The art of writing is a living business,"" Declares Sir Arthur Quiller-Couch in the Preface to this classic. ""Literature is not a mere science, to be studied; but an art, to be practiced. Great as is our own literature, we must consider it as a legacy to be improved . . . if we persist in striving to write well, we can easily resign to other nations all the secondary fame."" Renowned as a critic, teacher, and educational reformer, Quiller-Couch delivered a series of lectures at the University of Cambridge in 1913-14. His subjects--the artistic and vital nature of language as well as the skills needed to convey and receive the written word--remain as timeless as his advice. This book contains the eminent scholar's remarks from those lectures on the practice of writing. The principles and practical guidelines he sets forth in this volume offer aspiring writers an enduring source of guidance. Every writer should have this book as reference and inspiration. Get Your Copy Now.
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
I INAUGURAL. II THE PRACTICE OF WRITING. III ON THE DIFFERENCE BETWEEN VERSE AND PROSE. IV ON THE CAPITAL DIFFICULTY OF VERSE. V INTERLUDE: ON JARGON. VI ON THE CAPITAL DIFFICULTY OF PROSE. VII SOME PRINCIPLES REAFFIRMED. VIII ON THE LINEAGE OF ENGLISH LITERATURE (I). IX ON THE LINEAGE OF ENGLISH LITERATURE (II). X ENGLISH LITERATURE IN OUR UNIVERSITIES (I). XI ENGLISH LITERATURE IN OUR UNIVERSITIES (II). XII ON STYLE.
After twenty-five years of close toil, Professor Skeat has completed his great edition of Chaucer. It is obviously easier to be dithyrambic than critical in chronicling this event; to which indeed dithyrambs are more appropriate than criticism. For when a man writes Opus vitæ meæ at the conclusion of such a task as this, and so lays down his pen, he must be a churl (even if he be also a competent critic) who will allow no pause for admiration. And where, churl or no churl, is the competent critic to be found? The Professor has here compiled an entirely new text of Chaucer, founded solely on the manuscripts and the earliest printed editions that are accessible. Where Chaucer has translated, the originals have been carefully studied: "the requirements of metre and grammar have been carefully considered throughout": and "the phonology and spelling of every word have received particular attention." We may add that all the materials for a Life of Chaucer have been sought out, examined, and pieced together with exemplary care.All this has taken Professor Skeat twenty-five years, and in order to pass competent judgment on his conclusions the critic must follow him step by step through his researches—which will take the critic (even if we are charitable enough to suppose his mental equipment equal to Professor Skeat's) another ten years at least. For our time, then, and probably for many generations after, this edition of Chaucer will be accepted as final.________________________________________
Foe-Farrell" is an ancient adventure story created through Arthur Thomas Quiller Couch. The tale takes region in the 17th century, all through the English Civil War. Quiller Couch's vibrant descriptions carry the historic placing to existence, taking readers to the points of interest and sounds of seventeenth-century England. This book falls into the fiction humor style. The paintings discover topics of loyalty, honor, and atonement in the context of warfare. Foe-Farrell turns into worried inside the fight among royalists and parliamentarians. Foe-Farrell is a multidimensional guy or girl who grapples together with his personal ethical quandaries as he navigates the dangerous political panorama. "Double9 Books" generates a various selection of books throughout all classes. Foe-Farrell is an engaging book for fanatics of historical fiction and journey literature, thanks to Quiller-Couch's first-rate narrative and good sized historic studies.
Sir Arthur Thomas Quiller-Couch was born in 1863 in Cornwall. Knighted in 1910, the distinguished author whose pseudonym was Q, was the King Edward Professor of English at Cambridge. Many of his novels featured Cornish themes, and were praised by critics and readers alike. Quiller-Couch was, for nearly forty years, the editor of The Oxford Book of English Verse, After a reversal of family fortunes, Q wrote and published more than 30 novels prior to 1900, many of which were well-plotted action and adventure tales in the spirit of Robert Louis Stevenson and H. Rider Haggard. The Westcotes, published in 1902, represents a departure for Q, in the human interest and exploration of character to be found in its story of a middle-aged woman and her love for a young man. Q was one of the most respected and beloved figures in British literature; he died unexpectedly in an auto crash in 1944.
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Sir Arthur Thomas Quiller-Couch wrote short stories, novels, criticism, and edited anthologies, including the Oxford Book series. He was Assistant Editor of the Liberal weekly The Speaker, and from 1912 until his death was Professor of English at Cambridge University. Writing under the pen name Q, Sir Arthur produced a variety of work, including adventure stories, historical fiction, satire, stories of the supernatural, and mysteries. The Laird's Luck and Other Fireside Tales is a set of stories from the Napoleonic Wars. In the title tale, a young Scottish Ensign dies gallantly, defending the colors, at the battle of Waterloo. Yet a serious charge has been laid against him that could dishonor his name despite his actions in battle, and all who might be able to defend him are also dead. Was he in fact a scoundrel? The other tales cover other aspects of war and human reactions to it.
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Sir Arthur Quiller-Couch (1863-1944), who often published under the pen-name of 'Q', was one of the giants of early twentieth-century literature and literary criticism. A novelist and poet who was also a Professor of English, he helped to form the literary tastes of generations of literary students and scholars who came after him. The freshness, enthusiasm and intellectual insight of his work is still evident in his writings nearly a century on. Cambridge University Press is delighted to reissue some of his key texts in this new edition. Shakespeare's Workmanship, first published in 1918, offers detailed readings of Macbeth, A Midsummer Night's Dream, The Merchant of Venice, As You Like It, Hamlet, Pericles and King Henry VIII, Cymbeline, The Winter's Tale and The Tempest, with an account of the story of Falstaff, and a general description of the features of Shakespeare's later plays.
This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Many of the earliest books, particularly those dating back to the 1900s and before, are now extremely scarce and increasingly expensive. We are republishing these classic works in affordable, high quality, modern editions, using the original text and artwork.
Sir Arthur Thomas Quiller-Couch was born in 1863 in Cornwall. Knighted in 1910, the distinguished author whose pseudonym was Q, was the King Edward Professor of English at Cambridge. Many of his novels featured Cornish themes, and were praised by critics and readers alike. Quiller-Couch was, for nearly forty years, the editor of The Oxford Book of English Verse, After a reversal of family fortunes, Q wrote and published more than 30 novels prior to 1900, many of which were well-plotted action and adventure tales in the spirit of Robert Louis Stevenson and H. Rider Haggard. Nicky-Nan, Reservist is one of Q's later books, an examination of character, rather than adventure. Published in 1915, Nicky-Nan is based on Q's experience recruiting young men to fight in the first World War. Q married his wife Louisa in 1888 -- their much-loved son Bevis fought in World War I and survived the battles, only to succumb to pneumonia after the war in 1919. This tragedy colored the remaining twenty-five years of Q's life, and as a result, Nicky-Nan is a much more spirited book, presenting the war effort in a much more kindly light than Q was able to muster after his son's death.
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