Arthur-Vincent Lourié was a significant Russian composer. Lourié played an important role in the earliest stages of the organization of Soviet music after the 1917 Revolution but later went into exile. His music reflects his close connections with contemporary writers and artists, and also his close relationship with Igor Stravinsky. Lourié gives a biographical sketch of Sergei Koussevitzky, with a chronicle of the musical life of his time as its setting, solely because the fifteen years during which they knew each other bound them together with the combined memories of so many important events, experienced simultaneously, though perhaps in a different way, and for ever unforgettable. From the author; 'What I have written is not a criticism nor a jubilee offering, but only, as I understand it, the objective testimony of one musician concerning another; the testimony of a friend and contemporary in regard to a period in which we met on a common path and in which we took an active part, each according to his abilities.
A painstakingly researched portrait of Stroheim's genius on both sides of the camera and his failed quest to triumph over the Hollywood system"--P. [4] of cover.
Since the late 1800s, Boston has been a trendsetter in the development of the movie business. It was here that many of the earliest public showings of moving images took place and the name nickelodeon first appeared on a storefront theater. In 1896, B.F. Keith added film to his Washington Street theater, then throughout his national chain of vaudeville houses. In 1914, Boston's Modern became the country's first theater with an installed sound projection system. Several years later, the city had its first movie palace: Marcus Loew's Orpheum. A magnet for theater architects, Boston became a center for elegant movie houses, including the Metropolitan, Keith Memorial, and Paramount. Thanks to civic leaders and academic institutions, many of Boston's theaters have been preserved and restored and are alive and well today.
Born eighty years ago in Lithuania, Czeslaw Milosz has been acclaimed "one of the greatest poets of our time, perhaps the greatest" (Joseph Brodsky). This self-described "connoisseur of heavens and abysses" has produced a corpus of poems, essays, memoirs, and fiction of such depth and range that the reader's imagination is moved far beyond ordinary limits of consciousness. In The Poet's Work Leonard Nathan and Arthur Quinn follow Milosz's wanderings in exile from Poland to Paris to Berkeley as they chart the singular development of his art. Relating his life and his works to the unfolding of his thought, they have crafted a lucid reading of Milosz that far surpasses anything yet written on this often enigmatic poet. The Poet's Work is not only a solid introduction to Milosz; it is also a unique record of the poet's own interpretations of his work. As colleagues of Milosz at Berkeley, Nathan and Quinn had long, detailed discussions with the poet. It is this spirit of collaboration that brings a sense of immediacy and authority to their seamless study. Nathan and Quinn reveal as never before why Milosz is a true visionary, a poet of ideas in history. And they show how the influence of Blake, Simone Weil, Dostoevsky, Lev Shestov, and Swedenborg, together with Henry Miller, Allen Ginsberg, and Robinson Jeffers, has enriched his vision. Milosz's lifelong experience of totalitarian regimes that exalt science and technology over individual needs and aspirations, his acute sense of alienation as an migr , and his humanistic zeal and belief in the primacy of living have brought a prismatic quality to his poetry. At seventy, Milosz spoke of himself as an "ecstatic pessimist." In their sensitive mapping of his art, Nathan and Quinn skillfully demonstrate that Milosz's global influence has been achieved by the ever-shifting balance he strikes between ecstasy and pessimism. Irony and humor are never far from this book, which not only communicates Milosz's polyphonic message but also evokes his uniquely humane sensibility. The Poet's Work is an illuminating introduction to Milosz that will inform and engage scholars and general readers for years to come.
This book is over 660 pages and lists all 513 ships of the Union navy that were actively involved in the Civil War. It includes over 160 illustrations and gives highlights of each ships major engagements. A MUST for all Civil War buffs.
From its 1703 foundation by Peter the Great in a swampy war zone to its leading role in overthrowing Soviet power and bringing Russia into the twenty-first century, St Petersburg has undergone several transformations. Virtually commanded into existence by Peter the Great, the inherent artifice of St Petersburg has made it one of the world's most storied cities – the stage for political and artistic dreamers. As such, it had a leading role in nineteenth-century cultural life, but with the Russian Revolution of 1917 its glorious history descended into violence and bloodshed. During the Second World War, Leningrad suffered further atrocities in the form of a horrific Nazi siege. Yet it has remained rich in cultural, intellectual and architectural history. It has been home to greats such as Dostoevsky, Tchaikovsky and Nijinsky – figures who were gifted with great creativity and passion, and who were often dissatisfied with Russian traditions. These characters are explored by the author, together with the beguiling physical appearance of the city – canals, bridges, promenades and palaces – but the most lively writing hones in on the interplay between power and intellect, reaction and reform. Arthur George brings to life a St Petersburg steeped in a tumult of war, revolution and aesthetics, and shows it rising from the ashes to help lead Russia on the path to modernisation.
Arthur Hartmann (1881-1956), a celebrated violinist who performed over a thousand recitals throughout Europe and the United States, met Claude Debussy in 1908, after he had transcribed "Il pleure dans mon coeur" for violin and piano. Their relationship developed into friendship, and in February 1914 Debussy accompanied Hartmann in a performance of three of Hartmann's transcriptions of Debussy's works. The two friends saw each other for the last time on the composer's birthday, 22 August 1914, shortly before Hartmann and his family fled Europe to escape the Great War. With the publication of Hartmann's memoir "Claude Debussy as I Knew Him", along with the twenty-two known letters from Claude Debussy and the thirty-nine letters from Emma Debussy to Hartmann and his wife, the richness and importance of their relationship can be appreciated for the first time. The memoir covers the years 1908-1918. Debussy's letters to Hartmann span the years 1908-1916, and Emma (Mme) Debussy's letters span the years 1910-1932. Also included are the facsimile of Debussy's Minstrels manuscript transcription for violin and piano, three previously unpublished letters from Debussy to Pierre Lou�s, and correspondence between Hartmann and B�la Bart�k, Nina Grieg, Alexandre Guilmant, Charles Martin Loeffler, Marian MacDowell, Hans Richter, and Anton Webern, along with Hartmann's memoirs on Loeffler, Ysa�e, Joachim and Grieg. Samuel Hsu is a pianist and Professor of Music at Philadelphia Biblical University. He completed his Ph.D. in Historical Musicology at the University of California at Santa Barbara in 1972 with a dissertation on Debussy. Sidney Grolnic has been a librarian in the Music Department of the Free Library of Philadelphia for over twenty years and serves as curator of the library's Hartmann Collection. Mark Peters has recently received his Ph.D. in Historical Musicology at the University of Pittsburgh; his dissertation was on J. S. Bach's sacred cantatas to texts by Mariana von Ziegler.
This e-book features the complete text found in the print edition of Dangerous Work, without the illustrations or the facsimile reproductions of Conan Doyle's notebook pages. In 1880 a young medical student named Arthur Conan Doyle embarked upon the “first real outstanding adventure” of his life, taking a berth as ship’s surgeon on an Arctic whaler, the Hope. The voyage took him to unknown regions, showered him with dramatic and unexpected experiences, and plunged him into dangerous work on the ice floes of the Arctic seas. He tested himself, overcame the hardships, and, as he wrote later, “came of age at 80 degrees north latitude.” Conan Doyle’s time in the Arctic provided powerful fuel for his growing ambitions as a writer. With a ghost story set in the Arctic wastes that he wrote shortly after his return, he established himself as a promising young writer. A subsequent magazine article laying out possible routes to the North Pole won him the respect of Arctic explorers. And he would call upon his shipboard experiences many times in the adventures of Sherlock Holmes, who was introduced in 1887’s A Study in Scarlet. Out of sight for more than a century was a diary that Conan Doyle kept while aboard the whaler. Dangerous Work: Diary of an Arctic Adventure makes this account available for the first time. With humor and grace, Conan Doyle provides a vivid account of a long-vanished way of life at sea. His careful detailing of the experience of arctic whaling is equal parts fascinating and alarming, revealing the dark workings of the later days of the British whaling industry. In addition to the transcript of the diary, the e-book contains two nonfiction pieces by Doyle about his experiences; and two of his tales inspired by the journey. To the end of his life, Conan Doyle would look back on this experience with awe: “You stand on the very brink of the unknown,” he declared, “and every duck that you shoot bears pebbles in its gizzard which come from a land which the maps know not. It was a strange and fascinating chapter of my life.” Only now can the legion of Conan Doyle fans read and enjoy that chapter.
This thoughtful book offers a widely accessible account of the recent economic collapse and crisis, emphasizing the deep nexus of economic inequality, undemocratic power, and leave-it-to-the-market ideology at its root. Based on their understanding of the origins of the crisis, the authors propose a program for reform that is equally dependent on poppular action and changes in government policy.
What is a fugue? What is the difference between a saxophone and a saxhorn? Who besides Puccini wrote an opera called La Boheme? In what year, was the National Broadcasting Company Orchestra formed under Arturo Toscanini's direction? These and thousands of similar questions are answered in this comprehensive dictionary that remains unrivaled as a single-volume summary. A New Dictionary of Music is a basic reference work for anyone interested in music, whether performer or layman.It covers orchestral, solo, choral and chamber music, opera, and (in its musical aspects) the ballet. There are entries for composers (with biographies and details of compositions); works well known by their titles, such as operas and symphonic poems; orchestras, performers and conductors of importance today; musical instruments (including those of the dance and brass bands); and, technical terms. English names and terms are used whenever possible, but foreign terms in general use are cross-referenced. Particular importance has been attached to bringing the reader abreast of new musical developments.The composers and musical works chosen were those most likely to be encountered. Where an opera is given an entry, a brief explanation of the title follows. Similarly explication is provided for other works bearing literary or otherwise allusive titles. Among performers and conductors, only the following are included: those who, although dead, continue to be prominent through recorded performances (e.g. Gigli); the highest-ranking international artists of today, plus a very few apparently on the verge of attaining that rank; and, a few who, though not necessarily at the very head of their profession, are closely associated with composers in bringing out new works, or are conductors in charge of important orchestras.
Arthur-Vincent Lourié was a significant Russian composer. Lourié played an important role in the earliest stages of the organization of Soviet music after the 1917 Revolution but later went into exile. His music reflects his close connections with contemporary writers and artists, and also his close relationship with Igor Stravinsky. Lourié gives a biographical sketch of Sergei Koussevitzky, with a chronicle of the musical life of his time as its setting, solely because the fifteen years during which they knew each other bound them together with the combined memories of so many important events, experienced simultaneously, though perhaps in a different way, and for ever unforgettable. From the author; 'What I have written is not a criticism nor a jubilee offering, but only, as I understand it, the objective testimony of one musician concerning another; the testimony of a friend and contemporary in regard to a period in which we met on a common path and in which we took an active part, each according to his abilities.
Handbook of Neurological Sports Medicine: Concussion and Other Nervous System Injuries in the Athlete presents techniques for diagnosis and treatment of head-related injuries to enable medical professionals to provide the best care possible. Authored by a respected team of neurosurgeons, including highly regarded concussion researcher Julian Bailes, this evidence-based reference offers expert guidelines for managing these serious injuries. A strong focus is placed on concussion due to the risk involved with this common injury. The text outlines how to recognize, assess, and treat concussions, preparing practitioners to calmly respond to athletes who are exhibiting signs of this dangerous condition. It also reviews the biomechanics and pathophysiology at the core of concussions to better understand their clinical presentations. Critical return-to-play guidelines and participation recommendations for patients with preexisting neurological conditions or structural lesions arm medical professionals with the principles needed for making appropriate decisions for athletes’ safety. The text explains the roles of pharmacological management, natural treatment approaches, rehabilitation strategies, and education. In addition, chapters provide coverage of postconcussion syndrome, subconcussion, and second-impact syndrome. Handbook of Neurological Sports Medicine also takes a look at other traumatic injuries, including injuries to the cervical, thoracic, and lumbar spine, and the soft tissue and fascia within the spinal unit. It provides an overview of peripheral nervous system injuries to ensure medical professionals understand those serious and potentially career-ending issues, reviews facets of optimal response with suspected or proven spinal injury, and discusses the evaluation and management of athletes with non-concussion-related headaches and heat illness or heatstroke. The text includes additional features to address issues surrounding critical injuries: • Guidance on developing an action plan for athletic events prepares first responders for emergency situations. • A review of cases of interest provides examples of situations that can—and do—occur. • Medicolegal considerations educate practitioners about negligence, standard of care, and proximate cause. • More than 150 photos and illustrations offer visual support to further explain the injuries. The evaluation and management of sport-related neurological injuries have matured at an unprecedented rate. Handbook of Neurological Sports Medicine is a critical resource for all who encounter and treat neurological injuries, providing the foundation for the clinical decisions that all athletic medical practitioners must make to give their patients the best treatment possible. Continuing education credits and units may also be earned based on the subject matter in this book. Explore online CE course options in Human Kinetics’ Continuing Education store.
With the end of the Cold War, the death of Communism, and the decline of Socialism, what are the primary issues, ideologies, and parties that now structure politics? Melzer, Zinman, and Weinberger have compiled essays from prominent experts to examine the politics of the past to help plot the political future. The first half of the volume addresses OIdentity PoliticsO and OBig GovernmentO and their respective places in the shaping of the United States political environment since the end of the Cold War. The second half of the volume focuses on the political climate in Western Europe, Russia, India, and China.
Written by two leading chiropractic authorities, this Third Edition helps the reader understand, assess, diagnose, and treat whiplash injuries (cervical acceleration/deceleration syndrome). The text reviews the developmental anatomy and underlying anatomy associated with the syndrome and examines biomechanics related to whiplash. In addition, the book covers assessment techniques including clinical radiographic examinations such as MRI and CT.
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