A tour de force of character, and a captivating story to match. Vivid, tender and unflinching. I loved this journey. " —Ann-Marie MacDonald, author of Fayne A stunning debut novel following the turbulent relationship of a Black, biracial teen and her ferocious Russian mother, struggling to survive in the California desert. When sixteen-year-old Lara and her fiery mother, Yevgenia, find themselves homeless again, the misnamed Oasis Mobile Estates is all they can afford. In this new community, where residents are down on their luck but rich in humor and escape plans, Lara navigates what it means to be the Black biracial daughter of a Russian mother and begins to wonder what a life beyond Yevgenia’s orbit—with her insistence on reading only the right kind of books (Russian) and having the right kind of relationships (casual, with lots of sex)—might look like. When a brutal attack exposes the cracks in their relationship, Lara and Yevgenia are forced to confront the family legacy of violence and the strain of inherited trauma on the bonds of their love. A Country You Can Leave is a dazzling, sharp-witted story suffused with yearning, as Lara and Yevgenia attempt to forge their own identities and thrive in a hostile land. Compelling and empathetic, wry and intimate, Asale Angel-Ajani’s unforgettable debut novel examines the beauty and dangers of womanhood in multiracial America.
The daughter of a drug trafficker brings a deeply personal perspective to the lives to two women who landed in a notorious Italian prison because of their roles in drug trade--Mary, a Liberian drug courier with a college education, and Pauline, a Ugandan wife, mother and drug cartel boss. Original.
“From page one, A Country You Can Leave is a riveting, exasperating, and deeply heartbreaking tale of mother-daughter strife and resilience.” —Xochitl Gonzalez, author of Olga Dies Dreaming A stunning debut novel following the turbulent relationship of a Black biracial teen and her ferocious Russian mother, struggling to survive in the California desert. When sixteen-year-old Lara and her fiery mother, Yevgenia, find themselves homeless again, the misnamed Oasis Mobile Estates is all they can afford. In this new community, where residents are down on their luck but rich in humor and escape plans, Lara navigates what it means to be the Black biracial daughter of a Russian mother and begins to wonder what a life beyond Yevgenia’s orbit—with her insistence on reading only the right kind of books (Russian) and having the right kind of relationships (casual, with lots of sex)—might look like. Lara knows that something else lies beneath her mother’s fierce, independent spirit, but Yevgenia doesn’t believe in sharing, least of all with her daughter. When a brutal attack exposes the cracks in their relationship, Lara and Yevgenia are forced to confront the family legacy of violence and the strain of inherited trauma on the bonds of their love. A Country You Can Leave is a dazzling, sharp-witted story suffused with yearning, as Lara and Yevgenia attempt to forge their own identities and thrive in a hostile land. Compelling and empathetic, wry and intimate, Asale Angel-Ajani’s unforgettable debut novel examines the beauty and dangers of womanhood in multiracial America.
Strange Trade tells the compelling stories of Mary, a Liberian drug courier with a college education, and Pauline, a Ugandan wife, mother, and drug cartel boss. A leading expert on women and organized crime, Asale Angel-Ajani spent years interviewing these women in Italy's notorious Rebibbia Prison—and gained unprecedented access into the narcotics trade. Herself the daughter of a drug trafficker, Angel-Ajani brings a wrenching, deeply personal perspective to the account of these women's lives, and offers a nuanced understanding of the global context within which African women are entering the drug trade in ever-increasing numbers. Strange Trade follows Pauline and Mary as they traverse three continents, survive wars, poverty, and shattered families, secure drug shipments, and commit murder. Angel-Ajani paints rich, intimate, and profoundly surprising portraits without glamorizing, sanitizing, or offering judgment. The result is an unvarnished journey into a world that, until now, has remained hidden; and a glimpse into the motives that led these women to risk—and ultimately lose—everything.
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