along with his success and bloodthirstiness, he was said to have been "an unusual character for this age, described as tall, good-looking, teetotal, and always well dressed. He possessed a ruthless skill in the piratical arts of intimidation and seamanship, and was highly regarded by his crew.
When Katie's father returns from the Great War, he is shell-shocked, his personality destroyed. Now, four years later he has more or less recovered, but another war is breaking out, this time at home in Ireland. The Treaty with the British has been signed by Michael Collins, but many disagree with it and want to continue the war for full independence. The country is on the brink of civil war. There are divided loyalties in Kate's family, and she has to choose whom she will support. Finally, she and the Welsh boy Dafydd make a bold plan to destroy an arms cache...
The smash-hit, critically acclaimed series returns, with the world's greatest fighter struggling to find his place after all his battles have been won and while there's still time left. Taking inspiration from Dragon Ball, Naruto, One Punch Man, and other fight manga, creators Aubrey Sitterson (Savage Hearts, The Comic Book Story of Professional Wrestling) & Fico Ossio (Mister Miracle, Spider-Man) welcome you back to the Next Great Dark Horse Universe. Collecting the world-shattering series No One Left To Fight II #1–5!
This book offers a history of films with Biblical, spiritual, and supernatural themes. This volume follows the evolution of one of the Hollywood's longest running thematic concerns. From the silent era to the present, Sacred Profanity: Spirituality at the Movies examines the rich diversity of films with spiritual themes—films that reflect our own fascination with the divine and supernatural, while evoking the specific times in which they were created. From Birth of a Nation to Angels and Demons, Sacred Profanity discusses over 180 films with an insightful, movie lover's approach. Coverage encompasses Biblical stories like King of Kings; films about spiritual characters, such as The Nun's Story; foreign masterpieces like The Seventh Seal; movies that incorporate spiritual symbolism, such as Taxi Driver and Cool Hand Luke; horrifying visions of the Satanic like The Exorcist, and controversial works like The Last Temptation of Christ. The book also looks at the history of Hollywood's attempt to maintain moral order through censorship, as well as the growing influence of filmmakers' own spiritual beliefs on the movies we see.
Jimmy 'Whirlwind' White is Britain's best-loved snooker player. A one-time ragamuffin straight out of the pages of Charles Dickens, he has enthralled audiences worldwide for three decades with his electrifying brilliance, winning ten world-ranking events - although, heartbreakingly, he has lost six Crucible World Championship finals. In this in-depth, warts-and-all biography, die-hard fan Aubrey Malone examines White's background, his illiteracy, drinking and tempestuous relationship with his wife Maureen, set against his incredible rise to the top in snooker's halcyon days of the 1980s. There are tales of Jimmy using a walking stick to make a century break at his local snooker hall, his battles with the twin demons of drink and the yips, and how he nearly lost the world trophy, despite never having won it! But in the end it is White's obsession with winning, and his astonishing ability on the baize, often against all the odds, that shines through.
In the decades since Black liberation theology burst onto the scene, it has turned the world of church, society, and academia upside down. It has changed lives and ways of thinking as well. But now there is a question: What lessons has Black theology not learned as times have changed? In this expansion of the 2017 Yale Divinity School Beecher Lectures, Allan Boesak explores this question. If Black liberation theology had taken the issues discussed in these pages much more seriously--struggled with them much more intensely, thoroughly, and honestly--would it have been in a better position to help oppressed black people in Africa, the United States, and oppressed communities everywhere as they have faced the challenges of the last twenty-five years? In a critical, self-critical engagement with feminist and, especially, African feminist theologians in a trans-disciplinary conversation, Allan Boesak, as Black liberation theologian from the Global South, offers tentative but intriguing responses to the vital questions facing Black liberation theology today, particularly those questions raised by the women.
In 1929, Hollywood mogul William Fox (1879-1952) came close to controlling the entire motion picture industry. His Fox Film Corporation had grown from a $1600 investment into a globe-spanning $300 million empire; he also held patents to the new sound-on-film process. Forced into a series of bitter power struggles, Fox was ultimately toppled from his throne, and the studio bearing his name would merge in 1935 with Darryl F. Zanuck's flourishing 20th Century Pictures. The 25-year lifespan of the Fox Film Corporation, home of such personalities as Theda Bara, Tom Mix, Janet Gaynor and John Ford, is chronicled in this thorough illustrated history. Included are never-before-published financial figures revealing costs and grosses of Fox's biggest successes and failures, and a detailed filmogaphy of the studio's 1100-plus releases, among them What Price Glory?, Seventh Heaven and the Oscar-winning Cavalcade.
This sweeping saga weaves a riveting tale about a young girl's battle with one of hell's minions determined to destroy her and those closest to her. This is the first volume in the Black or White Chronicles series relating stories of life in the Deep South during its most tumultuous times.
At this historic moment of global revolutions for social justice inspired by the Black Lives Matter movement, the philosophy of Black Consciousness has reemerged and gripped the imagination of a new generation, and of the merciless exposure by COVD-19 of the devastating, long-existent fault lines in our societies. Frantz Fanon, James Baldwin, and Steve Biko have been rediscovered and reclaimed. In this powerful book Black liberation theologian and activist Allan Boesak explores the deep connections between Black Consciousness, Black theology, and the struggles against racism, domination, and imperial brutality across the world today. In a careful, meticulous, and sometimes surprising rereading of Steve Biko's classic, I Write What I Like, Boesak reflects on the astounding relevance of Black Consciousness for the current academic debates on decolonization and coloniality, Africanity and imperialism, as well as for the struggles for freedom, justice, and human dignity in the streets. With passion, forthrightness, and inspiring eloquence Boesak brings his considerable political experience and deep theological insight to bear in his argument for a global ethic of solidarity and resistance in the ongoing struggles against empire. Beginning with Biko's "Where do we go from here?," progressing to Baldwin's "the fire next time," and ending with Martin Luther King Jr.'s "There is no stopping short of victory," this is a sobering, hopeful, and inspiring book.
Although the novel, V oyages el avantures de] aques Masse, caused some thing of a stir during the first half of the eighteenth century, its author, Simon Tyssot de Patot (1655-1738), remained largely unknown in his lifetime, and it is only in this century that he has been recognized as one of the countless soldiers in the vast army of philosophes that assaulted the bastions of religious, political and sodallife in Europe of the late seven 1 teenth and early eighteenth centuries. Tyssot was a Huguenot who lived most of his life in Holland where he pursued a career as professor of mathematics in the sodal and cultural 1 Tyssot and his work seem to have been first brought to the attention of modem writers by the German critics during their investigation of the type of desert island or robinsonade literature that preceded and followed Defoe's Robinson Crusoe. The earliest reference I have found occurs in A. Kippenberg, Robinson in Deutschland bis zur Insel Felsenburg (1713-43), Hanover, 1892, pp. 66-67. Tyssot's name and work appear to have been first linked with the development of socialism in A. Lichtenberger, Le Socialisme au XVIIIe siecle, Paris, 1895, p. 44. Tyssot's Voyages et avantures de]aques Masse was discussed for its literary merits in A. LeBreton, Le Roman au dix huitieme siecle, Paris, 1898. LeBreton did not know that Tyssot was the author.
On the shores of Cat Lake, in the midst of the most defined era of segregation in American history, a spitfire seven-year old white girl and spiritual eleven-year-old black boy live each day as best friends. Despite the idyllic scenery and their youthful innocence, forces of darkness trouble the girl and ultimately lead these children to make choices you will never forget. Auther John Aubrey Anderson weaves a gripping tale of warmth, humor, and profound eternal truth.
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