A child is mercilessly abandoned for he is thought to be responsible for his mother’s death. He’s alone in a dark, forbidden forest suffering with grief. Sobbing, terrified and awaiting death, that’s when life played a game of dice and destiny decided that it had something in store for him much more powerful than death.
This volume focuses on the life and times of the ‘star of the millennium’, Amitabh Bachchan, and goes on to describe his contemporaries such as Shashi Kapoor, Dharmendra and Vinod Khanna, and also the next generation of heroes, including the Khans, Govinda, Hrithik Roshan and others who have followed. Ashok Raj is a research coordinator based in New Delhi. An alumnus of the Indian Institute of Technology, New Delhi, he has served as a consultant to several national and international organizations and NGOs in various spheres such as science, culture and the media. His significant work is a sixteen-part series on cinema, which was published in Screen (in 1988).
A unique volume that highlights – tellingly and poignantly – how the impact of the Hindi film over the decades has played a significant role in trying to bring together people belonging to different faiths and different strata of society. Covering a vast time span from the silent era to the present, this work focuses on Hindi cinema’s attempts at promoting harmony and trust among various religions, communities and ethnic groups, while performing its basic function of entertaining the viewers. It identifies appropriate situations and characters in select films – such as Padosi (1941), Hum Ek Hain (1946), Mughal-e-Azam (1960), Dharamputra (1961), Amar Akbar Anthony (1977), Ghulam-e-Musthafa (1997), Lagaan (2001) and Veer-Zara (2004) – and describes how positive messages have been articulated through them. It also examines the response of the film makers to the changes that have been taking place over the years in society vis-à-vis the communal milieu in the country and their contribution towards making a cinema that heals. Ever since its inception a century ago, Indian cinema, far more than other popular cultural medium, has consistently taken up highly appealing and socially relevant interpretations of popular religious beliefs and customs. It has often attempted to ensure that the audiences identified themselves with the characters as they enacted their roles on screen. This cinema, though dominated by love stories and romantic escapism, has, occasionally, sent out a powerful message against age-old religious orthodoxy and outdated traditions by emphasizing that such factors have caused tremendous social tensions and suffering. In a very significant way, Indian cinema has tried to systematically break down religious and other barriers (say, ethnic, language, caste and class) and has endeavoured to engender an egalitarian society despite numerous obstacles. Here is a work that all readers, film buffs or not, will find stimulating, engrossing and informative.
Nanocomposites (both heterogeneous and anisotropic) are hard to machine due to their enhanced properties and there is a need to know about the problems associated with the machining of nanocomposites by various conventional as well as non-conventional machining operations. Machining of nanocomposites emphasizes on different fabrication methods to develop nanocomposites (polymers, metals, and ceramics) and different machining processes used in industries. Further, it describes issues and challenges including research trends associated with the same. It also evaluates mechanical and wear properties of the composites as well. Features: Covers manufacturing process of nanocomposites. Includes conventional and non-conventional machining process and relevant applications. Addresses effect of different nano-reinforcements on machinability. Discusses usage of design of experiments and optimization technique to improve the machinability of nanocomposites. Reviews challenges on machining of nanocomposites and its remedies. This book aims at Researchers, Graduate students in Mechanical Engineering, and Materials Sciences including Composites, Nanotechnology, and Machining.
A child is mercilessly abandoned for he is thought to be responsible for his mother’s death. He’s alone in a dark, forbidden forest suffering with grief. Sobbing, terrified and awaiting death, that’s when life played a game of dice and destiny decided that it had something in store for him much more powerful than death.
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