Defending the nuclear family and extolling ’family values’ have long been central features of politics in capitalist societies, in spite of radical left challenges from social, counter-cultural and gay rights movements. This book examines these challenges as they emerged in the 1960s and 1970s, re-appraising their relevance in the light of recent developments, including the spread of more diverse family forms and the rise of the same-sex marriage movement. Drawing on archival research in the US, UK and Australia, the author asks what the emergence of same-sex marriage movements and legislation mean for challenges to the nuclear family in the light of an original general hostility to marriage and family structures in the gay liberation movement, whilst considering the extent to which the nuclear family might be included in the list of social and economic institutions subject to criticism on the part of more recent anti-capitalist movements, such as Occupy. A detailed study of the extent to which the nuclear family remains susceptible to the radical critiques of the last century, Radical Challenges to the Family examines whether the original challenges shed light on ensuring social problems, including domestic violence, child abuse, homophobia, and growing marital dissatisfaction. As such, it will appeal to scholars of sociology and politics with interests in gender and sexuality, the sociology of the family and feminist thought.
This book explains and reviews some of the significant events involved in human implantation and the establishment of the placenta in the uterus. This critical phase in human reproduction has proved to be an elusive and challenging area of research, not least because of the immunological and genetic interactions between the mother and fetus. The volume focuses on the most recent advances in our understanding of the basic mechanisms involved, with a particular emphasis on cell biology and immunology. This lucid volume will benefit all those studying and undertaking research in reproductive biology and immunology, perinatal pathology, fetal medicine and obstetrics.
The work for women's suffrage started more than seventy years before the passage of the Nineteenth Amendment at the Seneca Falls Convention in 1848 when Elizabeth Cady Stanton, Lucretia Mott, and one hundred supporters signed the Declaration of Sentiments asserting that "all men and women are created equal." This convention served as a catalyst for debates and action on both the national and state levels, and on November 6, 1917, New York State passed the referendum for women's suffrage. Its passing in New York signaled that the national passage of suffrage would soon follow. On August 18, 1920, "Votes for Women" was constitutionally granted. Votes for Women, an exhibition catalog, celebrates the pivotal role the state played in the struggle for equal rights in the nineteenth century, the campaign for New York State suffrage, and the ratification of the Nineteenth Amendment. It highlights the nationally significant role of state leaders in regards to women's rights and the feminist movement through the early twenty-first century and includes focused essays from historians on the various aspects of the suffrage and equal rights movements around New York, providing greater detail about local stories with statewide significance. The exhibition of the same name, on display at the New York State Museum beginning November 2017, features artifacts from the New York State Museum, Library, and Archives, as well as historical institutions and private collections across the state.
Donovan Croft is sent to be fostered by Keith Chapman's family when Donovan's mother has to return to the West Indies. But the trauma of leaving his parents is too much for Donovan, and he becomes mute. He won't talk to Keith or his family, and he won't talk to the teachers at school. The combination of Donovan's silence, and the racist attitudes of both pupils and teachers at school means trouble, and it's the growing bond between Donovan and Keith which helps them all find a way to resolution.
This book, beginning with an analysis of how changes in the global economy are affecting the lives of ordinary Americans, suggests that the postmodern condition can be likened to the balkanization of culture and society and the "Brazilianization" of politics and the economy.
Distant Drums reveals how the colonies were central to the defense of the British Empire and the command of the oceans that underpinned it. Now in paperback, Distant Drums blends sweeping overviews of the nature of imperial defense with grassroots explanations of how individual colonies were mobilized for war, drawing on the author's specialist knowledge of the Indian Ocean and colonies, such as Bechuanaland, Ceylon, Mauritius, and Swaziland. This permits the full and dramatic range of action involved in imperial warfare to be viewed as part of an interconnected whole, from policy-makers and military planners in Whitehall to chiefs recruiting soldiers in African villages. After examining the martial reasons for acquiring colonies, the book considers the colonial role in the First World War. It then turns to the Second World War, documenting the recruitment of colonial soldiers, their manifold roles in British military formations, and the impact of war upon colonial home fronts. It reveals the problems associated with the use of colonial troops far from home and the networks used to achieve the mobilization of a global empire, such as those formed by colonial governors and regional naval commanders. Distant Drums is an important contribution to the understanding of the role of British colonies in 20th-century warfare. The defense of empire has traditionally been associated with the military endeavors of Britain and the 'white' Dominions, with the Indian Army sometimes in the background. This book champions the crucial role played by the other parts of the British Empire - the 60 or so colonies spread across the globe - in delivering victory during both World Wars.
Physical Signs in Medicine and Surgery - An Atlas of Rare, Lost and Forgotten Physical Signs: The work for this text began over two decades ago as Dr. Ashley White was researching ancient diseases and their initial presentations for prevention of future pandemic plagues. This evidence based paleopathology research has granted Dr. White access to some of the world's most sensitive archaeological sites. These locations have been in England, Scotland, North and Central America, Nine additional countries in Europe, Asia - including Russia and China, the Middle East, North and Sub-Sahara Africa, and South America including the Amazon Basin. This comprehensive Atlas was originally conceived for doctors providing needed care in dangerous, rugged and remote situations often created by catastrophe, disasters, epidemics, and military conflicts. It is within these serious environments that this Atlas can assist practitioners find the most obscure and difficult diagnosis where access to x-rays and modern laboratory equipment are often impossible. Designed with a unique reference style of key words tagged to known medical systems the Atlas functions as an easy to use clinical field manual whether in use in an advanced medical care unit or in the harsh realm of the jungle. This extensive compendium of rare medical findings, together with an incredible group of landmark essays make this the most complete Atlas of physical signs ever published.
Born in 1909 and 1913 respectively in a little town called Marion, on the south coast of Massachusetts, brothers Ed and Cliff Ashley shared a childhood filled with simple country adventures and colorful characters, from old whalers who boasted of gigantic harpoons, to Civil War veterans who told magnificent stories of glory on the battlefield.Remarkably, the Ashleys' cherished memories have been preserved in the letters that Cliff, who moved to Maine as a young man, wrote to his brother Ed over the course of 60 years. Cliff wrote of the scrapes they'd gotten into as kids, the games they'd played, the townsfolk they'd known, and the sleepy little town they called home. Ed read and saved each of those letters, and when his failing eyesight prevented him from reading the ones he continued to receive, a caregiver read them to him. After hearing each new treasure, he'd put it in a box in his closet with the others. Realizing the value of those stored memories, the caregiver compiled Cliff's letters in a book, putting Ed's memories to writing in the form of replies.Here, then, is the result...a wonderful collection of letters, filled with quaint stories and a colorful cast of small-town characters, reminiscent of television's Andy Griffith Show. Readers will enjoy stories about Mr. Midnight, the mysterious traveling salesman...ornery Bessie Nelson and her cats...Mr. Whitmarsh and his boney old horse, Gracie...Neal Potter, who hornswoggled the grocer with a bottle-return scheme...and many other delightfully funny characters.
This is the first full study of an African country during the Second World War. Unusually, it provides both an Africanist and an imperial perspective. Using extensive archival and oral evidence, Ashley Jackson explores the social, economic, political, agricultural, and military history ofBotswana. He examines Botswana's military contribution to the war effort and the impact of the war on the African home front. The book focuses on events and personalities `on the ground' in Africa and also on their interaction with and impact upon events and personalities in distant imperialcentres, such as Whitehall and the wartime British Army headquarters in the Middle East. The attitudes, aims, and actions of all levels of colonial society - British rulers, African chiefs, military officials, ordinary African men and women - are considered, producing a `total history' of an Africancountry at war.
Chimpanzees, including bonobos and common chimpanzees, are our closest living relatives. However, surprisingly, the information about the soft tissues of bonobos is very scarce, making it difficult to discuss and understand human evolution. This book, which is the first photographic and descriptive musculoskeletal atlas of bonobos (Pan paniscus), adopts the same format as the photographic atlases of other apes previously published by the same authors. These books are part of a series of monographs that will set out the comparative and phylogenetic context of the gross anatomy and evolutionary history of the soft tissue morphology of modern humans and their closest relatives. The present atlas, which includes detailed high quality photographs of the musculoskeletal structures from most anatomical regions of the body as well as textual information about the attachments, innervation, function and weight of the respective muscles, is based on dissections of seven bonobos, including adults, adolescents, infants and fetuses, and males and females, and on an extensive review of the literature for comparisons with common chimpanzees. It therefore provides an updated review of the anatomical variations within chimpanzees as well as an extensive list of synonyms used in the literature to designate the structures covered here. Moreover, contrary to the previous photographic atlases of apes, it also provides details on neurovascular structures such as the brachial and lumbrosacral plexuses. The book will therefore be of interest to students, teachers and researchers focusing on primatology, comparative anatomy, functional morphology, zoology, and physical anthropology and to medical students, doctors and researchers who are curious about the origin, evolution, homology and variations of the musculoskeletal and neurovascular structures of modern humans.
Intriguing compilation of crime fiction from 1905 to 1921 includes G. K. Chesterton's "The Blue Cross," "The Ninescore Mystery" by Baroness Orczy, Mary Roberts Rinehart's "The Papered Door," plus 12 other tales.
Ashley Crawford investigates how such figures as Ben Marcus, Matthew Barney, and David Lynch—among other artists, novelists, and film directors—utilize religious themes and images via Christianity, Judaism, and Mormonism to form essentially mutated variations of mainstream belief systems. He seeks to determine what drives contemporary artists to deliver implicitly religious imagery within a ‘secular’ context. Particularly, how religious heritage and language, and the mutations within those, have impacted American culture to partake in an aesthetic of apocalyptism that underwrites it.
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