Tina Thomas would have been turning 35 on the day that her husband of less than two weeks stood trial for her murder in the Jefferson County Courthouse in Birmingham, Alabama, US. Eight years and almost four months had passed since Tina died on her honeymoon, while scuba diving near the SS Yongala wreck on the Great Barrier Reef in Northern Queensland, Australia. During this period, there had been extensive police investigations conducted by local, state and federal agencies in Queensland and...
In A Day in the Country (third of six in Ashers Anthology), a letter sent to a family in another town comes about because of a meeting between musicians. One of which is a craftsman, who tells his apprentice that someone he met also had relatives with the same name as the apprentice. Years later, a phone call from the family, who received the letter, leads to a visit by the now-married apprentice to the caller. What follows isin some respectsa partial comedy and drama involving a potential religious intermarriage that fails to materialise but has remarkable consequences.
For the last third of the nineteenth century, Union General Stephen Gano Burbridge enjoyed the unenviable distinction of being the most hated man in Kentucky. From mid-1864, just months into his reign as the military commander of the state, until his death in December 1894, the mere mention of his name triggered a firestorm of curses from editorialists and politicians. By the end of Burbridge's tenure, Governor Thomas E. Bramlette concluded that he was an "imbecile commander" whose actions represented nothing but the "blundering of a weak intellect and an overwhelming vanity." In this revealing biography, Brad Asher explores how Burbridge earned his infamous reputation and adds an important new layer to the ongoing reexamination of Kentucky during and after the Civil War. Asher illuminates how Burbridge—as both a Kentuckian and the local architect of the destruction of slavery—became the scapegoat for white Kentuckians, including many in the Unionist political elite, who were unshakably opposed to emancipation. Beyond successfully recalibrating history's understanding of Burbridge, Asher's biography adds administrative and military context to the state's reaction to emancipation and sheds new light on its postwar pro-Confederacy shift.
In this seminal work, an attorney puts Jesus on trial, explaining to Jews, Christians and the theologically curious; why Jesus did not qualify as the Jewish messiah; why believing in Jesus cuts Jews off from G-d forever in the World To Come; how the Christian Bible has strategically mistranslated key verses in the "Old Testament" to shoehorn Jesus into the text." This compelling new book calls "unorthodox" Jews back to Torah Judaism. Black, White and Read Publishing.
This volume examines American labor unions as a major political force which candidates, legislatures, executives, and elected judges at all levels of government have to take into account in a variety of ways. Asher and Randall B. Ripley of Ohio State U.), Eric S. Heberlig (U. of North Carolina), and Karen Snyder (president of a public opinion firm) also discuss union strategies to achieve political importance in the context of changing leadership, membership, and external conditions in society. c. Book News Inc.
This book provides a conceptual framework for children's rights as well as specific strategies and opportunities for social workers to apply in their work. It guides social work professionals and students through the history of children's rights. It also includes a call for a paradigm shift from a focus on the right to nurturance to the right to self-determination, as well as a contrasting look at children's rights in the West versus the rest of the world.
Writings by the conceptual artist Michael Asher—including notes, proposals, exhibition statements, and letters to curators and critics—most published here for the first time. The California conceptual artist Michael Asher (1943–2012) was known for rigorous site specificity and pioneering institutional critique. His decades of teaching at CalArts influenced generations of artists. Much of Asher's artistic practice was devoted to creating works that had no lasting material presence and often responded to the material, social, or ideological context of a situation. Because most of Asher's artworks have ceased to exist, his writings about them have special significance. Public Knowledge collects writings by Asher about his work—including preliminary notes and ideas, project proposals, exhibition statements, and letters to curators and critics—most of which have never been previously published. Asher gave few interviews, didn't write art criticism, and rarely published extensive accounts of his own work. Yet writing was central to his artistic practice, serving as a tool for working out ideas, negotiating institutional parameters, and describing thought processes. In these texts, he considers writing and documentation, discusses artistic practice, offers notes for gallery and museum talks, presents artist statements for exhibition-goers, describes individual works and their situational context, and reflects on teaching and art education. Among other things, Asher provides his definition of site specificity, addresses the function of art in public space, and analyzes the intersection of teaching art and institutional models of education. Readers will see an artist at work, formulating ethical and political strategies for making art in a situational world.
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