Literary Nonfiction. The twenty-five essays in OBLIGATIONS OF THE HARP are by turns wry and satirical, sensually descriptive, playfully punning--but always nuanced and illuminating. Reference points range from Kobe Bryant to John Updike, from geology to Jewish ritual. One essay is a fanciful treatment of the history of the human cannonball; another provides a deeply humane and humorous account of preparing middle-schoolers for History Day. Varied in topic and tone, Saltzman consistently revels in and re-imagines the mysterious quirks of human behavior. The award-winning essay, "Reason Not the Need," for example, links the seemingly random care behind what we choose to save from a fire to Saltzman's personal soft-spot for cafeteria jelly packets, "with the heft and suppleness of a small toad resting squat in your palm," to the plundering of the Iraqi National Museum of Antiquities. "Hard-wired for wonder and for worry," Saltzman is a truly original mind alive to the artful accidents and patterns of the social, natural, and human worlds.
Saltzman reveals figuration to be both inevitable and inevitably unreliable, and he illustrates how these writers treat this condition not as an impasse but as a point of departure - indeed, as an artistic mandate and creative opportunity.".
Literary Nonfiction. Lyrical, witty, and elegiac, the twenty-five essays in NEARER show the imagination at work and play amid the ambiguities, consternations, and beauties of the world. They range in subject matter from confrontations with magnitude (God, death, and the physical universe) to examinations of the compact, coiled insistences to be found in the ordinary and the local--what John Updike refers to as "the small answer of a texture." There are meditations on the appeals and the pitfalls of celebrity, the strange and complex nature of memorials, the threat of creeping fraudulence in personal and professional life, the place and possibility of faith, and the damage that settling for "whatever" can do.
Saltzman reveals figuration to be both inevitable and inevitably unreliable, and he illustrates how these writers treat this condition not as an impasse but as a point of departure - indeed, as an artistic mandate and creative opportunity.".
This text contains the same material as in the first part of Strategic Management tenth edition, but with the addition of a section containing 19 topical strategic management readings.
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