In Japan and the European Union, Dr. Abe sets out to answer a number of crucial questions on the effect of Japan's international relations upon its internal affairs - in particular how international issues, and Japan's growing relationship with the EU, have come to penetrate the political economy and decision-making structure in Japanese industry and legislation. Japan/EU affairs have never been marked by any significant political relations, and until the past twenty years, characterised by a reserved indifference. However, as a result of accelerated political and economic changes in the past decade, the two economic giants have made considerable efforts to nurture bilateral relations largely initiated by trade concerns. The author examines the development of this relationship informed by International Relations perspectives and taking into account the growing dependence of successful bilateral relations on the international political economy." "Furthermore, Dr. Abe explains the attempt that has been made to resolve Japanese/EU disputes by way of a Joint Declaration. This includes an examination of the 1991 Automobile Agreement involving Japan, the EC Commission and the Japanese manufacturers; and the Liquor Tax dispute which ran from 1986-1995. Throughout this account, the concerns of the United States, and its impact on this relationship, are fully registered."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved
In The Rhetoric of Photography in Modern Japanese Literature, Atsuko Sakaki closely examines photography-inspired texts by four Japanese novelists: Tanizaki Jun’ichirō (1886-1965), Abe Kōbō (1924-93), Horie Toshiyuki (b. 1964) and Kanai Mieko (b. 1947). As connoisseurs, practitioners or critics of this visual medium, these authors look beyond photographs’ status as images that document and verify empirical incidents and existences, articulating instead the physical process of photographic production and photographs’ material presence in human lives. This book offers insight into the engagement with photography in Japanese literary texts as a means of bringing forgotten subject-object dynamics to light. It calls for a fundamental reconfiguration of the parameters of modern print culture and its presumption of the transparency of agents of representation.
In Japan and the European Union, Dr. Abe sets out to answer a number of crucial questions on the effect of Japan's international relations upon its internal affairs - in particular how international issues, and Japan's growing relationship with the EU, have come to penetrate the political economy and decision-making structure in Japanese industry and legislation. Japan/EU affairs have never been marked by any significant political relations, and until the past twenty years, characterised by a reserved indifference. However, as a result of accelerated political and economic changes in the past decade, the two economic giants have made considerable efforts to nurture bilateral relations largely initiated by trade concerns. The author examines the development of this relationship informed by International Relations perspectives and taking into account the growing dependence of successful bilateral relations on the international political economy." "Furthermore, Dr. Abe explains the attempt that has been made to resolve Japanese/EU disputes by way of a Joint Declaration. This includes an examination of the 1991 Automobile Agreement involving Japan, the EC Commission and the Japanese manufacturers; and the Liquor Tax dispute which ran from 1986-1995. Throughout this account, the concerns of the United States, and its impact on this relationship, are fully registered."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved
Kawai Eijirō was a controversial figure in Japan during the interwar years. Dedicated to the idea that the socialist aspiration for economic equality could be combined with a classical liberal commitment to individual political and civil rights, he antagonized both Marxists and Japanese nationalists. He was hounded by the government as a leftist and brought to trial during World War II. This is the first study of Kawai in English. Atsuko Hirai examines the family and school influences that contributed to the development of Kawai’s thought, and analyzes the manner in which the ideas of such Western philosophers as Kant, Hegel, John Stuart Mill, Marx, T. H. Green, and the British labor ideologues were absorbed into a receptive and creative East Asian mind. The events of Kawai’s life are intertwined with the development of his idealist political philosophy, all culminating in a trial of unprecedented scale.
In The Rhetoric of Photography in Modern Japanese Literature, Atsuko Sakaki closely examines photography-inspired texts by four Japanese novelists: Tanizaki Jun’ichirō (1886-1965), Abe Kōbō (1924-93), Horie Toshiyuki (b. 1964) and Kanai Mieko (b. 1947). As connoisseurs, practitioners or critics of this visual medium, these authors look beyond photographs’ status as images that document and verify empirical incidents and existences, articulating instead the physical process of photographic production and photographs’ material presence in human lives. This book offers insight into the engagement with photography in Japanese literary texts as a means of bringing forgotten subject-object dynamics to light. It calls for a fundamental reconfiguration of the parameters of modern print culture and its presumption of the transparency of agents of representation.
This is an English-language anthology dedicated to the short stories of Kurahashi Yumiko (1935-), a Japanese novelist of profound intellectual powers. The eleven stories included in this volume suggest the breadth of the author's literary production, ranging from parodies of classical Japanese literature to cosmopolitan avant-garde works, from quasi-autobiography to science fiction. Her subversive fiction defies established definitions of "literature", "Japan", "modernity" and "femininity", and represents an important intellectual aspect of modern Japanese women's literature.
This book is the first attempt to comprehensively introduce Japanese geopolitics. Europe’s role in disseminating knowledge globally to shape the world according to its standards is an unchallenged premise in world politics. In this story, Japan is regarded as an enthusiastic importer of the knowledge. The book challenges this ground by examining how European geopolitics, the theory of the modern state, traveled to Japan in the first half of the last century, and demonstrates that the same theory can invoke diverged imaginations of the world by examining a range of historical, political, and literary texts. Focusing on the transformation of power, knowledge, and subjectivity in time and space, Watanabe provides a detailed account to reconsider the formation of contemporary world order of the modern territorial states.
From the early seventeenth to the mid-nineteenth century, the Tokugawa shogunate enacted and enforced myriad laws and ordinances to control nearly every aspect of Japanese life, including observance of a person’s death. In particular, the shoguns Tsunayoshi and Yoshimune issued strict decrees on mourning and abstention that dictated compliance throughout the land and survived the political upheaval of the Meiji Restoration to persist well into the twentieth century. Atsuko Hirai reveals the pivotal relationship between these shogunal edicts and the legitimacy of Tokugawa rule. By highlighting the role of narimono chojirei (injunctions against playing musical instruments) within their broader context, she shows how this class of legislation played an important integrative part in Japanese society not only through its comprehensive implementation, especially for national mourning of major political figures, but also by its codification of the religious beliefs and customs that the Japanese people had cherished for innumerable generations.
Using close readings of a range of premodern and modern texts, Atsuko Sakaki focuses on the ways in which Japanese writers and readers revised—or in many cases devised—rhetoric to convey "Chineseness" and how this practice contributed to shaping a national Japanese identity. The volume begins by examining how Japanese travelers in China, and Chinese travelers in Japan, are portrayed in early literary works. An increasing awareness of the diversity of Chinese culture forms a premise for the next chapter, which looks at Japan’s objectification of the Chinese and their works of art from the eighteenth century onward. Chapter 3 examines gender as a factor in the formation and transformation of the Sino-Japanese dyad. Sakaki then continues with an investigation of early modern and modern Japanese representations of intellectuals who were marginalized for their insistence on the value of the classical Chinese canon and literary Chinese. The work concludes with an overview of writing in Chinese by early Meiji writers and the presence of Chinese in the work of modern writer Nakamura Shin’ichiro. A final summary of the book’s major themes makes use of several stories by Tanizaki Jun’ichiro.
Presenting the basic science of semiconductor photocatalysis together with the various practical applications, this textbook is ideal for graduate students. It covers fundamental principles and applicable techniques of light, solid state physics, electrochemistry, reaction kinetics, and materials processing. A solid understanding of semiconductor photoelectrochemistry is developed through discussing the basic properties of a representative photocatalytic material, TiO2; the basic science of the light absorption phenomenon and the application to the powder suspension useful for the photocatalytic research; and the electronic state of semiconductors. Following this, the textbook moves on to explore photoelectrochemistry; the mechanism and kinetic analysis of photocatalytic reactions; typical fabrication methods of common photocatalysts and the factors for improving photocatalytic activity; and evaluation methods of photocatalytic activity. The textbook concludes by looking at the future prospects of the applications of photocatalysis. This introductory textbook provides a foundation in photocatalysis to supplement graduate courses in catalysis, environmental science, materials science and chemical engineering.
Train Travel as Embodied Space-Time in Narrative Theory argues that the train is a loaded trope for reconfiguring narrative theories past their “spatial turn.” Atsuko Sakaki’s method exploits intensive and rigorous close reading of literary and cinematic narratives on one hand, and on the other hand interdisciplinary perspectives that draw out larger connections to narrative theory. The book utilizes not only narratological frameworks but also concepts of space-focused humanity oriented social sciences, such as human geography, mobility studies, tourism studies, and qualitative/experience-based ethnography, in their post “narrative turn.” On this interface of narrative studies and spatial studies, this book pays concerted attention to the formation of affordances, or relations in which the human subject uses a space-time and things in it, in terms of passenger experience of the train carriage and its extension. Affiliation: Atsuko Sakaki, University of Toronto, Toronto, Canada.
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