Fifty years after his death, Arturo Toscanini is still considered one of the greatest conductors in history, and probably the most influential. His letters, expertly collected, translated, and edited here by Harvey Sachs, will give readers a new depth of insight into his life and work. As Sachs puts it, they “reveal above all else a man whose psychological perceptions in general and self-knowledge in particular were much more acute than most people have thought likely.” They are sure to enthrall anyone interested in learning more about one of the great lives of the twentieth century. “This is a major contribution to our understanding of Toscanini and of several entire eras of late nineteenth- and twentieth-century musical life, especially the almost improvisatory looseness of opera in Italy, the glamour of European festivals, and the concert life of the United States. It’s also a wonderful, sometimes downright salacious read.”—New York Times “Toscanini’s large, cranky humanity comes alive throughout his letters, as it does in his best recordings.”—New York Review of Books “Edited with scrupulous care and wide-ranging erudition.”—Wall Street Journal “Sachs has served the conductor well . . . by editing this generously annotated and unprecedentedly revealing collection of letters that were written, usually in haste and often in fury, over the course of seventy years.”—Washington Post
Fifty years after his death, Arturo Toscanini is still considered one of the greatest conductors in history, and probably the most influential. His letters, expertly collected, translated, and edited here by Harvey Sachs, will give readers a new depth of insight into his life and work. As Sachs puts it, they “reveal above all else a man whose psychological perceptions in general and self-knowledge in particular were much more acute than most people have thought likely.” They are sure to enthrall anyone interested in learning more about one of the great lives of the twentieth century. “This is a major contribution to our understanding of Toscanini and of several entire eras of late nineteenth- and twentieth-century musical life, especially the almost improvisatory looseness of opera in Italy, the glamour of European festivals, and the concert life of the United States. It’s also a wonderful, sometimes downright salacious read.”—New York Times “Toscanini’s large, cranky humanity comes alive throughout his letters, as it does in his best recordings.”—New York Review of Books “Edited with scrupulous care and wide-ranging erudition.”—Wall Street Journal “Sachs has served the conductor well . . . by editing this generously annotated and unprecedentedly revealing collection of letters that were written, usually in haste and often in fury, over the course of seventy years.”—Washington Post
When John McCormack, a Scottish mining engineer living and working in Ghana, visited Jimmie in his Barons Court flat, accompanied by his girlfriend, Veronica Sam, Jimmie, who had only recently met the engineer while on a visit to the mining town of Tarkwa, had a business proposal. He would persuade him to go into business, trafficking gold. If he agreed, John would get the gold from the mining company in a manner only he would determine, Jimmie would fly to Ghana, collect it, and bring it to England to sell. The two would split the proceeds straight down the middle. With Veronica present, however, Jimmie was somewhat inhibited but hoped for an opportune moment to bring up the subject. While skirting around the subject during a discussion of the dire economic situation prevailing in Ghana, the engineer suddenly said, "You know, in Ghana today, and especially in Nigeria, red mercury is a hot commodity. A teaspoon full of the stuff will bring you several thousand naira." Jimmie registered the statement in his mind and decided that perhaps the red mercury track would be more lucrative than his business plan. In any case, he did not know how John McCormack would take the suggestion. Lured by prospects of striking it rich, Jimmie Quartey, recently graduated from Kings College, University of London, and his live-in girlfriend, Maria Kostopoulos, spent their lives' savings on twenty kilograms of mercuric oxide red and embarked upon a journey that would take them on a whirlwind tour lasting for almost eight weeks in Nigeria.
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