Subverting Mainstream Narratives in the Reagan Era explores how artists, novelists, and directors were able to present narratives of strong dissent in popular culture during the Reagan Era. Using but subverting the tools of mainstream novels and films, these visionaries’ works were featured alongside other books in major bookstores and promoted alongside blockbusters in movie theatres across the country. Ashley M. Donnelly discusses how the artists accomplished this, why it is so important, and how new artists can use these techniques in today’s homogenous and mundane media.
This book explores the presence of the anti-hero in mainstream dramatic serial television. It offers critical examinations of Dexter, Sons of Anarchy, True Blood, Breaking Bad, and Boardwalk Empire. What purpose might such unusual protagonists serve in today's culture and what do their tales tell about U.S. political and economic issues from 2008 to 2012? The author discovers how the characters that seem initially so different prove to be strong examplars of established forms of power, such as white patriarchy and late capitalist interests. The study finds that even when the characters are groundbreaking fictional figures, they are all eventually written into submission by the narratives of their series, echoing the same tales of fictitious heroism recycled in American television narratives for decades. New trends in television narratives are discussed--with the expectation that perhaps future dramas will free audiences from oppressive narratives rather than continue to normalize them.
Subverting Mainstream Narratives in the Reagan Era explores how artists, novelists, and directors were able to present narratives of strong dissent in popular culture during the Reagan Era. Using but subverting the tools of mainstream novels and films, these visionaries’ works were featured alongside other books in major bookstores and promoted alongside blockbusters in movie theatres across the country. Ashley M. Donnelly discusses how the artists accomplished this, why it is so important, and how new artists can use these techniques in today’s homogenous and mundane media.
This book explores the presence of the anti-hero in mainstream dramatic serial television. It offers critical examinations of Dexter, Sons of Anarchy, True Blood, Breaking Bad, and Boardwalk Empire. What purpose might such unusual protagonists serve in today's culture and what do their tales tell about U.S. political and economic issues from 2008 to 2012? The author discovers how the characters that seem initially so different prove to be strong examplars of established forms of power, such as white patriarchy and late capitalist interests. The study finds that even when the characters are groundbreaking fictional figures, they are all eventually written into submission by the narratives of their series, echoing the same tales of fictitious heroism recycled in American television narratives for decades. New trends in television narratives are discussed--with the expectation that perhaps future dramas will free audiences from oppressive narratives rather than continue to normalize them.
Thank you for visiting our website. Would you like to provide feedback on how we could improve your experience?
This site does not use any third party cookies with one exception — it uses cookies from Google to deliver its services and to analyze traffic.Learn More.