In this book, Ashley Lear examines the relationship between two pioneers of American literature who broke the mold for women writers of their time. Pulitzer Prize–winning novelists Marjorie Kinnan Rawlings and Ellen Glasgow had divergent careers in different locations, Rawlings in backcountry Florida and Glasgow in urban Virginia, yet their correspondence on life and writing reveals one of the great literary friendships of the South. Rawlings felt such admiration for Glasgow that she spent the last year of her life compiling materials for Glasgow’s biography, a work she never completed. Lear draws on the documents Rawlings collected about Glasgow, Rawlings’s personal notes, and letters between the two writers to describe the experiences that brought them together. Lear shows that Rawlings and Glasgow shared a love of nature and social activism, had complex relationships with their parents and siblings, and prioritized their professional lives over romantic attachments. They were both classified as writers of regional works and juvenilia by critics, and Lear traces their discussions about how to respond to the opinions of book reviewers. Both were also forced to confront a new, quickly modernizing America, which at times clashed with their traditional values and naturalistic lifestyles. This is a fascinating portrait of a friendship that sustained two women writers in a time of social upheaval and changing norms in the American South.
In this book, Ashley Lear examines the relationship between two pioneers of American literature who broke the mold for women writers of their time. Pulitzer Prize–winning novelists Marjorie Kinnan Rawlings and Ellen Glasgow had divergent careers in different locations, Rawlings in backcountry Florida and Glasgow in urban Virginia, yet their correspondence on life and writing reveals one of the great literary friendships of the South. Rawlings felt such admiration for Glasgow that she spent the last year of her life compiling materials for Glasgow’s biography, a work she never completed. Lear draws on the documents Rawlings collected about Glasgow, Rawlings’s personal notes, and letters between the two writers to describe the experiences that brought them together. Lear shows that Rawlings and Glasgow shared a love of nature and social activism, had complex relationships with their parents and siblings, and prioritized their professional lives over romantic attachments. They were both classified as writers of regional works and juvenilia by critics, and Lear traces their discussions about how to respond to the opinions of book reviewers. Both were also forced to confront a new, quickly modernizing America, which at times clashed with their traditional values and naturalistic lifestyles. This is a fascinating portrait of a friendship that sustained two women writers in a time of social upheaval and changing norms in the American South.
Southern Tufts is the first book to highlight the garments produced by northwestern Georgia’s tufted textile industry. Though best known now for its production of carpet, in the early twentieth century the region was revered for its handtufted candlewick bedspreads, products that grew out of the Southern Appalachian Craft Revival and appealed to the vogue for Colonial Revival–style household goods. Soon after the bedspreads became popular, enterprising women began creating hand-tufted garments, including candlewick kimonos in the 1920s and candlewick dresses in the early 1930s. By the late 1930s, large companies offered machine-produced chenille beach capes, jackets, and robes. In the 1940s and 1950s, chenille robes became an American fashion staple. At the end of the century, interest in chenille fashion revived, fueled by nostalgia and an interest in recycling vintage materials. Chenille bedspreads, bathrobes, and accessories hung for sale both in roadside souvenir shops, especially along the Dixie Highway, and in department stores all over the nation. Callahan tells the story of chenille fashion and its connections to stylistic trends, automobile tourism, industrial developments, and U.S. history. The well-researched and heavily illustrated text presents a broad history of tufted textiles, as well as sections highlighting individual craftspeople and manufacturers involved with the production of chenille fashion.
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