Nearly three hundred brilliant thoughts or "pot shots" are presented with humorous illustrations on the themes of communication, time and change, pleasure, life, and other topics of human concern
Nearly three hundred brilliant thoughts or "pot shots" are presented with humorous illustrations on the themes of communication, time and change, pleasure, life, and other topics of human concern
What are you agreeing to when you say “I do”? When a couple promises “I do,” they agree to more than just a shared last name, a joint bank account, and no more dateless nights. This husband and wife duo forms a new team. “Life together” becomes their mantra. Nothing can come between them. At least, that’s the plan. But then real life sets in, bringing with it disappointments and frustrations. If the couple isn’t intentional in their day-to-day interactions, that once enthusiastic “we” can slowly revert to “you” and “me.” Before long, the couple’s left wondering what happened to their team spirit. Team Us offers couples practical ways to cultivate and strengthen unity in their marriages. Author Ashleigh Slater shares from her own marriage as she presents couples with realistic ideas on how to foster cooperation, deepen commitment, and exercise grace on a daily basis.
Experience the beauty of A Gentle Spirit, now even better in Barbour’s deluxe, two-color format. Featuring a refreshing and inspiring devotional reading for each day of the year—from Christian women, both contemporary and historical—this attractive edition provides challenge and encouragement for your spirit.
A dazzling—and already prizewinning—collection of essays on youth and aging, ambition and disappointment, Katherine Mansfield tourism and New Zealand punk rock, and the limitations of the body. Youth and frailty, ambition and anxiety, the limitations of the body and the challenges of personal transformation: these are the undercurrents that animate acclaimed poet Ashleigh Young's first collection of essays. In Can You Tolerate This?—the title comes from the question chiropractors ask to test a patient's pain threshold—Young ushers us into her early years in the faraway yet familiar landscape of New Zealand: fantasizing about Paul McCartney, cheering on her older brother's fledging music career, and yearning for a larger and more creative life. As Young's perspective expands, a series of historical portraits—a boy who grew new bone wherever he was injured, an early French postman who built a stone fortress by hand, a generation of Japanese shut-ins—strike unexpected personal harmonies, as an unselfconscious childhood gives way to painful shyness in adolescence. As we watch Young fall in and out of love, undertake an intense yoga practice that masks an eating disorder, and gradually find herself through her writing, a highly particular psyche comes into view: curious, tender, and exacting in her observations of herself and the world around her. Can You Tolerate This? presents a vivid self-portrait of an introspective yet widely curious young woman, the colorful, isolated community in which she comes of age, and the uneasy tensions—between safety and risk, love and solitude, the catharsis of grief and the ecstasy of creation—that define our lives.
Although author Ashleigh C’mone Smith has experienced a number of challenging circumstances, she’s been able to overcome them. In In Life There is a Way!, she shares these stories and the role they played in her personal spiritual journey. From losing her father at a young age, to learning important life lessons from her disabled sister, Smith tells how she makes her relationship with God a priority and how she’s grown through prayer. In this memoir, Smith chronicles how she had a reason to give up, but she refused. Staying connected to God is the answer. She thanks God each day for everything—for the things he’s done and things he’s going to do.
It's hard to be without someone who has been there through thick and thin, and when they're gone forever, what do you do? How do you feel? At the age of eighteen, how are you supposed to feel especially when the person you lost has made plans for you ahead of time and decided that you need someone to take care of you and to keep you on track? Would you ever have thought that by having that person around would actually be good for you and he might even be the one you fall for? Do we see that there are true people on this planet that can love and make you whole again even though your world fell from beneath you?
Ashleigh Levin knows exactly how to appeal to a younger generation of would-be cooks, first timers venturing on their own in the kitchen, who want to impress their loved ones and friends with delicious meals that don’t require a formal culinary training to achieve. At the same time, competent cooks will find a wealth of ideas to inspire even the most jaded of palates. Ashleigh’s own love affair with food started in her grandmother’s kitchen when she was about the same height as the kitchen table. As she says of one occasion, ‘In that second of pancake-fuelled ecstasy, I saw for the very first time the utter perfection of food and its ability to bring people you love together...’ With her conversational writing style, in Home Cooked & Heart Warming Ashleigh will take you on a journey that’s filled with memories, delicious flavours, lots of butter and the freedom to try your own tweaks, to make sure the recipes work for you, and never forgetting a relaxing glass of wine to accompany it all. The titles of the recipes are evocative and tell you all you need to know or tease you to try out an intriguing idea, for instance Restorative butternut and ginger soup with chickpea sprinkles, Fall-apart lamb, My mother’s sticky chicken, Dirty ballerina Pavlova and Sunday funday martinis.
This book taps neuroscience and neuropsychology to provide hard facts about brain conditions and the behavior that emerges from powerful brain chemistry—a fascinating read for adolescents, parents, and teachers alike. Sexual Forensics: Lust, Passion, and Psychopathic Killers provides a fascinating examination of "neurotruths" that are relevant and applicable to 21st-century parenting and social relationships, and explains workplace "brainmarks" that enable predictive solutions to practical problems. Author Don Jacobs, a researcher who has been studying psychopathy for over 25 years, describes how psychopathy has evolved as a brain condition, documenting how the vast majority of the spectrum represents normalcy, and only 20 to 30 percent of humankind characterizes corruptors or violent, pathological individuals. The book examines examples of individuals who have demonstrated significant achievement, influence, wealth, or corruptive behavior in differently abled profiles, and provides student autobiographies that enable rare scientific insights into the adolescent state of mind.
The daily devotional A Gentle Spirit has been a consistent best-seller and sold over 400,000 copies since its release in 1998. Now, the compiled writing of great Christian women--including Amy Carmichael, Coorie ten Boom, Joni Eareckson Tad, Ruth Bell Graham, and many more-- is part of Barbour's popular devotional journal series.
The place of the novel as a literary form in Africa is contested. Its colonial origins and its unaffordability for most Africans make it a bad fit for the continent, yet it was also central to the creation of most postcolonial African national literary canons. These bipolar traditions remain unresolved in recent debates about Afropolitanism and the novel in Africa today. This book extends this debate, arguing that Africa’s ‘de-realization’ in global representation and the global economy is reflected in the African novel becoming dominated by Afropolitan, rather than African, aesthetics, styles, and forms. Drawing on close readings of a variety of major African novels of the 2000s, the volume traces the tensions between the novel’s complicity with and resistance to such de-realization. The book argues that current trends and experiments in African non-realist genres, such as science fiction, magical and animist realism, Afro-futurism, and speculative environmentalism, are the result of a preoccupation with such de-realization. The volume is a significant exploration into literary form and its social, philosophical, political, and economic underpinnings. It will be a must-read for scholars, students, and researchers of African literature, politics, philosophy, and culture studies.
If we denounce the artist, then what becomes of the work that remains? The #MeToo movement is overturning a cliché that has forgiven bad behaviour for years: to be creative is to be prone to eccentricity, madness, addiction and excess. No longer can artists be excused from the standards of conduct that apply to us all
When he died in 1992 Brett Whiteley left behind decades of ceaseless activity—some works bound to a particular place or time, others that are masterpieces of light and line. Whiteley had arrived in Europe in 1960 determined to make an impression. Before long he was the youngest artist to have work acquired by the Tate. With his wife, Wendy, and daughter, Arkie, Whiteley then immersed himself in bohemian New York. But within two years he fled, having failed to break through. Back in Sydney, he soon became Australia’s most celebrated artist. He won the Archibald, Wynne and Sulman prizes in the same year—his prices soared, as did his fame. Among his friends were Francis Bacon and Patrick White, Billy Connolly and Dire Straits. Yet addiction was taking its toll: Whiteley struggled in vain to separate his talent from his disease, and an inglorious end approached. Written with unprecedented behind-the-scenes access, and handsomely illustrated with classic Whiteley artworks, rare notebook sketches and candid family photos, this dazzling biography reveals for the first time the full portrait of a mercurial artist. Ashleigh Wilson has been a journalist for almost two decades. He began his career at the Australian in Sydney before spending several years in Brisbane, covering everything from state politics to the Hollingworth crisis to indigenous affairs. He then moved north to become the paper's Darwin correspondent, a posting bookended by the Falconio murder trial and the Howard government’s intervention in remote Aboriginal communities. During that time he won a Walkley Award for reports on unethical behaviour in the Aboriginal art industry, a series that led to a Senate inquiry. He returned to Sydney in 2008 and has been the paper’s Arts Editor since 2011. He lives in Sydney. ‘Ashleigh Wilson has produced an intriguing, absorbing and assured account of Brett Whiteley’s life and work’. Mark Knopfler ‘With relentless precision, Ashleigh Wilson has provided a peerless grasp of the life and genius of Brett Whiteley. This storied journey of one of Australia’s most mercurial twentieth-century artists will be impossible for the reader to put aside until it is finished. It is the dispassionate biography Whiteley has long needed: a career clarified from the brilliant clouds of myth.’ Barry Pearce, Emeritus Curator of Australian Art at the Art Gallery of NSW ‘A full-dress life of Whiteley that speeds and soars and never ceases to do homage to the colossal confrontation and contradiction the artist represents...Wilson has written that rarest of things, a 400-page biography that is hard to put down...[It] will make you weep for this exasperation of a man and hunger for his art.’ Australian ‘An essential and invaluable resource for any Whiteley scholar...Wilson’s achievement is considerable...Ashleigh Wilson’s Brett Whiteley: Art, Life and the Other Thing is a benchmark publication in Whiteley studies.’ Sydney Review of Books ‘The best biography I read [this year] was Ashleigh Wilson’s Brett Whiteley: Art, Life and the Other Thing...Combines journalistic rigour and personal compassion his landmark account of one of our greatest artists.’ Australian ‘Ashleigh Wilson’s biography of Brett Whiteley is hard to put down. The narrative hums along beautifully, allowing readers a rare insight into Whiteley’s complex genius. A colossal undertaking, helped by extraordinary access. Wilson has delivered readers—and history—an absorbing, detailed and fascinating read.’ Walkley Magazine ‘Ashleigh Wilson methodically tracks this mercurial artist from early family days to his final years—a motley of sex, drugs and rock’n’roll, and importantly, art.’ Art Almanac
We sit at the table, opposite each other, a tape recorder and a microphone between us, and I begin by saying that I don’t want to start with Brett. ‘That’s a good idea.’ Wendy looks at me and smiles. ‘I didn’t start with Brett.’ These days Wendy Whiteley is a legendary figure in the art world, the keeper of the Brett Whiteley legacy, best known for creating the Secret Garden on the land below her house on Sydney Harbour. But before she met Brett, Wendy was herself a budding artist; her creative work ever since has been under-recognised. Wendy is a survivor: of drug dependence, bitter divorce, the deaths of Brett and their beloved daughter, Arkie. More than that, she is a remarkable figure whose life has had its own contours and priorities. Now in her early eighties—reflective yet outspoken, with a dry wit—she has much to tell about it. The product of many hours of candid conversations at the kitchen table in Lavender Bay with acclaimed Brett Whiteley biographer Ashleigh Wilson, and supplemented by extensive research and interviews with others, this is the unforgettable story of Wendy’s life. Ashleigh Wilson is the author of Brett Whiteley: Art, Life and the Other Thing (2016) and On Artists (2019). He was a journalist and editor for more than two decades, based in Sydney, Brisbane and Darwin, and won a Walkley Award for a series on unethical behaviour in the Aboriginal art industry. Wilson lives with his partner, a designer, and their son, and works at the Sydney Opera House. ‘This astonishing, glorious book reveals Wendy Whiteley as she really is—an artist in her own right, a unique personality. Wendy tells the truth: she made a garden for Australia. And found the right person to tell her amazing story.’ Miriam Margolyes
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