Richard Wagner (1813-1883) aimed to be more than just a composer. He set out to redefine opera as a "total work of art" combining the highest aspirations of drama, poetry, the symphony, the visual arts, even religion and philosophy. Equally celebrated and vilified in his own time, Wagner continues to provoke debate today regarding his political legacy as well as his music and aesthetic theories.Wagner and His Worldexamines his works in their intellectual and cultural contexts. Seven original essays investigate such topics as music drama in light of rituals of naming in the composer's works and the politics of genre; the role of leitmotif in Wagner's reception; the urge for extinction inTristan und Isoldeas psychology and symbol; Wagner as his own stage director; his conflicted relationship with pianist-composer Franz Liszt; the anti-French satireEine Kapitulationin the context of the Franco-Prussian War; and responses of Jewish writers and musicians to Wagner's anti-Semitism. In addition to the editor, the contributors are Karol Berger, Leon Botstein, Lydia Goehr, Kenneth Hamilton, Katherine Syer, and Christian Thorau. This book also includes translations of essays, reviews, and memoirs by champions and detractors of Wagner; glimpses into his domestic sphere in Tribschen and Bayreuth; and all of Wagner's program notes to his own works. Introductions and annotations are provided by the editor and David Breckbill, Mary A. Cicora, James Deaville, Annegret Fauser, Steven Huebner, David Trippett, and Nicholas Vazsonyi.
Everything is set for the first day of the Rama Navami celebrations at Karnataka’s Bidaram Krishnappa Rama Mandira, with Rajkumar Bharathi’s concert getting the top billing. Rajkumar begins with the traditional Hamsadwani. Soon, rasikas are immersed in the melody of the enchanting voice, the perfect combination of swaras, ragas and the bhakti of the lyrics. But on the dais, Rajkumar is uneasy. His voice is getting ‘chopped’ on and off, and he is unable to raise the pitch. He even feels like stopping the concert midway. But braves on and contains the damage quickly, without the audience or accompanying artists getting an inkling of his trouble. Or, so he thinks! He steps down from the dais to a standing ovation. All seems well until a middle-aged man asks him, “Sir, why did your voice change?” Rajkumar feels utterly exposed. Then begins a long, arduous struggle for one of the most revered singers of the times. How did Rajkumar brave the difficult times? How did the music world react to it? How did he retune himself to become a maker of music? Asha Krishnakumar addresses these questions in Sound of Silence, after interviewing nearly hundred close associates of the legend.
Scientific Study from the year 2013 in the subject Biology - Micro- and Molecular Biology, grade: A, Nirma University (Institute of Science), course: Microbiology, language: English, abstract: Extracts of Emblica officinalis seeds prepared by Microwave Assisted Extraction (MAE) method were evaluated for their antimicrobial property against planktonic form of certain human/plant pathogenic microbes. Additionally, seed extracts of E. officinalis, Tamarindus indica, Manilkara zapota, Phoenix sylvestris, Syzygium cumini, and selected phytocompounds were tested against multi-drug resistant Streptococcus mutans (a major pathogen associated with human dental caries) in its planktonic as well as biofilm form. Ability of these extracts to eradicate and kill S. mutans biofilm was investigated. E. officinalis extracts exerted bactericidal action against S. mutans, Pseudomonas aeruginosa, and Vibrio cholerae. Acetone extract of S. cumini, and curcumin were able to inhibit S. mutans at appreciably low concentrations of 50 μg/mL and 20 μg/mL respectively. T. indica and S. cumini seed extracts were able to kill ≥ 80% cells of S. mutans in biofilm, in the concentration range of 500-1000 μg/mL. These extracts were able to achieve ≥ 95% killing of S. mutans biofilm at concentrations ranging from 600-2000 μg/mL. Ability of the potent extracts to kill S. mutans biofilm did not seem to be much dependent on eradication of the biofilm. Extraction efficiency was found to have a good correlation with antibacterial activity.
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