The collected short fiction of America’s leading dramatist of the 20th century in a Penguin Classics Deluxe Edition Though best known for creating some of the greatest dramas of the twentieth century, Arthur Miller was also a master of the short story. Initially published in prestigious venues like the New Yorker, the Atlantic, and Esquire, his fiction constitutes a fascinating and indispensable portion of his life’s work. Presence: Collected Stories revives and reintroduces these masterly works, making available in one volume stories previously scattered across various collections. Here, as in his best plays, Miller pulls apart the threads of American life with tender humanism and unmatched psychological realism. These stories build on the landscape of Miller’s drama, of Broadway dives and Brooklyn shipyards where businessmen, writers, bums, and blue-collar workers struggle for self-worth. This vital collection celebrates not just the Miller we know through his most often-performed plays, but the whole of his astounding depth as an artist. For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.
“Miller takes his rightful place in The Library of America with this volume.” —Library Journal (starred review) In the inaugural volume of its collected edition of Miller’s plays, The Library of America gathers the works from the 1940s and 1950s that electrified theatergoers and established Miller as one of the indispensable voices of the postwar era. Among the plays included are All My Sons, the story of an industrialist confronted with his moral lapses during World War II; Death of a Salesman, the wrenching tragedy of Willy Loman’s demise; The Crucible, at once a riveting reconstruction of the Salem witch trials and a parable of McCarthyism; and A View from the Bridge, Miller’s tale of betrayal among Italian immigrants in Brooklyn, presented here in both the original one-act and revised two-act versions. This volume also contains the intriguing early drama The Man Who Had All the Luck, the first of Miller’s plays to be produced on Broadway, along with his adaptation of Ibsen’s An Enemy of the People, the autobiographical one-act A Memory of Two Mondays, and Miller’s novella The Misfits, based on the screenplay he wrote for Marilyn Monroe. LIBRARY OF AMERICA is an independent nonprofit cultural organization founded in 1979 to preserve our nation’s literary heritage by publishing, and keeping permanently in print, America’s best and most significant writing. The Library of America series includes more than 300 volumes to date, authoritative editions that average 1,000 pages in length, feature cloth covers, sewn bindings, and ribbon markers, and are printed on premium acid-free paper that will last for centuries.
Written in 1945, "Focus" was Arthur Miller's first novel and one of the first books to directly confront American anti-Semitism. It remains as chilling and incisive today as it was at the time of its controversial debut. As World War II draws to a close, anti-Semitism is alive and well in Brooklyn, New York. Here, Newman, an American of English descent, floats through a world of multiethnic neighborhoods indifferent to the racism around him. That is, until he begins wearing glasses that render him "Jewish" in the eyes of others, making him the target of anti-Semitic persecution. As he and his wife find friendship and support from a Jewish immigrant, Newman slowly begins to understand the racial hatreds that surround him. "A strong, sincere book bursting with indignation." ("The New York Times Book Review")
The greatest American dramatist of our age." (Evening Standard) In this collected works, five of Arthur Miller's most-produced and popular plays are brought together in a new edition, alongside an exclusive introduction by Ivo van Hove, the celebrated contemporary director of Miller's works. All five plays were written by Miller within a ten-year period which began with his first Broadway hit, All My Sons, in 1947 which led Brooks Atkinson of the New York Times to state that 'theatre has acquired a genuine new talent.' This was followed in 1949 by his exploration of the American Dream in Death of a Salesman, which went on to win the Tony Award for Best Play and the Pulitzer Prize for Drama. The Crucible followed in 1953, produced during the McCarthy era and becoming a parable of the witch-hunting practices of a government determined to root-out Communists. A View from the Bridge, originally performed in 1955, concerns the lives of longshoremen in the Brooklyn waterfront and has remained one of Miller's most produced plays. Originally presented as a one-act companion piece to A Memory of Two Mondays, both plays explore the dreams and working lives of ordinary Americans in the early decades of the 20th century. Freshly edited and featuring a bold new design, this updated edition of Arthur Miller Plays 1is a must-have for theatre fans and students alike.
The definitive memoir of Arthur Miller—the famous playwright of The Crucible, All My Sons, Death of a Salesman, A View from the Bridge, and other plays—Timebends reveals Miller’s incredible trajectory as a man and a writer. Born in 1915, Miller grew up in Harlem in the 1920s and 1930s, developed leftist political convictions during the Great Depression, achieved moral victory against McCarthyism in the 1950s, and became president of PEN International near the end of his life, fighting for writers’ freedom of expression. Along the way, his prolific output established him as one of the greatest writers of the twentieth century—he wrote twenty-two plays, various screenplays, short stories, and essays, and won the Pulitzer Prize in 1949 for Death of a Salesmanand the New York Drama Critics Circle Award in 1947 for All My Sons. Miller also wrote the screenplay for The Misfits, Marilyn Monroe’s final film. This memoir also reveals the incredible host of notables that populated his life, including Marilyn Monroe, Elia Kazan, Clark Gable, Sir Laurence Olivier, John F. Kennedy, and Mikhail Gorbachev. Leaving behind a formidable reputation in the worlds of theater, cinema, and politics, Arthur Miller died in 2005 but his memoir continues his legacy.
A Penguin Classic This classic collection—the only one-volume selection of Arthur Miller's work available—presents a rich cross section of writing from one of our most influential and humane playwrights, containing in full his masterpieces The Crucible and Death of a Salesman. This essential collection also includes the complete texts of After the Fall, The American Clock, The Last Yankee, and Broken Glass, winner of the Olivier Award for Best Play of 1995, as well as excerpts from Miller's memoir Timebends. An essay by Harold Clurman and Christopher Bigsby's introduction discuss Miller's standing as one of the greatest American playwrights of all time and his importance to twentieth-century literature. For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.
For Arthur Miller's centennial year, The Library of America and editor Tony Kushner present the final volume in the definitive collected edition of the essential American dramatist. Here are eleven masterful, haunting, funny, and provocative later plays, from the double-bill Danger: Memory (1987) to Finishing the Picture (2004), Miller’s final stage work, based loosely on events around the filming of The Misfits, in 1960, with Marilyn Monroe. In between, Miller revisits the perennially rich themes that define his work—the vagaries of fate and chance, the press of public events on private lives—with such plays as The Ride Down Mt. Morgan, The Last Yankee, Broken Glass, Mr. Peters’ Connections, and Resurrection Blues. Also presented in the volume are the early play The Golden Years, about the conquest of Mexico, which Miller revised for its first production in 1987; several shorter one-act plays and never-before-published early works and radio plays; and a selection of Miller’s incisive prose reflections on his art, among them “On Screenwriting and Language” and “About Theatre Language.” LIBRARY OF AMERICA is an independent nonprofit cultural organization founded in 1979 to preserve our nation’s literary heritage by publishing, and keeping permanently in print, America’s best and most significant writing. The Library of America series includes more than 300 volumes to date, authoritative editions that average 1,000 pages in length, feature cloth covers, sewn bindings, and ribbon markers, and are printed on premium acid-free paper that will last for centuries.
To celebrate the centennial of his birth, the collected plays of America’s greatest twentieth-century dramatist in a beautiful bespoke hardcover edition In the history of postwar American art and politics, Arthur Miller casts a long shadow as a playwright of stunning range and power whose works held up a mirror to America and its shifting values. The Penguin Arthur Miller celebrates Miller’s creative and intellectual legacy by bringing together the breadth of his plays, which span the decades from the 1930s to the new millennium. From his quiet debut, The Man Who Had All the Luck, and All My Sons, the follow-up that established him as a major talent, to career hallmarks like The Crucible and Death of a Salesman, and later works like Mr. Peters’ Connections and Resurrection Blues, the range and courage of Miller’s moral and artistic vision are here on full display. This lavish bespoke edition, specially produced to commemorate the Miller centennial, is a must-have for devotees of Miller’s work. The Penguin Arthur Miller will ensure a permanent place on any bookshelf for the full span of Miller’s extraordinary dramatic career. The Penguin Arthur Miller includes: The Man Who Had All the Luck, All My Sons, Death of a Salesman, An Enemy of the People, The Crucible, A View from the Bridge, After the Fall, Incident at Vichy, The Price, The Creation of the World and Other Business, The Archbishop’s Ceiling, The American Clock, Playing for Time, The Ride Down Mt. Morgan, The Last Yankee, Broken Glass, Mr. Peters’ Connections, and Resurrection Blues.
(Applause Books). Conversations with Miller offers a personal and revealing account of one of the major playwrights of our time. Arthur Miller is revealed in deep and candid conversation with the highly regarded dramatic critic, Mel Gussow. In this series of interviews, which took place over 40 years, Miller is astonishingly forthcoming about his creative sources, his accomplishments and his disappointment; about his staunch resistance to the McCarthy witch hunts of the 1950's; about his private life including his five-year marriage to Marilyn Monroe. The result is an intimate portrait of a cultural giant who is both refreshingly down to earth and a fiercely original writer and thinker.
THE STORY: As outlined in Variety: ...the conflict, the basic jealousy and the lifetime of, if not hatred, at least corrosive, though unacknowledged anger, is between two brothers, as well as resentment against a selfish, child-devouring father. The siblin
Listen to the dialogue: no other American dramatist has this feel for the ordinary talk of ordinary people, or the knowledge of what they do. This is more than a writer's craft, it is a psychological and moral openness to humanity, an act not of imitating, but of sharing". Sunday Times This fourth anthology features Arthur Miller's two early plays, The Golden Years, a historical tragedy about Montezuma's destruction at the hands of Cortez, and The Man Who Had All the Luck, a fable about human freedom and individual responsibility, are brought together in this volume. It also features two of his contemporary shorter plays, I Can't Remember Anything and Clara, first presented on a double bill as Danger! Memory. The latter focus on the importance and dangers of remembering the past, while the early plays, written at the time of the Second World War, mark the emergence of a drama in which public issues are rooted in private anxieties and chart the beginning of Miller's career that was one of the most distinguished in dramatic history. First produced in 1944 and revived in London in 2008, The Man Who Had All the Luck is a mesmerising drama in which the author's brilliance and characteristic qualities are already evident: The fourth volume of Miller's plays has been reissued with a new cover and features an introduction by the author and a chronology of his work.
The greatest American dramatist of our age" Evening Standard This fifth volume of Arthur Miller's work contains two plays from the early nineties: his highly acclaimed The Last Yankee (1993), which the Guardian called "a fine and moving play . . . Like all Miller's best work, it effortlessly links private and public worlds by connecting personal desperation to insane American values"; and The Ride Down Mount Morgan (1991), which explores themes of bigamy and betrayal, described as "searching, scorching, harsh but compassionate" (Sunday Times). Also contained in the volume is Almost Everybody Wins, the original version of the screenplay Arthur Miller wrote for Karel Reisz's film, "Everybody Wins".
The greatest American dramatist of our age" - Evening Standard In this second volume of collected works, four of Arthur Miller's stage plays from the sixties and seventies are brought together in a new edition. Taking up the theme of individual responsibility from his earlier work, this volume also contains an introduction from Miller himself, along with two of his screenplays. One of Miller's most personal plays, After the Fall (1964) takes place almost entirely inside the mind of the play's protagonist, who is often read as a stand-in for the playwright himself, and touches on themes of the Holocaust, McCarthyism and inherited sin. This was followed by Miller's largely forgotten masterpiece, Incident at Vichy (1964): a prescient examination of the evil that exists in us all, inspired by a real-life incident in France in which a Gentile gave a Jew his identity pass during a check. The Price followed in 1968, a touching and farcical presentation of American life beyond the Vietnam War and Great Depression, which earned Miller a Tony Award nomination for Best Play. In The Creation of the World and Other Business (1972), Miller offers a comedic retelling of the Book of Genesis, constructing a parable around the theme of good-versus-evil. Also included are two of the playwright's most beloved screenplays: The Misfits, written for and filmed with Marilyn Monroe, and Playing for Time, televised with Vanessa Redgrave. Freshly edited and featuring a bold new design, this updated edition of Arthur Miller Plays 2 is a must-have for theatre fans and students alike.
This comprehensive volume brings together essays by one of the most influential literary, cultural and intellectual voices of our time: Arthur Miller. Arranged chronologically from 1944 to 2000, these writings take the reader on a whirlwind tour of modern history alongside offering a remarkable record of Miller's views on theater. They give eloquent expression to his belief in 'the theater as a serious business, one that makes or should make man more human, which is to say, less alone'. Published with the essays are articles that Miller had written and in-depth interviews he has given. This collection features material from two earlier publications: Echoes Down the Corridor and The Theater Essays of Arthur Miller. It is edited and features a new introduction by Matthew Roudané, Regents Professor of American Drama at Georgia State University. 'Arthur Miller understands that serious writing is a social act as well as an aesthetic one, that political involvement comes with the territory. A writer's work and his actions should be of the same cloth, after all. His plays and his conscience are a cold burning force.' Edward Albee
Reissued with a new jacket to mark the publication of the sixth and final collection of Miller's plays, this volume contains four of the most important and famous plays of the American theatre. All five plays were written by Arthur Miller within a ten-year period which began with his first Broadway hit in 1947: 'With the production of All My Sons, wrote Brooks Atkinson in the New York Times, 'the theatre has acquired a genuine new talent.' This hit was followed by an even greater play: Death of a Salesman. 'A great play of our day', wrote the New York Herald Tribune and the play has gone on to become the classic American tragedy of Willy Loman, a salesman who becomes disillusioned with the American dream. The Crucible (1953) was produced during the McCarthy era and became a parable of the witch-hunting practises of a government rooting out Communists. A View from the Bridge (1955) concerns the lives of longshoremen in the Brooklyn waterfront and has remained one of Miller's most produced plays. A Memory of Two Mondays, a one-act play, was written as a companion piece to A View from the Bridge. 'The greatest American dramatist of our age'. Evening Standard
It's moral vision, as well as the Miller voice, which remains as strong and unrelenting as a prophet's, that distinguish Broken Glass." - The New York Times When Sylvia Gellburg, a young Jewish woman living in Brooklyn, becomes partially paralyzed from the waist down, her husband Phillip is shocked: what could've caused this sudden condition? The answer is Kristallnacht, the horrific, anti-Semitic event occurring halfway around the world. As the Gellburgs reckon with this pogrom and with the breakdown of their own marriage, a terrifying thought emerges: will the Jewish people ever be able to avoid persecution? Broken Glass is one of Miller's most moving and personal works, touching on themes of Jewish identity and anti-Semitism, winning him the Olivier Award for Best New Play in 1994. This Methuen Drama Student Edition is edited by Ambika Singh, and Nupur Tandon, with commentary and notes that explore the play's production history (including excerpts from an interview with director David Thacker,) as well as the dramatic, thematic and academic debates that surround it.
This second volume of Arthur Miller's collected plays opens with After the Fall (1964), his much-anticipated return to the theater after an eight-year hiatus. A tour-de-force exploration of guilt, responsibility, and history, the play opened a window on the playwright's marriage to the late Marilyn Monroe. Incident at Vichy (1964) dramatizes the round-up of Jews in Vichy France in a vivid single act. The Price (1968), a Broadway hit, follows two brothers, a successful surgeon and a struggling policeman, as they figure out how to dispose of their dead father's belongings. The Creation of the World and Other Business (1972) and Up from Paradise (1974) treat characteristically grand themes in uncharacteristically comedic and musical forms. The American Clock (1974) is a "vaudeville" about the Depression years, while The Archbishop's Ceiling (1977), set in a room in Soviet-era Prague that may or may not be bugged, is a meditation on trust and betrayal. The tele-play Playing for Time (1980) tells the story of the Women's Orchestra of Auschwitz. Here, too, are several shorter one-act plays and sketches-among them The Reason Why (1970), published for the first time-along with a selection of Miller's introductions and other writings about his plays. LIBRARY OF AMERICA is an independent nonprofit cultural organization founded in 1979 to preserve our nation’s literary heritage by publishing, and keeping permanently in print, America’s best and most significant writing. The Library of America series includes more than 300 volumes to date, authoritative editions that average 1,000 pages in length, feature cloth covers, sewn bindings, and ribbon markers, and are printed on premium acid-free paper that will last for centuries.
The Pulitzer Prize-winning tragedy of a salesman’s deferred American dream Ever since it was first performed in 1949, Death of a Salesman has been recognized as a milestone of the American theater. In the person of Willy Loman, the aging, failing salesman who makes his living riding on a smile and a shoeshine, Arthur Miller redefined the tragic hero as a man whose dreams are at once insupportably vast and dangerously insubstantial. He has given us a figure whose name has become a symbol for a kind of majestic grandiosity—and a play that compresses epic extremes of humor and anguish, promise and loss, between the four walls of an American living room. "By common consent, this is one of the finest dramas in the whole range of the American theater." —Brooks Atkinson, The New York Times "So simple, central, and terrible that the run of playwrights would neither care nor dare to attempt it." —Time
Reclams "Fremdsprachen-Lektüreschlüssel" folgen dem bewährten Aufbau- und Darstellungsprinzip der Lektüreschlüssel zur deutschen Literatur. Sie beziehen sich auf den fremdsprachigen Originaltext (wenn möglich in Reclams Roter Reihe), sind aber auf Deutsch verfasst und unterstützen ebenso die Lektüre der deutschen Übersetzung. Eine "Checkliste" enthält Aufgaben zur Verständniskontrolle in der Fremdsprache. Unter dem Darstellungstext stehen Übersetzungshilfen und Schlüsselbegriffe in der Fremdsprache, um die Bearbeitung dieser Aufgaben und ein fremdsprachiges Referieren über das Werk zu erleichtern. Lektüreschlüssel erschließen einzelne literarische Werke. Um eine Interpretation als Zentrum gruppieren sich 10 wichtige Verständniszugänge: * Erstinformation zum Werk * Inhaltsangabe * Personen (Konstellationen) * Werk-Aufbau (Strukturskizze) * Wortkommentar * Interpretation * Autor und Zeit * Rezeption * "Checkliste" zur Verständniskontrolle * Lektüretipps mit Filmempfehlungen * Raum für Notizen Millers Drama über die Hexenprozesse in Salem Village von 1692, geschrieben und uraufgeführt 1953, auf dem Höhepunkt der McCarthy-Verfolgungen. Bei aller historischen ›Treue‹ geht es um die prinzipielle Befindlichkeit einer Gesellschaft, die unter der Last der ihr aufgezwungenen Normen nicht existieren kann und die selbst zu elementarer Mitmenschlichkeit nicht mehr fähig ist. Dem Theaterstück folgte 1996 eine Hollywoodverfilmung. Miller schrieb das Drehbuch – und übernahm eine Rolle darin.
Often called the most autobiographical of Arthur Miller's plays, After the Fall probes deeply into the psyche of Quentin, a man who ruthlessly revisits his past to explain the catastrophe that is his life. His journey backward takes him through a troubled upbringing, the bitter death of his mother, and a series of failed relationships.
The great play The Crucible exposed the paranoia and suspicion that permeated American society during the Cold War. This collection of essays by Miller reveals the author's thinking, personal peril and despair at that crucial time.
The greatest American dramatist of our age" - Evening Standard In this third volume of collected works, three of Arthur Miller's stage plays from the early 1980s are brought together in a new edition. Expanding on the themes and explorations of his earlier work, this volume also contains an introduction from the playwright himself, as well as an afterword by acclaimed Miller scholar Christopher Bigsby. A sweeping, hard-hitting look at the Great Depression of the 1930s, The American Clock(1982) is a vaudevillian celebration of American resilience and optimism in the face of national crisis, and was later performed on Broadway. Set in an Eastern European capital, The Archbishop's Ceiling (1984), examines the relationship between four writers, and the erosion of personal integrity during the cold war: a thrilling study of the effects of surveillance and political pressure on an individual's actions Also included is a revised version of Two-Way Mirror (1984): a double bill for a man and a woman, consisting of two short plays - Elegy for a Lady and Some Kind of Love Story. These fantastic two-handers explore the nuances in relationships, and have come to be come to be recognised as some sort of coded epitaph to the tumult and tragedy of Miller's marriage to Marilyn Monroe Freshly edited and featuring a bold new design, this updated edition of Arthur Miller Plays 3 is a must-have for theatre fans and students alike.
Fourth volume of plays in the reissued Arthur Miller Collection Arthur Miller's two early plays, The Golden Years, an historical tragedy about Montezuma's destruction at the hands of Cortez, and The Man Who Had All the Luck, a fable about human freedom and individual responsibility, are brought together in this volume together with two of his contemporary shorter plays, I Can't Remember Anything and Clara, first presented on a double bill as Danger! Memory. The latter focus on the importance and dangers of remembering the past, while the early plays, written at the time of the Second World War, mark the emergence of a drama in which public issues are rooted in private anxieties and chart the beginning of Miller's career that has been one of the most distinguished in dramatic history. Miller writes an Introduction to this volume.
A haunting examination of groupthink and mass hysteria in a rural community The place is Salem, Massachusetts, in 1692, an enclave of rigid piety huddled on the edge of a wilderness. Its inhabitants believe unquestioningly in their own sanctity. But in Arthur Miller's edgy masterpiece, that very belief will have poisonous consequences when a vengeful teenager accuses a rival of witchcraft—and then when those accusations multiply to consume the entire village. First produced in 1953, at a time when America was convulsed by a new epidemic of witch-hunting, The Crucible brilliantly explores the threshold between individual guilt and mass hysteria, personal spite and collective evil. It is a play that is not only relentlessly suspenseful and vastly moving but that compels readers to fathom their hearts and consciences in ways that only the greatest theater ever can. "A drama of emotional power and impact" —New York Post
This Student Edition of A Memory of Two Mondays is perfect for students of literature and drama and offers an unrivalled and comprehensive guide to Miller's play. It features an extensive introduction by Joshua Polster which includes a chronology of Miller's life and times, a summary of the plot and commentary on the characters, themes, language, context and production history of the play. Together with over twenty questions for further study and detailed notes on words and phrases from the text, this is the definitive edition of the play. The one-act play A Memory of Two Mondays (1955) is one of Miller's most overtly autobiographical works. It chronicles the playwright at the age of eighteen during the early 1930s when he briefly worked at an auto parts warehouse in New York to save enough money to attend college. More than just autobiographical, the play captures the sociopolitical climate of the Great Depression. It deeply resonates and brings to the surface the cultural concerns and anxieties of the period. The setting, characters, theme, style, structure and language all exemplify the social and economic tensions of the country when it was at its lowest point in the Depression, and when the country, as Miller saw it, needed a sense of hope, endurance, and solidarity. At the same time, the play speaks to the 1950s, when the country was being torn apart by McCarthyism. A Memory of Two Mondays responded to a culture caught in the grip of a Communist hysteria that turned people against each other.
Celebrating the Arthur Miller centennial year, an eye-catching new Penguin Plays edition of the work that established him as a leading voice in the American theater In 1947, Arthur Miller exploded onto Broadway with his first major work, All My Sons, winning both the New York Drama Critics’ Circle Award for Best New Play and the Tony for Best Author. The play introduced themes that would preoccupy Miller throughout his career: the relationships between fathers and sons and the conflict between business and personal ethics. This striking new edition adds All My Sons to the elegant Penguin Plays series—now in beautifully redesigned covers. Joe Keller and Steve Deever, partners in a machine shop during World War II, turned out defective airplane parts, causing the deaths of many men. Deever was sent to prison while Keller escaped punishment and went back to business, making himself very wealthy in the ensuing years. A love affair between Keller’s son, Chris, and Ann Deever, Steve’s daughter; the bitterness of George Deever, who returns from the war to find his father in prison and his father’s partner free; and the reaction of Chris Keller to his father’s guilt escalate toward a climax of electrifying intensity.
The greatest American dramatist of our age" - Evening Standard In this third volume of collected works, three of Arthur Miller's stage plays from the early 1980s are brought together in a new edition. Expanding on the themes and explorations of his earlier work, this volume also contains an introduction from the playwright himself, as well as an afterword by acclaimed Miller scholar Christopher Bigsby. A sweeping, hard-hitting look at the Great Depression of the 1930s, The American Clock(1982) is a vaudevillian celebration of American resilience and optimism in the face of national crisis, and was later performed on Broadway. Set in an Eastern European capital, The Archbishop's Ceiling (1984), examines the relationship between four writers, and the erosion of personal integrity during the cold war: a thrilling study of the effects of surveillance and political pressure on an individual's actions Also included is a revised version of Two-Way Mirror (1984): a double bill for a man and a woman, consisting of two short plays - Elegy for a Lady and Some Kind of Love Story. These fantastic two-handers explore the nuances in relationships, and have come to be come to be recognised as some sort of coded epitaph to the tumult and tragedy of Miller's marriage to Marilyn Monroe Freshly edited and featuring a bold new design, this updated edition of Arthur Miller Plays 3 is a must-have for theatre fans and students alike.
The third volume of Miller's plays reissued with a new jacket in the Methuen Drama World Classics series to coincide with the publication of the sixth and final volume of his plays. Plays: 3 contains three of Miller's great stage plays from the late seventies and early eighties. The American Clock is a study of the effects of The Great Depression on American society and the values which helped it survive. The Archbishop's Ceiling, set in a former Archbishop's palace in an Eastern European capital, examines the relationship between four writers, and the erosion of personal integrity in East and West. With the threat of the secret police having bugged the room, the play provides a thrilling study of the effects of surveillance and political pressure on an individual's actions. Produced by the RSC at the Barbican in 1986, it was described as a 'gripping, thrilling play . . . the best of the RSC's current excellent season' (Sunday Times). A revised version of Two-way Mirror, a double bill for a man and a woman, consisting of two short plays - Elegy for a Lady and Some Kind of Love Story - completes the volume. The volume is introduced by the author and features an afterword by Christopher Bigsby.
A new Penguin Plays edition of the forgotten classic that launched the career of one of America’s greatest playwrights It took more than fifty years for The Man Who Had All the Luck to be appreciated for what it truly is: the first stirrings of a genius that would go on to blossom in such masterpieces as Death of a Salesman and The Crucible. This striking new edition finally adds Miller’s first major play to the Penguin Plays series—now in beautifully redesigned covers. Infused with the moral malaise of the Depression era, this parable-like drama centers on David Beeves, a man before whom every obstacle to personal and professional success seems to crumble with ease. But his good fortune merely serves to reveal the tragedies of those around him in greater relief, offering what David believes to be evidence of a capricious god or, worse, a godless, arbitrary universe. David’s journey toward fulfillment becomes a nightmare of existential doubts, a desperate grasp for reason in a cosmos seemingly devoid of any, and a struggle that will take him to the brink of madness.
This will help us customize your experience to showcase the most relevant content to your age group
Please select from below
Login
Not registered?
Sign up
Already registered?
Success – Your message will goes here
We'd love to hear from you!
Thank you for visiting our website. Would you like to provide feedback on how we could improve your experience?
This site does not use any third party cookies with one exception — it uses cookies from Google to deliver its services and to analyze traffic.Learn More.