Aslı Erdoğan is an exceptionally perceptive and sensitive writer who always produces perfect literary texts."—Orhan Pamuk "One volume of short stories, The Stone Building and Other Places has become a bestseller in Turkey."—The New York Times "Beautifully written and honestly told, as tender as the tulip gardens of Istanbul and as brave as the human heart."—Elif Safak, author of The Forty Rules of Love Three interconnected stories feature women whose lives have been interrupted by forces beyond their control. Exile, serious illness, or the imprisonment of one's beloved are each met with versions of strength and daring, while there is no undoing what fate has wrought. These atmospheric, introspective tales culminate in an experimental, multi-voiced novella, whose "stone building" is a metaphor for the various oppressive institutions—prisons, police headquarters, hospitals, and psychiatric asylums—that dominate the lives of all of these characters. Here is a literary distillation of the alienation, helplessness, and controlled fury of exile and incarceration—both physical and mental—presented in a series of moving, allegorical portraits of lives ensnared by the structures of power. Aslı Erdoğan (Istanbul, 1967) was arrested and imprisoned by the Turkish government in a sweeping roundup of dissident voices after the failed coup attempt of July 2016. The subject of both PEN International and PEN America advocacy campaigns, she has published novels, collections of short stories and poetic prose, and selections from her political essays. As a journalist, she has covered controversial topics such as state violence, discrimination, and human rights, for which she has been persecuted in a variety of ways.
From an “exceptionally sensitive and perceptive” Turkish writer and human rights activist (Orhan Pamuk, winner of the Nobel Prize in Literature), the captivating story of a writer whose own autobiographical novel forces her to come to terms with the dichotomy of the city she once loved: Rio de Janeiro. Özgür is a young woman on fire: poor, hungry, and on the verge of a mental breakdown. She has only one weapon: her ability to write the city that has robbed her of everything, Rio de Janeiro. Through the reading of the bits and pieces of Özgür’s unfinished eponymous novel, with its autobiographical protagonist named Ö, Özgür’s story begins to emerge. As Özgür follows Ö through the shanty towns, Condomble rituals, and the violence and sexuality of the streets of Rio, the reader follows Özgür as she searches for a way to make peace with life, a route to catharsis. Together, the two concentric novels reveal the blurry borderline between the two Rio's -- one a metaphor for death, one a city of life. A major hit when it was released in Turkey and Europe, The City in Crimson Cloak is brilliantly evocative and wildly experimental, doing for Rio what Joyce did for Dublin.
According to the Turkish government, the Gülenist movement is at the heart of the failed coup attempt of 15 July. Fethullah Gülen, the movement's leader is a former ally of the Turkish president and one of the country's most powerful and in uential forces. With the help of the Turkish government, the Gülen movement successfully created a deep state within the Turkish bureaucracy and persecuted political enemies in show trials in 2008-2013. The movement is opaque and secretive in the state bureaucracy. There is enough evidence linking followers of Gülen to the coup but evidence pointing to Fethullah Gülen himself remains scant. Turkey extradition request for Fethullah Gulen will continue to create a turbulence in Turkey relationship with Washington. For the US, this is a legal matter; for Ankara, a prerequisite for partnership. The Turkish government has embarked on a massive purge to "clean the state", involving tens of thousands of state employees, banks, and companies. In its quest to protect Turkish democracy by purging Gülenists, the Turkish government needs to make sure it does not destroy the frail democracy it is trying to save.
In Turkije worden momenteel bijna 150 journalisten gevangengehouden, een wereldrecord. Sommigen dreigen zelfs levenslang te krijgen omdat ze betrokken zijn bij de Koerdische krant Özgür Gündem. Erdoğan was een van hen; ze werd van terrorisme beschuldigd. In Zelfs de stilte is niet meer van mij zijn de belangrijkste journalistieke teksten van Aslı Erdoğan gebundeld. Ze schrijft over politiek, ballingschap, de overheid en het dagelijks leven in Turkije. Haar toon is zintuiglijk en bevlogen, waaraan je de romanschrijfster, die zij ook is, kunt herkennen.
Digital Transformations in Turkey analyzes the genesis, dynamics, and operations of different communication contexts in relation to digital transformations in Turkey. The contributors tackle such topics as the impact of social networking channels like Facebook, YouTube, and Twitter and the changing dimensions of social, cultural, and political ideologies. Akdenizli offers a multifaceted and balanced discussion of the role and impact of communication technologies in a country with questionable and blatant freedom of expression violations. This collection will appeal to scholars of communication, new media, and technology in emerging markets.
Aslı Erdoğan is an exceptionally perceptive and sensitive writer who always produces perfect literary texts."—Orhan Pamuk "One volume of short stories, The Stone Building and Other Places has become a bestseller in Turkey."—The New York Times "Beautifully written and honestly told, as tender as the tulip gardens of Istanbul and as brave as the human heart."—Elif Safak, author of The Forty Rules of Love Three interconnected stories feature women whose lives have been interrupted by forces beyond their control. Exile, serious illness, or the imprisonment of one's beloved are each met with versions of strength and daring, while there is no undoing what fate has wrought. These atmospheric, introspective tales culminate in an experimental, multi-voiced novella, whose "stone building" is a metaphor for the various oppressive institutions—prisons, police headquarters, hospitals, and psychiatric asylums—that dominate the lives of all of these characters. Here is a literary distillation of the alienation, helplessness, and controlled fury of exile and incarceration—both physical and mental—presented in a series of moving, allegorical portraits of lives ensnared by the structures of power. Aslı Erdoğan (Istanbul, 1967) was arrested and imprisoned by the Turkish government in a sweeping roundup of dissident voices after the failed coup attempt of July 2016. The subject of both PEN International and PEN America advocacy campaigns, she has published novels, collections of short stories and poetic prose, and selections from her political essays. As a journalist, she has covered controversial topics such as state violence, discrimination, and human rights, for which she has been persecuted in a variety of ways.
From an “exceptionally sensitive and perceptive” Turkish writer and human rights activist (Orhan Pamuk, winner of the Nobel Prize in Literature), the captivating story of a writer whose own autobiographical novel forces her to come to terms with the dichotomy of the city she once loved: Rio de Janeiro. Özgür is a young woman on fire: poor, hungry, and on the verge of a mental breakdown. She has only one weapon: her ability to write the city that has robbed her of everything, Rio de Janeiro. Through the reading of the bits and pieces of Özgür’s unfinished eponymous novel, with its autobiographical protagonist named Ö, Özgür’s story begins to emerge. As Özgür follows Ö through the shanty towns, Condomble rituals, and the violence and sexuality of the streets of Rio, the reader follows Özgür as she searches for a way to make peace with life, a route to catharsis. Together, the two concentric novels reveal the blurry borderline between the two Rio's -- one a metaphor for death, one a city of life. A major hit when it was released in Turkey and Europe, The City in Crimson Cloak is brilliantly evocative and wildly experimental, doing for Rio what Joyce did for Dublin.
In Violent Intimacies, Aslı Zengin traces how trans people in Turkey creatively negotiate and resist everyday cisheteronormative violence. Drawing on the history and ethnography of the trans communal life in Istanbul, Zengin develops an understanding of cisheteronormative violence that expands beyond sex, gender and sexuality. She shows how cisheteronormativity forms a connective tissue among neoliberal governmentality, biopolitical and necropolitical regimes, nationalist religiosity and authoritarian management of social difference. As much as trans people are shaped by these processes, they also transform them in intimate ways. Transness in Turkey provides an insightful site for developing new perspectives on statecraft, securitization and surveillance, family and kin-making, urban geography, and political life. Zengin offers the concept of violent intimacies to theorize this entangled world of the trans everyday where violence and intimacy are co-constitutive. Violent intimacies emerge from trans people’s everyday interactions with the police, religious and medical institutions, street life, family and kinship, and trans femicides and funerals. The dynamic of violent intimacies prompts new understandings of violence and intimacy and the world-making struggles of trans people in a Middle Eastern context.
Dreams and Lives in Ottoman Istanbul explores biography writing and dream narratives in seventeenth-century Istanbul. It focuses on the prominent biographer ‘Aṭā’ī (d. 1637) and with his help shows how learned circles narrated dreams to assess their position in the Ottoman enterprise. This book demonstrates that dreams provided biographers not only with a means to form learned communities in a politically fragile landscape but also with a medium to debate the correct career paths and social networks in late sixteenth and early seventeenth-century Istanbul. By adopting a comparative approach, this book engages with current scholarly dialogues about life-writing, dreams, and practices of remembrance in Habsburg Spain, Safavid Iran, Mughal India and Ming China. Recent studies have shown the shared rhythms between these contemporaneous dynasties and the Ottomans, and there is now a strong interest in comparative approaches to examining cultural life. This first English-language monograph on Ottoman dreamscapes addresses this interest and introduces a world where dreams changed lives, the dead appeared in broad daylight, and biographers invited their readers to the gardens of remembrance.
Thank you for visiting our website. Would you like to provide feedback on how we could improve your experience?
This site does not use any third party cookies with one exception — it uses cookies from Google to deliver its services and to analyze traffic.Learn More.