The work includes many of Dr. Eckardt's own fanciful stories, essays, and verses as well as material derived from student malapropisms, from children, and from professional humorists and comedians. Appearing at a time of burgeoning scholarly and popular interest in the domain of humor, Sitting in the Earth and Laughing shows how humor and laughter lie within the realm of human mysteries--together with tragedy, suffering, and love--that can be comprehended and relished.
On the Way to Death completes Eckardt's astonishing trilogy on the interrelationship of comedy, death, and God. It addresses itself to the question of death as the basic incongruity of life. Here is opened to human view the final divine comedy: a total reversal of the traditional roles assigned to God and humankind, a comical denouncement of the terror of death. On the Way to Death follows Sitting in the Earth and Laughing and How to Tell God From the Devil to complete A. Roy Eckardt's trilogy on comedy, the devil, and God. Soren Kierkegaard attests that "it is only by the deepest suffering that one acquires true authority in the use of the comic". Composed within this frame of reference, the foundation of this volume is its analysis of the terror of death for human beings. In this context, Eckardt maintains that the all-decisive truth is that humankind never asked to be, but has been thrown into existence. Accordingly, it is immoral - or even diabolical - to blame human beings for the terrible evils of life, including the specter of death. Human beings are proximately responsible for evil, but never ultimately responsible.
Long Night's Journey into Day is a controversial and stimulating attempt to deal with the impact of the Holocaust within the framework of modern-day Christian and Jewish thought. In this enlarged and revised edition, authors Alice and Roy Eckardt probe the moral, theological, historical, and political issues raised for Christians and Jews by the event. In addition, they take into account contemporary topics such as the significance and aftermath of Bitburg and the remarkable statement of the Rhineland Synod of the German Evangelical Church
How to Tell God From the Devil is the first book to depict the relationship among comedy, the Devil, and God. Drawing from Jewish and Christian theories, Eckardt describes comedy as a means to distinguish the divine from the diabolic. He presents a thorough critique of efforts throughout history to justify God in the presence of radical evil and suffering. How to Tell God From the Devil is a sequel to Eckardt's fascinating earlier study Sitting in the Earth and Laughing. Eckardt employs a variety of historical, psychological, sociological, philosophical, and theological sources. He discusses and assesses such diverse figures as Martin Luther, Reinhold Niebuhr, Zen Buddhists, Conrad Hyers, Nancy A. Walker, Jon D. Levenson, and Harvey Cox. How to Tell God From the Devil is an exceptional work, and will be significant and enjoyable for sociologists, theologians, philosophers, and specialists concerned with the study of humor.
How to Tell God From the Devil is the first book to depict the relationship among comedy, the Devil, and God. Drawing from Jewish and Christian theories, Eckardt describes comedy as a means to distinguish the divine from the diabolic. He presents a thorough critique of efforts throughout history to justify God in the presence of radical evil and suffering. How to Tell God From the Devil is a sequel to Eckardt's fascinating earlier study Sitting in the Earth and Laughing. Eckardt employs a variety of historical, psychological, sociological, philosophical, and theological sources. He discusses and assesses such diverse figures as Martin Luther, Reinhold Niebuhr, Zen Buddhists, Conrad Hyers, Nancy A. Walker, Jon D. Levenson, and Harvey Cox. How to Tell God From the Devil is an exceptional work, and will be significant and enjoyable for sociologists, theologians, philosophers, and specialists concerned with the study of humor.
On the Way to Death completes Eckardt's astonishing trilogy on the interrelationship of comedy, death, and God. It addresses itself to the question of death as the basic incongruity of life. Here is opened to human view the final divine comedy: a total reversal of the traditional roles assigned to God and humankind, a comical denouncement of the terror of death. On the Way to Death follows Sitting in the Earth and Laughing and How to Tell God From the Devil to complete A. Roy Eckardt's trilogy on comedy, the devil, and God. Soren Kierkegaard attests that "it is only by the deepest suffering that one acquires true authority in the use of the comic". Composed within this frame of reference, the foundation of this volume is its analysis of the terror of death for human beings. In this context, Eckardt maintains that the all-decisive truth is that humankind never asked to be, but has been thrown into existence. Accordingly, it is immoral - or even diabolical - to blame human beings for the terrible evils of life, including the specter of death. Human beings are proximately responsible for evil, but never ultimately responsible.
JPS is proud to reissue Cohen and Mendes-Flohr’s classic work, perhaps the most important, comprehensive anthology available on 20th century Jewish thought. This outstanding volume presents 140 concise yet authoritative essays by renowned Jewish figures Eugene Borowitz, Emil Fackenheim, Blu Greenberg, Susannah Heschel, Jacob Neusner, Gershom Scholem, Adin Steinsaltz, and many others. They define and reflect upon such central ideas as charity, chosen people, death, family, love, myth, suffering, Torah, tradition and more. With entries from Aesthetics to Zionism, this book provides striking insights into both the Jewish experience and the Judeo-Christian tradition.
The work includes many of Dr. Eckardt's own fanciful stories, essays, and verses as well as material derived from student malapropisms, from children, and from professional humorists and comedians. Appearing at a time of burgeoning scholarly and popular interest in the domain of humor, Sitting in the Earth and Laughing shows how humor and laughter lie within the realm of human mysteries--together with tragedy, suffering, and love--that can be comprehended and relished.
In Blind Men and Elephants, Arthur Asa Berger uses case histories to show how scholars from different disciplines and scholarly domains have tried to describe and understand humor. He reveals not only the many approaches that are available to study humor, but also the many perspectives toward humor that characterize each discipline. Each case history sheds light on a particular aspect of humor, making the combination of approaches of considerable value in the study of social research. Among the various disciplines that Berger discusses in relation to humor are: communication theory, philosophy, semiotics, literary analysis, sociology, political science, and psychology. Berger deals with these particular disciplines and perspectives because they tend to be most commonly found in the scholarly literature about humor as well as being those that have the most to offer. Blind Men and Elephants covers a wide range of humor, from simple jokes to the uses of literary devices in films. Berger observes how humor often employs considerable ridicule directed at diverse groups of people: women, men, animals, politicians, African Americans, Jews, Catholics, Protestants, gay people, straight people, and so forth. The book also explains the risk factor in ridicule as a humorous device. Blind Men and Elephants depicts how one entity or one situation can be viewed in as many different ways as the number of people studying it. Berger also shows how those multiple perspectives, the Rashomon Effect, can be used together to create a clearer understanding of humor. Blind Men and Elephants is a valuable companion to Berger's recent effort about humor, An Anatomy of Humor, and will be enjoyed by communication and information studies scholars, sociologists, literary studies specialists, philosophers, and psychologists.
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