“A rare playwright who could be a primary candidate for either the Nobel Prize in Literature or the Nobel Peace Prize.”—The New Yorker This new play about life and art by renowned playwright Athol Fugard is based on his early friendship with actor Andrew Huegonit, considered the finest classical actor of their native South Africa. It is the story of one great artist’s exit from the stage and another’s beginning theater career. Athol Fugard’s work includes Blood Knot, “Master Harold”…and the boys, and My Children! My Africa! He has been widely produced in South Africa and London, on Broadway and across the United States.
Developed in workshops with award-winning actors, these are the works in Fugard's canon that most directly confront the dehumanizing brutality of apartheid. Includes: Sizwe Bansi is Dead, The Island, and Statements After an Arrest Under the Immorality Act.
Two women meet in a small Karoo village after the funeral of David, the man they both loved. One is white and was his wife. The other is black and the mother of his child. David, who was driven into exile because of his political activism against apartheid, reappears in the searing memories of the women. During a hot afternoon of truth and reconciliation, treaties of love are painfully hammered out. The young confront the old, and what is hope for these individuals is hope for the new South Africa.
CRADLE AND ALL is a smart, pitch-perfect play that is a cut-to-the-bone look at how babies can expose secrets their parents want hidden. With evident humor, Goldfarb has churned up all those little things that drive couples crazy. The play often feels so A contemporary companion piece to The Temperamentals, this engrossing three-character drama addresses the struggle for many to accept their homosexuality while adhering to their religious beliefs, in this case those of Orthodox Judaism...The play explores
The greatest active playwright in the English-speaking world."—Time "If there is a more urgent and indispensable playwright in world theater than South Africa's Athol Fugard, I don't know who it could be."—Newsweek "Athol Fugard can say more with a single line than most playwrights convey in an entire script."—Variety Legendary theatre artist Athol Fugard returns to the stage for the first time in fifteen years in this, his latest work. The Shadow of the Hummingbird tells the story of an ailing man in his eighties and the afternoon spent with his ten year-old grandson. In a charming meditation on the beauty and transience of the world around us, Fugard continues to mine the depths of the human spirit with profound empathy and heart. The text of the play includes an introductory Prelude by Paula Fourie with extracts from Fugard’s unpublished notebooks. Athol Fugard has been working in the theater as a playwright, director, and actor for more than fifty years. In 2011, he received a Special Tony Award for Lifetime Achievement in the Theatre, and he was the inaugural Humanitas Visiting Professor of Drama at Oxford University. His plays include Blood Knot, Boesman and Lena, Statements After an Arrest Under the Immorality Act, Sizwe Banzi Is Dead, 'Master Harold' . . . and the Boys, The Road to Mecca, My Children! My Africa! and The Blue Iris.
THE STORY: Years ago, Veronica Jonkers departed for the big city in the brave New South Africa, set on making her dreams of fame and fortune come true. In COMING HOME, Veronica returns to Nieu Bethesda several years later to die of AIDS, but she is
This collection of Athol Fugard's plays confirms his reputation as 'South Africa's most accomplished playwright' (The Times).The collection includes the plays The Road to Mecca, A Place with the Pigs, My Children! My Africa!, Playland and Valley Song, and is introduced by the author.
elegant reissue' -Plays International, Summer 2000'They are the wonderfully moving and amusing 'Sizwe Bansi is Dead',... 'The Coat' (previously unavailable), the urgently profound 'The Island'... Anyone interested in freedom or drama should buy this book.' Day by Day
These three Port Elizabeth plays, which established South African playwright Athol Fugard's international reputation more than twenty years ago, examine with passion and grace close family relationships strained almost unendurably by the harshest of economic and political conditions. "A rare playwright, who could be a primary candidate for either the Nobel Prize in Literature or the Nobel Peace Prize."--Mel Gussow, The New Yorker
Genre: Drama Characters: 2 males, 1 female Scenery: Bare Stage On board the SS Graigaur a young sailor begins to pen his first novel. Assisted by his muse, a portrait of his mother comes to life, and supported by his friend, an illiterate ship's mechanic, he struggles to balance romance and reality. This most personal of Athol Fugard's works is strictly autobiographical; at twenty he abandoned his university education, hitch hiked up Africa and ended up on a tramp steamer in Port Sudan. This play refl ects his attempts to come to terms with the conflicting emotions evoked by memories of his courageous mother and flawed father. "Charming... Admire The Captain's Tiger and the lovely way in which it is told." - The New York Daily News
For me [The Train Driver] is the biggest of them all. Everything I have written before has been a journey to this."—Athol Fugard "A dramatic, moving theater experience written for South Africa. . . . It will save us from hopelessness. See it."—Sunday Independent The Train Driver is classic Athol Fugard, and one of his most important plays. The playwright, known throughout the world as a chronicler of his native South Africa's apartheid past, directed its premiere at the newly opened Fugard Theater in one of Cape Town's most politically contentious areas. This seminal work was inspired by the true story of a mother who, with her three children, committed suicide on the train tracks in Cape Town. The two-person drama unfolds between the train's engineer and the grave digger who buries "the ones without names." This edition also includes Coming Home, Fugard's first work addressing AIDS in South Africa, and Have You Seen Us? his first play set in America, about a South African transplanted to San Diego, where the playwright currently resides. Athol Fugard's works includes Blood Knot, Master Harold. . .and the Boys, Boesman and Lena, Sizwe Banzi is Dead and My Children! My Africa! He has been widely produced in South Africa, London, on Broadway, and across the United States.
This collection of four plays, set in Port Elizabeth, South Africa, portrays tense family relationships or situations against a background of wider suffering and tensions, engaging our sympathies for South Africans of all races.
A compelling drama of South African apartheid and a universal coming-of-age story, from "the greatest active playwright in the English-speaking world" (Time). Originally produced in 1982, "Master Harold and the Boys" is now an acknowledged classic of the stage, whose themes of injustice, racism, friendship, and reconciliation traverse borders and time.
In his carefully built play, Fugard broadens the meaning of outsider artist] Nukain's masterpiece by placing that powerful symbol of a man's human dignity in a modern-day context." Variety "Tender, ruminative. . . . Fugard has been anatomizing the evils of apartheid, and the troubling legacies it left behind, throughout his long and distinguished career." The New York Times A touching portrayal of compassion passed down through two generations in a racially-torn continent, Athol Fugard's latest play centers around Nukain and Bokkie, an elderly African painter and his young protege. The Painted Rocks at Revolver Creek observes two differing experiences with racism, in the decades during and following apartheid, while ultimately illuminating the meaning of preserving the history of one's own past. Within the span of his illustrious and widely-lauded work as a playwright, Athol Fugard has shed light on the looming shadow of apartheid and its resulting dissolution of society and politics in South Africa. This contemplative new work follows that legacy, asking us not to forget its relevance in the modern day. Athol Fugard has been working in the theatre as a playwright, director and actor for more than fifty years. His plays include The Shadow of the Hummingbird, Blood Knot, Boesman and Lena, Statements after an Arrest under the Immorality Act, Sizwe Banzi Is Dead, 'Master Harold' and the Boys, The Road to Mecca, My Children My Africa , The Blue Iris, The Train Driver, and more than a dozen others.
This collection of short stories set in the Karoo, in combination with excerpts from Athol Fugard's diaries and his attempt to tell the story of the suicide of Pumla Lolwana, is a new departure.
First performed in 1965, this play seeks to rise above political issues to explore themes of personal freedom and self-realization. It is aimed at students of 20th century drama, South African literature and readers with an interest in contemporary theatre and politics of South Africa.
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