A serpentine maze of memory and artistic obsession in post-war communist Hungary told in bold experimental style and perfect for fans of Helen DeWitt Nothing approximates death as closely as photography. Unspooling like a roll of film, The End captures in frames of language the faces and places of András’ memory, which together form a fever-dream collage of an artist’s psyche. In a small town in communist Hungary, András Szabad’s childhood comes to an abrupt end with his father’s return from prison and the death of his loving mother. In search of new beginnings, András moves with his father to Budapest, where he discovers a passion for photography, for uncovering the invisible through the visible, and for fixing matter and memory so as to ward them against the inevitability of time. An unorthodox first encounter brings András together with Éva, and soon they become entangled in a psychosexual relationship of consuming passion, but also bitterness and resentment. With vibrant precision and fluid dialogue, Attila Bartis blends a sprawling family saga with 20th-century European history and offers an unflinchingly lucid yet boundlessly compassionate account of psychological devastation under authoritarianism.
Tranquility is a living seismograph of the internal quakes and ruptures of a mother and son trapped within an Oedipal nightmare amidst the suffocating totalitarian embrace of Communist Hungary. Andor Weér, a thirty-six-year-old writer, lives in a cramped apartment with his shut-in mother, Rebeka, who was once among the most celebrated stage actresses in Budapest. Unable to withstand her maniacal tyranny but afraid to leave her alone, their bitter interdependence spirals into a Sartrian hell of hatred, lies, and appeasement. Then Andor meets the beautiful and nurturing Eszter, a woman who seems to have no past, and they fall wildly in love at first sight. With a fulfilling life seemingly within reach for the first time, Andor decides that he is ready to bring Eszter home to meet Mother. Though Bartis’s characters are unrepentantly neurotic and dressed in the blackest humor, his empathy for them is profound. A political farce of the highest ironic order, concluding that "freedom is a condition unsuitable for humans," Tranquility is ultimately, at its splanchnic core, a complex psychodrama turned inside out, revealing with visceral splendor the grotesque notion that there’s nothing funnier than unhappiness.
Fifty years ago, a new approach to reaction kinetics began to emerge: one based on mathematical models of reaction kinetics, or formal reaction kinetics. Since then, there has been a rapid and accelerated development in both deterministic and stochastic kinetics, primarily because mathematicians studying differential equations and algebraic geometry have taken an interest in the nonlinear differential equations of kinetics, which are relatively simple, yet capable of depicting complex behavior such as oscillation, chaos, and pattern formation. The development of stochastic models was triggered by the fact that novel methods made it possible to measure molecules individually. Now it is high time to make the results of the last half-century available to a larger audience: students of chemistry, chemical engineering and biochemistry, not to mention applied mathematics. Based on recent papers, this book presents the most important concepts and results, together with a wealth of solved exercises. The book is accompanied by the authors’ Mathematica package, ReactionKinetics, which helps both students and scholars in their everyday work, and which can be downloaded from http://extras.springer.com/ and also from the authors’ websites. Further, the large set of unsolved problems provided may serve as a springboard for individual research.
Tranquility is a living seismograph of the internal quakes and ruptures of a mother and son trapped within an Oedipal nightmare amidst the suffocating totalitarian embrace of Communist Hungary. Andor Weér, a thirty-six-year-old writer, lives in a cramped apartment with his shut-in mother, Rebeka, who was once among the most celebrated stage actresses in Budapest. Unable to withstand her maniacal tyranny but afraid to leave her alone, their bitter interdependence spirals into a Sartrian hell of hatred, lies, and appeasement. Then Andor meets the beautiful and nurturing Eszter, a woman who seems to have no past, and they fall wildly in love at first sight. With a fulfilling life seemingly within reach for the first time, Andor decides that he is ready to bring Eszter home to meet Mother. Though Bartis’s characters are unrepentantly neurotic and dressed in the blackest humor, his empathy for them is profound. A political farce of the highest ironic order, concluding that "freedom is a condition unsuitable for humans," Tranquility is ultimately, at its splanchnic core, a complex psychodrama turned inside out, revealing with visceral splendor the grotesque notion that there’s nothing funnier than unhappiness.
A serpentine maze of memory and artistic obsession in post-war communist Hungary told in bold experimental style and perfect for fans of Helen DeWitt Nothing approximates death as closely as photography. Unspooling like a roll of film, The End captures in frames of language the faces and places of András’ memory, which together form a fever-dream collage of an artist’s psyche. In a small town in communist Hungary, András Szabad’s childhood comes to an abrupt end with his father’s return from prison and the death of his loving mother. In search of new beginnings, András moves with his father to Budapest, where he discovers a passion for photography, for uncovering the invisible through the visible, and for fixing matter and memory so as to ward them against the inevitability of time. An unorthodox first encounter brings András together with Éva, and soon they become entangled in a psychosexual relationship of consuming passion, but also bitterness and resentment. With vibrant precision and fluid dialogue, Attila Bartis blends a sprawling family saga with 20th-century European history and offers an unflinchingly lucid yet boundlessly compassionate account of psychological devastation under authoritarianism.
This will help us customize your experience to showcase the most relevant content to your age group
Please select from below
Login
Not registered?
Sign up
Already registered?
Success – Your message will goes here
We'd love to hear from you!
Thank you for visiting our website. Would you like to provide feedback on how we could improve your experience?
This site does not use any third party cookies with one exception — it uses cookies from Google to deliver its services and to analyze traffic.Learn More.