A dazzling—and already prizewinning—collection of essays on youth and aging, ambition and disappointment, Katherine Mansfield tourism and New Zealand punk rock, and the limitations of the body. Youth and frailty, ambition and anxiety, the limitations of the body and the challenges of personal transformation: these are the undercurrents that animate acclaimed poet Ashleigh Young's first collection of essays. In Can You Tolerate This?—the title comes from the question chiropractors ask to test a patient's pain threshold—Young ushers us into her early years in the faraway yet familiar landscape of New Zealand: fantasizing about Paul McCartney, cheering on her older brother's fledging music career, and yearning for a larger and more creative life. As Young's perspective expands, a series of historical portraits—a boy who grew new bone wherever he was injured, an early French postman who built a stone fortress by hand, a generation of Japanese shut-ins—strike unexpected personal harmonies, as an unselfconscious childhood gives way to painful shyness in adolescence. As we watch Young fall in and out of love, undertake an intense yoga practice that masks an eating disorder, and gradually find herself through her writing, a highly particular psyche comes into view: curious, tender, and exacting in her observations of herself and the world around her. Can You Tolerate This? presents a vivid self-portrait of an introspective yet widely curious young woman, the colorful, isolated community in which she comes of age, and the uneasy tensions—between safety and risk, love and solitude, the catharsis of grief and the ecstasy of creation—that define our lives.
In her new poetry collection How I Get Ready, Ashleigh Young fails to learn to drive, vanishes from the fossil record, and finally finishes writing a book.
Collection of Ashleigh Young's poetry. Through many of life's lessons, you'll learn about her faults, her love and heartaches, and her fears. You'll see a little bit about what her world's about. A lot of these poems are also about some of the people in her life, and the struggles that they've gone through.
Imagine being able to run like the wind. Bea thinks that if she keeps her resolution to train hard, she'll keep up with everybody else and maybe even overtake them on the running track. Yet Bea soon realizes that she's no super hero. (Back cover)
Jamal is going to save the planet. He and his friend Frances come up with the perfect plan: a recycling service. Yet after just one day, things start to go wrong, and it turns out that saving the planet isn't going to be as easy as Jamal thought. (Back cover)
When he died in 1992 Brett Whiteley left behind decades of ceaseless activity—some works bound to a particular place or time, others that are masterpieces of light and line. Whiteley had arrived in Europe in 1960 determined to make an impression. Before long he was the youngest artist to have work acquired by the Tate. With his wife, Wendy, and daughter, Arkie, Whiteley then immersed himself in bohemian New York. But within two years he fled, having failed to break through. Back in Sydney, he soon became Australia’s most celebrated artist. He won the Archibald, Wynne and Sulman prizes in the same year—his prices soared, as did his fame. Among his friends were Francis Bacon and Patrick White, Billy Connolly and Dire Straits. Yet addiction was taking its toll: Whiteley struggled in vain to separate his talent from his disease, and an inglorious end approached. Written with unprecedented behind-the-scenes access, and handsomely illustrated with classic Whiteley artworks, rare notebook sketches and candid family photos, this dazzling biography reveals for the first time the full portrait of a mercurial artist. Ashleigh Wilson has been a journalist for almost two decades. He began his career at the Australian in Sydney before spending several years in Brisbane, covering everything from state politics to the Hollingworth crisis to indigenous affairs. He then moved north to become the paper's Darwin correspondent, a posting bookended by the Falconio murder trial and the Howard government’s intervention in remote Aboriginal communities. During that time he won a Walkley Award for reports on unethical behaviour in the Aboriginal art industry, a series that led to a Senate inquiry. He returned to Sydney in 2008 and has been the paper’s Arts Editor since 2011. He lives in Sydney. ‘Ashleigh Wilson has produced an intriguing, absorbing and assured account of Brett Whiteley’s life and work’. Mark Knopfler ‘With relentless precision, Ashleigh Wilson has provided a peerless grasp of the life and genius of Brett Whiteley. This storied journey of one of Australia’s most mercurial twentieth-century artists will be impossible for the reader to put aside until it is finished. It is the dispassionate biography Whiteley has long needed: a career clarified from the brilliant clouds of myth.’ Barry Pearce, Emeritus Curator of Australian Art at the Art Gallery of NSW ‘A full-dress life of Whiteley that speeds and soars and never ceases to do homage to the colossal confrontation and contradiction the artist represents...Wilson has written that rarest of things, a 400-page biography that is hard to put down...[It] will make you weep for this exasperation of a man and hunger for his art.’ Australian ‘An essential and invaluable resource for any Whiteley scholar...Wilson’s achievement is considerable...Ashleigh Wilson’s Brett Whiteley: Art, Life and the Other Thing is a benchmark publication in Whiteley studies.’ Sydney Review of Books ‘The best biography I read [this year] was Ashleigh Wilson’s Brett Whiteley: Art, Life and the Other Thing...Combines journalistic rigour and personal compassion his landmark account of one of our greatest artists.’ Australian ‘Ashleigh Wilson’s biography of Brett Whiteley is hard to put down. The narrative hums along beautifully, allowing readers a rare insight into Whiteley’s complex genius. A colossal undertaking, helped by extraordinary access. Wilson has delivered readers—and history—an absorbing, detailed and fascinating read.’ Walkley Magazine ‘Ashleigh Wilson methodically tracks this mercurial artist from early family days to his final years—a motley of sex, drugs and rock’n’roll, and importantly, art.’ Art Almanac
Open microfluidics, the study of microflows having a boundary with surrounding air, encompasses different aspects such as paper or thread-based microfluidics, droplet microfluidics and open-channel microfluidics. Open-channel microflow is a flow at the micro-scale, guided by solid structures, and having at least a free boundary (with air or vapor) other than the advancing meniscus. This book is devoted to the study of open-channel microfluidics which (contrary to paper or thread or droplet microfluidics) is still very sparsely documented, but bears many new applications in biology, biotechnology, medicine, material and space sciences. Capillarity being the principal force triggering an open microflow, the principles of capillarity are first recalled. The onset of open-channel microflow is next analyzed and the fundamental notion of generalized Cassie angle (the apparent contact angle which accounts for the presence of air) is presented. The theory of the dynamics of open-channel microflows is then developed, using the notion of averaged friction length which accounts for the presence of air along the boundaries of the flow domain. Different channel morphologies are studied and geometrical features such as valves and capillary pumps are examined. An introduction to two-phase open-channel microflows is also presented showing that immiscible plugs can be transported by an open-channel flow. Finally, a selection of interesting applications in the domains of space, materials, medicine and biology is presented, showing the potentialities of open-channel microfluidics.
This book taps neuroscience and neuropsychology to provide hard facts about brain conditions and the behavior that emerges from powerful brain chemistry—a fascinating read for adolescents, parents, and teachers alike. Sexual Forensics: Lust, Passion, and Psychopathic Killers provides a fascinating examination of "neurotruths" that are relevant and applicable to 21st-century parenting and social relationships, and explains workplace "brainmarks" that enable predictive solutions to practical problems. Author Don Jacobs, a researcher who has been studying psychopathy for over 25 years, describes how psychopathy has evolved as a brain condition, documenting how the vast majority of the spectrum represents normalcy, and only 20 to 30 percent of humankind characterizes corruptors or violent, pathological individuals. The book examines examples of individuals who have demonstrated significant achievement, influence, wealth, or corruptive behavior in differently abled profiles, and provides student autobiographies that enable rare scientific insights into the adolescent state of mind.
A rollicking debut' - Telegraph 'A necessary exploration of identity and belonging' - Derek Owusu, author of That Reminds Me In Ashleigh Nugent's dynamic coming-of-age comedy of errors, Locks, teenager Aeon is on a quest for belonging. Locks is the story of Aeon, a mixed-up and mixed-race teenager from a leafy Liverpool suburb, who is desperate to find his Black roots and understand the Black identity foisted upon him by his community. To his growing shame, the only Black people in his life are his dad and his cousin, Increase – but they don’t count. Aeon’s dad is intent on ignoring race and climbing the social ladder. And Increase has taken to demeaning all Black culture since the shady and unresolved death of his own father, a ‘Yardie’ gangster. Aeon’s quest seems set to be fulfilled when he and Increase travel to Jamaica. But Aeon soon finds that smoking loads of weed, growing messy dreadlocks and wearing massive red boots don’t, necessarily, help him to fit in. He gets mugged, stabbed, arrested and banged up in a Jamaican detention centre, where he is beaten unconscious for being the ‘White boy’. And then things really start to go wrong . . .
A dazzling—and already prizewinning—collection of essays on youth and aging, ambition and disappointment, Katherine Mansfield tourism and New Zealand punk rock, and the limitations of the body. Youth and frailty, ambition and anxiety, the limitations of the body and the challenges of personal transformation: these are the undercurrents that animate acclaimed poet Ashleigh Young's first collection of essays. In Can You Tolerate This?—the title comes from the question chiropractors ask to test a patient's pain threshold—Young ushers us into her early years in the faraway yet familiar landscape of New Zealand: fantasizing about Paul McCartney, cheering on her older brother's fledging music career, and yearning for a larger and more creative life. As Young's perspective expands, a series of historical portraits—a boy who grew new bone wherever he was injured, an early French postman who built a stone fortress by hand, a generation of Japanese shut-ins—strike unexpected personal harmonies, as an unselfconscious childhood gives way to painful shyness in adolescence. As we watch Young fall in and out of love, undertake an intense yoga practice that masks an eating disorder, and gradually find herself through her writing, a highly particular psyche comes into view: curious, tender, and exacting in her observations of herself and the world around her. Can You Tolerate This? presents a vivid self-portrait of an introspective yet widely curious young woman, the colorful, isolated community in which she comes of age, and the uneasy tensions—between safety and risk, love and solitude, the catharsis of grief and the ecstasy of creation—that define our lives.
Through the light is a story about love and loss of a loved one when the go through the light. When Jayla goes through the light her boyfriend Kaine finds it hard to communicate with anyone and goes through the stages of grief. Reality soon hits and he ends back in the lake were she died. He starts seeing and hearing her everywhere he goes and she tells him he only has one chance to save her otherwise she will be gone forever. Can love really conquer all? And can Kaine save Jayla from the light or will he have to say goodbye to her for ever? One chance, Can he save her?
Did you know that Abraham Lincoln grew up in a log cabin? People called him Honest Abe because he was so fair. Find out more in Abraham Lincoln, a Historical Heroes book.
The place of the novel as a literary form in Africa is contested. Its colonial origins and its unaffordability for most Africans make it a bad fit for the continent, yet it was also central to the creation of most postcolonial African national literary canons. These bipolar traditions remain unresolved in recent debates about Afropolitanism and the novel in Africa today. This book extends this debate, arguing that Africa’s ‘de-realization’ in global representation and the global economy is reflected in the African novel becoming dominated by Afropolitan, rather than African, aesthetics, styles, and forms. Drawing on close readings of a variety of major African novels of the 2000s, the volume traces the tensions between the novel’s complicity with and resistance to such de-realization. The book argues that current trends and experiments in African non-realist genres, such as science fiction, magical and animist realism, Afro-futurism, and speculative environmentalism, are the result of a preoccupation with such de-realization. The volume is a significant exploration into literary form and its social, philosophical, political, and economic underpinnings. It will be a must-read for scholars, students, and researchers of African literature, politics, philosophy, and culture studies.
Almost everyone enters into a relationship in the honeymoon stage of dating. It is fun at firstthe physical attraction, the cute first moments, and the dating adventures. This beginning is called the meeting of the two representatives. When the two meet, they are meeting each others representative or the person they would like the other to think they really are. And so, at first, it seems as if the two of them have very much in common. There may be many signs of discord among couples, but these signs are often overlooked by the animalistic attraction or the need to find that special soul mate. Later, as the relationship progresses, the couple realizes that they were not suited for one another.
This book examines the career of Pedro de Alfaro, a Spanish Franciscan whose 1579 mission to China collapsed amid accusations of illegal entry and espionage. The author analyzes his remarkable assessment of China's military and civil infrastructure, which had the effect of permanently changing Spanish plans for a conquest of China.
This book sheds light on how the public engage with, make sense of, and discursively evaluate news media constructions of people from asylum seeking backgrounds. As a case study, the author discusses her recent research combining Critical Discourse Analysis with a cultural studies Audience Reception framework to examine the perspectives of 24 Western Australians who took part in semi-structured interviews. During their interviews, participants were asked open-ended questions about: their general views on people seeking asylum, including Australia’s policy responses, their media engagement habits and preferences, and their views concerning how the Australian media represents people seeking asylum. The author compares and contrasts this research with broader interdisciplinary discussion, and the book will therefore appeal to students and scholars of migration, political communication, sociology, audience reception, critical media studies and sociolinguistics.
Food (and life) is all about perspective: having an open mind and an adventurous spirit can take you to wonderful places you’d never experience otherwise. From health and nutrition writer, podcast host, and self-proclaimed health nerd Ashleigh VanHouten comes this entertaining and user-friendly guide to enjoying some of the more adventurous parts of the animal, as well as understanding the value of whole-animal cooking. Enjoy 75 delicious and uncomplicated recipes sourced from an enthusiastic advocate of nose-to-tail, ancestrally inspired eating who does not have a background in cooking or organ meats—so if she can do it, so can you! Ashleigh has also enlisted the help of some of her chef friends who are known for their beautiful preparations of nose-to-tail dishes to ensure that her recipes nourish and satisfy both your body and your palate. There are many great reasons to adopt a truly whole-animal, nose-to-tail approach to eating. It Takes Guts: A Meat-Eater's Guide to Eating Offal with over 75 Healthy and Delicious Nose-to-Tail Recipes is more than a cookbook: it’s about education and understanding that the way we eat is important. Our choices matter, and we should seek to know why a particular food is beneficial for us, the ecosystem, and the animals, and how our food choices fit into the larger food industry and community in which we are a part. Through interviews with experts, more than a few hilarious and thoughtful anecdotes, and of course, delicious recipes, you’ll learn the cultural, environmental, and health benefits of adding a little “variety meat” to your diet. As the saying goes, the way you do anything is the way you do everything. So let’s all approach our plates, and our lives, with a sense of adventure and enthusiasm! In this book, you will find • An entertaining introduction into the “offal” world of organ meats, and why it’s more delicious (and less scary) than you may think • A breakdown of the healthiest and tastiest organ meats, from heart, liver, and kidney to tongue, bone marrow, and blood • An interview with a butcher on how to source the best organ meats, including what to look for and ask about • 75 delicious, fun, and easy recipes that you don’t have to be a chef to prepare • Plenty of background and personal anecdotes about specific recipes: where they come from, why they’re special, and why you should add them to your meal plan • A number of contributed recipes from respected chefs, recipe developers, and fellow health nerds, including the Ben Greenfield family, Beth Lipton, and Tania Teschke From the author: “I encourage, whenever I can, a little adventure when you eat. One bite of something new won’t hurt you, and it just might open up a whole new world of pleasure and health. By eating nose-to-tail, we’re also honoring and respecting the animals who sacrificed for our dinner plates by ensuring none of it is wasted.”
A singer overwhelmed by his crowd. A dancer on ice above sea. A teenage girl, later to become a virtuoso conductor, jolted by the sound of a symphony. Two filmmakers exchange vows on their opera set. A photographer hears a Cistercian echo in the sails. And one night, after a Verdi curtain call, an audience member who looks a lot like Bob Dylan receives a private singing lesson in a theatre named after Australia's greatest opera star. For fifty years, the Sydney Opera House has elevated the spirits of all who enter its orbit. Here, fifty artists - from Simone Young to Nick Cave, Sylvie Guillem to Briggs, Baz Luhrmann to Carlotta - share their most indelible memories from a building that embodies the Australian contemporary experience.
Experience the beauty of A Gentle Spirit, now even better in Barbour’s deluxe, two-color format. Featuring a refreshing and inspiring devotional reading for each day of the year—from Christian women, both contemporary and historical—this attractive edition provides challenge and encouragement for your spirit.
We sit at the table, opposite each other, a tape recorder and a microphone between us, and I begin by saying that I don’t want to start with Brett. ‘That’s a good idea.’ Wendy looks at me and smiles. ‘I didn’t start with Brett.’ These days Wendy Whiteley is a legendary figure in the art world, the keeper of the Brett Whiteley legacy, best known for creating the Secret Garden on the land below her house on Sydney Harbour. But before she met Brett, Wendy was herself a budding artist; her creative work ever since has been under-recognised. Wendy is a survivor: of drug dependence, bitter divorce, the deaths of Brett and their beloved daughter, Arkie. More than that, she is a remarkable figure whose life has had its own contours and priorities. Now in her early eighties—reflective yet outspoken, with a dry wit—she has much to tell about it. The product of many hours of candid conversations at the kitchen table in Lavender Bay with acclaimed Brett Whiteley biographer Ashleigh Wilson, and supplemented by extensive research and interviews with others, this is the unforgettable story of Wendy’s life. Ashleigh Wilson is the author of Brett Whiteley: Art, Life and the Other Thing (2016) and On Artists (2019). He was a journalist and editor for more than two decades, based in Sydney, Brisbane and Darwin, and won a Walkley Award for a series on unethical behaviour in the Aboriginal art industry. Wilson lives with his partner, a designer, and their son, and works at the Sydney Opera House. ‘This astonishing, glorious book reveals Wendy Whiteley as she really is—an artist in her own right, a unique personality. Wendy tells the truth: she made a garden for Australia. And found the right person to tell her amazing story.’ Miriam Margolyes
Remembering To Forget is a vivid and evocative story based on the true accounts of Ashleigh Moore’s existence. Enduring a path of isolation feeling betrayed by her friends and family while grieving for the life that was taken and the future she no longer can give her daughter. Her journey takes her back to face an anguished childhood where the steps of healing some of the most haunting revelations begin. Finding depression to be a friendship with the devil himself she begins the voyage under the cloud stigma that suicide leaves behind. The endless tunnel takes every ounce of life with in her to survive the many obstacles placed in her path. The innocence of her four year old daughter was for ever changed with a decision that neither of them could alter. The choices and sacrifices that she makes to support and comfort her daughter’s already traumatized heart. The world as they both new it had no beginning and no ending. A maze of webbed emotions that she alone had to over come with her daughter by her side; Always asking . . . how do you raise a daughter after a suicide? This is a compelling true story of a women and mother's journey of unconditional love, loss, betrayal, ultimate guts and tenacity for the survival of herself and her daughter after her husband takes his own life. Hers is a story of triumph against diverse odds. Ashleigh finds within her blazing fierce Irish determination to fight for a new life for her and her daughter on her own terms.
This book explores the place of birds in Roman myth and everyday life, focusing primarily on the transitional period of 100 BCE to 100 CE within the Italian peninsula. A diverse range of topics is considered in order to build a broad overview of the subject. Beginning with an appraisal of omens, augury, and auspices – including the ‘sacred chickens’ consulted by generals before battle – it goes on to examine how Romans farmed birds, hunted them, and kept them as pets. It demonstrates how the ownership and consumption of birds were used to communicate status and prestige, and how bird consumption mirrored wider economic and social trends. Each topic adopts an interdisciplinary approach, considering literary evidence alongside art, material culture, zooarchaeology, and modern ornithological knowledge. The inclusion of zooarchaeology adds another dimension to the work and highlights the value of using animals and faunal remains to interpret the past. Studying the Roman view of birds offers great insight into how they conceived of their relationship with the gods and how they stratified and organised their society. This book is a valuable resource for bird lovers and researchers alike, particularly those studying animals in the ancient world.
In her new poetry collection How I Get Ready, Ashleigh Young fails to learn to drive, vanishes from the fossil record, and finally finishes writing a book.
Is it difficult to find your way in the dark? Perhaps it would help if you had night vision like an owl, large funnel-shaped ears like a fennec fox or padded feet like a tiger! Then, like the unusual creatures in theis book, you would feel perfectly at home under cover of darkness. (Back cover)
The daily devotional A Gentle Spirit has been a consistent best-seller and sold over 400,000 copies since its release in 1998. Now, the compiled writing of great Christian women--including Amy Carmichael, Coorie ten Boom, Joni Eareckson Tad, Ruth Bell Graham, and many more-- is part of Barbour's popular devotional journal series.
Water covers more than two-thirds of Earth's surface! For thousands of years, people have used this vast natural resource in many inventive ways. Find out how rivers and canals have transformed our lives. (Back cover)
Nautilus Book Award Winner: An “engagingly written” behavioral science-based guide to tackling our urgent environmental problems (Robert B. Cialdini, author of Influence: The Psychology of Persuasion). To create a sustainable future and achieve positive, durable change, we must design solutions based directly on how people think, make decisions, and act. From hotels that save water (and money) using simple signage to energy suppliers that boost participation in renewable energy programs through mere enrollment-form tweaks, it’s clear that shifting the behavior of millions for the better is possible. Based on decades of research into what drives behavior change, Making Shift Happen provides a suite of powerful tools to transform the world. It features A-to-Z guidance on how to design a behavior change initiative—from choosing the right audience and uncovering what drives their behavior to designing, prototyping, testing, and implementation. Clear instructions and real-world examples empower you to apply hundreds of behavioral science solutions including: Using social norms to spread positive environmental behaviors Selecting and testing stories, metaphors, and values to frame information for each audience Catalyzing action by aligning your initiative with your audience’s personal and social motivators Breaking bad habits and building positive ones Capturing your audience’s attention and reducing barriers to action Connecting people with nature and building empathy for the environment and its inhabitants Making Shift Happen is a must-have guide for practitioners in non-profits, governments, and businesses looking to design successful campaigns and initiatives that shift behaviors and mindsets toward positive environmental outcomes and a better future for all. “Completely fascinating—we’ve learned a lot about the ways minds work in the last decades and that may help us figure out how to appeal to our better angels more effectively than in the past. Rest assured that people who want to sell us junk are paying attention to these insights—the rest of us better do so too!” —Bill McKibben, author of The End of Nature
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